Archive for the ‘design’ category


The Asus FX504 is far better than reviewers think

22.01.2019





Top: The new laptop, just unboxed. Centre: Publicity shots at strange angles. Above: The specs, as told by Windows.

When I think about it, I’ve gone through quite a lot of laptops over the years. The first this century (as there was an Apple II-compatible that I used for some months in the 1980s, though I think we called them portable computers back then) was a Dell, ordered online, costing over NZ$3,000 in 2001. That laptop, which is still alive (at least when plugged into the mains), ran Windows Me and I was surprised to see just how small a screen I was prepared to put up with. This was back in the day when I was the only person at the airport lounge with a device; now the opposite is true as I don’t always wish to be glued to a screen.
   There was a HP–Compaq in 2004 that was used by one of my team, and I later inherited it, running it into the ground with a motherboard failure by 2009. I took delivery of an Asus after that (that unit’s still with us, too, now running Ubuntu and plugged into the television), and was impressed by Windows Vista. In my opinion, it didn’t deserve the bad rap that it got. A Lenovo G570 bought off a charity was next, a friend having installed a 250 Gbyte SSD within, so it wasn’t as clunky as you might have expected.
   The laptops I disliked were the Compaq and the Lenovo, since they weren’t bought for me at the outset, and never really suited my requirements. Today I took delivery of an Asus FX504GD from Just Laptops, with a 240 Gbyte SSD within coupled to a 1 Tbyte conventional hard drive for data. It’s running an Intel Core i7-8750H with six cores, 16 Gbyte of RAM, and an Nvidia GeForce GTX1050 with 4 Gbyte, and a full HD IPS display. It wasn’t my first choice but Just Laptops discovered a fault while testing that laptop, and recommended this one. I could have had a refund if I chose. The service, I should note, was excellent, especially since I was buying the computer sight unseen, and Des at Just Laptops made sure I was posted about every single stage of the transaction, from the work he had to do and when the laptop got to the courier.
   Of course the review is positive so far, since it’s only hours out of the box. I haven’t trialled it without the laptop being plugged in to the mains, so I can’t give a report on the supposedly poor battery life. But I have definitely noticed more positives than reviewers have let on, though admittedly the FX504s many of them tested weren’t as highly specced. It seems there are some real budget models overseas.
   For a start, the SSD gives decent speeds. I’ve had no issues with the viewing angles on the display; in fact, the type renders beautifully, and while it’s not a match for 4K, it’s still respectable in 2019. In fact, the GTX1050 does a very good job and ClearType works even better here than on my desktop machine (though this could well be down to the smaller 15·6-inch screen). I haven’t even changed the Microsoft default font, Segoe UI, because it actually looks pleasant here. The plastic chassis is fine, since I’ve put up with that on the majority of my laptops. One negative, and this is where I concur with reviewers, is the fan noise, which can be loud when the computer is under a heavier load. I don’t play games but it handles the layout, font editing and photo-editing work that I do, and the fast processor makes life so much more tolerable when I’m on the go away from the office. I’ve found that buying machines destined for gamers helps considerably with the type of work I do.
   The lit keyboard is reasonably good to type on, though generally I dislike chiclet keys. (I had once hoped that the chiclet trend would vanish by the time I had to replace the first Asus; it still hasn’t happened.) The lights turned out to be quite handy in less than ideal conditions in my lounge as opposed to my office. Even though I have long owned a gaming keyboard (a Cooler Master Quickfire TK) where I can turn on the lights, I’ve never seen the need to. I bought that because I make fewer errors with mechanical keyboards; and yes, typing on the FX504 isn’t as much of a joy. Still, it isn’t as bad as typing on many other laptops.
   Finally, I get a decent numeric keypad on a laptop, and the key layout is superior to that on the Quickfire. My other gripe is that I can’t tell when num lock is on.
   The unit feels robust (hence Asus’s TUF moniker, apparently standing for The Ultimate Force, which sounds like a science film narrated by Prof Stephen Hawking—points for those who know the origin of this joke). For someone like me who will use this laptop on the go, it’s good to know that it will stand up to a few knocks, even if I do look after it in a nice case. It doesn’t have the red lines on the case (which might appeal to younger gamers, but not to a middle-aged man).
   Annoyingly, though you can’t have everything, there is no optical drive, something which had once been a non-negotiable. But when I saw the specs and the deal Des was willing to do, that seemed secondary. I could always pick up a separate DVD drive which my partner and I could share, since she found herself sans drive in 2017 when she bought her Asus. If I have to be honest with myself, I only needed that drive a couple of times a year.
   Asus also put every port on the left apart from a Kensington lock on the right: not necessarily the decision I would have made if I were designing, since it would make sense to me to have some things plugged in to the right as well. Once I add, say, a Vodafone USB stick when I’m somewhere without readily available internet, having all the USB ports on a single side could get old really quickly.
   It didn’t take long to install the software that I had licences for, and, importantly, the fonts now match my desktop computer’s. The exercise that did take long tonight was taking everything off the Lenovo, since it didn’t come with installation discs (neither did this Asus, incidentally, which could be problematic five or six years down the line as I had to reinstall the OS on the previous one). I make so many changes to my computers that undoing them, and returning the font menu to stock, don’t bring me much joy. It’s the customizing that’s fun, not taking off the alloys and leather seats.
   Come February there’ll be two laptops for sale as the old Asus and Lenovo will head on to Trade Me. The latter is still acceptable as a workhorse thanks to its SSD, though you may need to be a masochist to buy the former. I feel I’ve future-proofed for a few years now, with a laptop that should suit my working needs.

