I thought I could be archaic on a few thingsâI still use diphthongs in text in our publications (ĂŠsthetic, CĂŠsar), the trio of inst., ult. and prox. in written correspondence, and even fuel economy occasionally in mpg (Imperial) because I am useless at â/100 km and too few countries use km/â. However, even I had to cringe at Jacob Rees-Moggâs style guide as revealed by ITV. This has now been circulated to his House of Commons staff. It is not satire.
His first rule is âOrganisations are SINGULARâ. (No, this isn’t licence to write ‘Organisations is singular.’) I donât mind this as itâs one I adopt myself (admittedly inconsistently), but note the spelling of the first word. Itâs French. The correct spelling is organizations, and the switch to the French in the Anglosphere appears to have happened postwar. Go to English books that are old enough, and youâll find the z to be more commonplace. (Please donât comment that z is âAmericanâ before doing some research.)
His sixth rule is âDouble space after fullstopsâ. Now, the last word should be two words, but the rule itself has even been abandoned by the newspaper that Rees-Moggâs father edited for so many years. Most compositors in Britain abandoned large spaces at the start of the 20th century, by my reckoningâmy interpretation of the reading studies by Tinker et al is that the single space is sufficient, and web convention agrees. If we are to follow The Times in, say, 1969, we also need to insert spaces around certain other punctuation marks. If you find a copy from around that time, I can promise you it won’t be easy to read.
What is apparent to me is that the rules have been typed up, at least, by an amateur, which accounts for the poor spacing and inconsistent capitalization, and generally it shows a disregard for professional style guides (again, we return to The Times). Sometimes, the acorn does fall far from the tree.
I note that Imperial measurements are to be used again: none of this newfangled metric system nonsense. As I do some transactions in pounds sterling, I am going to refresh my memory on shillings, half-crowns and thruppenny bits in case currency decimalization is reversed. You never know, Johnson’s Britain may find the decimal system too Johnny Foreigner for its liking. ‘They cannot, and will not, change our sausage!’
Long before Mad Men, and before I got into branding in a big way, I had an interest in advertising. One of the greatest send-ups of the industry was the 1990 Dudley Moore starrer Crazy People, set in the advertising industry against a politically incorrectâactually, cruel and inaccurateâlook at mental health. It’s one of those films that could never be made today, and for good reason. But there are some gems in it, as Moore’s character, Emory Leeson, embarks on “honest advertising”. It gets him committed to a facilityâwho ever heard of an advertising agency telling the truth, right?âuntil his ads become a hit, welcome by consumers who don’t want BS.
I came across this wonderfully copywritten and set ad from a PR professional in London trying to sell his Nan’s 1981 Volvo 244DL:
It’s bloody good. The copy kept me engagedâlike all good ads used toâand he’s done a reasonably good job with the Volvo Broad headline typeface (it was wider back in the day). The body text type should be Times rather than Baskerville, but considering the exact cut of Times isn’t available digitally (to my knowledge; it’s for larger text, and has very short descenders), there’s no wonder he opted to use another family.
It got me thinking: I’ve often posted the Crazy People Volvo ad in comments, as a humorous response. However, the ad doesn’t exist in a decent res online. The only ones that have wound up online are from screen captures from the movie. This 22 kbyte file is actually the best one around, save for one on the Alamy stock photo website that I found after the fact:
I couldn’t re-create the imageâI assume the only person who has it (or had it) is the art director of the film, or the photographer that was commissionedâbut maybe I could have a go at the type?
The digital Volvo Broad had to be widened 25 per cent, and I didn’t attempt to match the kerning.
The body type was the interesting one. I opted for Times Headline, since it wasn’t at a text size, but as I discovered, Volvo used a particular cut that had short descenders and was slightly condensed. I tried to match the leading.
