My partner Amanda and I are part of Medingeâs presence at Dutch Design Week this year.
Since Medinge couldnât celebrate our 20th anniversary due to COVID-19, some of our Dutch members, helped by many others, took the opportunity to get us into the event, which is virtual this year.
We had done a lot of work on Generation Co earlier in 2020, thanks to a load of Zoom meetings and emails. This takes things even further, but builds on it. The programme can be found here, and is titled âPutting the Planet First: a New Orientationâ.
The description: âInstead of thinking about the 3Psâyour challenge is to adopt a new perspective. Always put Planet first. Then people. Then profit.â
After signing up for free, you can head into our virtual rooms.
From the page: âOnly 21/10/2020, 10:00â13:00 lectures and livestreams from members of the Medinge Think Tank: a group of brand experts and visionaries from around the world whose purpose is to influence business to become more humane and conscious in order to help humanity progress and prosper. With international speakers who have worked on these rights and bring in the perspective from indigenous people who co-exist with the rivers.â
On Tuesday the 21st at 10 a.m. CET is Amandaâs presentation on the Whanganui River, which was given the rights of a legal person in legislation enacted in March 2017.
Amanda worked at the Office of Treaty Settlements at the time, so this is really her talk. I just set the laptop on the table, with a microphone generously lent to me by my friend Brenda Wallace. Then I edited it in video-editing software with all the skill of an amateur.
But thatâs the year of COVID-19 for you.
The way the talk came about was in discussion in 2019 with my colleagues at Medinge Group. The concept of legal rights on natural resources and indigenous rights came up, as did the case of the Whanganui River, which is known beyond our shores.
They had no idea Amanda worked on it, and proudly I mentioned her role.
From then on she was part of the programme, and it all came together last Friday.
In the talk, youâll see me on a much lower chair than her, propped up by a bag of rice that slowly sags as the recording wears on.
Thereâs only so much furniture at her Dadâs studio but it was the most comfortable place we could think of for the filming.
More important are the contents of her talk, which I thoroughly recommend. She worked really hard on the responses over a few weeks to make sure it was thoroughly rigorous.
Itâs followed by a talk from my good friend and colleague Sudhir John Horo. Pop over, itâs going to be a really eventful day in virtual Eindhoven.
My last post implied that I ego-surfed and found a Wikipedia chat entry about me, but thatâs not the case. I was searching for information on how to remove a system-protected font from Windows 10, and seeing as I often post solutions to obscure technical issues on here, I had hoped I recorded my how-to last time. The libel posted by some Australian Wikipedia editor came up during that search.
Once upon a time, Microsoft didnât care if you removed system fonts, but at some point, it began protecting Arial, whose design, for reasons Iâve gone into elsewhere, Iâve always considered compromised. There was one stage where you could replace Arial with something else called Arial, and as I had a licence for a very, very old Agfa version of Helvetica (do people remember CG Triumvirate?!), I decided to modify its file name to fool Windows into thinking all was well.
The last time Windows did an updateâversion 1909âI had to resort to a safe-mode boot and taking control of the font files as admin, but I really could not remember the specifics. The problem is that when you install the ânewâ Arial, the existing roman one is used by quite a few applications, and you donât really replace itâyour only solution is to delete it.
With version 2004, safe mode is quite different, and the command prompt and Powershell commands I knew just didnât cut it. I realize the usual solution is to go into the registry keysâIâve used this one for a long, long timeâand to remove or modify the references to the offending fonts at HKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Windows NT\CurrentVersion\Fonts. Iâve also used the HKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Windows NT\CurrentVersion\FontSubstitutes key to make sure that Helvetica does not map on to Arial (in fact, I make sure Arial maps on to Helvetica). Neither actually works in this case; they are ignored, even bypassed by certain programs. And, really, neither deletes the file; they just attempt to have Windows not load them, something which, as I discovered, doesnât prevent Windows from loading them.
