Archive for the ‘TV’ category


Why I don’t find the Asiatic characters on Little Britain and Come Fly with Me racist

11.06.2020


BBC

I have a problem with blackface and yellowface, generally when there are more than capable actors who could have taken the role, but I make exceptions in some situations.
   Take, for example, the news that Little Britain and Come Fly with Me are being removed from streaming services because of what are now deemed racist portrayals. Matt Lucas, who plays half the roles in each, has even said that the shows were right for the time but they’re not what he would make today. Yet I don’t find myself being troubled by his and David Walliams’s characters, since in both they are equal-opportunity about it, even going so far as to address racism head-on with Come Fly with Me’s Ian Foot, a clearly racist character.
   I always viewed everyone from Ting Tong to Precious as caricatures viewed through a British lens, and it is through their comedy that they shine a light on the nation’s attitudes. Matt and David might not like me grouping their work in with Benny Hill’s Chow Mein character, who, while offensive to many Chinese, tended to expose the discomfort of the English “straight man” character, usually portrayed by Henry McGee. I can’t think of one where Mein doesn’t get the upper hand. I like to think these characters all come from the same place.
   Sometimes, especially in comedy, you need people of the same race as most of the audience to point to their nation’s attitudes (and often intolerance)—it’s often more powerful for them as it’s not seen as preaching. Where I have a problem is when characters are founded on utterly false stereotypes, e.g. the bad Asian driver, the loud black man.
   And can you imagine the furore if every character portrayed by Matt and David in Come Fly with Me was white? They would be sharply criticized for not being representative of the many cultures at a modern British airport.
   I don’t turn a blind eye to brownface in Hong Kong (Chinese actors playing Indians) or the mangled Cantonese used to dub white actors, but the same rules apply: if it shines a light on a situation, helps open our collective eyes, and make us better people, then surely we can accept those?
   I Tweeted tonight something I had mentioned on this blog many years ago: Vince Powell’s sitcom Mind Your Language, set in 1970s Britain, where Barry Evans’s Jeremy Brown character, an ESL teacher, has to deal with his highly multicultural and multiracial class. The joke is always, ultimately, on Mr Brown, or the principal, Miss Courtenay, for their inability to adjust to the new arrivals and to understand their cultures. Maybe it’s rose-coloured glasses, but I don’t remember the students being shown as second-class; they often help Jeremy Brown out of a pickle.
   Importantly, many of the actors portrayed their own races, and, if the DVD commentary is to be believed, they were often complimented by people of the same background for their roles.
   Powell based some of his stories on real life: a foreign au pair worked for them and brought home her ESL classmates, and he began getting ideas for the sitcom.
   However, at some stage, this show was deemed to be racist. As I Tweeted tonight, ‘I loved Mind Your Language but white people said the depictions of POC were racist. Hang on, isn’t it more racist to presume we can’t complain ourselves? Most of the actors in that depicted their own race.
   ‘I can only speak for my own, and I didn’t find the Chinese character racist. Because there were elements of truth in there, she was portrayed by someone of my ethnicity, and the scripts were ultimately joking about the British not adjusting well to immigrant cultures.
   ‘Which, given how Leavers campaigned about Brexit, continues to be true. I get why some blackface and yellowface stuff needs to go but can’t we have a say?
   ‘Tonight on TV1 news, there were two white people commenting on the offensiveness of minority portrayals in Little Britain and Come Fly with Me. I hope someone sees the irony in that.’
   However, if any minorities depicted by Matt and David are offended by their work—Ting Tong, Asuka and Nanako are the only Asiatic characters they do that I can think of, so east Asians aren’t even that well represented—of course I will defer to your judgement. I can’t pretend to know what it’s like for someone of Pakistani heritage to see Matt’s Taaj Manzoor, or someone with a Jamaican heritage to see Precious Little. However, unlike some commentators, I do not presume that members of their community are powerless to speak up, and they are always welcome on this forum.