Therefore, here it is, offered under Creative Commons with attribution to me for the typesetting, please, while noting the image is not mine:
A rebrand should be done with consultation, and that should be factored in to any decision-making. In the 2010s, it should consider out-of-the-box suggestions, especially in an increasingly cluttered market-place. It should be launched internally first, then externally. A new logo would surface after months of exhaustive design work. The result should be something distinctive and meaningful that resonates with all audiences.
Meanwhile, hereâs one done by my Alma Mater amongst false claims, poor analyses, and considerable opposition, with the resulting logo appearing a mere week after the powers-that-be voted to ignore the feedback. In branding circles, any professional will tell you that there’s no way a logo can appear that quicklyâunless, of course, Victoria University of Wellington had no inclination to listen to any of its audiences during its “feedback” process. But then, maybe this was done in a hurry:
The result is flawed and lacks quality. Without even getting into the symbol or the typography, the hurried nature of this design is evident with the margin: the text is neither optically nor mathematically aligned, and accurately reflects the lack of consideration that this rebrand has followed. The one symbol I like, the ceremonial crest, does away with the type, and judging from the above, it’s just as well.
I like change, and my businesses have thrived on it. But this left much to be desired from the moment we got wind of it. It supplants a name sourced from Queen Victoria with the name of an even older, white, male historical figure, creates confusion with at least three universities that share its initials if it is to be abbreviated UoW (Woollongong, Wah, Winchester; meanwhile the University of Washington is UW), and offers little by way of differentiation.
Yes, there are other Victoria Universities out there. To me thatâs a case of sticking with the name and marketing it more cleverly to be the dominant oneâand forcing others to retrench. Where did the Kiwi desire to be number one go? Actually, how bad was the confusion, as, on the evidence, Iâm unconvinced.
If itâs about attracting foreign students, then alumnus Callum Osborneâs suggestion of Victoria University of New Zealand is one example to trade on the nation brand, which rates highly.
There were many ways this could have gone, and at each turn amateurism and defeatism appeared, at least to my eyes, to be the themes. #UnWell
There was an Epson bag hanging from the back of my bedroom door, hidden by larger bags. I opened it up to discover brochures from my visit to a computer fair in 1989 (imaginatively titled Computing â89), and that the bag must have been untouched for decades.
I’ve no reason to keep its contents (if you want it, message me before Thursday, as the recycling comes the morning after), but I wanted to make some scans of the exhibitors’ catalogue for nostalgia.
Let’s start with the cover. It’s sponsored by Bits & Bytes. Kiwis over a certain age will remember this as the computer magazine in this country.
You can tell this is a product of the 1980s by the typesetting: someone couldn’t be bothered buying the condensed version of ITC Avant Garde Gothic, so they made do with electronically condensing Computers and Communications. In fact, they’re a bit light on condensed fonts, full stop, as they’ve done the same with the lines set in Futura.
While the practice is still around, the typeface choices mark this one out as a product of its time.
Inside is a fascinating article on the newfangled CD-ROM being a storage medium. Those cuts of Helvetica and Serifa are very 1980s, pre-desktop publishing. It should be noted that Dr Jerry McFaul remained with the USGS, where he had been since 1974, till his retirement. The fashions are interesting here, as is ITC Fenice letting us know that he’s speaking at the Terrace Regency Hotel, a hotel I have no recollection of whatsoever. I can only tell you that it must have been on the Terrace.
The other tech speakers have a similar look to the visiting American scientist, all donning suitsâsomething their counterparts in 2018 probably wouldn’t today. In fact, the suit seems to be a thing of the past for a lot of events, and I often feel I’m the oldster when I wear mine.
The article itself makes a strong case for CD-ROM storage, being more space-saving and better for the environment: it’s interesting to know that the ‘depletion of the ozone layer’ was a concern then, though 30 years later we have been pretty appalling at doing anything about it.
The second article in the catalogue of any note was on PCGlobe, supplied to the magazine on 5Œ-inch diskette. Bits & Bytes would have run the catalogue as part of the main magazine, and did a larger run of these inner pages, back in the day when printing was less flexible.