By all means, use these methods, but be prepared for the exception where it doesnât work. The claim that the methods âdeleteâ the fonts is actually untrue: they remain in C:\Windows\Fonts.
The other methods that do not work are altering the equivalent keys under WOW6432node (which get intercepted and directed from the 32-bit keys anyway), using an elevated command prompt to delete the files (at least not initially), or doing the same from safe mode (which is very different now, as safe mode is in the same resolution and the Windows\Fonts folder displays as it does in the regular modeâso you cannot see the files you have to remove). You cannot take ownership of the font files through an elevated Powershell (errors result), nor can you do this from safe mode. Nothing happens if you delete FNTCACHE.DAT from the system32 directory, and nothing happens if you delete ~fontcache files from the Local directory.
What was interesting was what kept calling arial.ttf in the fontsâ directory even after âmyâ Arial was loaded up. The imposter Arial loaded in most programs, but for the Chromium-based browsers (Vivaldi, Edge), somehow these knew to avoid the font registry and access the font directly. This was confirmed by analysing the processes under Process Monitor: sure enough, something had called up and used arial.ttf. This Wikihow article was a useful lead, getting us to delete the fonts under the Windows\WinSxS folder, and showing how to take ownership of them. I donât know if altering these ultimately affected the ones inside Windows\Fonts, but I followed the instructions, to find that the original Arial was being accessed by three programs: Vivaldi, Keybase, and Qt Qtwebengineprocess. I shut each one of these down and removed the Arial family.
Reboot: it was still there. Then it hit me, and I posted the solution in the Microsoft Answers forum (perhaps inadvertently prompting a Microsoft programmer to make things even harder in future!). Another user had told me it was impossible, but I knew that to be untrue, since it had been possible every other time.
The solution is pretty simple: since you canât see the full Windows\Fonts directory with Windows Explorer, then I needed another file manager.
Luckily, I had 7zip, which I opened as an administrator. It allowed me to go into the folder and view all its contents, not just the fonts called up under HKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Windows NT\CurrentVersion\Fonts, which we know is not an accurate representation of the fonts being used by the system. From there I could finally delete the offending four fonts without changing the ownership (which makes me wonder if the Wikihow advice of changing the owner under Windows\WinSxS wound up affecting the Windows\Fonts files). Once again, I had to close Keybase, Vivaldi and Qt Qtwebengineprocess.
It took from c. 4 p.m., when my desktop PC updated to v. 2004 (my laptop had been on it for many weeks; soon after its release, in fact) to 2 a.m., with a break in between to cook and eat dinner. Iâm hoping those hours of having typographic OCD helps others who want to have a font menu where they determine what they should have. Also, user beware: donât delete stuff that the system really, really needs, including an icon font that Windows uses for rendering its GUI.
Using Google as a last resortâexcept this search, which I did again as an illustration, now displays in CG Triumvirate rather than Arial. Normally, Google is a big Arial user (Arial and sans-serif are in the CSS specs) and Chromium browsers are all too happy to circumvent the registry-registered fonts and go straight into your hard drive.
Jack Yan is not a notable typeface designer. He has never laid a hand on mouse or trackball to operate a font editing application. He tells some graphic designer employees of his what he wants them to draw with software, and has them do all the work of drawing and solving all the design problems involved in creating and designing a typeface and its fonts. As a professional typeface designer myself, Yan’s involvement in type design and font production does not qualify him as a typeface designer. Not even close.
The user is called James Arboghast, whom Iâve never heard of in any of my years in the type design business.
Now, you can argue whether Iâm notable or not. You might not even like my designs. But given that Arboghast has such a knowledge of our inner workings, then maybe it would suggest that I am?
Based on the above, which is libellous, let me say without fear of committing the same that, in this instance, Mr Arboghast is a fantasist and a liar.
