Archive for the ‘publishing’ category


Who is changing Facebook links to affiliate ones?

14.09.2019

I know someone else has come across this before, since there’s a page on it here.
   The very same thing has begun happening on Autocade, whenever the Facebook link is clicked. I’d love to blame Facebook, but I don’t believe it’s them.
   I’ve contacted Sovrn (formerly Viglinks) as the discussion board participants identify them, but ShopStyle may know as it’s their API being used.
   Here’s what I asked ShopStyle tonight, but if anyone has an idea, I’d love to hear it.

I do not know your company, but the Facebook link on one of my sites (http://autocade.net) is being altered to https://api.shopstyle.com/action/apiVisitRetailer?url=https%3A%2F%2Fwww.facebook.com%2Fautocade.net&pid=uid7424-7742368-93&pdata=k0jgi6bfn30122110msza whenever someone clicks on it, and they wind up at https://www.facebook.com/marketplace/deals/?ref=affiliate_external&referral_story_type=daily_deals_rakuten.
   When I go into the source code on our server, the link is correct. The change is happening elsewhere, and I can’t figure out where. From the link and UID I’ve given you, are you able to tell? We do run ads and a Disqus plug-in on our site, as well as a Po.st sharer, if these help narrow down the possibilities.
   I’m sure you’d want to kill the account of whomever is misusing ShopStyle’s APIs to earn referrals.

   Here’s the page I wind up on when I click the link. It has no useful content.

   I’ll report back if I discover more, as there may be a dodgy ad network out there, or Disqus or Po.st aren’t as honest as they used to be. Disqus is clunky anyway, and once we reach a certain payment threshold, we may remove it from all our sites. Autocade was the one place where comments were really good, so it’ll be a shame to lose it.

PS.: After looking through the inspector, it appears to be Disqus, using Viglinks. One has to turn off affiliate links in the Disqus set-up.

P.PS.: Both ShopStyle and Sovrn were really helpful—ShopStyle’s Rasheka even went so far as to include screenshots and links.

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I want to remove a My Business location, but Google won’t let me

23.08.2019

I really should not have wasted my time with Google, as My Business (see yesterday’s post) reminded me just why I don’t use the site—it’s not only the privacy issues, but the fact that things don’t work as advertised, which has always been the case with Google.
   You’ve already seen that it’s impossible for me to add my business’s address to Google My Business. That’s not a huge surprise, since the last time I had Google Earth, they didn’t even know that the White House was at 1600 Pennsylvania Avenue NW, Washington, DC—and that was version 5 of their software. If these folks don’t even know where their own president is, I can’t expect them to deal with Tawa.
   However, we do have an address in Manhattan, so I attempted to add that. After all, it seemed I was verified, or at least close to being verified, so why not get around the existing entry’s non-verification (as it goes through the process of sending a postcard, and, frankly, no one at the office can be bothered—they feel about Google much the same way as I).
   There was no difference: Google still wanted to send a postcard, so I thought I should delete the entry.
   Well, you can’t. There isn’t anything in the documentation that says it’s this hard. Following their own instructions, I delete the location, and nothing happens.


Seems simple enough: Google says I should select ‘Remove location’.


Google wants me to confirm. I click ‘Remove’.


Like a lot of US Big Tech, they make it appear that they’re busy doing something …


… when in fact, nothing is being done.

   Maybe I should go in and edit it, as perhaps Google can’t deal with three businesses called Lucire.
   Good luck with that. I click on the entry and just get taken to a page where I am asked to select an account. I only have one, so I click on it three times, and I get taken back to the My Business home page with the four locations on it.


Clicking on the last entry goes to this page. Click my email address three times, and you’ll go back to the start.

   And ad infinitum. You can attempt to do this as many times as you like, but it is impossible to delete a location, contrary to what Google claims, it is impossible to edit some locations, contrary to what Google claims.
   It’s no wonder the Dashboard was so full of discrepancies because, like Facebook, like Twitter, like Amazon, their databases are probably shot to hell, and nothing works as they say they do. I may be a layman on such subjects but it appears the more they add, the more the house of cards collapses.
   I suspect some of these errors are intentional—we know Google intentionally programs in more pages so they can claim increased page-views to their site (e.g. if you click on an image in the Google image search, they take you to an intermediate page first—10 years ago, they took you straight to the page)—so by offering a website that is SNAFU, you’re forced to increase the page-view count. (Of course, if we do holding pages and forwarding pages to our sites, Google penalizes us.) When such obvious inefficiencies are introduced, you know that the reasons aren’t all kosher.
   So there you are: even if you wanted to delete an entry (and I was sorely tempted to yesterday), Google won’t let you.
   Google: deceitful and useless. And a total waste of time. I’m so glad I don’t use this site in any real way—apart from the time it sucked over the last 24 hours.