It’s a fascinating look back at how far we’ve come (on the tech) and how far we haven’t come (on the environment). Next year, we’ll be talking about 1989 as â30 years ago,’ yet we live in an age where we’re arguing over Kylie Jenner’s wealth. Progress?
I noticed this on April 28 and Tweeted about it, tagging the New Zealand Labour Party at the time. It still hasn’t been fixed as of today. That’s supposedly Commercial Type’s Stag Bold Italic in the headline, but someone has slanted the italic. Is this a signal that Labour leans to the right more than it’s letting on? Did someone say 1984?
Still, Stag is a far more inspired, and typographically appropriate, choice than the Futura used by our present government’s political party, after years of Gill Sans. Interestingly, I seem to recall the Labour of Bill Rowling having Futura Italic in its logotype. If only modern-day Labour could get its italic displaying correctly.
Good typography wins votes. I should know.
Star Wars is in my feed in a big way. To get up to speed on the film series, I had to start with the memorable theme by John Williams.
Thanks, Bill and Paul.
And who better to describe the plot than someone else in the science-fiction world, Doctor Who?
Seriously though, I hope all friends who are big Star Wars fans enjoy Episode VII. It seems to be getting positive reviews, partly because it appeals to our sense of nostalgia. It hasn’t blown anyone away in the same manner as the 1977 original, but then Disney would be very foolhardy to stray for this sequel. If you are building a brand that was at its height 30 years ago, nostalgia isn’t a bad toolâjust ask the team that came up with the 1994 Ford Mustang. J. J. Abramsâthe creator of Felicity and What about Brian?, plus some other thingsâhas apparently been a genius at getting just enough from the past.
One item that is from Star Warsâ past is the opening title, or the crawl. I’ll be interested to learn if they’ve managed to re-create the typography of the original: they were unable to provide perfect matches for Episodes I through III because of the changes in technology and cuts of the typefaces that made it into the digital era. The main News Gothic type is far heavier in these later films. ITC Franklin Gothic was used for ‘A long time ago ⊒ for I to III; this, too, was originally News Gothic, but re-releases have brought all six films into line to use the later graphic.
However, it could be argued that even between Episodes V and VI there were changes: News Gothic Extra Condensed in caps for the subtitle for The Empire Strikes Back, switching to Univers for Return of the Jedi. (It seems even the most highly ranked fan wiki missed this.) And, of course, there was no equivalent in the original Star Warsâ’A New Hope’ was added in 1981.
Here’s how it looked in 1977:
And if you really wish to compare them, here are all six overlaid on each other:
I wasn’t a huge fan in the 1970s: sci-fi was not my thing, and I only saw Star Wars for the first time in the 1980s on video cassette, but I did have a maths set, complete with Artoo Detoo eraser (I learned my multiplication table from a Star Wars-themed sheet) and the Return of the Jedi book of the film. But even for this casual viewer and appreciator, enough of that opening sunk in for me to know that things weren’t quite right for The Phantom Menace in 1999. I hope, for those typographically observant fans, that The Force Awakens gets things back on track.
Cortana gives completely the wrong address for me. I wonder if the resident of 39A Aparima Avenue is getting identified as the home of a lot of Windows 10 users.
Thereâs not an awful lot that Cortana can tell you. Most enquiries wind up on Bing, and sheâs only really good for the weather and exchange rates (as I have discovered so far). There are a few fun questions you can throw at her, asking if sheâs better than Siri, or whether if sheâs met Bill Gates, but generally, but weâre far from Knight Rider or replicant technology here. A New Zealand accent presents no problems. One thing she gets very wrong is my location, which is allegedly 39A Aparima Avenue in Miramar. Iâm not sure how she arrived at that address, as I donât live there and I donât believe I know the person who does.
Itâs not too unpleasant to look at although the mobile-specific features can get a bit annoying. The menus feel too large overall, because itâs all designed from a mobile-first standpoint, while the biggest gripe from me comes with the typography.