Iâve no beef with him outside of this, but considering that I was the first typeface designer in this country to work digitallyâso much so that Joseph Churchward, who is indisputably notable, came to me 20 years ago to see if we could work togetherâthere were no âgraphic designer employeesâ around who had the skills. At least none that I knew of when I was 14 years old and deciding which bitmaps to light up on an eight-by-eight grid.
There were still no such people around when I began drawing stuff for submission to ITC, or when I began drawing stuff that I digitalized myself on a hand-held scanner. I certainly couldnât afford employees at age 21 when I asked my Mum to fork out $400 to buy me a really early version of Fontographer. And there were still no such people around when I hand-kerned 1,000 pairs into my fonts and did my own hinting. Remember, this was pre-internet, so when youâre a young guy in Wellington doing this work in isolation, you had to know the skills. I might even have those early drawings somewhere, and not that long ago I found the maths book with the bitmap grid.
If I didnât know about the field then I certainly would have been found out when the industry was planning QuickDraw GX and I was one of the professional typeface designers advising on the character sets, and if I didnât know how to solve design problems, then the kerning on the highway signsâ type in this country would not comply with NZS. (The kerning is terrible, incidentally, but government standards are government standards. It was one of those times when I had to turn in work that I knew could be far, far better.) I’d also have been seriously busted by my students when I taught the first typeface design course in New Zealand. Every single retail release we have has been finished by me, with all the OpenType coding done by me. All the alternative characters, all the ligatures, all the oldstyle numerals and accented characters in languages I canât begin to fathom. Latin, Cyrillic and Greek. Iâve tested every single font weâve released, whether they are retail or private commissions.
The only time a team member has not been credited in the usual way was with a private commission, for a client with whom I have signed an NDA, and that person is Jasper Luki, a very talented young designer with whom I had the privilege to work at the start of his career in the 2010s.
The fact that people far, far more famous than me in the type field around the world, including in his country, come to me with contract work might suggest that, if Iâm not notable, then Iâm certainly dependable.
And people wonder why I have such a low opinion of Wikipedia, where total strangers spout opinions while masquerading as experts. The silver lining is that writing the above was a thoroughly enjoyable trip down memory lane and a career that Iâm generally proud of, save for a few hiccups along the way.
I havenât read the full judgement of the Land Rover Defender case, where Jaguar Land Rover sought to protect the shape of the original Defender under trade mark law, to prevent Ineos from proceeding with the Grenadier.
According to Bloomberg, as reported in Automotive News, âThe judge upheld the findings by the IP Office that while differences in design may appear significant to some specialists, they âmay be unimportant, or may not even register, with average consumers.ââ
On the face of it, this would appear to be a reason for upholding JLRâs claimâbut the Indian-owned Midlands car maker seems to have muddled the cause of action it was supposed to have taken. Iâve already taken issue with its inability to protect the L538 Range Rover Evoque shape in China under that countryâs laws, and while that judgement was eventually overturned in JLRâs favour, the company could have saved itself a great deal of stress had it filed its registration in time. It had been ignorant of Chinese law and wasted time and resources pursuing Ford Motor Company affiliate Landwind for its Range Rover Evoque clone, the X7. I sense Landwind could have afforded the ultimate fine.
Here I think arguing copyright might have been a better method. The Land Rover Station Wagon shape hails from 1949, and with 75 yearsâ protection, the company is covered till 2024. You donât need to show a registration, and the onus of proof, once objective similarity is found, is on the defendant. That test of objective similarity, unlike that in trade mark, is not based on what the average consumer thinks, but on what specialists think. And the scenes Ă faire doctrine has been adopted by precedent in the UK.
Maybe that was the game plan all along: to fail here, and to proceed using copyright later. Iâm sure the plaintiff knows this. Now, armed with the judgementâs findingsâthat the differences are insignificantâ Jaguar Land Rover can pursue a copyright claim using these as evidence.
To me, the Grenadier is sufficiently similar. Some point to the Puch G as another source of inspiration but I canât see it. And since a court has ruled that they canât see it, either, then Jim Ratcliffe and Ineos had better not break out the champagne just yet.