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Posted in China, design, New Zealand, technology | 2 Comments »


Meizu’s made it harder to switch OSes and root the M6 Note—at least I managed the latter

01.12.2018


Above: If phones were sentient beings, it probably is a bit mean to have the old phone take a photo of its successor.

After a drop to the ground (and by that I mean the hard floor at the local Pak ’n’ Save) produced lines on the screen of my old Meizu M2 Note, I decided to upgrade to the M6 Note. The familiarity of the Flyme interface was one big reason, though it’s only now, after 12 hours of fiddling, that I’m only slightly happy with how it all went.
   The experience was quite unlike the previous purchase, which went incredibly smoothly. The trouble seems to stem from Meizu offering a New Zealand-specific version of the M6 Note, model M721L.
   Why didn’t I buy it from a Chinese vendor like last time (when there were no New Zealand retailers)? It seems that all the Ebay vendors were selling global editions of the phone, too, so for the sake of a few dollars, I wanted the support of a local vendor. If there wasn’t much difference between a global phone and a Kiwi one, should it matter? After all, this phone is on Flyme 6·1·4·1G (G for global), and according to one page on the Meizu forums, all I needed to do was download a Chinese Flyme OS patch and it should upgrade and change accordingly.
   Problem no. 1: it doesn’t work. It might have worked for one user, but every patch I tried (and they take nearly two hours to download from Meizu’s website) ended with a ‘Firmware corrupt’ (if you were lucky to even get an error message) despite the ZIP files all verifying correctly.
   Resigned with the fact I could not turn the M6 Note into a Chinese one, I had to root it to remove the Google bollocks.
   Problem no. 2: Meizu has taken away the easy access to rooting the phone. This method does not work, either, at least not this model. After about six hours, I stumbled on the solution: you can follow the above method but switch your phone to Easy Mode first.
   Once rooted, I began removing anything Google, for reasons followers of this blog know well.
   After downloading the familiar apps, I did encounter some issues. First, the Chinese app store and the global one have different software. Weibo is an international version, for instance. The default music and video apps are much crappier for export, missing the Chinese content (which sometimes included international TV series), and going straight to the local directories.
   We do live in an age where the Chinese versions of software can be better than the western ones. Indeed, it was during my experimenting with my previous Meizu phone that I discovered that Chinese designers were creating more visually pleasing and user-friendly apps than their occidental counterparts, at least among the programs I needed.
   While there’s obviously a jump up in terms of speed (I bought the 64 Gbyte version) images seem to render duller on the screen.
   Then there were the usual problems of photo and music directories from the transferred SD card not appearing in order, which isn’t uncommon.
   While I’ve yet to give the phone the acid test (daily use, taking photos and videos), I haven’t really been wowed by the experience of setting up. It was far easier in 2016, with better results. It’s going to be a useful phone, and I thank Charlotte at PB Technologies Wellington for her advice, but if I had the time, I would have waited till a friend went to China and asked them to bring a Google-free one back.

PS., December 4: Solution to getting the Chinese version of Weibo: since my old phone wasn’t completely dead (and will remain in service as long as the screen holds up), I went to its App Store, which is Chinese, got the URL for Weibo there (through sharing it), visited it on a browser on my new phone, and installed from there.

