Here are December 2021’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.
Notes
Roger Moore and Ford Fiesta Mk I, via George Cochrane on Twitter. More on the Volkswagen Fox in Autocade. More on the Ford Consul Corsair at Autocade. The Guardian article excerpt, full story here.
The devil drives Kia? Reposted from Twitter.
Audi maths on an A3, via Richard Porteous on Twitter.
Christmas decoration, via Rob Ritchie on Twitter.
Back to the ’70s: Holden Sandman used for Panhead Sandman craft beer promotions.
Georgia–Pacific panelling promotions, 1968, via Wendy O’Rourke on Twitter. Ford Cortina Mk II US advertisement via the Car Factoids on Twitter.
Bridal fashion by Luna Novias, recently featured in Lucire.
Deborah Grant in UFO, with the VW–Porsche 914, which would have looked very modern at the time.
Freeze frame from episode 1 of The Champions (1968), with William Gaunt, Stuart Damon and Alexandra Bastedo.
Our rejected greeting card design, with a picture shot at Oriental Parade, Wellington. Ford Taunus GT brochure spread via the Car Factoids on Twitter. My Daddy Is a Giant image and UK measures, reposted from Twitter.
Richard Nixon attempts to appeal to younger voters, 1972. Simple, modernist design using Futura Bold.
A 1983 Pontiac Firebird Trans Am advertisement. Mazda Savanna brochure via George Cochrane on Twitter.
More on the Renault Mégane E-Tech Electric in Autocade. Lucire issue 44 cover, photographed by Lindsay Adler, layout by me.
Those were two pretty intensive days but Lucire’s web edition now has a new template. Before you head over there excitedly expecting all change, it only exists on two pages so far, and they are of the same article but in different languages.
The look itself is not that different, either: we wanted to stick fairly close to what we had, but updated for the 2020s to handle mobile traffic.
Surprisingly, the outgoing template was created in 2013 with some concessions to mobile devices, and was partially responsive, but as those of you who surfed to Lucire on mobile knew, it did not cater that well to them. One big issue was the use of HTML tables (the old-fashioned ones), which would play havoc on cellphone browsers unable to grasp at just what size type should be displayed at.
I kept hoping there would be technology that would straighten all of this out—there was in the 2000s with Bitstream having devised a solution to show reduced pages—but the pace of change isn’t as fast as you might think when it comes to web stuff. Of course not, when companies with monopoly powers dominate in the US, and affect a lot of the world.
That old template was tweaked briefly in 2015 (shifting the subsidiary column from the left to the right) and it is remarkable that something that old managed to keep us going all this time.
Over the weekend I began developing a cellphone-friendly template with a single-column layout. The trouble was that when I finished, I noticed it was utterly devoid of character. That was the trouble: I was designing more for the cellphone than the web, and the smaller medium doesn’t lend itself well to creativity.
For the first time in Lucire’s history, I opted to get an open-source template from HTML Codex as a starting-point rather than create it myself. The result is quite a departure from theirs, but the underlying code and stylesheet are theirs, and, rightly, their credit appears in the footer.
This first story also marks the second time a Lucire article has appeared in French online. It has been taken from the second French issue of Lucire KSA.
There are both up and down sides. The obvious up side is that the template works remarkably well on a desktop screen and on a phone, but not without some substantial tweaking (hence the hours put in). Unlike my single-column layout from the weekend, it still has character. For better or for worse, the result is based on one of my designs.
The big down side is that the stylesheet file is 180 kbyte in size, versus 17 kbyte with mine. Some of my CSS specs wound up in the big one. It also has to call a bunch of Javascripts, including one Jquery and a Bootstrap bundle. I will put parts of the page template into virtual files for the server-side includes to summon, but for now, with the hard coding, it’s about 10 kbyte larger than my effort.
Kudos to the original template developers, whose efforts have saved us a lot of time, and I look forward to tweaking things further as this new look becomes the norm.
Above: Coverage in Business Desk, with me pictured with Lucire fashion and beauty editor Sopheak Seng.
Big thanks to Daniel Dunkley, who wrote this piece about me and my publishing work in Business Desk, well worth subscribing to (coincidentally, I spotted an article about my friend and classmate Hamish Edwards today, too).
I had a lengthy chat with Daniel because he asked great questions—the fact he got a lot out of me shows how good a journalist he is. And he reveals some of our more recent developments, as well as my thoughts on the industry in general—things I hadn’t really got on to record often to a journalist, certainly not in the last few years.
