Posts tagged ‘2016’


September 2021 gallery

02.09.2021

Here are September 2021’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month. It sure beats having a Pinterest.

 
Sources
The 2016 Dodge Neon sold in México. More at Autocade.
   IKCO Peugeot 207. More at Autocade.

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Posted in business, cars, design, gallery, humour, marketing, publishing, UK, USA | No Comments »


Is the sun setting on Alarm für Cobra 11: die Autobahnpolizei?

03.08.2021

It does seem the sun is setting, after 25 years, on Alarm für Cobra 11: die Autobahnpolizei on RTL.
   Last week, the network released three episodes from 8.15 p.m., and to heck with the low ratings of the last episode which would be far too late for younger viewers. They’re doing the same this week, and finishing up the season next week with the two last ones made.
   It’s no secret that the viewer numbers have been falling year after year, especially after the departure of Tom Beck, and the long-running actioner costs a lot to make—too much for a show that now nets around the 2 million mark each week, with increased competition from other networks and forms of entertainment.
   Last year, the show was revamped again, but unlike previous efforts, this was a very bumpy and massive reset. Shows don’t always do well after this, especially a revamp that was bigger than Martial Law abandoning most of its original cast in season 2 as well as not resolving the season 1 cliffhanger. Or each of the incarnations of Blackadder.
   Cobra 11 survived most earlier revamps, such as the seasons with Vinzenz Kiefer, because it maintained some continuity. We didn’t mind the anachronisms and the inconsistencies as long as the heart of the show was there. Over the first two decades, there was a humanity to the show, regardless of how much haters think it was a shallow actioner, and by that I refer to the home life of the main character, Semir Gerkhan, portrayed by Erdoğan Atalay.
   Viewers invested a lot into Semir and Andrea, and even with the 2014–15 seasons, we could count on that behind the emotional core of the series. It didn’t matter that the bright, cheerful years of Beck had become a sombre-keyed drama, with the happy couple’s marriage on the rocks, Semir sporting a full beard and not his goatee, and a major story arc.
   It was a return to the action–comedy tradition in 2016 with Daniel Roesner taking over from Kiefer, who I was surprised to see later in Bulletproof.



Semir and Andrea: the emotional heart of Alarm für Cobra 11.

   With Roesner’s departure, producers sought to get rid of everyone else on the show, wrapping up their storylines, so that 2020 would begin with only Atalay and Gizem Emre, who joined the cast in 2014, reprising their roles. We can deal with Semir pairing up with a female partner for the first time in 24 years (Vicky Reisinger, played by Pia Stutzenstein), having a new boss (a disabled character played by an able-bodied actor, Patrick Kalupa; and since we never had an episode about how the character became disabled, it seems a slap in the face to not cast a disabled actor), and an irritatingly dark set. But Andrea and the kids have been written out, not mentioned again; enter Semir’s estranged mother, who only became estranged a couple of seasons ago, since the character said previously that he called her every Christmas. To all intents and purposes, this was a new show with little connection to the old. And I think they may have gone one step too far in their efforts to present something new to viewers.
   There is a slight return to the structures of the older scripts in this second block of season 25, with an emphasis on the stories over the action (as there had been at the start). There are moments where you even recognize the show. But if the first half of the season had put you off, you never would have found out, especially since RTL hasn’t even bothered to show the action scenes in many of the press photos.
   The scheduling is exactly what you’d expect a network to do in order to kill a show, to say that the average viewer numbers had dropped again, too far to be viable. It’s the sort of show that might have a TV movie or two later on, but for now, I’m not that surprised there are statements that this 25th season (28th, if you believe the network) is the last ‘sein wird’ (for now). Another retooling for the 26th so it could return? Or time to wrap it all up?
   I don’t think it bodes well for us fans, unless they can tap into the Zeitgeist again for something that modern viewers are going to love.

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February 2021 gallery

08.02.2021

Finally, let’s begin the February 2021 gallery!

 
   All galleries can be seen through the ‘Gallery’ link in the header, or click here (especially if you’re on a mobile device). I append to this entry through the month.

