Posts tagged ‘celebrity’


Where the internet tends to be wrong on The Love Boat

07.09.2019

There are a few TV shows I get anorak about. Alarm für Cobra 11 is probably the one most people have seen me post about. I probably have some claim over The Persuaders, The Professionals, The Mary Tyler Moore Show and Pointman. But there was one that was a staple for us as a family, that I don’t have any anorak status over, yet I seem to know more than a lot of people who write about such things professionally.
   It’s The Love Boat, where there are a few claims that go round the ’net.
   There are many pages and videos about the ‘original cast’ of The Love Boat, and the names are familiar enough: Gavin MacLeod, Bernie Kopell, Fred Grandy, Ted Lange and Lauren Tewes. Even documentaries on the history of the programme make this claim. But, as many know, this particular combination was the third cast, although Kopell, Grandy and Lange showed up in the second pilot in 1977, with Quinn Redeker as Capt Tom Madison and Diane Stilwell as Sandy, the cruise director.
   The original cast actually saw Division 4’s Ted Hamilton as Capt Thomas Ford, Dick van Patten as Dr O’Neill, Sandy Helberg as Gopher, Theodore Wilson as Isaac, Terri O’Mara as Gerry, the cruise director. Joseph Sicari, as a steward, also appears in the opening title.

   There’s also an internet fiction on a lot of websites that The Love Boat II, the second pilot, had Bernie Kopell play Dr O’Neill, and not Adam Bricker. I’ve no idea where this surfaced, and it also appears on IMDB. Sorry, internet, Bernie Kopell is introduced as ‘Lt Dr Adam Bricker’, the military title with its origins in the back story that Capt Madison, Dr Bricker, Gopher (YN1 Burl Smith) and CPO Isaac Washington all served together on the USS Chadway in the US Navy in Vietnam. In peacetime, they wanted to sail together. Here’s the scene in a Dutch video cassette release, though Bricker is misspelled:

   Hopefully, one of these days, these errors get corrected online. Though based on what I see on Wikipedia, I’m not holding my breath.
   The second cast wasn’t too bad, but most of the stories left something to be desired. The producers (and, for that matter, MacLeod and Tewes) were lucky that ABC commissioned a third pilot, The New Love Boat, and the rest is history.

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When the writers don’t check the Cobra 11 universe

10.04.2019

This is how big an Alarm für Cobra 11: die Autobahnpolizei nerd I am.
   Three years ago (April 7, 2016), we were introduced to Daniel Roesner as Paul Renner in ‘Cobra, übernehmen Sie’. There is a flashback scene dated April 7, 1996 when Paul and Semir meet for the first time, with Paul as a child.



   There are a few problems with the scene.
   If it was April 1996, then it would have been around the events of ‘Tod bei Tempo 100’, and Semir looked quite different:

   His goatee only begins appearing in episode 33 (production order), ‘Ein Leopard läuft Amok’ (October 1, 1998), and the BMW 3er with the registration NE-DR 8231 made its first appearance the episode before, ‘Die letzte Chance’ (which was actually shown later, on October 8, 1998).
   Also in ‘Cobra, übernehmen Sie’, Semir is on the radio to Andrea, when Andrea was not working for PASt in 1996. She made her first appearance in ‘Rache ist süß’ (November 18, 1997).
   I can understand star Erdoğan Atalay being reluctant to shave his goatee for the flashback, but it would have thrilled fans if he called to base for Regina and not Andrea.

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The descent of Twitter

22.09.2018


Dawn Huczek/Creative Commons 2·0

This Tweet was probably half in jest:

   Then, within days, it played out pretty much exactly like this when Frank Oz Tweeted that he did not conceive of Bert and Ernie as gay. Or how Wil Wheaton can never seem to escape false accusations that he is anti-trans or anti-LGBQ, to the point where he left Mastodon. In his words (the link is mine):

I see this in the online space all the time now: mobs of people, acting in bad faith, can make people they don’t know and will likely never meet miserable, or even try to ruin their lives and careers (look at what they did to James Gunn). And those mobs’ bad behaviors are continually rewarded, because it’s honestly easier to just give them what they want. We are ceding the social space to bad people, because they have the most time, the least morals and ethics, and are skilled at relentlessly attacking and harassing their targets. It only takes few seconds for one person to type “fuck off” and hit send. That person probably doesn’t care and doesn’t think about how their one grain of sand quickly becomes a dune, with another person buried beneath it.