Microsoft has ruined ClearType here in its attempt to make something for mobile first, and most type looks very poor on screen. Fortunately, a Japanese website still hosts the MacType plug-in, which brings the font display closer to what we experience on Mac OS X. It even goes beyond what we were used to in Windows 7, which had been Microsoftâs best use of its ClearType technology to date.
After installing MacType, ITC Legacy Serif looks far more like it does in print.
You can alter the fonts through the Registry Editor, and I set about getting rid of Arial as always. Windows 10 doesnât like you removing a system font, so the trick is to replace it with something else called Arial, then remove the original from HKLM\Software\Microsoft\Windows NT\CurrentVersion\Fonts.
Windows 10 removes your ability to change the icon and menu fonts, and they now have to be changed in the registry, too, at HKCU\Control Panel\Desktop\WindowMetrics, and very carefully.
After tinkering with those, the display began looking like what I was familiar with, otherwise there was a bit too much Segoe on screen.
There have so far been no program incompatibilities. As upgrades go, it hasnât been too bad, and I havenât been stuck here forever downloading updates. Apple still gets higher marks for its OS upgrade processes (when they work) but given how much data I have on my main Windows machine, and how different each PC is, Microsoft has done a good job. Iâm glad the system waited till now, and delivered me a relatively bug-free transition. Software upgrading is one area where I don’t mind not being first.
For the last few years, Iâve looked back at the events of the year in a tongue-in-cheek fashion. (In fact, in 2009, I looked back at the decade.) Tumblrâs the place I look at these days for these summaries, since it tends to have my random thoughts, ones complemented by very little critical thinking. They tell me what piqued my interest over the year.
These days, Iâve been posting more about the TV show I watch the most regularly, the German Alarm fĂŒr Cobra 11: die Autobahnpolizei. A good part of my Tumblr, at least, and of Danielle Careyâs, whom I first connected with via this blog, features screen shots and other photographs from it. But Cobra 11 asideâand for those âculturedâ Germans who tell me itâs the worst show on their telly, may I remind you that you still make Das Traumschiff?âI still will be influenced by everyday events.
So what do I spy?
Sadly, despite my intent in wanting to blog humorously, it turns out that 2014 doesnât necessarily give us a lot to laugh about. And weâve had over a year after that Mayan calendar gag, and 13 years after Y2K. Itâs still not time to laugh yet.
January
I made a spoof English Hustle poster given all the hype about American Hustle, which seems to have, prima facie, the same idea. It meets with Adrian Lesterâs approval (well, he said, âHa,â which I gather is positive).
I post about Idris Elba giving a response about the James Bond character. (Slightly ahead of my time, as it turns out.)
Robert Catto wrote of Justin Bieberâs arrest: âSo, J. Biebs is arrested for racing a rented Lamborghini in a residential neighbourhood while under the influence (of drugs and alcohol) while on an expired license, resisting arrest, and a bunch of previous stuff including egging a neighbourâs house. With that many accusations being thrown at him, this can only mean one thing.
âThe race for Mayor of Toronto just got interesting.â
I wrote to a friend, âIf there was a Facebook New Zealand Ltd. registered here then it might make more sense ensuring that there were fewer loopholes for that company to minimize its tax obligations, but the fact is there isnât. Either major party would be better off encouraging New Zealand to be the head office for global corporations, or encourage good New Zealand businesses to become global players, if this was an issue (and I believe that it is). There is this thing called the internet that they may have heard of, but both parties have seen it as the enemy (e.g. the whole furore over s. 92A, first proposed by Labour, enacted by National).
âRight now, we have some policy and procedural problems preventing us from becoming more effective exporters.