I hadn’t expected this reply Tweet to get so many likes, probably a record for me.
I knew my parents couldnât afford The Lettering Book, so I went without, which forced me to create my own typeface designs. Later I became the first digital typeface designer in this country.
It is true. That book was NZ$4·99 in 1979, when it was offered through the Lucky Book Club at school, at a time when many books were still priced in cents. Some kids in the class got it, and I admit I was a bit envious, but not having a book in an area that interested you can drive creativity. While my parents didn’t make a heck of a lot in the 1970sâwe flatted and didn’t own our own car at this pointâthey would have splashed out if I really insisted on it. After all, they were sending me to a private school and their sacrifice was virtually never going out. (I only recall one night in those days when my parents had a “date night” and my maternal grandmother looked after meâand that was to see Superman II.) But when you grow up having an understanding that, as an immigrant family that had to largely start from scratch in a new country, you have a rough idea of what’s expensive, and five bucks for a book was expensive.
As an adultâeven when I was a young man starting out in my careerâI did not regret not having this book.
Someone in the thread asked if I ever wound up buying it. I never did: as a teenager I managed to get my hands on a very worn Letraset catalogue, which ultimately proved far more interesting. But it is good to know that, thanks in large part to my parents’ and grandmother’s sacrifices, and those in my partner’s family who helped her in her earlier years, we could afford to buy this book if anyone in our family asks for it.
Were we fleeing anything when we came to Aotearoa? We left Hong Kong in 1976 because my parents were worried about what China would do to the place. In other words, what’s happening now is what they hoped for me to avoid. They called it, in the 1970s. And here I am.
For a while, weâve been thinking about how best to facelift the Lucire website templates, to bring them into the 2020s. The current look is many years old (Iâve a feeling it was 2016 when we last looked at it), which in internet terms puts this once-cutting edge site into old-school territory.
But whatâs the next step? When I surf the web these days, so many websites seem to be run off one of several templates, and there arenât many others out there. After you scroll down past the header, everything more or less looks the same: a big single-column layout with large type.
I know we have to make things responsive, and we havenât done this properly, by any means. The CSS will have to be reprogrammed to suit 2020s requirements. But I am reminded of when we adopted many of the practices online publishers do today, except we did them nearly two decades ago.
Those of you who have been with us a long time, and those who might want to venture into the Wayback Machine, might know that we provided âappsâ for hand-held devices even then. We offered those using Palm Pilots and the like a small, downloadable version of the Lucire news pages. We had barely any takers.
Then Bitstream (if I recall correctly) came out with tech that could reduce pages to a lower resolution and narrower pixel width so those browsing on smaller devices could do so, and those of us publishing for larger monitors no longer needed to do a special version.
So that was the scene 20 years ago. Did apps, no one cared; and eventually tech came out that rendered it all unnecessary. It’s why I resisted making apps today, because I keep expecting history to repeat itself. I can’t be the only one with a memory of the first half of the 2000s. As a non-technical person, I expect thereâd be something like that Bitstream technology today. Maybe there is. I guess some browsers have a reader mode, and thatâs a great idea. And if we want to offer that to our readers, it canât be too hard to find a service that we can point modern smartphone users to, and they can browse all sites to their heartsâ content.
Except I know, as with so many tech things, that it isnât that easy, that in fact itâs all so much harder. Server management hasnât become easier in 2020 compared with 2005, all as the computing industry loses touch with everyday people like me who once really believed in the democratization of technology and bridging the digital divide.