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When you let amateurs like Rees-Mogg write style guides

27.07.2019

I thought I could be archaic on a few things—I still use diphthongs in text in our publications (æsthetic, Cæsar), the trio of inst., ult. and prox. in written correspondence, and even fuel economy occasionally in mpg (Imperial) because I am useless at ℓ/100 km and too few countries use km/ℓ. However, even I had to cringe at Jacob Rees-Mogg’s style guide as revealed by ITV. This has now been circulated to his House of Commons staff. It is not satire.


   His first rule is ‘Organisations are SINGULAR’. (No, this isn’t licence to write ‘Organisations is singular.’) I don’t mind this as it’s one I adopt myself (admittedly inconsistently), but note the spelling of the first word. It’s French. The correct spelling is organizations, and the switch to the French in the Anglosphere appears to have happened postwar. Go to English books that are old enough, and you’ll find the z to be more commonplace. (Please don’t comment that z is ‘American’ before doing some research.)
   His sixth rule is ‘Double space after fullstops’. Now, the last word should be two words, but the rule itself has even been abandoned by the newspaper that Rees-Mogg’s father edited for so many years. Most compositors in Britain abandoned large spaces at the start of the 20th century, by my reckoning—my interpretation of the reading studies by Tinker et al is that the single space is sufficient, and web convention agrees. If we are to follow The Times in, say, 1969, we also need to insert spaces around certain other punctuation marks. If you find a copy from around that time, I can promise you it won’t be easy to read.
   What is apparent to me is that the rules have been typed up, at least, by an amateur, which accounts for the poor spacing and inconsistent capitalization, and generally it shows a disregard for professional style guides (again, we return to The Times). Sometimes, the acorn does fall far from the tree.
   I note that Imperial measurements are to be used again: none of this newfangled metric system nonsense. As I do some transactions in pounds sterling, I am going to refresh my memory on shillings, half-crowns and thruppenny bits in case currency decimalization is reversed. You never know, Johnson’s Britain may find the decimal system too Johnny Foreigner for its liking. ‘They cannot, and will not, change our sausage!’

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Posted in culture, politics, publishing, typography, UK | 1 Comment »


Verizon’s continued hypocrisy borne of pettiness

12.07.2019

Remember Tumblr, the platform owned by Verizon that I left?
   I left because of Verizon’s policies, of placing their corporate agenda ahead of the users.
   I went to NewTumbl instead—a site that Tumblr users might not know about, since Verizon has ensured that searches for its competitor come up empty.
   I was very surprised to find that Verizon Media has opened an account at NewTumbl—a site that they effectively tell their users does not exist.
   And what are they doing on it? Running their sit vac ads for free:


   It’s not technically in violation of NewTumbl’s terms, but what is interesting are their hashtags.
   One of the hashtags is sexy, albeit misspelled as sexu.

   Now, either you have to be sexy to work for Verizon (given the other hashtags used), or they are hashtag-spamming, in the hope their ads will be seen more widely.
   It is, basically, douchebag behaviour—but this also tells us that NewTumbl has them rattled. Why else would they advertise here instead of a regular job site?
   The effect on their brand is very negative—since people can see these ads for what they are: a cheap shot across the bow. This is how petty big US companies are. We see this from Google, so why not Verizon?

PS.: Unlike Big Tech and the bigger players in corporate America, I own up when I learn more. The Verizon account on NewTumbl was revealed to be a fake, and has since been deleted. However, Verizon’s censorship on Tumblr continues (you can’t find NewTumbl but you can find Pornhub—all hail their potential buyers!).—JY

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My social media engagement is dropping and I do not care