âItâs no coincidence that I took an innovation tack in my two mayoral campaigns. If central government was too slow in acting to capture or create these players, then I was going to do it at a local level.â
And there are $700 trillion (I imagine that means $700 billion, if you used the old definitionsâ12 zeroes after the 700) worth of derivatives yet to implode, according to I Acknowledge. Global GDP is $69·4 (American) trillion a year. âThis means that (primarily) Wall Street and the City of London have run up phantom paper debts of more than ten times of the annual earnings of the entire planet.â
February
The Sochi Olympics: in Soviet Russia, Olympics watch you! Dmitry Kozak, the deputy PM, says that westerners are deliberately sabotaging things there. How does he know? âWe have surveillance video from the hotels that shows people turn on the shower, direct the nozzle at the wall and then leave the room for the whole day.â Sports Illustrated does an Air New Zealand safety video.
This was the month I first saw the graphic containing a version of these words: âJesus was a guy who was a peaceful, radical, nonviolent revolutionary, who hung around with lepers, hookers, and criminals, who never spoke English, was not an American citizen, a man who was anti-capitalism, anti-wealth, anti-public prayer (yes he was Matthew 6:5), anti-death penalty but never once remotely anti-gay, didnât mention abortion, didnât mention premarital sex, a man who never justified torture, who never called the poor âlazyâ, who never asked a leper for a co-pay, who never fought for tax cuts for the wealthiest Nazarenes, who was a long haired, brown skinned (thatâs in revelations), homeless, middle eastern Jew? Of course, thatâs only if you believe whatâs actually in the Bibleâ (sic). For those who want a response, this blog post answers the points from a Catholic point of view, but the original quoteâs not completely off-base.
March
My friend Dmitry protests in Moskva against Russiaâs actions in the Crimea. This was posted on this blog at the time. He reports things arenât all rosy in Russia when it comes to free speech.
Another friend, Carolyn Enting, gets her mug in the Upper Hutt Leader after writing her first fictional book, The Medallion of Auratus.
MH370 goes missing.
And this great cartoon, called âIf Breaking Bad Had Been Set in the UKâ:
April
I call Lupita Nyongâo âWoman of the Year 2014â.
A post featuring Robin Williams (before that horrible moment in August), where he talks about the influence of Peter Sellers and Dr Strangelove on him. I seem to have posted a lot of Robin that month, from his CBS TV show, The Crazy Ones.
A Lancastrian reader, Gerald Vinestock, writes to The Times: âSir, Wednesdayâs paper did not have a photograph of the Duchess of Cambridge. I do hope she is all right.â
A first post on those CBS TV attempts to create a show about Sherlock Holmes set in the modern day in the US, partnered with a woman: on 1987âs The Return of Sherlock Holmes.
The fiftieth anniversary of the on-sale date of the Ford Mustang (April 17).
The death of Bob Hoskins. Of course I had to post his last speech in The Long Good Friday, as well as the clip from Top Gear where Richard Hammond mistook Ray Winstone for Hoskins. They all look the same to me.
May
Judith Collinsâ story about what she was doing in China with Oravida collapses.
Someone points out there is a resemblance between Benedict Cumberbatch and Butthead from Beavis and Butthead.
Jean Pisani Ferryâs view on the origins of the euro crisis in The Economist: âSuppose that the crisis had begun, as it might easily have done, in Ireland? It would then have been obvious that fiscal irresponsibility was not the culprit: Ireland had a budget surplus and very low debt. More to blame were economic imbalances, inflated property prices and dodgy bank loans. The priority should not have been tax rises and spending cuts, but reforms to improve competitiveness and a swift resolution of troubled banks, including German and French ones, that lent so irresponsibly.â
Sir Ian McKellen says, âDid I want to go and live in New Zealand for a year? As it turns out, I was very happy that I did. I canât recommend New Zealand strongly enough. Itâs a wonderful, wonderful place, quite unlike [the] western world. Itâs in the southern hemisphere and itâs far, far away and although they speak English, donât be fooled. Theyâre not like us. Theyâre something better than us.â
Lots of Alarm fĂŒr Cobra 11 posts.