Sources
Katharina Mazepa for Guess, more information here.
   Financial Times clipping from Twitter.
   Year of the Ox wallpaper from Meizu.
   American English cartoon via Twitter.
   Doctor Who–Life on Mars cartoon, from Pinterest.
   Dr Ashley Bloomfield briefing with closed captioning, found on Twitter.
   South African version of the Opel Commodore C: more at Autocade.
   Chrysler–Simca 1307 and 1308 illustrations: more on the car at Autocade.

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Posted in cars, China, gallery, humour, media, New Zealand, politics, publishing, technology, TV, UK, Wellington | No Comments »


The accidental 9-11 post: their Republicans and Democrats still have the same concerns

11.09.2020


Above: I photographed this gentleman praying at Ground Zero during the 9-11 commemorations in 2005. A very moving day and my first return to the site since 2001.

This was never meant as a 9-11 post. I recorded this a few days ago, after chatting to my US friend Jerry, who had voted for Trump in 2016. I concluded that Americans largely had the same concerns, regardless of whom they voted for, yet other interests were stoking the divisions because they had everything to gain from the infighting. I also discussed the shift of their political centre from President Dwight D. Eisenhower’s day to today. Back then, the people of the US showed unity, and I still believe they can if they wished, and rid themselves of the vitriol that comes through social media.

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Posted in business, culture, leadership, media, politics, USA | 2 Comments »


Catfished on Facebook? That’s OK, too, they’re there to provide the tools

11.06.2020

I don’t particularly have it in for Google and Facebook. I’m only pointing out the obvious: if you say your policy is x, or your product is y, then don’t deliver us z. Put it into non-electronic terms: if you sell me a car and I put it into first gear, and it instead reverses, then I will complain. And if you look back through 11 years of critique, that is what lies at the foundation of every post about them. Medinge does Brands with a Conscience, Big Tech does Brands without a Conscience. Once they start being honest and levelling with people, then I’ll stop pointing out their hypocrisy.

Speaking of which, a Facebook user calling themselves Barbara Black has taken a photo of former Miss Universe New Zealand Tania Dawson, using Tania’s photo as her profile pic and, of course, catfishing men. You know where this is going: despite numerous reports from Tania’s friends since the D-Day anniversary, including multiple ones from me, nothing has been done. Facebook tells me that there has been no violation of their terms. Some have actually found it impossible to report the fake profile, as their screen fills up with gibberish.

   Yet again it’s Facebook being on the side of the spammers, bots and phonies, as usual, because they have the potential to help their bottom line.
   I can safely say that all my reports of fake or compromised accounts this year have resulted in no take-downs whatsoever, making it far, far worse than what I experienced in 2014 when I said that Facebook faced a bot ‘epidemic’ (I used that very word).
   Very easy prediction for 2020: despite COVID-19, Facebook will have to remove more fake accounts than there are people on the planet. I reckon it has already happened but they won’t admit it. I just don’t know when people will wake up to the fact that this dubious site isn’t serving them, but at least the fakes have got to such a point now that everyday people recognize them: at some point, we will either know someone, or be that someone, who has been catfished or cloned. I’ve been off it for personal stuff for three years and have missed nowt.

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Posted in culture, internet, New Zealand, technology, USA | No Comments »


Has Directwrite arrived on my Chromium-based browsers four years after everyone else?

