All galleries can be seen through the ‘Gallery’ link in the header, or click here (especially if you’re on a mobile device). I append to this entry through the month.
Sources
Ford Taunus by Otosan, 1992: more at Autocade.
Tipalet advertisement, sourced from Twitter. Based on what my parents told me, this wouldnât have appealed even then!
Last night, I uploaded a revised website for JY&A Consulting (jya.co), which I wrote and coded. Amanda came up with a lot of the good ideas for itâit was important to get her feedback precisely because she isnât in the industry, and I could then include people who might be looking to start a new venture while working from home among potential clients.
Publishing and fonts aside, it was branding that Iâm formally trained in, other than law, and since we started, Iâve worked with a number of wonderful colleagues from around the world as my âA teamâ in this sector. When I started redoing the site, and getting a few logos for the home page, I remembered a few of the old clients whose brands I had worked on. There are a select few, too, that Iâm never allowed to mention, or even hint at. Câest la vie.
There are still areas to play with (such as mobile optimization)âno new website is a fait accompli on day oneâand things I need to check with colleagues, but by and large what appears there is the look I want for 2021. And hereâs the most compelling reason for doing the update: the old site dated from 2012.
It was just one of those things: if workâs ticking along, then do you need to redo the site? But as we started a new decade, the old site looked like a relic. Twenty twelve was a long time ago: it was the year we were worried that the Mayans were right and their calendar ran out (the biggest doomsday prediction since Y2K?); that some Americans thought that Mitt Romney would be too right-wing for their country as he went up against Barack Obamaâwho said same-sex marriage should be legal that yearâin their presidential election; and Prince Harry, the party animal version, was stripping in Las Vegas.
It was designed when we still didnât want to scroll down a web page, when cellphones werenât the main tool to browse web pages with, and we filled it up with smart information, because we figured the people whoâd hire us wanted as much depth as we could reasonably show off on a site. We even had a Javascript slider animation on the home page, images fading into others, showing the work we had done.
Times have changed. A lot of what we can offer, we could express more succinctly. People seem to want greater simplicity on websites. We can have taller pages because scrolling is normal. As a trend, websites seem to have bigger type to accommodate browsing on smaller devices (having said that, every time we look at doing mobile versions of sites, as we did in the early 2000s, new technology came along to render them obsolete)âall while print magazines seem to have shrunk their body type! And we may as well show off, like so many others, that weâve appeared in The New York Times and CNNâplaces where Iâve been quoted as a brand guy and not the publisher of Lucire.
But, most importantly, we took a market orientation to the website: it wasnât developed to show off what we thought was important, but what a customer might think is important.
The old headingsââHumanistic branding and CSRâ, âBranding and the lawâ (the pages are still there, but unlinked from the main site)âmight show why weâre different, but theyâre not necessarily the reasons people might come to hire us. They still canâbut we do heaps of other stuff, too.
I might love that photo of me with the Medinge Group at la SorbonneâCELSA, but Iâm betting the majority of customers will ask, âWho cares?â or âHow does this impact on my work?â
As consumer requirements change, Iâm sure weâll have pages from today that seem irrelevant, in which case weâll have to get on to changing them as soon as possible, rather than wait nine years.
Looking back over the years, the brand consulting site has had quite a few iterations on the web. While I still have all these files offline, it was quicker to look at the Internet Archive, discovering an early incarnation in 1997 that was, looking back now, lacking. But some of our lessons in print were adoptedâpeople once thought our ability to bring in a print ĂŠsthetic was one of our skillsâand that helped it look reasonably smart in a late 1990s context, especially with some of the limited software we had.
We really did keep this till 2012, with updates to the news items, as far as I can make outâit looks like 2021 wasnât the first time I left things untouched for so long. But it got us work. In 2012, I thought I was so smart doing the table in the top menu, and you didnât need to scroll. And this incarnation probably got us less work.
Thereâs still a lot of satisfaction knowing that youâve coded your own site, and not relied on Wordpress or Wix. Being your own client has its advantages in terms of evolving the site and figuring out where everything goes. Itâs not perfect but thereâs little errant code here; everythingâs used to get that page appearing on the site, and hopefully you all enjoy the browsing experience. At least itâs no longer stuck in the early 2010s and hopefully makes it clearer about what we do. Your feedback, especially around the suitability of our offerings, is very welcome.
Iâm still blocked from seeing my advertising preferences on Facebook on the desktop, the only place where you can edit them, something that has plagued them for years and which theyâre unlikely to fix. I commonly say that Facebookâs databases are âshot to hell,â which Iâve believed for many years, and this is another example of it.
I can, however, see who has uploaded a list containing my private information to Facebook, and this ignominious bunch includes Amazon, Spotify (several subsidiaries), numerous American politicians, and others. Iâve never dealt with Spotify, or the politicians, so goodness knows how they have a list with my details, but to know theyâve been further propagated on to such an inhumane platform is disappointing.