Liam Fitzpatrick writes of Hong Kong, before the Occupy protests, âHong Kongersâsober, decent, pragmatic and hardworkingâare mostly not the sort of people who gravitate to the barricades and the streets. Neither do they need to be made aware of the political realities of having China as a sovereign power, for the simple fact that postwar Hong Kong has only ever existed with Chinaâs permission. In the 1960s, the local joke was that Mao Zedong could send the British packing with a mere phone call.
âWith that vast, brooding power lying just over the Kowloon hills, tiny Hong Kongâs style has always been to play China cleverlyâto push where it can (in matters such as education and national-security legislation, where it has won important battles) and to back off where it cannot.â
It didnât seem completely prescient.
August
The General Election campaign: National billboards are edited. Doctor Who goes on tour prior to Peter Capaldiâs first season in the lead role.
The suicide of Robin Williams.
Michael Brown is killed. Greg Howard writes, âThere was Trayvon Martin in Sanford, Fla., and Oscar Grant in Oakland, Calif., and so many more. Michael Brownâs death wasnât shocking at all. All over the country, unarmed black men are being killed by the very people who have sworn to protect them, as has been going on for a very long time now âŠ
âThere are reasons why white gunâs rights activists can walk into a Chipotle restaurant with assault rifles and be seen as gauche nuisances while unarmed black men are killed for reaching for their wallets or cell phones, or carrying childrenâs toys.â
Like so many things, such a statement of fact became politicized in months to come.
Darren Watson releases âUp Here on Planet Keyâ, only to have it banned by the Electoral Commission. With his permission, I did a spoken-word version.
Journalist Nicky Hager, who those of us old enough will remember was a right-wing conspiracy theorist, is branded a left-wing conspiracy theorist by the PM because this time, he wrote about National and not Labour. The Deputy PM, Bill English, who commended Hagerâs work 12 years ago over Seeds of Distrust, and even quoted from it, remained fairly quiet.
It wasnât atypical. I wrote in one post, âIn 2011, Warren Tucker said three times in one letter that he told PM John Key about the SIS release. Now he says he only told his office but not the PM personallyâafter an investigation was announced (when the correct protocol would be to let the investigation proceed) âŠ
âKey did not know about GCSB director Ian Fletcherâs appointment (week one of that saga) before he knew about it (week two).
âKey cannot remember how many TranzRail shares he owned.
âKey cannot remember if and when he was briefed by the GCSB over Kim Dotcom.
âKey did not know about Kim Dotcomâs name before he did not know about Kim Dotcom at all.
âKey cannot remember if he was for or against the 1981 Springbok tour.â
Some folks on YouTube did a wonderful series of satirical videos lampooning the PM. Kiwi satire was back. This was the first:
Matt Crawford recalled, âAt this point in the last election campaign, the police were threatening to order search warrants for TV3, The Herald on Sunday, RadioNZ et alâover a complaint by the Prime Minister. Over a digital recording inadvertently made in a public space literally during a media stunt put on for the pressâa figurative media circus.â
Quoting Robert Muldoon in 1977âs Muldoon by Muldoon: âNew Zealand does not have a colour bar, it has a behaviour bar, and throughout the length and breadth of this country we have always been prepared to accept each other on the basis of behaviour and regardless of colour, creed, origin or wealth. That is the most valuable feature of New Zealand society and the reason why I have time and again stuck my neck out to challenge those who would try to destroy this harmony and set people against people inside our country.â
And my reaction to the Conservative Partyâs latest publicity, which was recorded on this blog, and repeated for good measure on Tumblr: âEssentially what they are saying is: our policy is that race doesnât matter. Except when it comes to vilifying a group, it does. Letâs ignore the real culprits, because: âThe Chineseâ.â
September
The passing of Richard âJawsâ Kiel.