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Facebook exploits COVID-19 for profit, and viral thoughts

01.05.2020

A lot of the world’s population has come together in the fight against COVID-19. Except Facebook, of course, who is exploiting the virus for profit. Facebook has done well in the first quarter of 2020 with positive earnings. Freedom From Facebook & Google co-chairs Sarah Miller and David Segal note (the links are theirs): ‘Facebook has exploited a global pandemic to grow their monopoly and bottom line. They’ve profited from ads boasting fake cures and harmful information, allowed ad targeting to “pseudoscience” audiences, permitted anti-stay-at-home protests to organize on the platform, and are now launching a COVID “Data for Good” endeavour to harvest even more of our personal information.
   ‘Make no mistake, Facebook having more of your data is never “good”, nor will they just relinquish the collected data when the pandemic’s curve has been flattened. Rather, they’ll bank it and continue to profit from hyper-targeted ads for years to come.’

It’s been a few weeks (April 19 was my last post on this subject) since I last crunched these numbers but it does appear that overall, COVID-19 infections as a percentage of tests done are dropping, several countries excepting. Here is the source.

France 167,178 of 724,574 = 23·07%
UK 171,253 of 901,905 = 18·99%
Sweden 21,092 of 119,500 = 17·65%
USA 1,095,304 of 6,391,887 = 17·14%
Spain 239,639 of 1,455,306 = 16·47%
Singapore 17,101 of 143,919 = 11·88%
KSA 22,753 of 200,000 = 11·38%
Switzerland 29,586 of 266,200 = 11·11%
Italy 205,463 of 1,979,217 = 10·38%
Germany 163,009 of 2,547,052 = 6·40%
South Korea 10,774 of 623,069 = 1·73%
Australia 6,766 of 581,941 = 1·16%
New Zealand 1,479 of 139,898 = 1·06%
Taiwan 429 of 63,340 = 0·68%
Hong Kong 1,038 of 154,989 = 0·67%

Emmerdale fans will never forgive me. I’ve not been one to watch British soaps, finding them uninteresting. However, in this household, we have had Emmerdale on since it’s scheduled between TV1’s midday bulletin and the 1 p.m. government press conference on COVID-19, or, as some of us call it, The Ashley Bloomfield Show, named for our director-general of health who not only has to put up with all of this, but took a hit to one-fifth of his pay cheque. Naturally, one sings along to the Emmerdale theme, except I have no clue about its lyrics. Are there lyrics?

Not a single like on Twitter or Mastodon. I’ve offended a heck of a lot of people.

We are supposedly at Level 3, which someone said was Level 4 (the full lockdown) with takeaways. However, we’ve gone from the 1960s-style near-empty motorways to this almost immediately.

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A concert that takes you home