03.03.2020

After considerable searching, the bug that I reported to Vivaldi, and which they cannot reproduce, appears to be one that the general public encountered back in 2016, when Chromium took away the option to disable its Directwrite rendering. I don’t know why I’ve only encountered it in 2020, and as far as I can tell, my experience is unique.
   It’s a good position to be in—not unlike being one of two people (that I know of) who could upload videos of over one minute to Instagram without using IGTV—though it’s a mystery why things have worked properly for me and no one else.
   When I switched to Vivaldi in 2017, I noticed how the type rendering was superior compared with Firefox, and it was only in January this year when it became far inferior for me. Looking at the threads opened on type rendering and Chromium, and the screenshots posted with them, most experienced something like this in 2016—a year before I had adopted Vivaldi. If my PC worked as theirs did, then I doubt I would have been talking about Vivaldi’s superior display.
   There’s a possibility that what I saw from 2017 actually was Directwrite, and whatever they’re using now is yet another technology that no one has made any note of.
   I’ve posted in the Vivaldi and MacType forums where this has been discussed, as my set-up could provide the clue on why things have worked for me and not others. Could it be my font substitutions, or the changes I’ve made to the default display types in Windows? Or the fact that I still have some Postscript fonts installed from the old days? Or something so simple as my plug-ins?
   Tonight I removed Vivaldi 2.11 and went to 2.6. I know 2.5 rendered type properly—Bembo on the Lucire website looks like Bembo in print—so I wondered if I could narrow down the precise version where Vivaldi began to fail on this front. (As explained earlier, after 2.5, no automatic updates came, and I jumped from 2.5 to 2.10.)
   It was 2.9 where the bug began, namely when Vivaldi moved from a Chromium 77 base to a 78 one. This is different to what Ayespy, a moderator on the Vivaldi forums, experienced: version 69 was when they noted a shift. Yet Opera GX, which works fine, has a browser ID that claims it’s Chrome/79.0.3945.130 (though I realize they can put whatever they like here). Brave, Chrome and Edge look awful.
   We can conclude that not all Chromium browsers are created equally (goes without saying) but I understand that the rendering isn’t something that each company (Vivaldi, Opera, etc.) has fiddled with. Therefore, something I’m doing is allowing me to have better results on Opera, Opera GX and Vivaldi versions up to 2.8 inclusive.

Vivaldi 2.8

Opera GX

Firefox Developer Edition 74.0b9

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Posted in design, internet, technology, typography | 1 Comment »


Facebook is getting away with it again—even though it knew about Cambridge Analytica

25.07.2019

Thanks to my friend Bill Shepherd, I’ve now subscribed to The Ad Contrarian newsletter. Bob Hoffman is one of the few who gets it when it comes to how insignificant the FTC’s Facebook fine is.
   Five (American) billion (American) dollars sounds like a lot to you and me, but considering Facebook’s stock rose on the news, they’ve more than covered the fine on the rise alone.
   Bob writes: ‘The travesty of this settlement guarantees that no tech company CEO will take consumer privacy or data security seriously. Nothing will change till someone either has to pay personally or go to jail. Paying insignificant fines with corporate money is now an officially established cost of doing business in techland and—who knows?—a jolly good way to boost share prices.’
   There’s something very messed up about this scenario, particularly as some of the US’s authorities are constantly being shown up by the EU (over Google’s monopoly actions) and the UK’s Damian Collins, MP (over the questions being asked of Facebook—unlike US politicians’, his aren’t toothless).
   The US SEC, meanwhile, has released its report on Facebook, showing that Facebook knew what was happening with Cambridge Analytica in 2015–16, and that the company willingly sold user data to the firm. SEC’s Stephanie Avakian noted, ‘As alleged in our complaint, Facebook presented the risk of misuse of user data as hypothetical when they knew user data had in fact been misused.’ You can read the entire action as filed by the SEC here.

In its quarterly and annual reports filed between January 28, 2016 and March 16, 2018 (the “relevant period”), Facebook did not disclose that a researcher had, in violation of the company’s policies, transferred data relating to approximately 30 million Facebook users to Cambridge Analytica. Instead, Facebook misleadingly presented the potential for misuse of user data as merely a hypothetical investment risk. Moreover, when asked by reporters in 2017 about its investigation into the Cambridge Analytica matter, Facebook falsely claimed the company found no evidence of wrongdoing, thereby reinforcing the misleading statements in its periodic filings.

   As I have been hashtagging, #Facebooklies. This is standard practice for the firm, as has been evidenced countless times for over a decade. The settlement: US$100 million. Pocket change.

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When the writers don’t check the Cobra 11 universe

10.04.2019

This is how big an Alarm für Cobra 11: die Autobahnpolizei nerd I am.
   Three years ago (April 7, 2016), we were introduced to Daniel Roesner as Paul Renner in ‘Cobra, übernehmen Sie’. There is a flashback scene dated April 7, 1996 when Paul and Semir meet for the first time, with Paul as a child.



   There are a few problems with the scene.
   If it was April 1996, then it would have been around the events of ‘Tod bei Tempo 100’, and Semir looked quite different:

   His goatee only begins appearing in episode 33 (production order), ‘Ein Leopard läuft Amok’ (October 1, 1998), and the BMW 3er with the registration NE-DR 8231 made its first appearance the episode before, ‘Die letzte Chance’ (which was actually shown later, on October 8, 1998).
   Also in ‘Cobra, übernehmen Sie’, Semir is on the radio to Andrea, when Andrea was not working for PASt in 1996. She made her first appearance in ‘Rache ist süß’ (November 18, 1997).
   I can understand star Erdoğan Atalay being reluctant to shave his goatee for the flashback, but it would have thrilled fans if he called to base for Regina and not Andrea.

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Posted in culture, interests, TV | 1 Comment »


The newer the Instagram, the clunkier the video

07.12.2018

It’s been nearly one week with the new Meizu M6 Note.
   It’s the “international” model, which means it’s not Chinese-spec, and there was no way to turn it into a Chinese one.
   One observation is that the international one is far buggier than the Chinese one. Either that, or Android 7 is far buggier than Android 5.
   For instance, if I leave my old phone as a USB media device, it would stay on that mode. The new one will always change by itself to ‘charge only’, meaning each time I plug it into USB, I now have to waste time doing an extra step.
   Secondly, there’s no drive assistant on the new phone, which may have been a Chinese-only feature. I guess they don’t know we have cars outside China.
   I’ve mentioned the app shortcomings in an earlier post.
   But here’s one that I doubt is related to the Chineseness of my phone: Instagram simply performs better on the old phone than on the new.
   A Meizu M2 Note on an old Flyme (on top of Android 5) running a version of Instagram that dates back seven or eight months uploads smoother videos than a Meizu M6 Note on the latest Flyme (atop Android 7) running the latest Instagram.
   The issue then is: is it the phone, the OS, or the app that’s to blame?
   My first clue was my attempts at uploading a haka performed at my primary school. It took nine attempts before Instagram made one publicly visible, a bug going back some time.
   When it did upload, I noticed it was clunky as it advanced.
   I uploaded it again today on the old phone and there were no issues. It worked first time.

New phone

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@stmarkschurchschool Year 7 honours the valedictory Year 8 with a #haka, and one is returned. Instagram refused to show the previous eight upload attempts of this video, but they were full-frame. It seems to be fine with a square one. Apologies to anyone cut off the ends because of Instagram's strange limits. #almamater #whanganuiatara #NZ #stmarks #raumati #summer #été #longinstagramvideo

A post shared by Jack Yan 甄爵恩 (@jack.yan) on

Old phone

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@stmarkschurchschool Year 7 honours the valedictory Year 8 with a #haka, and one is returned. I used my old phone to upload this, as I believe there is something wrong with either the modern app or with the way the app works with Android 7. Compare the two (just go back a day on my Instagram): this is heaps smoother. #almamater #whanganuiatara #NZ #stmarks #raumati #summer #été #longinstagramvideo

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   Now, the two are on different aspect ratios so you might think you’re not comparing apples with apples. How about these two videos? Again, Android 7 required repeated attempts before Instagram would make the video public. Things worked fine with the older phone.

New phone

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This video was uploaded using my new phone. Compare it to the same file uploaded by the old one. Why is it worse on the new one and why won’t Instagram make it visible on the first attempt? #longinstagramvideo

A post shared by Jack Yan 甄爵恩 (@jack.yan) on

Old phone

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In my opinion, one of the prettiest small Japanese coupés of the late 1980s and early 1990s: the #Eunos Presso (#Mazda MX-3). Like an Alfa Romeo pastiche but more reliable. #NZ #whanganuiatara #summer #raumati #été #longinstagramvideo

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   Anyone know why it’s far, far worse as the technology gets newer? Like servers, which are much harder to manage now, or banks, where cheques take five to seven times longer to clear than in the 1970s, technology seems to be going backwards at the moment.

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Posted in China, internet, technology | No Comments »


The descent of Twitter

22.09.2018


Dawn Huczek/Creative Commons 2·0

This Tweet was probably half in jest:

   Then, within days, it played out pretty much exactly like this when Frank Oz Tweeted that he did not conceive of Bert and Ernie as gay. Or how Wil Wheaton can never seem to escape false accusations that he is anti-trans or anti-LGBQ, to the point where he left Mastodon. In his words (the link is mine):

I see this in the online space all the time now: mobs of people, acting in bad faith, can make people they don’t know and will likely never meet miserable, or even try to ruin their lives and careers (look at what they did to James Gunn). And those mobs’ bad behaviors are continually rewarded, because it’s honestly easier to just give them what they want. We are ceding the social space to bad people, because they have the most time, the least morals and ethics, and are skilled at relentlessly attacking and harassing their targets. It only takes few seconds for one person to type “fuck off” and hit send. That person probably doesn’t care and doesn’t think about how their one grain of sand quickly becomes a dune, with another person buried beneath it.

   It highlights just how far ahead of the game Stephen Fry was when he abandoned Twitter for a time in 2016:

Oh goodness, what fun twitter was in the early days, a secret bathing-pool in a magical glade in an enchanted forest … But now the pool is stagnant …
   To leave that metaphor, let us grieve at what twitter has become. A stalking ground for the sanctimoniously self-righteous who love to second-guess, to leap to conclusions and be offended – worse, to be offended on behalf of others they do not even know … It makes sensible people want to take an absolutely opposite point of view.

   Not that long ago I was blocked by a claimed anti-Zionist Tweeter who exhibited these very traits, and I had to wonder whether he was a troll who was on Twitter precisely to stir hatred of Palestinians. With bots and fake accounts all over social media (I now report dozens of bots daily on Instagram, which usually responds with about five messages a day saying they had done something, leaving thousands going back years untouched), you have to wonder.
   Years ago, too, a Facebook post I made about someone in Auckland adopting an American retail phrase (I forget what it was, as I don’t use it, but it was ‘Black’ with a weekday appended to it) had the daughter of two friends who own a well known fashion label immediately jump to ‘Why are you so against New Zealand retailers?’ I was “unfriended” (shock, horror) over this, but because I’m not Wil Wheaton, this didn’t get to the Retailers’ Association mobilizing all its members to have me kicked off Facebook. It’s a leap to say that a concern about the creeping use of US English means I hate retailers, and all but the most up-tight would have understood the context.
   This indignant and often false offence that people take either shows that they have no desire to engage and learn something, and that they are in reality pretty nasty, or that they have one personality in real life and another on social media, the latter being the one where the dark side gets released. Reminds me of a churchgoer I know: nice for a period on Sundays to his fellow parishioners but hating humanity the rest of the decade.
   Some decent people I know on Twitter say they are staying, because to depart would let the bastards win, and I admire that in them. For now, Mastodon is a friendly place for me to be, even if I’m now somewhat wary after the way Wheaton was treated, but the way social media, in general, are is hardly pleasing. Those of us who were on the web early had an ideal in mind, of a more united, knowledgeable planet. We saw email become crappier because of spammers, YouTube become crappier because of commenters (and Google ownership), and Wikipedia become crappier because it has been gamed at its highest levels, so it seems it’s inevitable, given the record of the human race, that social media would also descend with the same pattern. Like in General Election voting, too many are self-interested, and will act against their own interests, limiting any chance they might have for growth in a fairer society. To borrow Stephen’s analogy, we can only enjoy the swimming pool if we don’t all pee in it.

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Posted in business, culture, internet, New Zealand, politics, technology, UK, USA | 3 Comments »