John Barnett of South Pacific Pictures sums up Nicky Hager: âHager is a gadfly who often causes us to examine our society. He has attacked both the right and the left before. Itâs too easy to dismiss it as a left wing loony conspiracy. We tend to shoot the messengers rather than examine the messages.â
New Zealanders begin vilifying Kim Dotcom: I respond. I blog about Occupy Central in Hong Kongâwhich led to a television appearance on Breakfast in early October.
October
Iâm not sure where this quotation comes from, but I reposted it: âA white man is promoted: He does good work, he deserved it.
âA white woman is promoted: Whose dick did she suck?
âA man of color is promoted: Oh, great, I guess we have to âfill quotasâ now.
âA woman of color is promoted: j/k. That never happens.â
Facebook gets overrun by bots: I manage to encounter 277 in a single day. (I eventually reach someone at Facebook New Zealand, who is trying to solicit business for one of the fan pages we have, and point this out. I never hear back from him.) The trouble is Facebook limits you to reporting 40 a day, effectively tolerating the bots. It definitely tolerates the click farms: I know of dozens of accounts that the company has left untouched, despite reports.
Kim Dotcomâs lawyers file a motion to dismiss in Virginia in United States v. Dotcom and others, and summarize the case so far: âNearly three years ago, the United States Government effectively wiped out Megaupload Limited, a cloud storage provider, along with related businesses, based on novel theories of criminal copyright infringement that were offered by the Government ex parte and have yet to be subjected to adversarial testing. Thus, the Government has already seized the criminal defendantsâ websites, destroyed their business, and frozen their assets around the worldâall without benefit of an evidentiary hearing or any semblance of due process.
âWithout even attempting to serve the corporate defendants per the Federal Rules of Criminal Procedure, the Government has exercised all its might in a concerted, calculated effort to foreclose any opportunity for the defendants to challenge the allegations against them and also to deprive them of the funds and other tools (including exculpatory evidence residing on servers, counsel of choice, and ability to appear) that would equip robust defense in the criminal proceedings.
âBut all that, for the Government, was not enough. Now it seeks to pile on against ostensibly defenseless targets with a parallel civil action, seeking civil forfeiture, based on the same alleged copyright crimes that, when scrutinized, turn out to be figments of the Governmentâs boundless imagination. In fact, the crimes for which the Government seeks to punish the Megaupload defendants (now within the civil as well as the criminal realm) do not exist. Although there is no such crime as secondary criminal copyright infringement, that is the crime on which the Governmentâs Superseding Indictment and instant Complaint are predicated. That is the nonexistent crime for which Megaupload was destroyed and all of its innocent users were denied their rightful property. That is the nonexistent crime for which individual defendants were arrested, in their homes and at gunpoint, back in January 2012. And that is the nonexistent crime for which the Government would now strip the criminal defendants, and their families, of all their assets.â
Stuart Heritage thinks The Apprentice UK has run its course, and writes in The Guardian: âThe Apprentice has had its day. Itâs running on fumes. Itâs time to replace it with something more exciting, such as a 40-part retrospective on the history of the milk carton, or a static shot of someone trying to dislodge some food from between their teeth with the corner of an envelope.â
November
Doctor Who takes a selfie and photobombs himself.
Andrew Little becomes Labour leader, and is quoted in the Fairfax Press (who, according to one caption, says his motherâs name is Cecil): âIâm not going to resile from being passionate about working men and women being looked after, having a voice, and being able to go to work safe and earn well. Thatâs what I stand for.
âThe National party have continued to run what I think is a very 1970s prejudice about unions ⊠We have [in New Zealand] accepted a culture that if you are big, bold and brassy you will stand up for yourself. But [this] Government is even stripping away protections [from] those who are bold enough to do so.
âI think New Zealanders are ready for someone who will talk bluntly about those who are being left behind. Thatâs what Iâll be doing.â
Iâm not a Labour voter but I was impressed.