17.04.2020

One bonus of the lockdown was the live Easter Day concert held by Hong Kong’s own Sam Hui (許冠傑), perhaps fairly described as the king of Cantopop.
   I had no idea this was even on if it weren’t for the fire at the Baxter’s Knob transmitter that took out television transmission in our area. Faced with the prospect of no television during lockdown, and as I’m not a cat in an NZI commercial, I hooked up my laptop to the old LG monitor, relocated to the lounge, and streamed that evening.
   We put on TV1 but later that night, I headed to RTHK TV31, a government-funded channel in Hong Kong, and came across the commercial for Sam’s live concert at 5 p.m. HKT on Easter Day, which translated comfortably to 9 p.m. NZST.
   Hong Kong has some COVID-19 restrictions, with the safe distance a lower 1·5 m, though most people wear masks. Even TV hosts are masked on their programmes. There isn’t a big physical audience for the concert: just Sam, his guitar, sitting atop a building on the Kowloon side, with the Hong Kong Island business district skyline as the backdrop. The host is seated a suitable distance away. Some folks are seated in a roped-off area, sitting a bit closer, though masked. There’s a four-camera set-up. For such a massive star, this might have been his smallest physical audience, though on YouTube, the concert netted a six-figure audience (160,000 when I looked) around the world, and no doubt others will have watched on their television sets, while I watched on TV31’s stream. One source suggests a total viewing audience of over 2 million.
   Sam’s still got the same voice, despite being in his 70s—for the most part, he sounds like the young guy in his 20s that I watched on TV before I emigrated, and whose cassette tapes I cherished when they arrived from Hong Kong in the first few years we were in Aotearoa.
   For someone who missed contact with my birthplace, Sam’s music was a connection, something that took me back, a tiny slice of “home” that was both grounding and enjoyable.
   In those early days, Sam’s music struck a chord with HKers because he often sang about the working class, and in plain language. Few artists had done this at the time; most lyrics tended to be in properly structured Chinese, so Sam broke new ground by singing colloquially. A skilled composer and lyricist, we saw him regularly performing his own songs on programmes such as 歡樂今宵 (Enjoy Yourself Tonight), a variety show that was a big hit back in the 1970s.
   When he broke into films with his brothers, he was frequently cast as the hero type, and could genuinely claim to ‘star in it, write the theme tune, sing the theme tune.’
   His solo career as an actor hit a high in the 1980s and as the video cassette boom began, I indulged in the 最佳拍檔 (Aces Go Places) series. Most kids in the west watching Hong Kong cinema knew about Bruce Lee or that new guy Jackie Chan, but we locals knew that Sam was who you watched if you wanted decent entertainment with a mix of action and humour—and the obligatory Sam Hui theme tune.
   Watching the Easter Day concert brought back a lot of those feelings of connection, and Sam performed plenty of those earlier hits that anyone my age would know. You never lose your connection to the land in which you were born. Hong Kong might look different to how it did in the 1970s—the tallest building then, Connaught Tower, is dwarfed by the International Commerce Centre a short distance away—but the music took you back, and thanks to the cleaner air during the pandemic, the skies even looked as clear as they did back then. The city’s character remains intact, the concert a reminder of what unites Hong Kong people both there and abroad. We have a distinct culture, one that evolved through the will and the freedom of our people, that I hope will go on regardless of one’s political stripes.

The monitor, incidentally, was much easier to view than the television, with softer colours and less brightness. No matter how I played with the settings on the TV, I couldn’t get them to match. I suspect the TV has a lot of blue light, which makes prolonged viewing difficult. I notice that one can buy blue-light glasses, highlighting once again where we have gone wrong: we humans shouldn’t be adapting to technology, it’s technology that should be adapting to us. The LG (LED) monitor isn’t new, so clearly the technology is available to make TVs calmer on the eyes. Yet no one touts this as a selling proposition. Head into an appliance shop (outside of one’s lockdown) and all the TVs are set on the brightest setting, which would completely turn me off buying one.
   Friends tell me that OLED is the way to go in terms of getting the right setting. One of these days I’m going to look into it, but I will bet you that no one who sells these things in the shops will know what a “calm” screen is. They’ll just get excited about forkay, or maybe even atekay, not someone who wants 32 inches or less who wants to preserve their eyesight. ‘Big! Big! Big!’

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An update on yesterday’s COVID-19 table

09.04.2020

Another late-night calculation of COVID-19 cases as a proportion of total tests done, so the figures will be out of date again, and I’ve also discovered that the total testing numbers some countries are giving are out of date. The ones with asterisks below are those that haven’t cited increased testing numbers (at least none that I can find; a search actually yielded lower and older figures in some cases), so I imagine the real percentages might be lower. The order of countries hasn’t changed.

France 109,069 of 224,254 = 48·64%*
Spain 146,690 of 355,000 = 41·32%*
UK 55,242 of 266,694 = 20·71%
USA 400,549 of 2,082,443 = 19·23%
Italy 135,586 of 755,445 = 17·95%
Sweden 8,419 of 54,700 = 15·39%*
Switzerland 22,789 of 171,938 = 13·25%
Germany 109,178 of 918,460 = 11·88%
New Zealand 1,210 of 46,875 = 2·58%
Singapore 1,623 of 65,000 = 2·50%*
South Korea 10,384 of 477,304 = 2·18%
Australia 6,013 of 319,368 = 1·88%
Hong Kong 961 of 96,709 = 1·38%*
Taiwan 379 of 40,702 = 0·93%

   I was buoyed by news on what some of us have cheekily dubbed The Ashley Bloomfield Show (the Ministry of Health director-general’s press conference) that we had only 29 new COVID-19 cases in the last 24 hours here. As a sporting nation I think we understand that you can’t shirk when you’re playing the second half of the match. If anything, you need to go harder. By now I suspect many of us are finding the hand-washing and other advice second nature.