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Posted in China, design, New Zealand, technology, Wellington | 1 Comment »


The decline continues: Facebook pages no longer accept YouTube links

18.07.2018

Many of you know that I no longer use Facebook for my personal stuff. However, there are still work things to do, although I’ve noticed Facebook pages get more and more useless by the day. Here are the stats for my Facebook page:

   Strangely, I can see the stats on a page that’s not even mine, and for which I have no role:

   And now, you can no longer post links to YouTube videos on to pages. Facebook just gets stuck, trying to ‘import’ the link. I’ve tried this from different accounts and had to give up, opting to upload directly into Facebook, which is probably their (unannounced) plan anyway.

   YouTube’s uploading took ages, too. Or, rather, it took ages to find an uploading link. Dailymotion and Vimeo have, by far, superior interfaces.
   Yet, ladies and gentlemen, these are among the top three websites in the world. You truly have to wonder why, in the face of overwhelming evidence of tracking in one case, and privacy breaches in another.
   Facebook had been pretty hopeless as a traffic referrer anyway, and I wouldn’t be surprised if others woke up to the fact it is worsening as a business platform.

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A three-decade time capsule hanging on my door

15.07.2018

There was an Epson bag hanging from the back of my bedroom door, hidden by larger bags. I opened it up to discover brochures from my visit to a computer fair in 1989 (imaginatively titled Computing ’89), and that the bag must have been untouched for decades.
   I’ve no reason to keep its contents (if you want it, message me before Thursday, as the recycling comes the morning after), but I wanted to make some scans of the exhibitors’ catalogue for nostalgia.
   Let’s start with the cover. It’s sponsored by Bits & Bytes. Kiwis over a certain age will remember this as the computer magazine in this country.

You can tell this is a product of the 1980s by the typesetting: someone couldn’t be bothered buying the condensed version of ITC Avant Garde Gothic, so they made do with electronically condensing Computers and Communications. In fact, they’re a bit light on condensed fonts, full stop, as they’ve done the same with the lines set in Futura.
   While the practice is still around, the typeface choices mark this one out as a product of its time.
   Inside is a fascinating article on the newfangled CD-ROM being a storage medium. Those cuts of Helvetica and Serifa are very 1980s, pre-desktop publishing. It should be noted that Dr Jerry McFaul remained with the USGS, where he had been since 1974, till his retirement. The fashions are interesting here, as is ITC Fenice letting us know that he’s speaking at the Terrace Regency Hotel, a hotel I have no recollection of whatsoever. I can only tell you that it must have been on the Terrace.
   The other tech speakers have a similar look to the visiting American scientist, all donning suits—something their counterparts in 2018 probably wouldn’t today. In fact, the suit seems to be a thing of the past for a lot of events, and I often feel I’m the oldster when I wear mine.
   The article itself makes a strong case for CD-ROM storage, being more space-saving and better for the environment: it’s interesting to know that the ‘depletion of the ozone layer’ was a concern then, though 30 years later we have been pretty appalling at doing anything about it.



   The second article in the catalogue of any note was on PCGlobe, supplied to the magazine on 5¼-inch diskette.
   Bits & Bytes would have run the catalogue as part of the main magazine, and did a larger run of these inner pages, back in the day when printing was less flexible.
   It’s a fascinating look back at how far we’ve come (on the tech) and how far we haven’t come (on the environment). Next year, we’ll be talking about 1989 as ‘30 years ago,’ yet we live in an age where we’re arguing over Kylie Jenner’s wealth. Progress?

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Posted in design, interests, media, New Zealand, publishing, technology, typography, USA, Wellington | No Comments »


Life is precious

11.07.2018

I taught 180 people at tertiary level in 1999–2000.
   Gutted that a second has passed away.
   Most of them were kids when I taught them.
   Lost one to a brain bleed in 2015, just lost another to cancer.
   Look after yourselves out there, and live life to the full. Tell those whom you love that you do.

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Neil Gaiman on JY Integrity on his UK paperbacks

09.07.2018

When Neil Gaiman pays you a compliment about one of your typeface families (JY Integrity, which I designed in 1993), you gratefully accept.

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PS/2 keyboard one way to get your Windows 10 computer back after bricking

10.05.2018


Everybody wants PS2. Still from The Professionals episode ‘Servant of Two Masters’.