I signed up to one New Zealand companyâs list at the end of December and already theyâve done the same.
This is a sure way for me to ask to cut off contact with you and demand my details be removed. Itâs also a sure way to earn a block of your Facebook page, if you have one.
While weâre on this subject, I notice Facebook claims:
Manage How Your Ads Are Personalized on Instagram
If you use Instagram, you can now choose whether to see personalized ads based on data from our partners. You make this choice in the Instagram app.
Actually, you canât, so thanks for lying again.
The only advertising settings available are âAd Activityâ (which shows the advertisements Iâve recently interacted with, and thatâs a blank list, natch), and âAd Topic Preferencesâ (where you can ask to see fewer ads on the topics of alcohol, parenting or pets). Unless Facebook has hidden them elsewhere on Instagram, this is more BS, just like how they claim theyâll block an account youâve reported. (They used to, but havenât done so for a long time, yet still claim they do.)
My friend Ian Ryder writes, âNo lesser names than Steve Jobs (Apple), Bill Gates (Microsoft), Mark Zuckerberg (Facebook), Kevin Systrom (Instagram) have all taken action to ensure the safety of their own families from some of the dangers technology has created in our society today.â This is pretty telling, isnât it?
Postscript, January 4: I was surprised to receive another email from the company.
It does not appear to be their fault as their email system, from a company called hubspotemail.net, claims I have been removed, yet keeps sending. I won’t file a complaint as it’s obvious that Hubspot is unreliable.
Post-postscript, January 5: My lovely Amanda says these folks aren’t back to work till January 18, so they might not even know about the list being uploaded to Facebook. I should be interested to find out if that’s been automated by Hubspotâin which case anyone using it needs to be aware what it’s doing in their name, and whether it matches what they’re saying in their T&Cs.
Post-post-postscript, January 13: The company has responded even before they’ve gone back to work, and confirmed my details have now been removed. They took it really seriously, which I’m grateful for. The upload function was indeed automated, but they say that with the removal of my details, the Facebook list will also automatically update. Their T&Cs will also be updated, so I say good on them for being genuine and transparent.
If I hadnât mentioned this on Twitter, I might not have had a hunt for it. When I first came to this country, this was how TV1 started each morningâI believe at 10.30 a.m. prior to Play School. I havenât seen this since the 1970s, and Iâm glad someone put it on YouTube.
I had no idea, till I was told on Twitter by Julian Melville, that this was adapted from the National Film Unitâs very successful 1970 Osaka Expo film, This Is New Zealand, which was quite a phenomenon, but before my time here. And I wouldnât have given it any thought if it werenât for American Made airing on TV last weekend, where the RPOâs âHooked on Classicsâ was used in the score, and I got to thinking about Sibeliusâs ‘Karelia Suite’, op. 11, which was contained within that piece. Iâm not sure if our lives were enriched by these interconnected thoughts or whether YouTube and this post have just sucked up more time.
My partner Amanda and I are part of Medingeâs presence at Dutch Design Week this year.
Since Medinge couldnât celebrate our 20th anniversary due to COVID-19, some of our Dutch members, helped by many others, took the opportunity to get us into the event, which is virtual this year.
We had done a lot of work on Generation Co earlier in 2020, thanks to a load of Zoom meetings and emails. This takes things even further, but builds on it. The programme can be found here, and is titled âPutting the Planet First: a New Orientationâ.
The description: âInstead of thinking about the 3Psâyour challenge is to adopt a new perspective. Always put Planet first. Then people. Then profit.â
After signing up for free, you can head into our virtual rooms.
From the page: âOnly 21/10/2020, 10:00â13:00 lectures and livestreams from members of the Medinge Think Tank: a group of brand experts and visionaries from around the world whose purpose is to influence business to become more humane and conscious in order to help humanity progress and prosper. With international speakers who have worked on these rights and bring in the perspective from indigenous people who co-exist with the rivers.â
On Tuesday the 21st at 10 a.m. CET is Amandaâs presentation on the Whanganui River, which was given the rights of a legal person in legislation enacted in March 2017.
Amanda worked at the Office of Treaty Settlements at the time, so this is really her talk. I just set the laptop on the table, with a microphone generously lent to me by my friend Brenda Wallace. Then I edited it in video-editing software with all the skill of an amateur.
But thatâs the year of COVID-19 for you.
The way the talk came about was in discussion in 2019 with my colleagues at Medinge Group. The concept of legal rights on natural resources and indigenous rights came up, as did the case of the Whanganui River, which is known beyond our shores.
They had no idea Amanda worked on it, and proudly I mentioned her role.