09.07.2019

In the last month, maybe the last few weeks, my likes on Instagram have halved. Interestingly, Lucire’s Instagram visits have increased markedly. But as I use my own account more than a work one, I can see the trend there a bit more clearly.
   It’s not unlike Facebook, which, of course, owns Instagram. While I haven’t used it for personal updates since 2017, I maintain a handful of pages, and I still recall earlier this decade when, overnight, engagement dropped 90 per cent. It never recovered. Facebook, like Google, biases itself toward those who can afford to pay, in the great unlevelling of the playing field that Big Tech is wont to do.
   They know that they’re structured on, basically, a form of digital drug-taking: that for every like we get, we get a dopamine hit, and if we want to maintain those levels, we had better pay for them and become junkies. But here’s the thing: what if people wake up and realize that they don’t need that hit any more? I mean, even Popeye Doyle got through cold turkey to pursue Alain Charnier in French Connection II.
   I’ve written about social media fatigue before, and the over-sharing that can come with it. More than once I blogged about being ‘Facebooked out’. And as you quit one social medium, it’s not too hard to quit another.
   I’ve made a lot of posts on Instagram but I value my privacy increasingly, and in the period leading up to the house move, I began doing less on it. And without the level of engagement, whether that’s caused by the algorithm or my own drop in activity, I’m beginning to care less, even if Instagram was more a hobby medium where I interacted with others.
   And since I have less time to check it, I actually don’t notice that I have fewer likes when I open the app. I only really know when I see that each photo averages 15 likes or so, when figures in the 30s and 40s were far more commonplace not very long ago.
   So what’s the deal? Would they like us to pay? I’m not that desperate. I don’t ’Gram for likes, as it was always a hobby, one that I seem to have less time for in 2019. I never thought being an “influencer” on Instagram was important. The novelty has well and truly worn off, and as friends depart from the platform, the need to use it to keep them updated diminishes. In the last fortnight I recorded three videos for friends and sent them via Smash or Wetransfer, and that kept them informed. You know, like writing a letter as we did pre-email, but with audio and video. Instagram just isn’t that vital. Email actually serves me just fine.

As I said to a friend tonight, even Twitter seems expendable from one’s everyday habits. Especially after March 15 here. You realize that those who are already arseholes really want to stay that way, their life ambition probably to join certain foreign-owned radio stations to be talking heads. But since they lack the nous, the best they can manage is social-media venting. And the good people want to remain good and have the space to live their lives happily. So why, I began wondering, should we spend our time getting our blood pressure up to defend our patch in a medium where the arseholes are, by and large, gutless wannabes who daren’t tell you have of the venom they write to your face? Does anyone ever put a Stuff commenter up on a pedestal and give them respect?
   While there are a great many people whom I admire on Twitter, and I am fortunate enough to have come into their orbit, there are an increasing number of days when I want to leave them to it, and if they wish to deal with the low-lifes of this world, it is their prerogative, and I respect them for doing something I’m tiring of doing myself. Twelve years on Twitter is a long time. At the time of writing, I’ve made 91,624 Tweets. That’s a lot.
   Unlike the arseholes, each and every one of these decent human beings have successful lives, and they don’t need to spend their waking moments dispensing hate toward any other group that isn’t like them in terms of genitals, sexual orientation, race or religion. And, frankly, I can contact those decent people in media outside of social.
   Maybe the fear of Tweeting less is that we believe that the patients will overrun the asylum, that we’re the last line of defence in a world where racists and others are emboldened. That if we show that good sense and tolerance prevail, as my grandfather and others wanted to do when they went to war, then those who harbour unsavoury thoughts toward people unlike them might think twice. I can’t really argue with that.
   But I wonder whether I’ll be more effective outside of social. I publish magazines, for a start. They give me a platform others do not have. I don’t need to leave comments on articles (and over the years, I haven’t done much of that). And I have websites I visit where I can unwind, away from the shouting factories of American Big Tech. Most of us want to do good on this earth, and the long game is I may be better off building businesses I’m good at rather than try to show how much smarter I am versus a talentless social media stranger.
   No, I’m not saying I’m leaving either medium. I am saying that I’d rather spend that time on things I love to do, and before 2007 I had enough to do without sharing. Some of the colleagues I respect the most have barely set foot in the world of social, and right now I envy just how much time they have managed to put into other important endeavours, including books that are changing lives.
   Big Tech must know the writing’s on the wall.

PS.: From a discussion with the wonderful William Shepherd when he read this on Twitter (the irony is not lost on me given the subject).—JY

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This would be a great idea for a movie

05.07.2019

I came across this enjoyable graphic novel by a French author, David Blot, and illustrator, Jérémie Royer. It’s from 2011, and called Yesterday. Imagine a world where no one had heard of the Beatles. And one man decides to perform Beatles songs and takes credit for them, becoming a massive international star in the process. This would be a great idea for a movie. (No, I’m not accusing Richard Curtis of plagiarism. I put this down to coincidence, maybe tapping into the same inspirations, but the fact is Blot was there first.)