I read this article in The Guardian, thinking: surely, after Microsoft rolled out some terrible updates, it wouldn’t be so stupid as to do one that bricks customers’ computers again? Especially after the bug was reported a month ago.
   The April update worked reasonably well, though I lost my wallpaper. But everything else was there, and I was using Vivaldi, which is a Chromium-based browser.
   Then I rebooted.
   That was it: my computer was bricked. The first boot, a very tiny rotating circle eventually appeared, but I couldn’t do anything except move the circle with my mouse. Subsequent reboots just resulted in a black screen—something, I must say, I had already encountered with an earlier Windows update that saw my having to take the PC back to the shop.
   I rebooted the computer three times to force it into recovery mode, but then there was another problem: neither mouse nor keyboard worked. It was as though USB was dead.
   Out of sheer luck I had a PS/2 keyboard that was unused, and after more forced reboots, I was able to use the old keyboard to look at various recovery options. Remember: no input device on USB works, and this was a bug that had surfaced with the last update in February.
   Forget system restore: the April update is a fresh OS, so there are no restore points.
   I had no choice but to roll back to the previous version I had installed.
   And here I am, back again, an hour wasted. It would probably be longer if I didn’t have an SSD.
   Microsoft, get your QC sorted, because this current model you’ve employed over the last few years simply does not work. I have spent more hours on these updates than with any OS you have ever rolled out, and that includes XP Service Pack 3 on a comparatively ancient system.
   And if you get stuck like I do, and like all those in The Guardian’s article did, I hope you still have a way of plugging in a PS/2 device and have an old-school keyboard lying around.

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Happy birthday: Autocade turns 10

07.03.2018


Above: Autocade can be hard work—and sometimes you have to put up less exciting vehicles, like the 2001–7 Chrysler Town & Country, for it to be a useful resource.

March 8, 2018 marks 10 years of Autocade.
   I’ve told the story before on this blog and elsewhere, about how the site came to be—annoyed by the inaccuracies and fictions of Wikipedia (who said the masses would be smart enough to get rid of the mistakes?), I took a leaf out of the late Michael Sedgwick’s book and created a wiki that had brief summaries of each model, the same way Sedgwick had structured his guides. I received an emailed threat from a well known British publisher (I’m looking at you, Haymarket, and as predicted in my reply, your thoughts proved to be totally baseless) when we started, and 12½ million page views later, we’re on 3,628 models (I think we finished the first day on 12), with our page on the Ford Fiesta Mk VII leading the count (other than the home page).
   Autocade began as a wiki but with so many bots trying to sign up, I closed off those registrations. There have really been about six contributors to the site, all told: myself and Keith Adams for the entries, Peter Jobes and Nigel Dunn for the tech, and two members of the public who offered copy; one fed it in directly back in the day when we were still allowing wiki modifications. I thank everyone for their contributions.
   A few years ago, I began running into people online who used Autocade but didn’t know I was behind it; it was very pleasing to see that it had become helpful to others. It also pleased me tremendously to see it referenced in Wikipedia, not always 100 per cent correctly, but as Autocade is the more accurate site on cars, this is the right way round.
   When a New Zealand magazine reviewed us, the editor noted that there were omissions, including his own car, a Mitsubishi Galant. Back then we were probably on 1,000 models, maybe fewer. All the Galants are now up, but Autocade remains a work in progress. The pace of adding pages has declined as life gets busier—each one takes, on average, 20 minutes to research and write. You wouldn’t think so from the brevity, but I want it to be accurate. I’m not perfect, which is why the pages get changed and updated: the stats say we’re running on 3·1 edits per page.
   But it looks like we’re covering enough for Autocade to be a reasonably useful resource for the internet public, especially some of the more obscure side notes in motoring history. China has proved a challenge because of the need to translate a lot of texts, and don’t think that my ethnicity is a great help. The US, believe it or not, has been difficult, because of the need to calculate cubic capacities accurately in metric (I opted to get it right to the cubic centimetre, not litres). However, it is an exciting time to be charting the course of automotive history, and because there are still so many gaps from the past that need to be filled, I have the chance to compare old and new and see how things have moved on even in my four-and-a-half decades on Earth.
   Since Sedgwick had done guides up to 1970, and paper references have been excellent taking us through the modern motor car’s history, I arbitrarily decided that Autocade would focus on 1970 and on. There are some exceptions, especially when model lines go back before 1970 and it would be a disservice to omit the earlier marks. But I wanted it to coincide roughly with my lifetime, so I could at least provide some commentary about how the vehicle was perceived at the time of launch. And the ’70s were a fascinating time to be watching the motor industry: those nations that were confident through most of the 20th century with the largest players (the US and UK) found themselves struggling, wondering how the Japanese, making scooters and motorcycles just decades before, were beating them with better quality and reliability. That decade’s Japanese cars are fascinating to study, and in Japan itself there is plenty of nostalgia for them now; you can see their evolution into more internationally styled product, rather than pastiches of others’, come the 1980s and on. The rise of Korea, Spain, China, India, Turkey, México and other countries as car-exporting nations has also been fascinating to watch. When Autocade started, Australia still had a domestic mass-produced car industry, Chrysler was still owned by Americans, and GM still had a portfolio of brands that included Pontiac and Saturn.
   I even used to go to one of the image galleries and, as many cars are listed by year, let the mouse scroll down the page. You can see periods grouped by certain colours, a sign of how cars both follow and establish fashion. There are stylistic trends: the garishness of smog-era US cars and the more logical efficiency of European ones at the same time; smoother designs of the 1980s and 1990s; a creeping fussiness and a concentration on showing the brand’s identity in the 2000s and 2010s. As some of the most noticeable consumer goods on the planet, cars make up a big part of the marketing profession.
   The site is large enough that I wouldn’t mind seeing an academic look at industry using the data gathered there; and I always thought it could be a useful book as well, bearing in mind that the images would need to be replaced with much higher-resolution fare.
   For now, I’m going to keep on plodding as we commence Autocade’s second decade. The Salon de Genève has brought forth some exciting débutantes, but then I should get more of the Chrysler Town & Country vans up …

