Posts tagged ‘advertisement’


August 2021 gallery

11.08.2021

Here are August 2021’s images—aides-mĂ©moires, photos of interest, and miscellaneous items. I append to this gallery through the month.

 
Sources
Volkswagen Gol G4—more at Autocade.
   The fake friends of social media being the junk food equivalent of real friendships, from this post by Umair Haque.
   Stay at home, wear a mask—geek humour shared from Twitter.
   Thaikila swimwear—seems to have an interesting history.
   More on the Fiat 124 Sport Spider here at Autocade.
   Jerry Inzerillo, first male on the cover of an issue of Lucire anywhere in the world, in this case the August 2021 issue of Lucire KSA. The story can be found here on our website.

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July 2021 gallery

02.07.2021

Here are July 2021’s images—aides-mĂ©moires, photos of interest, and miscellaneous items. I append to this gallery through the month.

 
Sources
Star Trek: 1999 reposted from Alex on NewTumbl. Didn’t Star Trek and Space: 1999 share a producer?
   Publicity shot for French actress Manon Azem, from Section de recherches.
   Charlie Chaplin got there first with this meme. Reposted from Twitter.
   I realize the history page in Lucire KSA for July 2021 suggests that you need a four-letter surname to work for Lucire.
   The 1981 Morris Ital two-door—sold only as a low-spec 1·3 for export. Reposted from the Car Factoids on Twitter.
   Ford Capri 1300 double-page spread, reposted from the Car Factoids on Twitter.
   Alexa Breit photographed by Felix Graf, reposted from Instagram.
   South America relief map, reposted from Twitter.
   From the Alarm fĂŒr Cobra 11: die Autobahnpolizei episode ‘Abflug’, to air July 29, 2021. RTL publicity photo.
   Lucire’s Festival de Cannes coverage can be found here. Photo courtesy L’OrĂ©al Paris.
   Last of the Ford Vedette wagons, as the Simca Jangada in Brazil, for the 1967 model year. The facelift later that year saw to the wagon’s demise.
   Ford Consul advertisement in Germany, announcing the 17M’s successor. Interesting that the fastback, so often referred to as a coupĂ©, is captioned as a two-door saloon, even though Ford did launch a “standard” two-door. More on the Consul in Autocade here. Image from the Car Factoids on Twitter.

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Posted in cars, China, culture, design, France, gallery, humour, internet, marketing, New Zealand, publishing, Sweden, technology, TV, UK, USA | No Comments »


How to stop tailgating

21.06.2021

I thought if we were serious about stopping tailgating, then the solution in the form of public service announcements would be remarkably simple, as far as the men are concerned. My concept, but not my photos. Since we’re talking lives here, one hopes the photos’ copyright owners will allow me to make these proposals.


   You’d end tailgating overnight among half the population, and arguably more than half the culprits.

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June 2021 gallery

01.06.2021

Here are June 2021’s images—aides-mĂ©moires, photos of interest, and miscellaneous items. I append to this gallery through the month.

 
Sources
The Guardian letter, from Twitter.
   Ford Cortina Mk II pick-up made by Hyundai, referred by 강동우 on Twitter.
   Ikea water, reposted from Twitter.
   Alexa launch, reposted from Twitter.
   Protest Sportswear’s women’s range for spring–summer 2021. Read more at Lucire.
   Collusion between Google and Facebook, from Bob Hoffman’s The Ad Contrarian newsletter.
   Ford Falcon ESP limited edition—a familiar image to those of us who read Australian car magazines in the early 1980s. More on the Ford Falcon (XD) at Autocade.
   This was the famous advertisement for the 1965 Ford Mustang, for its dĂ©but in April 1964 at the World’s Fair in New York. It was mentioned in Lee Iacocca’s autobiography, but I had not seen it till 2020.
   Dido Harding work history, shared by James O’Brien on Twitter, possibly from The Eye.

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May 2021 gallery

01.05.2021

Here are May 2021’s images—aides-mĂ©moires, photos of interest, and miscellaneous items. I append to this gallery through the month.

Sources
Viki Odintcova, via Instagram.
   Alexa Breit, photographed by Weniamin Schmidt, via Instagram.
   Vickery Electrical advertisement: something I asked my Dad to photocopy for me in the 1980s. Briefly we had one of those Apple II portables, on loan from a colleague of Dad. I can’t recall if it had one disk drive or two, but it was a fun little unit to have in my bedroom for that period. Dad was prepared to buy it if I wanted to keep it, but I didn’t have much software to run, plus I already had the Commodore 64 for schoolwork.
   Lucire issue 43 cover, photographed by Damien Carney, creative direction and fashion styling by Nikko Kefalas, make-up by Joanne Gair, hair by Kirsten Brooke Anderson, and assisted by Rachel Bell, and modelled by Elena Sartison. Find out more here.
   Drew Barrymore quotation from Elephant Journal on Twitter.
   I still have plenty of old stamps, which I tend to save for family (though I’m less discerning about those discounted Christmas ones, which I always used to buy in bulk). This is going to my cousin’s daughter and her husband, and their family.
   Comments after an article on Buzzfeed News. Business as usual for Facebook.
   Happy birthday to our niece Esme!
   Tania Dawson promotes Rabbit Borrows, from Instagram.
   Bizarre that the only car with a manual transmission on sale at Archibalds is from the 1950s. I’m sure New Zealand was majority-manual into the first decade of this century.
   More on the 1982–94 Chevrolet Cavalier at Autocade.
   CitroĂ«n C5 X, as covered in Lucire.
   Amira Aly (Mrs Oliver Pocher) photographed by Christoph Gellert, reposted from Instagram.
   Gaza statistics, sourced from Twitter.
   Even after 44Âœ years of living in the occident, I find certain western customs very strange. From Twitter.
   Number crunching from Private Eye, reposted from Twitter.
   Evaporated milk, reposted from Twitter.
   Triumph Herald advertisement from the Car Factoids on Twitter.
   Cadillac tailfins, reposted from Tumblr.
   This photo of Sophia Loren was captioned ‘© David Hurn | Sophia Loren, Inglaterra, 1965’ on Tumblr. I wonder if she is on the set of Stanley Donen’s Arabesque. Reposted from Tumblr.
   I had the pleasure of watching Peggy Sue Got Married again a few weeks ago. This was a nice scene at the end, that seemed to suggest that Peggy Sue had travelled back in time. John Barry’s score is sublime.
   The Murdoch method: reposted from my old NewTumbl account.
   Alexa Breit photographed by Sagaj, reposted from Instagram.

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Posted in business, cars, design, France, gallery, humour, India, interests, internet, marketing, media, New Zealand, politics, publishing, TV, UK, USA, Wellington | No Comments »


April 2021 gallery

05.04.2021

Here are April 2021’s images. I append to this gallery through the month.

 
Sources
Tania Dawson promotes SomĂšrfield Hair Care, sourced from Instagram.
   Austrian model Katharina Mazepa for Dreamstate Muse magazine, shared on her Instagram. This was an image that was removed from a PG blog at NewTumbl last year—apparently this was considered ‘nudity’ and rated M.
   AMC promotes the Gremlin, the US’s first subcompact car. More on the Gremlin at Autocade; 1970 advertisement via Twitter.
   Volkswagen 1302S photographed in June 2018, one of the images I’ve submitted to Unsplash for downloading. I did have the owner’s permission to shoot his car.
   St Gerard’s Church and Monastery atop Mt Victoria in Wellington, New Zealand, photographed by me and also submitted to Unsplash.
   Facebook group bots: someone else was so used to seeing bot activity on Facebook, they made a meme about it.
   Holden Commodore Evoke Ute, an example of ‘base model brilliance’. More at Autocade.
   Morris Marina ad via the Car Factoids on Twitter.
   Innocenti Mini 90 and 120 via the Car Factoids on Twitter.
   The aerial shot of Rongotai in 1943 is from the Air New Zealand collection. This is a scan of a photostat Dad made for me in the 1980s. The piece of paper was getting a bit old so I thought it was time to make it digital-only. The ‘1929’ marks the site of the original Rongotai Aerodrome, I believe.
   Instafraud, from Bob Hoffman’s The Ad Contrarian newsletter.
   Alisia Ludwig, from her Instagram, photographer unnamed.
   Fiat X1/9 brochure, from the Car Factoids on Twitter.
   More on the Peugeot 508 (R23) at Autocade.
   Model Skyler Simpson at Seminole Hard Rock Hotel & Casino, Tampa, photographer unknown, via Instagram.

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Posted in cars, China, design, gallery, internet, marketing, media, New Zealand, politics, technology, UK, USA, Wellington | No Comments »


December 2020 gallery

01.12.2020

Here are the images that have piqued my interest for December 2020. For November’s gallery, click here (all gallery posts are here). And for why I started this, here’s my earlier post on this blog, and also here and here on NewTumbl.


 

Sources
   Auckland City Library opening, via Auckland City Council Residents’ Group on Twitter.
   Jono Barber scanned the Aston Martin DB5 story from newspaper clippings he recently found.
   From the Instagram of hairstylist extraordinaire, my friend Adrian Gutierrez. Photographed by Steve Yu, hair by Adrian Gutierrez, make-up by Meri, modelled by Chanel Margaux.
   Volkswagen KĂ€fer advertisement from the Car Factoids on Twitter.
   Star Trek–Star Wars series from Alex on NewTumbl.
   ManawatĆ« Guardian front page relates to this Tweet.
   Alexa Breit promotes masks by Peggell, via Instagram.
   Amber Peebles photographed by me in 2003 on a VoigtlĂ€nder Bessamatic Deluxe.
   Google Forms’ 419 scam relates to this Toot.
   Peugeot 504 advertisement from the Car Factoids on Twitter.
   Triumph TR7 brochure cover from the Car Factoids on Twitter.
   Katharina Mazepa photograph from her Instagram.
   More about the JAC Jiayue A5 (JAC J7 for export) at Autocade.
   Tardis image from Alex on NewTumbl.
   More information on the Toyota Yaris Cross at Autocade.

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Posted in cars, China, design, gallery, interests, internet, media, TV, UK, USA | 1 Comment »


Volvo: boxy, but good

02.07.2019

Long before Mad Men, and before I got into branding in a big way, I had an interest in advertising. One of the greatest send-ups of the industry was the 1990 Dudley Moore starrer Crazy People, set in the advertising industry against a politically incorrect—actually, cruel and inaccurate—look at mental health. It’s one of those films that could never be made today, and for good reason. But there are some gems in it, as Moore’s character, Emory Leeson, embarks on “honest advertising”. It gets him committed to a facility—who ever heard of an advertising agency telling the truth, right?—until his ads become a hit, welcome by consumers who don’t want BS.
   I came across this wonderfully copywritten and set ad from a PR professional in London trying to sell his Nan’s 1981 Volvo 244DL:

   It’s bloody good. The copy kept me engaged—like all good ads used to—and he’s done a reasonably good job with the Volvo Broad headline typeface (it was wider back in the day). The body text type should be Times rather than Baskerville, but considering the exact cut of Times isn’t available digitally (to my knowledge; it’s for larger text, and has very short descenders), there’s no wonder he opted to use another family.
   It got me thinking: I’ve often posted the Crazy People Volvo ad in comments, as a humorous response. However, the ad doesn’t exist in a decent res online. The only ones that have wound up online are from screen captures from the movie. This 22 kbyte file is actually the best one around, save for one on the Alamy stock photo website that I found after the fact:

   I couldn’t re-create the image—I assume the only person who has it (or had it) is the art director of the film, or the photographer that was commissioned—but maybe I could have a go at the type?
   The digital Volvo Broad had to be widened 25 per cent, and I didn’t attempt to match the kerning.
   The body type was the interesting one. I opted for Times Headline, since it wasn’t at a text size, but as I discovered, Volvo used a particular cut that had short descenders and was slightly condensed. I tried to match the leading.
   Therefore, here it is, offered under Creative Commons with attribution to me for the typesetting, please, while noting the image is not mine:

   And sometimes, I use my powers for good.

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RTL orders Blitzkrieg on Alarm fĂŒr Cobra 11 fan community prior to the show’s 20th anniversary

10.03.2016

With the lead-up to the 20th anniversary of the German TV show Alarm fĂŒr Cobra 11: die Autobahnpolizei, a fan group I run—the largest unofficial community on Facebook for the series—has been the subject of a Blitzkrieg by RTL. Trailers, which made up the majority of the uploaded videos, are indeed copyrighted material, but have resided happily there since 2008. But in their determination to have every video cleansed from Facebook, individual members’ copyrighted material, as well as videos that do not even belong to RTL, have been the subject of their claims.
   As someone who is usually on the complainant’s side in DMCA cases, I have a lot of sympathy for their position—but I’ve never gone to a website to lay claim to material that isn’t ours. You would think that a company as well resourced as RTL would be able to tell the difference, if a far smaller firm like ours can, but it appears there are keyboard warriors even in the largest TV networks. A reply, therefore, is needed, and it’s going to be a nice weekend sans Facebook, where I have been barred for three days without their usual counterclaim procedure operating. Luckily, I had set up a back-door account to administer pages and groups, after Facebook’s anti-malware malware incident, which is practically all I do there these days anyway.

Ladies and Gentlemen:

Today we note that all videos uploaded to the largest Facebook group about the TV series Alarm fĂŒr Cobra 11: die Autobahnpolizei (https://www.facebook.com/groups/autobahnpolizei/) have been the subject of complaints by you, causing them all to be removed.
   We acknowledge that some of these videos contain content from Mediengruppe RTL Deutschland and Action Concept. They have resided there since 2008 without a single complaint, and the overwhelming majority (over 90 per cent) are trailers that you have permitted not only on this group, but all fan groups.
   Our group is non-profit and promotional in nature. Contractors to and employees of RTL and Action-Concept have happily been members for years, so it is clearly known to your organization.
   You have also permitted fan edits to your material on YouTube for years, where derivative works have been created and reside.
   Derivative works include subtitled, reworked Bulgarian translations to your trailers by Mr Hristian Martinov that feature new graphics, fan edits by Herr Thorsten Markus GrĂŒtzmacher featuring the history of the series, and fan videos by Herr Stefan Wilke made in 2002 and 2004. Given RTL’s own stance on these elsewhere, principally on YouTube, there is an appalling double standard that you have applied to this Facebook group.
   We acknowledge that on a strict legal interpretation, some of these can be subject to your copyright claims and, had we been approached privately, we would have removed them. However, we are deeply concerned over content that Mediengruppe RTL Deutschland falsely and deceptively laid claim to, and is no concern of yours.
   You have stated to Facebook that these are videos that you or your organization created. In the cases detailed below, this is not true.
   We have two reporting numbers provided to us by Facebook, 1687808734841713 and 235243696819825, although numerous others relating to this group apply.
   Among those are videos that you have falsely and deceptively laid claim to include those shot by individual members on set on visits to Action Concept, videos shot privately by Herr GrĂŒtzmacher while he was contracted to Action Concept, advertisements made by Kia Motors Deutschland GmbH which feature Alarm fĂŒr Cobra 11 characters, news articles covering Alarm fĂŒr Cobra 11 that are not owned by RTL but by their respective news networks, and an advertisement for Daimler AG that has no connection whatsoever to Alarm fĂŒr Cobra 11, Action-Concept, or RTL.
   Please be advised that Facebook operates on US copyright law, which the above items do not fall foul of as they relate to RTL; even if they do, they are outside the scope of copyrighted material that you have any authority to file complaints about. The notion of German moral rights in copyright do not apply in the United States in this respect.
   Your actions have caused accounts to be disabled and while this may be warranted in the cases that concern RTL material, it is not warranted in cases where you have made false claims to Facebook. Your statements are not only inaccurate in these cases, they are also defamatory in nature and we consider them libellous.
   We are prepared to vigorously defend our position.
   Nevertheless, we are reasonable, and we propose a fair solution. As there is no way to compile every reporting number over eight years of material that has vanished in the space of 24 hours, we request that all the material you have reported on this group to be reinstated in full. Once that is done, the group’s moderators work alongside you to remove, individually, only the content that belongs to you. Reinstatement should occur within a week of this email, while removal of all RTL trailers, promotional material, and direct clips from the show—the last of which are indisputably RTL copyrighted material—will be done over the following week.
   Facebook notes that you are under no obligation to respond. Please be advised that this message will be openly published, and will also be sent to you as hard copy, with other parties cced.

Yours faithfully,

Jack Yan, LL B, BCA (Hons.), MCA

ccs for Action Concept and Facebook, under separate cover

   What an innovative way to generate goodwill for a TV series in the days before the network kicks off its 20th anniversary tributes (on March 12).

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Geely Vision: as fast as a Citroën 2CV flat out

23.01.2015

I was very interested to see this graphic on the Geely Instagram account today:

   Spot the issue? I commented (and I wonder if they will delete it): ‘I would be a bit worried if the Geely GC7 found 71·5 mph its “flat out” speed. That would make it only as fast as a CitroĂ«n 2CV!’
   That reference to the French 2CV (which I note the Germans called the Ente or, even more humorously, the Döschwo), is intentional. Not only is 71·5 mph the top speed of a CitroĂ«n 2CV, but here’s an advertisement from over 30 years ago (found here):

   This particular Geely (variously sold, with stylistic differences, as the Geely Vision and Gleagle GC7 and other identities over the years—and it’s related to the Emgrand EC7, Geely New Emgrand and Geely Emgrand Classic) reminds me of the E140 Toyota Corolla. However, as the company is about to embark on launching the wonderful GC9, a car styled under Peter Horbury dĂ©buting its new design language, this is the least appropriate time to remind people that some Chinese manufacturers have engaged in cloning vehicles. Geely’s been above board with original designs—unlike BYD, Zotye, Changcheng, Chery and others—and this is the last thing they want to be associated with.
   Please note this as a humorous tribute, guys—and redo it so that people don’t think the GC7’s top speed is 71·5 mph.

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