   It highlights just how far ahead of the game Stephen Fry was when he abandoned Twitter for a time in 2016:

Oh goodness, what fun twitter was in the early days, a secret bathing-pool in a magical glade in an enchanted forest … But now the pool is stagnant …
   To leave that metaphor, let us grieve at what twitter has become. A stalking ground for the sanctimoniously self-righteous who love to second-guess, to leap to conclusions and be offended – worse, to be offended on behalf of others they do not even know … It makes sensible people want to take an absolutely opposite point of view.

   Not that long ago I was blocked by a claimed anti-Zionist Tweeter who exhibited these very traits, and I had to wonder whether he was a troll who was on Twitter precisely to stir hatred of Palestinians. With bots and fake accounts all over social media (I now report dozens of bots daily on Instagram, which usually responds with about five messages a day saying they had done something, leaving thousands going back years untouched), you have to wonder.
   Years ago, too, a Facebook post I made about someone in Auckland adopting an American retail phrase (I forget what it was, as I don’t use it, but it was ‘Black’ with a weekday appended to it) had the daughter of two friends who own a well known fashion label immediately jump to ‘Why are you so against New Zealand retailers?’ I was “unfriended” (shock, horror) over this, but because I’m not Wil Wheaton, this didn’t get to the Retailers’ Association mobilizing all its members to have me kicked off Facebook. It’s a leap to say that a concern about the creeping use of US English means I hate retailers, and all but the most up-tight would have understood the context.
   This indignant and often false offence that people take either shows that they have no desire to engage and learn something, and that they are in reality pretty nasty, or that they have one personality in real life and another on social media, the latter being the one where the dark side gets released. Reminds me of a churchgoer I know: nice for a period on Sundays to his fellow parishioners but hating humanity the rest of the decade.
   Some decent people I know on Twitter say they are staying, because to depart would let the bastards win, and I admire that in them. For now, Mastodon is a friendly place for me to be, even if I’m now somewhat wary after the way Wheaton was treated, but the way social media, in general, are is hardly pleasing. Those of us who were on the web early had an ideal in mind, of a more united, knowledgeable planet. We saw email become crappier because of spammers, YouTube become crappier because of commenters (and Google ownership), and Wikipedia become crappier because it has been gamed at its highest levels, so it seems it’s inevitable, given the record of the human race, that social media would also descend with the same pattern. Like in General Election voting, too many are self-interested, and will act against their own interests, limiting any chance they might have for growth in a fairer society. To borrow Stephen’s analogy, we can only enjoy the swimming pool if we don’t all pee in it.

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Posted in business, culture, internet, New Zealand, politics, technology, UK, USA | 3 Comments »


A three-decade time capsule hanging on my door

15.07.2018

There was an Epson bag hanging from the back of my bedroom door, hidden by larger bags. I opened it up to discover brochures from my visit to a computer fair in 1989 (imaginatively titled Computing ’89), and that the bag must have been untouched for decades.
   I’ve no reason to keep its contents (if you want it, message me before Thursday, as the recycling comes the morning after), but I wanted to make some scans of the exhibitors’ catalogue for nostalgia.
   Let’s start with the cover. It’s sponsored by Bits & Bytes. Kiwis over a certain age will remember this as the computer magazine in this country.

You can tell this is a product of the 1980s by the typesetting: someone couldn’t be bothered buying the condensed version of ITC Avant Garde Gothic, so they made do with electronically condensing Computers and Communications. In fact, they’re a bit light on condensed fonts, full stop, as they’ve done the same with the lines set in Futura.
   While the practice is still around, the typeface choices mark this one out as a product of its time.
   Inside is a fascinating article on the newfangled CD-ROM being a storage medium. Those cuts of Helvetica and Serifa are very 1980s, pre-desktop publishing. It should be noted that Dr Jerry McFaul remained with the USGS, where he had been since 1974, till his retirement. The fashions are interesting here, as is ITC Fenice letting us know that he’s speaking at the Terrace Regency Hotel, a hotel I have no recollection of whatsoever. I can only tell you that it must have been on the Terrace.
   The other tech speakers have a similar look to the visiting American scientist, all donning suits—something their counterparts in 2018 probably wouldn’t today. In fact, the suit seems to be a thing of the past for a lot of events, and I often feel I’m the oldster when I wear mine.
   The article itself makes a strong case for CD-ROM storage, being more space-saving and better for the environment: it’s interesting to know that the ‘depletion of the ozone layer’ was a concern then, though 30 years later we have been pretty appalling at doing anything about it.



   The second article in the catalogue of any note was on PCGlobe, supplied to the magazine on 5¼-inch diskette.
   Bits & Bytes would have run the catalogue as part of the main magazine, and did a larger run of these inner pages, back in the day when printing was less flexible.
   It’s a fascinating look back at how far we’ve come (on the tech) and how far we haven’t come (on the environment). Next year, we’ll be talking about 1989 as ‘30 years ago,’ yet we live in an age where we’re arguing over Kylie Jenner’s wealth. Progress?

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Posted in design, interests, media, New Zealand, publishing, technology, typography, USA, Wellington | No Comments »


Neil Gaiman on JY Integrity on his UK paperbacks

09.07.2018

When Neil Gaiman pays you a compliment about one of your typeface families (JY Integrity, which I designed in 1993), you gratefully accept.

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In memoriam, Terry Gray, British-born New Zealand composer, 1940–2011

09.07.2018

I sincerely hope I’m wrong when I say that the passing of Kiwi composer, arranger and conductor Terry Gray went unnoticed in our news media.
   I only found out last month that Terry died in 2011. As a kid of the 1970s and a teenager of the 1980s, Terry’s music was a big part of my life. Before we got to New Zealand, he had already composed the Chesdale cheese jingle, which Kiwis above a certain age know. He was the bandleader on Top Dance, what New Zealanders used to watch before the localized version of Strictly. Terry’s music appeared on variety shows and live events (e.g. Telequest, Miss New Zealand) through the decade. Country GP, The Fire-Raiser, Peppermint Twist, and Daphne and Chloë were also among Terry’s works. In the late 1980s, Terry released an album, Solitaire, which was one of the first LPs I bought with my own money as a teen. By the turn of the decade, Terry hosted live big band evenings at the Plaza Hotel in Wellington, sponsored by the AM Network—until the AM Network could no longer fund the fun, regular events and the radio network itself, eventually, vanished. Terry’s Mum used to attend in those days, and I must have gone to at least half a dozen. I also picked up a Top Dance cassette at one of the evenings.
   I still have a nice letter from Terry somewhere, thanking me for my support, in the days when he lived in the Hutt. I learned that he eventually moved down south, to Dunedin, and died of leukemia on July 8, 2011.
   On (nearly) the seventh anniversary of his passing, I want to pay tribute to Terry. Here he is in action in Top Dance, hosted by Lindsay Yeo, in 1982.

   RIP Terry Gray, 1940–2011.

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Posted in culture, interests, media, New Zealand, TV, UK, Wellington | 1 Comment »


Kylie Jenner Tweets, Snapchat’s value down US$1,300 million

23.02.2018

All it takes is a single Tweet from Kylie Jenner—and Snapchat’s value drops 6 per cent, or US$1,300 million. (Hat tip to Sarah Lacy of Pando.)

   Speaking for myself (which won’t affect Snap’s valuation at all), I could never get it to run. It said it needed Google Services, something which I don’t have and don’t want. Who wants Google tracking them all day long—while using up your own phone’s battery power?
   As Sarah points out in a Tweet, this is why ‘you don’t build a $30b co off one generation’s fads’. Twitter should heed this make their experience better rather than have double standards, keeping one particular user on because they know they’re getting attention. (On that note, why is Twitter search so broken today?)

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Orange may be the new black but the difference is less than you think

09.02.2018


Instruct Studio

It’s easy to dismiss comedians as, well, comedians, there to tell a joke and to get a laugh out of us. But what if the comedian—such as Frankie Boyle—is one of those who sees the state of the world we’re in, and “tells it as it is”? His opinion for The Guardian makes for sobering reading.
   Initially, you think this was going to be a laugh-a-minute piece, when he writes, of US president Donald Trump:

You kind of wish he’d get therapy, but at this stage it’s like hiring a window cleaner for a burning building.

   But there are some uncomfortable truths, and it is certainly not slanted against the right, despite the medium:

I don’t really understand commentators who say it’s vital not to normalise any of Trump’s actions. They have been normalised for eight years by Barack Obama while many of the same people looked the other way. Banks and corporations writing their own legislation; war by executive order; mass deportations; kill lists: it’s all now as normal and American as earthquakes caused by fracked gases being ignited by burning abortion clinics. Of course, there is a moral difference in whether such actions are performed by a Harvard-educated constitutional law professor or a gibbering moron, and the distinction goes in Trump’s favour. That’s not to say Trump won’t plumb profound new depths of awfulness, like the disbanding of the environmental protection agency set up by hippy, libtard snowflake Richard Nixon.

   When confronted with that, it becomes much clearer why many people—and I include American friends of mine who are neither racists nor hicks (sorry to go against the mainstream narrative)—voted for Trump. If the country’s making some very un-American moves, then why not have someone who claims he can make a clean sweep? Never mind that he had no intention of doing so—it’s a case of swapping one bunch for another while satiating his own ego—but people cling to hope in their own ways. I am no supporter of the main alternative they had—Hillary Clinton—and only wish that Americans had the confidence to support a third party as we do, rather than be told ‘A vote for [Jill or Gary] is a vote for [Donald or Hillary].’ I heard this from both supporters of the right (Clinton) and further right (Trump) there, and it didn’t matter which third-party candidate’s name they inserted.
   It’s a reminder that we need to continue forging our own path, and do what is right by us—and it appears our new coalition government has received this message on so many policy fronts in its first 100 days, though with the revised TPPA I wonder sometimes. As Britain is finding out, it’s not that good for your own people to be a vassal of the United States in times like this.
   The solution? Focus on your own doorstep and do what you can with your own government. I won’t quote Boyle’s words here since I’d rather you click through and The Guardian can earn some money from ad revenue (at least from those of us who aren’t using ad blockers), but it’s a good a solution as any.

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Trading identities in the 2010s: when corporate branding and personal branding adopt each other’s methods

14.10.2017


Above: Brand Kate Moss was probably seen by more people when the model collaborated with Topshop.

In 1999, the late Wally Olins sent me his book, Trading Identities: Why Countries and Companies are Taking on Each Other’s Roles, a fine read published by the Foreign Policy Centre that argued that countries were trying to look more corporate, adopting the practices of corporate branding. Conversely, as corporations gained more power and their need to practise social responsibility increased, they were adopting the ideas from nation branding. There was an increasing amount of this swapping taking place, and the 21st century has seen the trend continue: more countries have finely tuned nation brands and guidelines on how to use them, while many corporations are trying to look like good corporate citizens—Dilmah and Patagonia come to mind with their work in building communities and advocacy.
   We’ve been discussing at our firm another area where a similar switch has been taking place: that of corporate brands and personal brands. Personal branding is a relatively new development, with (in my opinion) Managing Brand Me the best work on the subject, authored by the late Thomas Gad with his wife Annette Rosencreutz, dating from 2002. (Thomas, of course, founded Medinge Group.) Managing Brand Me features an excellent break-down of the four dimensions involved (functional, social, mental, spiritual) in any good personal brand that still hold true today. They were well ahead of their time given that they had written their book long before selfies became the norm, and before people were being hired by companies as ambassadors based on their Instagram or Twitter followings.
   Those spokespeople are practising their brands almost haphazardly, where some are getting to the point that they cannot be sustained. Others are balancing authenticity with commercial demands: we know that Kendall Jenner probably doesn’t drink Pepsi, and no one wants to be seen to sell out their values. Nevertheless, there is a group of people mindful about their personal brand, and it’s only a matter of time before more begin taking on the trappings of corporate brands: inter alia, guidelines on how theirs is to be used; what products can be endorsed by that brand; how it can be differentiated against others’. Kate Moss may well be one example with a recognizable logotype that appears on products that have her seal of approval. (If I can be slightly macabre, the estates of Elvis Presley, Steve McQueen and Audrey Hepburn all think carefully on how each celebrity can be used to endorse products today; while lacking symbols or logotypes, their faces themselves are more than a substitute. With technology democratizing, it is no surprise that living and less iconic people might adopt similar ideas.)
   What of companies? Many now find themselves on an equal footing, or even a disadvantage, to personal accounts. The biggest companies have to fight for attention on social networks just like some of the top personal accounts in the world, and they cannot succeed without speaking to the audience in a personal fashion. A corporate account that reposts publicity photographs would gain little traction except from fans who are already sold on the brand through non-social media; and there is some wisdom in assuming that millennials do not possess the same level of brand loyalty as earlier generations. They’re on the hunt for the best product or service for the price and adopt a more meritorious approach, and among the things that will draw them in will be the values and societal roles of the company. Therefore, there has to be a “personality” behind the account, aware of each of Thomas and Annette’s Brand Me dimensions.
   It has not escaped me that both Lucire’s fashion editor Sopheak Seng and I do better than the magazine when it comes to social media interaction—getting likes and comments—because we’re prepared to put our personalities on the line. The automated way Lucire shares articles on Twitter, for instance, hasn’t helped build its brand there, something which we’re remedying by having team members around the world post to Instagram for starters, giving people a glimpse of our individual experiences. The images might not all look polished as a result, but it is a step toward fulfilling the four dimensions. It is a quest to find a personal voice.
   In the wider media game, this is now more vital as news has become commodified, a trend that was first expressed in the 1990s, too. Perhaps those authors saw that most media outlets would be getting their news from a more concentrated base of sources, and demand on journalists to be first and fastest—something not helped by a society where speed is valued over accuracy—meant that whomever controlled the sources could determine what the world talked about. Global companies want everyone to see when they’re involved in an event that a good chunk of the planet is likely to see; in L’Oréal Paris’s case it’s the Festival de Cannes. If every fashion publication has its eyes on Cannes, then what differentiates that coverage? What stamp does the media outlet’s brand place on that coverage? Is there a voice, a commentary, something that relates to the outlet’s role in society? Should it communicate with its best supporters on social networks?
   Lucire does reasonably well each year at Cannes with its coverage, probably because it does communicate with fans on social networks and alerts them to exclusive content. The rest of the time, it doesn’t do as well because as a smaller publication, it’s relying on those same sources. In 1998 we would have been the only English-language online publication specializing in fashion that talked about each H&M launch; in 2017 many fashion publications are doing it and our share of the pie is that much smaller. Individuals themselves are sharing on their social networks, too. This is not a bad thing: others should have the means to express themselves and indulge their passion of writing and communicating. Exclusivity means traffic, which is why we do better when we cover something few others do.
   However, I recently blogged that Google News has shifted to favouring larger media players, disincentivizing the independents from breaking news. It comes back to needing a distinctive voice, a personal brand, and while we still need to rely on Google News to a degree, that voice could help build up new surfing habits. The most successful bloggers of the last decade, such as Elin Kling, have done this.
   These are the thoughts milling around as Lucire heads into its 20th anniversary this month, and we reevaluate just what made us special when the publication launched in 1997. Those values need to be adapted and brought into 2017 and beyond. But there are wider lessons, too, on just where corporate branding and personal branding are heading; this post did not set out to discuss fashion media. It’s not a bad place to start our inquiry, since fashion (and automobiles) are where a lot of brand competition takes place.
   Indeed, it signals to me that in the late 2010s, companies need to do well as corporate citizens and have a personal voice on social media, ideas that build on my 2013 paper for the début issue of Journal of Digital and Social Media Marketing (where I discussed brands in the age of social media and put forward a model of how to manage them) as well as Thomas and Annette’s earlier research. It’s the next stage of where branding practice could go—JY&A Consulting is primed, and we’re prepared to let those thoughts loose on Lucire and our other projects. The book of the blog, meanwhile, is the next target. What a pity I’m not in Frankfurt right now.

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Posted in branding, culture, France, globalization, internet, marketing, media, publishing, Sweden | No Comments »


Give nothing to racism

18.06.2017

What an honour it was to appear as one of the first batch of people in the Human Rights’ Commission’s Give Nothing to Racism campaign. Taika Waititi, New Zealander of the Year (and a Lucire feature interviewee from way back) introduced the campaign with a hilarious video, and it was an honour to be considered alongside my old classmate Karl Urban, and other famous people such as Sonny Bill Williams, Sam Neill, Neil Finn, Lucy Lawless, and Hollie Smith. Somewhere along the line the Commission decided it would get some non-celebs like me.
   The idea is that racism propagates through each of us. Laughing along with a joke. Letting casual racism in social media comments carry on. Excusing racist behaviour. Or simply accepting it as “the way it is”. There’s no place for it in 2017, certainly not in this country, and for those who seek to indulge in it (I’m looking at certain people in politics and the media in particular), you’re simply covering up the fact you’ve very little of substance to offer. I #givenothingtoracism.

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Posted in culture, media, New Zealand, politics, Wellington | 1 Comment »