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Posted in cars, China, culture, design, globalization, India, internet, marketing, media, New Zealand, publishing, technology, UK, USA, Wellington | No Comments »


The path of least resistance: we humans aren’t discerning enough sometimes

04.02.2018

I came across a thread at Tedium where Christopher Marlow mentions Pandora Mail as an email client that took Eudora as a starting-point, and moved the game forward (e.g. building in Unicode support).
   As some of you know, I’ve been searching for an email client to use instead of Eudora (here’s something I wrote six years ago, almost to the day), but worked with the demands of the 2010s. I had feared that Eudora would be totally obsolete by now, in 2018, but for the most part it’s held up; I remember having to upgrade in 2008 from a 1999 version and wondering if I only had about nine years with the new one. Fortunately, it’s survived longer than that.
   Brana Bujenović’s Pandora Mail easily imported everything from Eudora, including the labels I had for the tables of contents, and the personalities I had, but it’s not 100 per cent perfect, e.g. I can’t resize type in my signature file. However, finally I’ve found an email client that does one thing that no other client does: I can resize the inbox and outbox to my liking, and have them next to each other. In the mid-1990s, this was one of Eudora’s default layouts, and it amazed me that this very efficient way of displaying emails never caught on. I was also heartened to learn from Tedium that Eudora was Apple co-founder Steve Wozniak’s email client of choice (‘The most important thing I use is Eudora, and that’s discontinued’). I’m in good company.
   However, this got me thinking how most users tolerate things, without regard, in my opinion, to what’s best for them. It’s the path of least resistance, except going down this path makes life harder for them.
   The three-panel layout is de rigueur for email clients today—all the ones I’ve downloaded and even paid good money for have followed this. Thunderbird, Mailbird, the oddly capitalized eM. All have had wonderful reviews and praise, but none allow you to configure the in- and outbox sizes. Hiri’s CEO says that’s something they’re looking at but right now, they’re not there, either. Twenty-plus years since I began using Eudora and no one has thought of doing this, and putting the power of customization with the user.
   But when did this three-panel layout become the standard? I can trace this back to Outlook Express, bundled with Windows in the late 1990s, and, if I’m not mistaken, with Macs as well. I remember working with Macs and Outlook was standard. I found the layout limiting because you could only see a few emails in the table of contents at any given time, and I usually have hundreds of messages come in. I didn’t want to scroll, and in the pre-mouse-wheel environment of the 1990s, neither would you. Yet most people put up with this, and everyone seems to have followed Outlook Express’s layout since. It’s a standard, but only one foisted on people who couldn’t be bothered thinking about their real requirements. It wasn’t efficient, but it was free (or, I should say, the licence fee was included in the purchase of the OS or the computer).
   ‘It was free’ is also the reason Microsoft Word overtook WordPerfect as the standard word processor of the 1990s, and rivals that followed, such as Libre Office and Open Office, had to make sure that they included Word converters. I could never understand Word and again, my (basic) needs were simple. I wanted a word processor where the fonts and margins would stay as they were set till I told it otherwise. Word could never handle that, and, from what I can tell, still can’t. Yet people tolerated Word’s quirks, its random decisions to change font and margins on you. I shudder to think how many hours were wasted on people editing their documents—Word can’t even handle columns very easily (the trick was usually to type things in a single column, then reformat—so much for a WYSIWYG environment then). I remember using WordPerfect as a layout programme, using its Reveal Codes feature—it was that powerful, even in DOS. Footnoting remains a breeze with WordPerfect. But Word overtook WordPerfect, which went from number one to a tiny, niche player, supported by a few diehards like myself who care about ease of use and efficiency. Computers, to me, are tools that should be practical, and of course the UI should look good, because that aids practicality. Neither Outlook nor Word are efficient. On a similar note I always found Quattro Pro superior to Excel.