Back to the templates. I wrote on NewTumbl yesterday, âRemember when we could surf the web pretty easily and find amazing new sites, and creative web designs, as people figured out how best to exploit this medium? These days a lot of websites all look the same and thereâs far less innovation. Have we settled into what this mediumâs about and thereâs no need for the same creativity? Iâm no programmer, so I canât answer that, but it wasnât that long ago we could marvel at a lot of fresh web designs, rather than see yet another site driven by the same CMS with the same single-column responsive template. Or people just treat a Facebook page or an Instagram feed as their âwebsiteâ, and to heck with making sure itâs hosted on something they have control over.â
And thatâs the thing: I havenât visited any sites that really jumped out at me, that inspires me to go, âWhat a great layout idea. I must see if I can do something similar here.â My very limited programming and CSS design skills arenât being challenged. This is a medium that was supposed to be so creative, and when I surf, after finding a page via a search engine, those fun moments of accidental discovery donât come any more. The web seems like a giant utilitarian information system, which I suppose is how its inventor conceived it, but I feel it could be so much more. Maybe the whole world could even get on board a fair, unbiased search engine, and a news spidering service that was current and didnât prioritize corporate media, recognizing that stories can be broken by independents. Because such a thing doesnât really exist in 2020, even though we had it in the early 2000s. It was called Google, and it actually worked fairly. No search engine with that brand name strikes me as fair today.
I am, therefore, unsure if we can claim to have advanced this medium.
That was an interesting day in cellphone land. I collected the Meizu M6 Note from PB last Friday and switched it on for the first time in the small hours of Tuesday.
I originally wasnât pleased. I had paid NZ$80 for a warranty repair (there is provision under the Consumer Guarantees Act 1993 in some circumstances) and was told at the service counter that all that was performed was a factory reset, followed by a weekâs testing. In other words, what I had originally done, twice, before bringing the phone in. I replied that that was not going to work, and was told by the PB rep that maybe I shouldnât have so many apps open. Conclusion: a newer phone is far less capable than an older one.
But he wasnât the technician, and as I discovered, Joe had done more than a mere factory reset. When I switched the phone on, it was back to square one, like the day I bought it, complete with Google spyware. I wasnât thrilled about this, but it suggested to me that the ROM had been flashed back to the beginning.
Meizuâs factory resets donât take you right back to factory settings, not if you had rooted the phone and removed all the Google junk.
To his credit, this was a logical thing to do. However, within 10 minutes it developed a fault again. The settingsâ menu would not stay open, and crap out immediately, a bit like what the camera, browser, and gallery had done at different times. All I had done up to this point was allow some of the apps to update, and God knows what Google was doing in the background as messages for Play and other programs flashed up in the header. The OS wanted to update as well, so I let it, hoping it would get past the bug. It didnât.
So far, everything was playing out exactly as I had predicted, and I thought I would have to head to PB and point out that I was taking them up on the three months they guarantee their service. And the phone was warranted till December 2020 anyway. Give me my money back, and you can deal with Meizu for selling a lemon.
However, I decided I would at least try for the umpteenth time to download the Chinese OS, and install it. Why not? Joe had given me a perfect opportunity to give this another shot, and the phone appeared unrooted. The download was painfully slow (I did the same operation on my older Meizu M2 Note out of curiosity, and it downloaded its OS update at three to four times the speedâcan we blame Google for slowing the newer phone down?) but eventually it got there. The first attempt failed, as it had done countless times before. This was something that had never worked in the multiple times I had tried it over the last 18 months, and I had drawn the conclusion that Meizu had somehow locked this foreign-market phone from accepting Chinese OSs.
I tried again.
And it worked. A fluke? A one-off? Who knows? I always thought that in theory, it could be done, but the practice was entirely different.
It took a while, but I was astonished as the phone went through its motions and installed Flyme 8.0.0.0A, killing all the Google spyware, and giving me the modern equivalent of the Meizu M2 Note from 2016 that I had sourced on Ebay from a Chinese vendor.
I may be speaking too soon, but the settingsâ bug disappeared, the apps run more smoothly, and as far as I can tell, there is no record of the phone having been rooted. I had a bunch of the APKs from the last reset on the SD card, so on they went.