From then on she was part of the programme, and it all came together last Friday.
In the talk, youâll see me on a much lower chair than her, propped up by a bag of rice that slowly sags as the recording wears on.
Thereâs only so much furniture at her Dadâs studio but it was the most comfortable place we could think of for the filming.
More important are the contents of her talk, which I thoroughly recommend. She worked really hard on the responses over a few weeks to make sure it was thoroughly rigorous.
Itâs followed by a talk from my good friend and colleague Sudhir John Horo. Pop over, itâs going to be a really eventful day in virtual Eindhoven.
Olivia St Redfern has featured yours truly in her lockdown day 2, part 1 podcast, so I decided to record another response.
It brings to mind something Steve McQueen once said. âIâm not an actor. Iâm a reactor.â As in, he could react to a line from another actor.
Anyone who has seen McQueen in a film, certainly anything post-Blob, would dispute thatâthe king of cool was an excellent actor. But for now, as someone who had avoided doing a podcast for two decades, I âreactâ to Oliviaâs episodes, and recorded a response on Anchor:
At some point I might do an entry independently but considering the first has only had one listen (out of hundreds who might read a blog post of mine), then thereâs not a huge incentive! (Update: that episode has doubled its audience to two.)
History tells us that it took a while for Melrose Place to be seen as more than a 90210 spin-off, for instance. And Joey never managed it post-Friends.
This second one does make one point about working from home. As mentioned before, Iâve been doing this since 1987, so the only difference with the lockdown (and the days leading up to it) is that I donât feel as âspecialâ. But I also know that not everyone is enjoying their work arrangements, such as this British QC:
Day 2 of isolation. Kids coping better than me. Very happy to email anyone who wants it a copy of the essential document I needed to draft this am pic.twitter.com/QptM2ouj6r
I posted my 12 tips for working from home, but when chatting to Amanda today, there might be a bit more to it than that. Maybe thereâs something about oneâs personality that makes working from home easier.
While I have things to do each day, I donât make lists. Iâm more substantive than procedural. In the daytime, I try to answer emails or see to urgent stuff. I almost never do accounts at night: thatâs another daytime pursuit. I know to reserve time to do those but I donât religiously set it to 2 p.m., for instance. The beauty of working from home is flexibility, so why re-create a regimented schedule?
At night I tend to do more creative things, e.g. design and art direction. My work day is extended because I enjoy my work.
My advice to those making the shift is to do away with the lists. Know the direction and get things done as the inspiration hits you. Itâs meant to be calmer than the bustle of office life.
Iâll be interested to read the judgement, should it get to that point: Facebook is being sued over allegedly inflating its audience numbers, and COO Sheryl Sandberg and financial officer David Wehner are also named.
The plaintiff alleges that Facebook has known this for years. The suit dates from 2018 but there are new filings from the lawsuit.
Iâve blogged on related topics for the majority of the previous decade, and in 2014 I said that Facebook had a bot âepidemicâ.
Finally another publication has caught on this, namely the Financial Times. The FT notes something that I did on this blog in 2017: âIn some cases, the number cited for potential audience size in certain US states and demographics was actually larger than the population size as recorded in census figures, it claimed.â Its own 2019 investigation found discrepancies in the Facebook Adsâ Manager tool.
The complaint also says that Facebook had not removed fake and duplicate accounts. Lately Iâve found some obvious fake accounts, and reported them, only for Facebook to tell me that thereâs nothing wrong with them. On Instagram, I have hundreds, possibly thousands, of accounts that I reported but remain current. Based on my user experience, the plaintiff is absolutely correct.
Facebook only solves problems it puts its mind to, and all seem to be bolstering its bottom line. This is something it could have solved, and since itâs plagued the site for the good part of a decade, and it continues to, then you have to conclude that thereâs no desire to. And of course there isnât: the more fakes there are, the more page owners have to pay to reach real people.
Over a decade ago, I know that it cost a small business a decent chunk of money to get an independent audit (from memory, we were looking at around NZ$6,000). Facebook doesnât have this excuse, and that tells me it doesn’t want you to know how its ads actually perform.
As I said many times: if a regular person like me can find a maximum of 277 fakes or bots in a single night, then how many are there? Iâm surprised that not more of the mainstream media are talking about this, given that in 2018 Facebook posted an income of US$22,100 million on US$55,800 million of revenue, 98·5 per cent of which came from advertising. Is this one of the biggest cons out there? Hereâs hoping the lawsuit will reveal something. Few seem to care about Facebookâs lies and erosion of their privacy, but maybe they might start caring when they realize they’ve been fleeced.