Hasn’t it been revealing to hear which journalists ask crappy questions at the Bloomfield press conference? Since the pressers are watched by a huge number of New Zealanders during lockdown, I think the scales have fallen from many eyes lately to see how the stories get edited and even editorialized. And which members of the media don’t seem to want to work with the good advice being given by our government, yet have nothing solid (e.g. other experts) to counter it with. In my opinion, it’s put TV1 in a good light, and shown its reasonable balance. It also reinforces that many of our talking heads are irrelevant (see below, from The Press in Christchurch). Science is saving the day and showing loud-mouthed opinions for what they are.

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Rather locked down than living within a controlled experiment

01.04.2020

As a dual national, I hope there’s some exaggeration or selective quoting in the Bristol Post about its report of former police officer Mike Rowland, who’s stuck in Auckland with his wife Yvonne. Apparently, New Zealand is in ‘pandemonium’ and he feels like he’s in ‘Alcatraz’.
   As we are most certainly not in pandemonium, the British Crown may have to ponder if it needs to reopen some of the cases Mr Rowland was once involved in due to unreliable witness testimony. Then again, if it can keep a foreign national like Julian Assange indefinitely and subject him to psychological torture as well as the risk of COVID-19 infection, perhaps it won’t need to ponder a thing.
   Mr Rowland’s not a fan of our breakfast television, either, saying that it makes Piers Morgan a ‘god’. There actually is some truth to the quality of our breakfast telly depending on which channel he has come across (I won’t name names), and I recommend that he switch to another. Go a bit further up the dial, and Aljazeera English has a whole variety of ex-BBC presenters speaking in RP that might make him feel less at home.

   And I’ve my own stories about the inability to get answers from the British High Commission, so I sympathize on this note.
   But given the choice between being stuck in Aotearoa and being amongst the control group that is Great Britain and Northern Ireland, where the government’s sense of British exceptionalism meant that it delayed locking things down, so much so that the PM himself has COVID-19, I would be quite happy to be in the land Down Under.
   Mr Rowland may have missed the (disputed) Murdoch Press (which usually leans right) report that suggested that Boris Johnson’s senior adviser said it was ‘too bad’ if ‘some pensioners die’, consistent with Mr Johnson’s own position that Britain would pursue a strategy of herd immunity—and consistent with what the British government initially announced, with sycophants in full agreement.
   I admit I’ve called our government ‘a bunch of Blairites’ but I’d take them over their lot, including their Mr Johnson who does less convincing prime ministerial impressions than Neville Chamberlain. Their mass U-turn had to happen as it appeared the British people figured out their lives were being put in danger and forced the government’s hand.
   I realize he misses the comforts of home and I would, too, in his shoes, though equally I’d be grateful to be alive, in a country where even he acknowledges that food is readily available and we haven’t suffered the extent of panic buying that the UK has seen. If only Alcatraz were this pleasant.

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Is there a type that works from home more easily?

27.03.2020

Olivia St Redfern has featured yours truly in her lockdown day 2, part 1 podcast, so I decided to record another response.
   It brings to mind something Steve McQueen once said. ‘I’m not an actor. I’m a reactor.’ As in, he could react to a line from another actor.
   Anyone who has seen McQueen in a film, certainly anything post-Blob, would dispute that—the king of cool was an excellent actor. But for now, as someone who had avoided doing a podcast for two decades, I “react” to Olivia’s episodes, and recorded a response on Anchor:

   At some point I might do an entry independently but considering the first has only had one listen (out of hundreds who might read a blog post of mine), then there’s not a huge incentive! (Update: that episode has doubled its audience to two.)
   History tells us that it took a while for Melrose Place to be seen as more than a 90210 spin-off, for instance. And Joey never managed it post-Friends.
   This second one does make one point about working from home. As mentioned before, I’ve been doing this since 1987, so the only difference with the lockdown (and the days leading up to it) is that I don’t feel as “special”. But I also know that not everyone is enjoying their work arrangements, such as this British QC:

   I posted my 12 tips for working from home, but when chatting to Amanda today, there might be a bit more to it than that. Maybe there’s something about one’s personality that makes working from home easier.
   While I have things to do each day, I don’t make lists. I’m more substantive than procedural. In the daytime, I try to answer emails or see to urgent stuff. I almost never do accounts at night: that’s another daytime pursuit. I know to reserve time to do those but I don’t religiously set it to 2 p.m., for instance. The beauty of working from home is flexibility, so why re-create a regimented schedule?
   At night I tend to do more creative things, e.g. design and art direction. My work day is extended because I enjoy my work.
   My advice to those making the shift is to do away with the lists. Know the direction and get things done as the inspiration hits you. It’s meant to be calmer than the bustle of office life.

People should find exponential growth an easy concept to grasp, at least those of us of a certain age. Heather Locklear taught all of us with Fabergé shampoo.

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Twelve things I do to keep balanced while working from home

17.03.2020

When I was 13, my father became self-employed after being made redundant at his work. By choice, my mother did the same when I was in my early 20s. They both loved the lifestyle and I imagine it was inevitable I would do the same in my career, beginning at a time when I was still studying.
   As some who self-isolate because of the coronavirus pandemic say that their mental health is affected, I thought I’d share how I’ve been based at home for over three decades.

1. For those working, make sure it’s not just one project. There’s nothing more wearing that having just one thing to work on the entire day. I always have a few projects on the go, and make sure I switch between them. The second project should be a lighter one or be of less importance. Even if it’s not work, make sure it’s something that gives you a bit of variety.

2. Make sure you have a decent work set-up. I find it important to have a monitor where I can read things clearly. Also I set mine on a mode that restricts blue light. If you’re working at home, it’s not a bad idea to have comfortable settings on a screen. If your monitor doesn’t have a native mode to restrict blue light, there’s always F.lux, which is an excellent tool to make screens more comfortable.
   If you’re used to standard keyboards and mice, that’s great, but for me, I have to ensure my keyboard is either at around 400 mm in width or less, and my mouse has to be larger than the standard size since I have big hands. Ergonomics are important.

3. Find that spot. Find a comfortable space to base yourself with plenty of natural light and ventilation. At-home pet cats and dogs do it, take their lead.

4. Stretch. Again, the cats and dogs do it. Get out of that chair every now and then and make sure you don’t get too stiff working from your desk. Exercise if you wish to.

5. If you relax to white noise or find it comforting, there are places that can help. One friend of mine loves his podcasts, and others might like music, but I enjoy having the sound of web video. And if it’s interesting, you can always stop to watch it. One site I recently recommended is Thought Maybe, which has plenty of useful documentaries, including Adam Curtis’s ones. These give an insight into how parts of the world work, and you might even get some theories on just what landed us in this situation in 2020.
   When Aotearoa had two network TV channels, I dreamed of a time when I could have overseas stations accessible at my fingertips. That reality is now here with plenty of news channels online. If that’s too much doom and gloom, I’m sure there are others that you can tune into to have running in the background. Radio.net has a lot of genres of music.

6. Find that hobby. No point waiting till you retire. Was there something you always wanted to learn about but thought you’d never have time? I recommend Skillshare, which has lots of online courses on different subjects. You learn at your pace so you can delve into the course whenever you want, say once a day as a treat.