Meizu synced all contacts and SMSs once I had logged in, but there was one really annoying thing here: nothing from the period I was running the western version of the phone appeared. The messages prior to December 2018 synced, plus those from the M2 Note during June while the M6 was being serviced.
It appears that the western versions of these apps are half-baked, and offer nothing like the Chinese versions.
With any luck, the bugs will not resurfaceâif they donât, then it means that the readâwrite issues are also unique to the western version of the M6 Note.
Iâve spent parts of today familiarizing myself with the new software. There are some improvements in presentation and functionality, while a few things appear to have retrograded; but overall, this is what I expect with a phone thatâs two years newer. There should be some kind of advance (even little things like animated wallpapers), and with the western version, other than processor speed and battery life, there had not been. It was 2016 tech. Even the OS that the phone came back with was mid-decade. This is what the western editions are: out of date.
The only oddity with the new Chinese Flyme was the inability to find the Chinese version of Weibo through Meizuâs own Chinese app storeâonly the foreign ones showed up on my search, even though the descriptions were all in simplified Chinese.
These mightnât have been the developments that Joe at PB expected but if things remain trouble-free, that NZ$80 was well worth spending to get a phone which, for the first time in its life, feels new. The other lesson here is to avoid western-market phones if you donât find the Chinese language odd. I had already made enquiries to two Aliexpress sellers to make sure that they could sell me a non-western phone, ready to upgrade. Hopefully that wonât need to happen.
Next week: letâs see if I can shoot some video and have that save without killing the gallery, the bug that kicked all of this off.
The mouse quest continues. After going through all of PBâs listings and coming up shortânothing (at least with listed dimensions) matched or came close to the size and shape of the Microsoft Intellimouse 1.1âI returned to Aliexpress for another look. This Tecknet mouse might be the right one, but itâs hard to say till I try it out. For around NZ$20 weâll soon know.
Iâve bought mice from Guangdong vendors on Aliexpress before, and even have one I regularly take with me when I travel, but it doesnât have the side buttons, which Iâve become accustomed to. When youâre spoiled, itâs hard to go backâeven though I have three mice here without those extra buttons which might be totally adequate size- and shape-wise. Iâll report back when the new mouse arrives. Here’s hoping this will be large enough for my handsâand if it is, Tecknet could well get a lot of business from many of us in the same boat who don’t wish to subscribe to the current trend of tiny computer mice.
How I had such high hopes that the Microsoft Intellimouse Pro Special Edition bought at NoĂ«l Leeming would be a successor to my Intellimouse 1.1. The short version: it isnât.
It might be a successor to the Intellimouse Explorer 3 on which the shape is modelled, but for those of us who prefer symmetrical mice, because the higher right-hand side supports your hand better, it literally was a pain.
There are only some counterfeit ones going for a decent price on Ebay, and I really should have snapped up more of the second-hand ones when I had a chance. The mice now at Recycling for Charity are, like all those reasonably priced ones in shops today, tiny. I imagine mice from the early 2000s aren’t even getting recycled any more, since it’s 2020 and the “old” stuff is from last decadeâafter the manufacturers began to shrink them.
Asus did a good job with its ROG Strix Evolve which I bought three months ago, but I find that the absence of tapering at the front and the overall tightness of the buttons didnât serve me that well.
The Intellimouse 1.1 is back here as my reserve, and the Asus is on the mouse pad. It took all of a few seconds at my desk to know that Microsoftâs revived Intellimouse wasnât rightâand one wonders why they couldnât just keep making something that worked so well for so many of us.
I was lucky to get the similarly shaped Microsoft Laser Mouse 6000 five years ago, a dead-stock mouse made in 2005 that had been sitting at Corporate Consumables. In between the properly sized Microsoft miceâthree in total, including my first in 2002âI had all manner of other types but nothing was as comfortable.