I advise my friend Keith Adams in Britain, who laments the driving standards there, that in order to have the road toll we have, theyâd need to kill another 2,000 per annum. âThe British driver is a well honed, precision pilot compared to oneâs Kiwi counterpart.â
December
Julian Assange on Google, and confirmation that the company has handed over personal data to the US Government. He calls Eric Schmidt âGoogleâs secretary of state, a Henry Kissinger-like figure whose job it is to go out and meet with foreign leaders and their opponents and position Google in the world.â
The Sydney siege and the tragic deaths of Katrina Dawson and Tori Johnson.
The killing of NYPD officers Rafael Ramos and Wenjian Liu. The NYPD doesnât look very white to me, but a murderer used the death of Eric Garner as an excuse to murder a Dad and a newlywed.
My second post on those CBS TV attempts to create a show about Sherlock Holmes set in the modern day in the US, partnered with a woman: on 1993âs 1994 Baker Street.
Craig Ferguson hosts his last Late Late Show. And moreâs the pity: heâs one of the old school, never bitter, and never jumped on the bandwagon attacking celebrities.
During the six hours wasted with Ubuntu today (13 would no longer upgrade, so I removed it and decided to start afresh with 14âbig mistake, since it would not let me use the same hard drive), I had to open up my five-year-old Windows Vista laptop and upgrade my Firefox. After all, what were the odds that Mozilla would cock up its flagship browser on two OSs? After all, it’s fine on Mac OS X and Linux.
As it turns out, pretty high. Just as in Windows 7, Firefox for Windows Vista displays no text. And unlike Windows 7, which was solved by switching on hardware acceleration, Windows Vista proved a bit of a bugger to fix.
During the months where I was trouble-shooting, and after my last post, one of the more knowledgeable Mozilla volunteers admitted that there is a fault with the Cairo rendering engine in Firefox: ‘This means that (at least in your case) the issue is most likely specific to the cairo drawing backend. Good to know, thanks.’
It is still definitely related to the 2011 bug I filed where PostScript Type 1 fonts were incompatible with Firefox due to something breaking that time.
Firefox for Windows Vista’s bug, as far as I can make out, is down to Type 1 fonts being incompatible with the browser, even though they are compatible with nearly everything else on the OS. This is slightly different from the Windows 7 fault, as I still have PostScript Type 1 fonts on that computer, but Firefox simply ignores those when specified in a stylesheet in favour of what it can load under hardware acceleration (usually the default).
Despite my updating some of the system fonts that were particular to my Vista set-up to OpenType (which Firefox might have trouble with sometimes, too), that did not fix it. Firefox requires you to delete fonts off your system.
On some websites, including Facebook, Helvetica is specified before Arial in stylesheets. If your Helvetica (not Neue Helvetica) is PostScript Type 1âand it probably would be on a Windows machineâFirefox will detect it, and return blank spaces.
This is still a daft state of affairs with Cairo. Here’s how (to my very basic layman’s mind, and obviously to the minds of everyone at Adobe and a bunch of other places) how a program should deal with fonts:
* Is it installed on the system? Yes.
* Use it.
Firefox seems to adopt this approach:
* Is it installed on the system? Yes.
* Let’s ignore the ones our programmers dislike in favour of the ones our programmers like, which would only be certain TrueType fonts, and to heck with the people who have licensed other fonts and installed them in good faith. Let’s punish anyone who decided to carry over older software. Let’s also fail selected OpenType fonts such as the italics in Source Sans Pro for no apparent reason. [PS.: If the first font family is incompatible, let’s display nothing. On a stylesheet, if one does not work, we won’t load the second one, but we will try to load the system font even if that is incompatible, too.]
When it comes to stylesheets, neither OS makes much sense. Normally a program would go through each font specified, and display in the first one available. I don’t understand the rationale but Firefox will skip the ones in the stylesheet even when installed, even when compatible, and opt for system fonts or those specified as defaults in the program.
All of this is counter-intuitive, and if it weren’t for what must be my OCD, I’d never have found out, and have given up to use another browser.
Not that IE11 is much good:
