This is a development proposed for my old street in Rongotai. Since I’ve moved away I haven’t a say in what happens there. I can only make some general remarks. And this post is not written from the Luddite position.
It’s the price of progress that as cities grow, we need more housing, and if it means bowling for old bungalows from the first decades of the 20th century in favour of 14 townhouses, then that is the reality we must face, no matter our feelings of nostalgia. What a shame the green space will be reduced dramatically.
But why, oh why, must there be another development devoid of colour with a planned uniformity that smacks of communism? Don’t people deserve to live in colour and in dwellings that have some imagination and individuality from their neighbours’? Come to think of it, people deserve to have cars in shades beyond black, white and grey, but I’m not sure if all dealers have that memorandum.
I also hope these aren’t airtight mould-traps that harm their future residents.
The obvious bright side is more people will have homes in a pretty handy part of Wellington. Another bright side I see here is that with the increase of dwellings on the street from 14 to 24, there might be more neighbourhood children enjoying living in a cul-de-sac.
It’ll be a shock when these developers discover there are more paint colours available than the ones they have chosen. And when certain architects discover there are multiple ways to skin a cat. They might also get a shock to find that bread can come pre-sliced these days. Vive la révolution!
All galleries can be seen through the ‘Gallery’ link in the header, or click here (especially if you’re on a mobile device). I append to this entry through the month.
Last night, I uploaded a revised website for JY&A Consulting (jya.co), which I wrote and coded. Amanda came up with a lot of the good ideas for it—it was important to get her feedback precisely because she isn’t in the industry, and I could then include people who might be looking to start a new venture while working from home among potential clients.
Publishing and fonts aside, it was branding that I’m formally trained in, other than law, and since we started, I’ve worked with a number of wonderful colleagues from around the world as my “A team” in this sector. When I started redoing the site, and getting a few logos for the home page, I remembered a few of the old clients whose brands I had worked on. There are a select few, too, that I’m never allowed to mention, or even hint at. C’est la vie.
There are still areas to play with (such as mobile optimization)—no new website is a fait accompli on day one—and things I need to check with colleagues, but by and large what appears there is the look I want for 2021. And here’s the most compelling reason for doing the update: the old site dated from 2012.
It was just one of those things: if work’s ticking along, then do you need to redo the site? But as we started a new decade, the old site looked like a relic. Twenty twelve was a long time ago: it was the year we were worried that the Mayans were right and their calendar ran out (the biggest doomsday prediction since Y2K?); that some Americans thought that Mitt Romney would be too right-wing for their country as he went up against Barack Obama—who said same-sex marriage should be legal that year—in their presidential election; and Prince Harry, the party animal version, was stripping in Las Vegas.
It was designed when we still didn’t want to scroll down a web page, when cellphones weren’t the main tool to browse web pages with, and we filled it up with smart information, because we figured the people who’d hire us wanted as much depth as we could reasonably show off on a site. We even had a Javascript slider animation on the home page, images fading into others, showing the work we had done.
Times have changed. A lot of what we can offer, we could express more succinctly. People seem to want greater simplicity on websites. We can have taller pages because scrolling is normal. As a trend, websites seem to have bigger type to accommodate browsing on smaller devices (having said that, every time we look at doing mobile versions of sites, as we did in the early 2000s, new technology came along to render them obsolete)—all while print magazines seem to have shrunk their body type! And we may as well show off, like so many others, that we’ve appeared in The New York Times and CNN—places where I’ve been quoted as a brand guy and not the publisher of Lucire.
But, most importantly, we took a market orientation to the website: it wasn’t developed to show off what we thought was important, but what a customer might think is important.
The old headings—‘Humanistic branding and CSR’, ‘Branding and the law’ (the pages are still there, but unlinked from the main site)—might show why we’re different, but they’re not necessarily the reasons people might come to hire us. They still can—but we do heaps of other stuff, too.
I might love that photo of me with the Medinge Group at la Sorbonne–CELSA, but I’m betting the majority of customers will ask, ‘Who cares?’ or ‘How does this impact on my work?’
As consumer requirements change, I’m sure we’ll have pages from today that seem irrelevant, in which case we’ll have to get on to changing them as soon as possible, rather than wait nine years.
Looking back over the years, the brand consulting site has had quite a few iterations on the web. While I still have all these files offline, it was quicker to look at the Internet Archive, discovering an early incarnation in 1997 that was, looking back now, lacking. But some of our lessons in print were adopted—people once thought our ability to bring in a print æsthetic was one of our skills—and that helped it look reasonably smart in a late 1990s context, especially with some of the limited software we had.
The next version of the site is from the early 2000s, and at this point, the website’s design was based around our offline collateral, including our customer report documents, which used big blocks of colour. The Archive.org example I took was from 2003, but the look may have débuted in 2001. Note that the screen wouldn’t have been as wide as a modern computer’s, so the text wouldn’t have been in columns as wide as the ones in the illustration. Browsers also had margins built in.
We really did keep this till 2012, with updates to the news items, as far as I can make out—it looks like 2021 wasn’t the first time I left things untouched for so long. But it got us work. In 2012, I thought I was so smart doing the table in the top menu, and you didn’t need to scroll. And this incarnation probably got us less work.
There’s still a lot of satisfaction knowing that you’ve coded your own site, and not relied on Wordpress or Wix. Being your own client has its advantages in terms of evolving the site and figuring out where everything goes. It’s not perfect but there’s little errant code here; everything’s used to get that page appearing on the site, and hopefully you all enjoy the browsing experience. At least it’s no longer stuck in the early 2010s and hopefully makes it clearer about what we do. Your feedback, especially around the suitability of our offerings, is very welcome.
Two fantastic items in my Tweetstream today, the first from journalist Jehan Casinader, a New Zealander of Sri Lankan heritage, in Stuff.
Some highlights:
As an ethnic person, you can only enter (and stay in) a predominantly white space – like the media, politics or corporate leadership – if you play by the rules. And really, there’s only one rule: blend in. You’re expected to assimilate into the dominant way of thinking, acting and being …
I sound like you. I make myself relatable to you. I communicate in a way that makes sense to you. I don’t threaten you. I don’t make you uncomfortable. And I keep my most controversial opinions to myself.
And:
Kiwis love stories about ethnic people who achieve highly: winning university scholarships, trying to cure diseases, inventing new technology or entering the political arena. These people are lauded for generating economic and social value for the country …
We do not hear stories about ethnic people who work in thankless, low-skilled jobs – the refugees and migrants who stock our supermarket shelves, drive our taxis, pick our fruit, milk our cows, fill our petrol tanks, staff our hospitals and care for our elderly in rest homes.
Jehan says that now he is in a position of influence, he’s prepared to bring his Sri Lankan identity to the places he gets to visit, and hopes that everyone in Aotearoa is given respect ‘not because of their ability to assimilate’.
He was born here to new immigrants who had fled Sri Lanka, and I think there is a slight difference to those of us who came as children. Chief among this, at least for me, was my resistance to assimilation. Sure I enjoyed some of the same things other kids my age did: the Kentucky Fried Chicken rugby book, episodes of CHiPs, and playing tag, but because of various circumstances, as well as parents who calmly explained to me the importance of retaining spoken Cantonese at home, I constantly wore my Chineseness. I hadn’t chosen to leave my birthplace—this was the decision of my parents—so I hung on to whatever I could that connected me back to it.
I could contrast this to other Chinese New Zealanders I went to school with, many of whom had lost their native language because their parents had encouraged assimilation to get ahead. I can’t fault them—many of them are my dearest friends—but I was exposed to what Jehan wrote about from a young age.
It saddened me a lot because here were people who looked like me who I couldn’t speak to in my mother tongue, and the only other student of Chinese extraction in my primary class who did speak her native language spoke Mandarin—which to many of my generation, certainly to those who did so little schooling before we left, find unintelligible.
At St Mark’s, I had no issue. This was a school that celebrated differences, and scholastic achievement. (I am happy to say that sports and cultural activity are very much on the cards these days, too.) But after that, at one college, I observed what Jehan said: the Chinese New Zealanders who didn’t rock the boat were safe buddies to have; those who were tall poppies were the target of the weak-minded, the future failures of our society. You just have to rise above it, and, if anything, it made me double-down on my character—so much so that when I was awarded a half-scholarship to Scots, I found myself in familiar surroundings again, where differences were championed.
But you do indeed have to play the game. Want your company recognized? Then get yourself into the media. Issue releases just like the firms that were sending them to you as a member of the media. Don’t bring your Chineseness into that, because you won’t get coverage. Jack Yan & Associates, and Lucire for that matter, always had a very occidental outlook, with my work taking me mostly to the US and Europe, with India only coming in at the end of the 2000s—but then we were bound by the lingua franca of the old colonial power.
Despite my insistence on my own reo at home, and chatting every day to my Dad, I played the game that Jehan did when it came to work. I didn’t as much when I ran for mayor, admittedly—I didn’t want voters to get a single-sided politician, but one who was his authentic self—but that also might explain why Stuff’s predecessor, which was at that stage owned by a foreign company, gave me next to no coverage the first time out. They weren’t prepared to back someone who didn’t fit their reader profile. The second time out, it still remained shockingly biased. Ironically the same publishing group would give me reasonably good coverage in Australia when I wasn’t doing politics. That’s the price to pay for authenticity sometimes.
Jehan finishes his piece on a positive note and I feel he is right to. We still have issues as a nation, no doubt, but I think we embrace our differences more than we used to. There have been many instances where I have seen all New Zealanders rise up to condemn racism, regardless of their political bents. (What is interesting was I do recall one National MP still in denial, residing in fantasy-land, when I recalled a racist incident—and this was after March 15, 2019!) People from all walks of life donated to my fund-raising when a friend’s car had a swastika painted on it. We have a Race Relations’ Commissioner who bridges so many cultures effectively—a New Zealander of Taishanese extraction who speaks te reo Māori and English—who is visible, and has earned his mana among so many here. The fact that Jehan’s piece was even published, whereas in 2013 it would have been anathema to the local arm of Fairfax, is further reason to give me hope.
The second item? Have a watch of this. It’s largely in accord with my earlier post.
Before this gets recycled, I thought I’d scan it as a memento: a 1986 printout off our Riteman dot matrix printer (which I still have, with spare cartridges), hooked up to a Commodore 64. I forget the printer interface. The image isn’t mine: I only imagine that 14-year-old me was claiming copyright over the layout and text. To me this was all amazing. Dad bought a box of the line-flow paper from the computer store, I believe, a place called Einstein, run by a really nice guy called Raju Badiani (who also sold the computer system). Anything seemed possible, and by the summer of 1986–7 I was hacking the bits and bytes and creating my own bitmap fonts on the 64, trying to make it all look like Eurostile. Nothing as sophisticated as Emigre. The 5¼-inch floppies are still around somewhere!
As I begin this blog post, Autocade has just crossed the 22 million page-view barrier, at 22,000,040. I had estimated we would get there on Sunday, and as it’s just ticked over here in New Zealand, I was right.
We have 4,379 models in the database, with the Bestune B70, in its third generation, the most recent model added. I’m grateful it’s a regular car—not yet another crossover, which has been the usual story of 2020 whenever I added new models to the site.
As crossovers and SUVs were once regarded as niche models, historical ones weren’t put up in any great haste, so I can’t always escape them just by putting up models from the past. However, there are countless sports and supercars to go up, so maybe I’ll need to add them in amongst the SUVs to maintain my sanity and happiness. These high-riding two-box vehicles are incredibly boring subjects stylistically.
It’s a stroke of luck, then, to have the B70: Bestune’s sole saloon offering now in amongst an entire range of crossovers. The saloons are the niche vehicles of 2020–1. It’s a stylish motor, too: Cadillac looks for a middle-class price. Admittedly, such close inspirations haven’t deserted China altogether, but this is, in my mind, no worse than Ford pretending its 1975 US Granada was a Mercedes-Benz for the masses. It’s not going to get GM’s lawyers upset. And unlike the Granada, the B70 is actually a fairly advanced car, with refinement now on par with a lot of joint-venture models coming out of China.
You know the drill to track Autocade’s growth:
March 2008: launch
April 2011: 1,000,000 (three years for first million)
March 2012: 2,000,000 (11 months for second million)
May 2013: 3,000,000 (14 months for third million)
January 2014: 4,000,000 (eight months for fourth million)
September 2014: 5,000,000 (eight months for fifth million)
May 2015: 6,000,000 (eight months for sixth million)
October 2015: 7,000,000 (five months for seventh million)
March 2016: 8,000,000 (five months for eighth million)
August 2016: 9,000,000 (five months for ninth million)
February 2017: 10,000,000 (six months for 10th million)
June 2017: 11,000,000 (four months for 11th million)
January 2018: 12,000,000 (seven months for 12th million)
May 2018: 13,000,000 (four months for 13th million)
September 2018: 14,000,000 (four months for 14th million)
February 2019: 15,000,000 (five months for 15th million)
June 2019: 16,000,000 (four months for 16th million)
October 2019: 17,000,000 (four months for 17th million)
December 2019: 18,000,000 (just under three months for 18th million)
April 2020: 19,000,000 (just over three months for 19th million)
July 2020: 20,000,000 (just over three-and-a-half months for 20th million)
October 2020: 21,000,000 (three months for 21st million)
January 2021: 22,000,000 (three months for 22nd million)
Not a huge change in the rate, then: for the past year we can expect roughly a million page views every three months. The database has increased by 96 model entries, versus 40 when I last posted about the million milestones.
In other publishing news, Jody Miller has managed to get an interview with Rachel Hunter. Her story is on Lucire today, and I’m expecting a more in-depth one will appear in print later in 2021. It’s taken us 23 years (not that we were actively pursuing): it’s just one of those things where it took that long for our paths to cross. Both Rachel and Lucire are Kiwi names that are arguably more noticed abroad than in our countries of birth, and I suppose it’s like two compatriots who travel to different countries. You don’t always bump into one another.
I end this blog post with Autocade’s views at 22,000,302.
I’m still blocked from seeing my advertising preferences on Facebook on the desktop, the only place where you can edit them, something that has plagued them for years and which they’re unlikely to fix. I commonly say that Facebook’s databases are ‘shot to hell,’ which I’ve believed for many years, and this is another example of it.
I can, however, see who has uploaded a list containing my private information to Facebook, and this ignominious bunch includes Amazon, Spotify (several subsidiaries), numerous American politicians, and others. I’ve never dealt with Spotify, or the politicians, so goodness knows how they have a list with my details, but to know they’ve been further propagated on to such an inhumane platform is disappointing.
I signed up to one New Zealand company’s list at the end of December and already they’ve done the same.
This is a sure way for me to ask to cut off contact with you and demand my details be removed. It’s also a sure way to earn a block of your Facebook page, if you have one.
While we’re on this subject, I notice Facebook claims:
Manage How Your Ads Are Personalized on Instagram
If you use Instagram, you can now choose whether to see personalized ads based on data from our partners. You make this choice in the Instagram app.
Actually, you can’t, so thanks for lying again.
The only advertising settings available are ‘Ad Activity’ (which shows the advertisements I’ve recently interacted with, and that’s a blank list, natch), and ‘Ad Topic Preferences’ (where you can ask to see fewer ads on the topics of alcohol, parenting or pets). Unless Facebook has hidden them elsewhere on Instagram, this is more BS, just like how they claim they’ll block an account you’ve reported. (They used to, but haven’t done so for a long time, yet still claim they do.)
My friend Ian Ryder writes, ‘No lesser names than Steve Jobs (Apple), Bill Gates (Microsoft), Mark Zuckerberg (Facebook), Kevin Systrom (Instagram) have all taken action to ensure the safety of their own families from some of the dangers technology has created in our society today.’ This is pretty telling, isn’t it?
Postscript, January 4: I was surprised to receive another email from the company.
It does not appear to be their fault as their email system, from a company called hubspotemail.net, claims I have been removed, yet keeps sending. I won’t file a complaint as it’s obvious that Hubspot is unreliable.
Post-postscript, January 5: My lovely Amanda says these folks aren’t back to work till January 18, so they might not even know about the list being uploaded to Facebook. I should be interested to find out if that’s been automated by Hubspot—in which case anyone using it needs to be aware what it’s doing in their name, and whether it matches what they’re saying in their T&Cs.
Post-post-postscript, January 13: The company has responded even before they’ve gone back to work, and confirmed my details have now been removed. They took it really seriously, which I’m grateful for. The upload function was indeed automated, but they say that with the removal of my details, the Facebook list will also automatically update. Their T&Cs will also be updated, so I say good on them for being genuine and transparent.
Click here for all months (or hit ‘Gallery’ at the top of the screen, if you’re on the desktop), here for December, and here for November. This post explains why I wound up doing the gallery here.
I append to this entry through the month.
When Dad was made redundant from Cory-Wright & Salmon, which had purchased his workplace, Turnbull & Jones, he bought all the Grundig equipment and accessories, thinking that he would find it useful. And for a while he did. The odd one he cannibalized, while the parts were used and adapted. Cory-Wright wound up contracting him for all the servicing of Grundig office equipment—principally dictating machines—and actually wound up hiring three people after they realized all the things Dad actually did there.
He was quite happy to go to work for himself, as he picked up contracts with other firms as well. Some were companies who had gone to him at Turnbull & Jones anyway, and upon being told he had been let go, sought him out. But in the long run Grundig proved to be a fraction of what he wound up fixing, and it was the Japanese brands that I usually saw at home in his workshop, along with Philips (and no, the Japanese brands were not more reliable). Like many hard workers with a customer base, he did far better in self-employment than he did as an employee.
Which brings me to this post. You could say this cache of Grundig parts is part of my inheritance, but what to do with it? The trouble with being in New Zealand is that there’s no Ebay—we’re told to use the Australian one if we wished to sell, except none of the postal options apply—and outside these shores no one’s heard of Trade Me.
I’d like to sell the bits though I haven’t done an inventory yet. That was one of my favourite things when I visited Dad at Turnbull & Jones: he kept an inventory of all the items in his room and I used to make new ones as a fun activity. I marvelled at the new packaging that Grundig introduced, and this probably got me in to German graphic design.
Here’s one item for starters: the wall box (die Wanddose) for the central dictation system (Central-Diktat-Anlage), Typ 593. I have at least five of them, boxed. This was opened for the first time when I took the photo, between 40 and 50 years after it was packaged. That’s the original rubber band as it left the factory in Germany. Some have already been opened. I’ve microphones, foot controls, complete machines. Suggestions are welcome, especially if someone might find it all useful. Those mics are going for €12 on Ebay in Germany, and mine are new. If anyone out there ever wondered, ‘Is there a lost cache of Grundig parts out there?’ then I have your answer.
The below is excerpted from an email sent to the Race Relations’ Commissioner, Meng Foon, sent yesterday, in light of this Tweet (and the thread that follows):
Me and my friend just wrote a letter to NCEA about the inclusion of a Lionel Terry poem in the History exam 💅😘
The New Zealand Qualifications’ Authority responded to Cadence:
Okkk so the response to our email…basically they said Terry was a 'little-known white supremacist' and that 'information was included to put his poem in context'. This info literally just said he murdered Joe Kum Yung, and that 'He was known for his views on race.'
I find it totally bizarre and inexplicable in the wake of the March 15 mosque terror attacks that someone would have thought it appropriate to include a poem by Terry in such a context, which in my view affords a murderer, racist, and white supremacist undeserved sympathy, and treats the murder of Joe Kum Yung as a side note.
I dare say the equivalent would be quoting from the manifesto of the Christchurch terrorist.
I would have no issue if Terry had been discussed in the context of the xenophobia (even the sinophobia) and racism of the era, with students asked to analyse that critically.
Looking at the Level 2 history exam paper in full, I question whether the poem’s inclusion is even that relevant to the question, more so when compared to the other sources given by the examiner.
Cadence Chung, the student who brought this to the attention of a number of people on Twitter, said she received a response from NZQA suggesting that sufficient context had been given. This I feel dismisses the seriousness of the hate crime perpetrated on Joe Kum Yung and, by extension, on our community, and is yet another example of the ongoing racism that surfaces from time to time.
One is used to it coming from certain quarters but from an official government body?
It does not reflect where New Zealanders stand today and NZQA should both explain and apologize for its inclusion.
Indeed, right now, an analysis of why NZQA felt its actions appropriate in 2020 would make a suitable question in a future exam.
If only I had read Tina Ngata’s Tweet on the subject first, as it is far more to the point:
It was the 1st *recorded* race based murder in NZ (bc govt doesn't count colonizers killing Māori as race based).
Not "little known" to our NZ Chinese community & not to those who study NZ racism.
Try NOT to erase whole ethnic communuties when defending yourself against racism. https://t.co/zakPRKkcLR
One hundred and fifteen years on since the racially motivated murder of Joe Kum Yung, we still have people who give this little regard to our various communities. My tale about being denied service at a Wellington supermarket in 1993 on racial grounds doesn’t seem that far-fetched, to be frank.