7. I do some social media but generally I limit myself. Because social media are antisocial, and they’re designed to suck up your time to make their owners rich (they look at how much attention they capture and sell that to advertisers), there’s no point doing something draining if you’ve got some good stuff to do in (1). However, they might be cathartic if you want to have some human contact or express your feelings. Personally, I prefer to blog, which was my catharsis in the mid-2000s, and which I find just as good today. It’s a pity the old Vox isn’t around these days as there’s much to be said for a long-form blogging network.
   Sarb Johal started the #StayatHomeEnts hashtag on Twitter where Tweeters have been putting up some advice on what we each do to keep entertained. I just had a scroll down and they’re really good!

8. Many of us have this technology to chat to others, let’s use it. We’re luckier in 2020 that there’s Facetime, Skype, Google Hangouts, etc. I had thought that if we didn’t have social media, we’d be finding this an ideal opportunity to connect with others around the planet and learning about other cultures. I remember in the early days of the web how fascinating it was to chat to people in chatrooms from places I had never visited. I realize these days there are some weirdos out there, who have spoiled the experience for the great majority. But I’m sure there are some safe places, and if they’re not around, see what friends are in the same boat and form your own virtual networks. Importantly, don’t restrict yourselves to your own country.

9. Don’t veg: do something creative. For those of us with a creative bent, draw, write, photograph, play a musical instrument—something to de-stress. I can’t get through a day without doing one creative thing.

10. Anything in the house that you said you’d always do? Now’s your chance to do it, and hopefully you’ve got your tools and equipment at home already.

11. If you’re in a relationship, don’t get on top of each other—have your own spaces. Having said that, seeing my partner helps as I used to go into town a few times a week for meetings; because I see her each day, that need to meet up with colleagues to get out of your own headspace isn’t as strong.

12. Take plenty of breaks. You’d probably have to anyway, in order to cook (since you’re not heading out to a café) so structure in times to do this. It soon becomes second nature. Don’t plough through till well after your lunchtime or dinnertime: get a healthy routine. Remember that self-isolation means you can still go for walks, just not into crowded places or with someone. When we self-isolated in January over an unrelated bug, my partner and I headed to a local park that wasn’t busy during the day and we were the only ones there.

   Normally I would have a small amount of meetings during the week but as I get older, they’re actually fewer in number, so I can cope with not having them.
   Do you have any extra tips? Put them in the comments and let’s see if we can build on this together.

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The British approach to coronavirus: by Grabthar’s hammer, what a savings

14.03.2020


Still from AFP video

I’d far rather have the action taken by our government than the UK’s when it comes to flattening the curve on coronavirus, and the British response reminds me of this 2018 post.
   Just because the chief scientific adviser there has a knighthood and talks posh isn’t a reason to trust him, his judgement or even his “expertise” if science says otherwise.
   When my father went into hospital in September 2019, the doctors’ lack of treatment—because they determined he was ‘dying’ and that that was sufficient reason to deny him the essentials of life and that it would be a ‘miracle’ if he regained consciousness, whereas my partner and I determined he was ‘dehydrated’ (we were right)—I was forced to ask the palliative nurse about this so-called ‘policy’. Dad did, after all, wake up after we demanded he be given saline and sustenance within hours, leading me to wonder just why a team of doctors were so obsessed with killing him.
   ‘Who’s next?’ I asked.
   She looked at me quizzically.
   ‘Who’s next? Is it the differently abled? Homosexuals? Jews? I’m sorry, but the parallels are all too evident to me.’
   During this time, a Dr Mark Jones in the UK came into my Twittersphere and we exchanged a number of Tweets.
   Mark essentially said that this was an unwritten UK government policy, and showed me numerous examples of elder neglect and abuse in his country. Maybe I should say ‘our country’ since it’s the only one I have a current passport for, having got too busy to renew my Kiwi one (not that it would have much use at present).
   The reasons were financial. The fewer OAPs there were, the less they’d have to pay out in pensions.
   Therefore, it was no surprise that Dad’s treatment at a British-run rest home compared less favourably than Te Hopai, where he wound up, although in Bupa’s defence they have taken our complaints seriously, apologized, and have invited us to see the improvements.
   The less generous might have branded Mark a conspiracy theorist but Sir Patrick Vallance, the UK’s chief scientific adviser, seems to advance a position directly compatible with Mark’s observations.
   From what I can make out, he’s quite happy for the UK to get infected with coronavirus with the expectation that 60 per cent of the Union will develop immunity—although from all my reading of this approach, a proportion of older people who contract it will die. It appears a callous approach to just let a disease come—the UK isn’t closing its borders or banning mass gatherings, but instead is welcoming its microbic visitor with crumpets and tea. Yes, they are advising those who feel sick to self-isolate, and that is sensible, but it’s the rest that makes little sense.
   Prime Minister Alexander Boris de Pfeffel Johnson preempts this as he said without emotion, ‘Many more families are going to lose loved ones before their time.’
   Even Jeremy Hunt appeared to break ranks with the government in one interview.
   The likely result will be a thinning out of British OAPs.
   When I first told my partner this, she was shocked, but I advanced my own conspiracy theory: ‘If you begin with the premise that Dominic Cummings is out to destroy Britain—its institutions, and now its people—then all of this fits his agenda.’
   The new Chancellor of the Exchequer, Rishi Sunak, after Sajid Javid found himself in a position where even he couldn’t go along with what was being peddled by 10 Downing Street, making you wonder just what horrors await, will doubtless be thrilled at the savings to the UK pension fund.