   With Mac OS X going to 64-bit programs and ending support for 32-bit there isn’t much choice out there; I’ve encountered Mac Eudora users who are running out of options; and WordPerfect hasn’t been updated for Mac users for years. To a large degree this answers why the Windows environment remains my choice for office work, with Mac and Linux supporting OSs. Someone who comes up with a Unicode-supporting word processor that has the ease of use of WordPerfect could be on to something.
   Then you begin thinking what else we put up with. I find people readily forget or forgive the bugs on Facebook, for example. I remember one Twitter conversation where a netizen claimed I encountered more Facebook bugs than anyone else. I highly doubt that, because her statement is down to short or unreliable memories. I seem to recall she claimed she had never experienced an outage—when in fact everyone on the planet did, and it was widely reported in the media at the time. My regular complaints about Facebook are to do with how the website fails to get the basics right after so many years. Few, I’m willing to bet, will remember that no one’s wall updated on January 1, 2012 if you lived east of the US Pacific time zone, because the staff at Facebook hadn’t figured out that different time zones existed. So we already know people put up with websites commonly that fail them; and we also know that privacy invasions don’t concern hundreds of millions, maybe even thousands of millions, of people, and the default settings are “good enough”.
   Keyboards wider than 40 cm are bad for you as you reach unnecessarily far for the mouse, yet most people tolerate 46 cm unless they’re using their laptops. Does this also explain the prevalence of Toyota Camrys, which one friend suggested was the car you bought if you wanted to ‘tell everyone you had given up on life’? It probably does explain the prevalence of automatic-transmission vehicles out there: when I polled my friends, the automatic–manual divide was 50–50, with many in the manual camp saying, ‘But I own an automatic, because I had no choice.’ If I didn’t have the luxury of a “spare car”, then I may well have wound up with something less than satisfactory—but I wasn’t going to part with tens of thousands of dollars and be pissed off each time I got behind the wheel. We don’t demand, or we don’t make our voices heard, so we get what vendors decide we want.
   Equally, you can ask why many media buyers always buy with the same magazines, not because it did their clients any good, but because they were safe bets that wouldn’t get them into trouble with conservative bosses. Maybe the path of least resistance might also explain why in many democracies, we wind up with two main parties that attract the most voters—spurred by convention which even some media buy into. (This also plays into mayoral elections!)
   Often we have ourselves to blame when we put up with inferior products, because we haven’t demanded anything better, or we don’t know anything better exists, or simply told people what we’d be happiest with. Or that the search for that product costs us in time and effort. Pandora has had, as far as I can fathom, no press coverage (partly, Brana tells me, by design, as they don’t want to deal with the traffic just yet; it’s understandable since there are hosting costs involved, and he’d have to pay for it should it get very popular).
   About the only place where we have been discerning seems to be television consumption. So many people subscribe to cable, satellite, Amazon Prime, or Netflix, and in so doing, support some excellent programming. Perhaps that is ultimately our priority as a species. We’re happy to be entertained—and that explains those of us who invest time in social networking, too. Anything for that hit of positivity, or that escapism as we let our minds drift.

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Posted in business, cars, culture, design, internet, politics, publishing, technology, USA | 2 Comments »