When you go to some websites selling mice, they tell you that you can hold their product like a âclawâ, as if that is a positive attribute. Once again we see the need for humans to adapt to technology, rather than the other way round. I can see why one might need to do this given how mice have shrunk. If your handâs like a claw, then you may be the modern equivalent of the Chinese women who had their feet bound in the 20th century. You may feel that is the fashion, but you need not live with it.
I did it. On Saturday night I reset my Meizu M6 Note again, the second time in eight days, taking it back to factory settings. Except this time I didnât load Whatsapp or Signal. Two days later, my phone remains OK.
I suggested to PB that it may have developed a readâwrite fault, as deleting photos from the internal memory takes minutes (if it ever completes), which the warranty should cover. It also would explain why the gallery, camera and the downloadsâ folder wouldnât load properly, since they each tried to access the internal storage. I also had difficulty restoring my SMSs with SMS Backup, with the operation crapping out before completingâthough strangely, today, the SMSs are back without any intervention from me.
But it also wouldnât surprise me one bit if Whatsapp wasnât compatible with Android 7 nowâInstagram never was, not fully. To save a load of time I wonât be putting messaging apps back on there. I lost a second evening to this and Iâm not keen on losing more.
There are two up sides: I donât need to get a new phone, and if I did, I finally found a vendor on Aliexpress whoâll sell a Chinese-spec Meizu. No more of these western editions: they are less reliable, with a less well stocked app store, and you canât update the OS. You have to root them to get rid of the Google spyware. I may stick with Meizu but I really wonât be buying domestically again.
Out of curiosity, why do people visit Autocade? We havenât had a big jump in visits with COVID-19 (contrary to some other motoring sites), as I imagine encyclopĂŠdias arenât as fun as, say, AROnline, where at least you can reminisce about the British motor industry that was, back in the day when Britain had a functioning government that seemed terrible at the time when no one could imagine how much worse it could get. Obviously we havenât had as many new models to record, but are they the reason people pop by? Or are the old models the reason? Or the coverage of the Chinese market, which few Anglophone sites seem to do? If you are an Autocade fan reading this, please feel free to let us know why in the comments.
One moan about Facebook. Go on.
Sometimes when I pop inâand that remains rarelyâand look at the Lucire fan page, Iâll spot an automated Tweet that has appeared courtesy of IFTTT. Itâs had, say, no views, or one view. I think, âSince there have been no real interactions with this bot entry, maybe I should delete it and feed it in manually, because surely Facebook would give something that has been entered directly on to its platform better organic reach than something that a bot has done?â
With that thought process, I delete it and enter the same thing in manually.
Except now, as has happened so many times before, the page preview is corruptedâFacebook adds letters to the end of the URL, corrupting it, so that the preview results in a 404. This is an old bug that goes back yearsâI spotted it when I used Facebook regularly, and that was before 2017. Itâs not every link but over the last few weeks there have been two. You then have to go and edit the text to ask people, âPlease donât click on the site preview because Facebook is incapable of providing the correct link.â Now youâre down some views because people think youâve linked a 404. Not everyoneâs going to read your explanation about Facebookâs incompetence. (Once again, this reminds me why some people say I encounter more bugs there than othersâI donât, but not everyone is observant.)
This series of events is entirely counterintuitive because it means that bot activity is prioritized over actual activity on Facebook. Bot activity is more accurate and links correctly. And so we come back to the old, old story I have told many times about Facebook and bots and how the platform is bot city. In 2014, I rang the alarm bells; and I was astonished that in 2019 Facebook claims it had to delete over 5,400 million bot accounts. You should have listened to me then, folksâunless, of course, bots are part of the growth strategy, and of course they are.
So, when feeding in links, remember this. Facebook: friendly to bots, not to humans. Itâs probably not a bad way to approach their site anyway.
Iâve looked at my May blogging stats going back a decade (left sidebar, for those on the desktop skin) and itâs always quieter. I blog less. I wonder why this is. The beginning of hibernation? The fact that less interesting stuffâs happening in late autumn as the seasons change?