Hereâs a cautionary tale found by Lucire travel editor Stanley Moss. His words: âPhotographer Dmitry Kostyukov recently experienced a rich dialogue with an algorithm belonging to a Scandinavian swimwear company. Heâd been auto-mistaken for a Y chromosome, and digitally invited to become a brand ambassador. Dmitry accepted, and received the sample suit of his choice, an influencer name and instructions on how to photograph himself wearing the product. This exposes one facet of what advertising has become, commodified advocacy. Following is the text of his statement about the project, filled with reminders of what today constitutes the new paradigm of product promotion. Caveat emptor.â
In other words, donât leave your marketing in the hands of a program. I havenât followed up with Bright Swimwear, but I hope they’ll run with it, not just to show that they are âprogressiveâ, but to admit that there are limits to how algorithms can handle your brand. (They haven’t yet.)
If the world desires more humanistic branding, and people donât want to feel like just a number, then brands should be more personal. Automation is all right when you need to reach a mass audience with the same message, but cultivating personal relationships with your brand ambassadors would be a must if you desire authenticity. Otherwise, you just donât know the values of those promoting your brand.
Fortunately, I took it in good humour just as Dmitry did and ran the story in Lucire, and you can reach your own conclusions about the wisdom of algorithms in marketing, particularly in brand ambassadorship.
In the early days, banner advertising was pretty simple. By the turn of the century, we dealt with a couple of firms, Burst Media and Gorilla Nation, and we had a few buy direct. Money was good.
This is the pattern today if we choose to say yes to anyone representing an ad network.
I get an email, with, âHey, weâve got some great fill rates and CPMs!â
I quiz them, tell them that in the past weâve been disappointed. Basically, because each ad network has a payment threshold (and in Burstâs case they deduct money as a fee for paying you money), the more ad networks we serve in each ad spotâs rotation, the longer it takes to reach each networkâs threshold. And some networks donât even serve ads that we can see.
They say that that wonât happen, so I do the paperwork and we put the codes in.
Invariably we either see crap ads (gambling and click-bait, or worse: pop-ups, pop-unders, interstitials and entire page takeovers for either) or we see no ads, at least none thatâll pay.
Because we give people a chance we leave the codes there for a while, and that delays the payment thresholds just as predicted.
At the end of the day, itâs âThanks, but no thanks,â because no one really seems to honour their commitments when it comes to online advertising. With certain companies having monopoly or duopoly powers in this market, itâs led to depressed prices and a very high threshold for any new playersâand thatâs a bad thing for publishers. What a pity their home country lacks the bollocks to do something about it.
Every now and then they will feed through an advertisement from Google because of a contractual arrangement they have, and the ad isn’t clickableâbecause I guess no one at Google has figured out that that’s important. (Remember, this is the same company that didn’t know what significant American building is located at 1600 Pennsylvania Avenue NW, Washington, DC on Google Earth, and the way to deal with whistleblowers is allegedly to call the cops on them.)
We deal with one Scots firm and one Israeli firm these days, in the hope that not having American ad networks so dependent on, or affected by, a company with questionable ethics might help things just a little.
On Linkedin, they say you shouldnât connect with people you havenât worked with, although in the early days of the site, there were some of us keen to connect with the âpower connectorsâ, those who had amassed lots of connections. Who knows if they really had worked with that many people? But before we knew much about social media and oneâs regular tribes, some of those numbers looked really appealing. In later years I found myself disconnecting from them to give Linkedin visitors a more accurate picture of who I had actually worked with; and sadly, in some cases, disconnecting from people I really had worked with because I noticed my contact list was getting raided by newer power-connector wannabes.
But hereâs someone I havenât connected with on Linkedin, as I assume he isnât on it (based on a fairly comprehensive search): Thomas Nguyen of Professional Painting & Decorating Ltd. And you know he must be good if heâs wound up getting a blog post about him.
Thomas has been working on my partnerâs rental property, both inside and outside. Heâs proved to be reliable and accommodating. And when another contractorâwho I still donât think knew what he was doingâscrewed up his part of it and walked off the job, we asked Thomas to finish things up, which he and his team did.
So far heâs stuck to his quotes, been very flexible as we asked him to do extra things, and heâs even gone above and beyond in a couple of instances. Heâs taken all feedback on board, too, like a real pro. Even his SMSs are well written!
No surprise heâs received four 100 per cent ratings on No Cowboys.
We checked out some of his earlier work before we hired him, so we arenât one-offs.
Heâs been going for five years and relied on word of mouth to get business. I told him I had a particularly big mouth when it came to Twitter, but a blog post seems less fleeting, and more sincereâwe really do think highly of him. If you need someone in the Wellington area, Thomas and Professional Painting & Decorating Ltd. are highly recommended.
Daniel at Harrisons has looked after us on the carpet front and heâs also proved capable and friendly. Out of the carpet people weâve approached, heâs also been the best, though admittedly you donât have as much contact with the carpet salesâ rep as you do with your painters.