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The playbook used against Wikileaks

11.06.2019

Now for something actually important beyond my first world problems.
   Journalist Suzie Dawson has a fantastic piece outlining how the smear of ‘serial rapist’ is part of the playbook used against senior members of Wikileaks. Her article is well worth reading, especially in light of how the mainstream media have spun the narrative against Julian Assange. He’s not alone: two other men have had campaigns launched against them, with no substantial evidence, thereby diminishing the seriousness of what rape is.
   It is lengthy and well researched, but if you haven’t the time, at least consider the briefer post linked from here.

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Posted in culture, internet, media, politics, publishing, Sweden, UK, USA | 1 Comment »


How to lose readers: accuse them of something they don’t or wouldn’t do

11.06.2019

Here’s a sure-fire way to lose readers and cost you ad revenue.
   It seems Haymarket’s Autocar (which I have been reading in print since 1980) wasn’t pleased about people using online ad blockers, so it created a warning.
   The trouble is I don’t use ad blockers. In fact, you can see a massive advertisement underneath the warning:

In fact, that ad keeps changing, so I guess the advertiser is charged for totally useless impressions.
   Clicking ‘I’ve disabled my Ad-Blocker’ does nothing.
   I decided to click the other option, for advice on how to whitelist the ad blocker that I do not have.

I presume whatever’s in that blue box are the instructions, which are illegible.
   Autocar often talks about the difficulties behind some car infotainment interfaces, but you’d hope a publisher with a budget that far exceeds mine would get this right.
   The irony of this effort is that Autocar winds up losing ad revenue.
   I have Tweeted them, so here’s hoping this silly tech can be removed so I can help their bottom line. You do wonder about their bosses sometimes though—maybe this sort of abrasive behaviour comes from the top.

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Another milestone: 16 million page views for Autocade

02.06.2019

Looks like the viewing rate has picked up again for Autocade despite a relative lack of updates over the last six months (in no small part due to our move). Tomorrow it’ll exceed 16 million page views.
   Some of the last few entries have been about filling in gaps: the Renault Clio V is out, yet only entered into the database on May 29; the Singaporean Holden Calais (and corresponding Malaysian Opel Calais) the day after, with Autocade possibly the only website which corrects another well propagated error by Wikipedia on this car; the fifth-generation Toyota RAV4, which made its motor show appearance over a year ago; and the Nissan 180SX of 1989.
   Autocade doesn’t profess to be a complete encyclopædia, since it’s an ongoing, developing work, though it does surprise me where the gaps are sometimes. I often have the photos filed away, but wait till the mood hits. Or, in the present case, waiting till some of my reference books re-emerge as I’m still, three weeks later, living out of boxes.
   As with each million before, here’s a summary of how the traffic has developed:

March 2008: launch
April 2011: 1,000,000 (three years for first million)
March 2012: 2,000,000 (11 months for second million)
May 2013: 3,000,000 (14 months for third million)
January 2014: 4,000,000 (eight months for fourth million)
September 2014: 5,000,000 (eight months for fifth million)
May 2015: 6,000,000 (eight months for sixth million)
October 2015: 7,000,000 (five months for seventh million)
March 2016: 8,000,000 (five months for eighth million)
August 2016: 9,000,000 (five months for ninth million)
February 2017: 10,000,000 (six months for tenth million)
June 2017: 11,000,000 (four months for eleventh million)
January 2018: 12,000,000 (seven months for twelfth million)
May 2018: 13,000,000 (four months for thirteenth million)
September 2018: 14,000,000 (four months for fourteenth million)
February 2019: 15,000,000 (five months for fifteenth million)
June 2019: 16,000,000 (four months for sixteenth million)

   It’s interesting to note that Autocade has had five million more page views since June 2017; yet it took six years (three times as long) to get the site’s first five million. At the time of writing, the database has 3,813 models, an increase of just 32 since the site gained its 15 millionth page view.

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A very humble 3,800th entry on Autocade

28.04.2019

We almost never plan which car winds up being the x hundredth model entered into Autocade, and here’s proof.

   The humble, boxy Mazda Demio (DY) was the 3,800th entry in Autocade. It makes a nice change from all the SUVs that have found their way on to the database in recent months, even if it isn’t the most inspiring vehicle.
   The vehicles either side of the Demio weren’t terribly interesting, either: the Sol E20X (the Volkswagen badge-engineered JAC iEV7S) and the current Fit-based Honda Shuttle. But if you want to be complete (we want to, even if we’re far away from it), you have to include the everyday workhorses.

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