PS.: Thank you, Tomas Pueyo (the man in the screen), for reacting the way you did to Prof John Edmunds’ position that the UK has given up on containing the virus and that people will die. You have spoken, silently, for many of us.—JY




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Roger Nichols performs the original Hart to Hart theme

13.03.2020

In 2013, I wrote a small note on my Tumblog about Roger Nichols’ theme to the TV series Hart to Hart. The music was played as the opening and closing themes in the pilot, and as an incidental theme to many episodes later, but few remember it. I’ve even seen websites proclaim that the Mark Snow theme that most of us know was the ‘original’, not unlike how The Love Boat attempts to exorcise the two pilot films starring Ted Hamilton and Quinn Redeker as the captains.
   The tune was later commercially released by the Carpenters as ‘Now’, among the final songs recorded by Karen Carpenter. However, that was with a different set of lyrics, and the original by Leslie Bricusse has never been heard. I suggested in 2013 that the closest might have been Mariya Takeuchi’s recording in Japanese, though that has since vanished from YouTube.
   However, there is now a post on YouTube at almost the original tempo, performed by Nichols himself, but the Bricusse lyrics remain unheard. You’d think that there’d be a fan somewhere who has the inside story.

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One News is hard to miss on TV, but hidden on the internet

18.02.2020

I wanted to see what TV1 news (I can never remember its official name with all its rebrands over the years—is it One Network News, TVNZ1 News, One News, or something else?) had on GM’s decision to shut Holden, but I missed both the six o’clock and the Plus One screenings. I headed online with some trepidation because I recall that I could never find the most-watched programme on the channel on previous occasions. This time I decided to document my attempt.
   Usually I would get stumped by the log-in process that made me lose my place, so this time I decided to log in first.

Nowhere to be seen. Ah, but it’s a TV1 show, so what if I go to the TV1 page?

Nope. Under news and current affairs, we have Breakfast, Seven Sharp, Fair Go and Te Karere. There’s a 1 News link at the top, what if I go there?

No joy, at least not for the full six o’clock broadcast. I did spy a Kiwi category, and surely TV1 news is Kiwi-made. Let’s see …

Apparently only the Tonight and Midday bulletins count as Kiwi-made.
   Despite my searching for it around 8 p.m., it wasn’t under ‘What’s new on TV’ either. Something that finished broadcasting an hour ago isn’t new.
   By this time what I do is go on Twitter to ask for help and eventually someone finds it for me, which isn’t the most efficient way of doing it, but in the past that’s how I’ve solved it.
   Tonight I put news into the search box and got it there after doing all the above, but why does TVNZ make it this hard? It’s their flagship news programme.
   And Conan Gorbey on Twitter found it for me tonight. Thanks, Conan!

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