I had my Business Desk alerts switched off so I didn’t know he had already written his story (on the day of our interview) till another friend and classmate told me earlier this week. It also shows that Google’s News Alerts are totally useless, something that I realized recently when it took them three weeks to send the alert (the time between its original spidering of the article and the email being sent out). Those had been worsening over the years and I had seen them be one or two days behind, but now they rarely arrive. Three weeks is plain unacceptable for one of the last services on Google I still used.
Back to Daniel’s story. It’s a great read, and I’m glad someone here in Aotearoa looked me up. I realize most of our readers are abroad and we earn most from exports, but a lot of what we’ve done is to promote just how good our country is. I’m proud of what we’re able to achieve from our part of the world.
Above: Google News Alerts take an awfully long time to arrive, if at all. I hadn’t seen one for weeks, then this one arrives, three weeks after Google News spidered and indexed the article. Google feels like another site that now fails to get the basics right.
Here are August 2021’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.
Sources
Volkswagen Gol G4—more at Autocade.
The fake friends of social media being the junk food equivalent of real friendships, from this post by Umair Haque.
Stay at home, wear a mask—geek humour shared from Twitter. Thaikila swimwear—seems to have an interesting history.
More on the Fiat 124 Sport Spider here at Autocade.
Jerry Inzerillo, first male on the cover of an issue of Lucire anywhere in the world, in this case the August 2021 issue of Lucire KSA. The story can be found here on our website.
After 13 years, it was time to facelift the Lucire licensing website.
It’s a very familiar template, similar to what we used for JY&A Consultinga few months back. The home page copy we already had from a flier that we created late last year that Susan Ninan and I worked on; and the ‘About’ page’s text was mostly carried over (though it still needs 13 years of updates).
I am surprised the old site still netted us enquiries but it was looking extremely dated. The 2008 design was positively archæological in internet terms. However, I’m not sure if the new one is particularly interesting, because the web design convention is to do something very simple at the moment.
The old one was created with consideration for those who didn’t have mouse wheels, whereas these days it seems to be all right, even fashionable, to scroll away.
Hopefully everything is more fit for purpose though, and the links are more useful. We’ve kept the code very light.
And if you do want to license an international fashion magazine with an independent, authentic and engaged firm, you know where to come.
Above: The old and the new Lucire licensing sites—to my eyes, the old appears more creative, even in 2021.
Top Earlier today, attempting to get into Style.com meant a virus warning—the only trace of this curiosity is in the web history. AboveStyle.com is back, with a note that it will be transforming into an e-tail site.
If there’s one constant in fashion, it’s change. The other one, which we notice thanks to a number of our team being well schooled on fashion history, is that trends always return, albeit in modified form. Both have come into play with Style.com, which announced earlier this week that it would become an ecommerce site.
When Lucire started, we linked to style.com, but it wasn’t in our fashion magazines’ directory. It was, instead, in our shopping guide.
In 2000, that all changed, and it began appearing under our fashion magazine links, where it was until today. An attempt to log in to the home page was met by a virus warning, preventing us from going further. We figured that this was part of the transformation of the website as it readied itself for the next era, discouraging people from peering. However, having had these warnings splashed across our own pages two years ago courtesy of Google’s faulty bot, when our site was in fact clean, there was a part of us taking it with a grain of salt. In either case, given the impending change, it was probably the right time to remove the link.
This evening, Style.com is back and virus-free, with an overlay graphic announcing that the website will be changing. Plenty of our media colleagues have analysed the closure over the past week: the Murdoch Press has gossiped about how the layoffs were announced, WWD suggests editor-in-chief Dirk Standen didn’t know it was coming, based on rumours, while Fashionista puts it all into context by analysing just where ecommerce is within the fashion sector, and that content should be the answer over clothing sales.
What is interesting is no one that we’ve spotted has mentioned how the style.com domain name (we’ve carefully noted it in lowercase there) has effectively come full circle. Perhaps we really are in the age of Wikipedia-based research, as this fact is not mentioned there at all.
When Lucire launched in 1997, style.com was the website for Express Style, later more prominently, and simply, branded Express, a US fashion retailer. It’s not hard to imagine that had Express remained at the URL, it would have become an e-tailer; it has, after all, made the move into ecommerce at its present home, express.com. Like a fashion trend that comes back two decades later, style.com has gone back to its roots: by the autumn it’ll be e-tailing.
The omission from the above paragraph is the sale of the style.com domain name by Express to Condé Nast in the late 1990s. We never completely understood the need to start a new brand to be the US home of Vogue and W; for many years, typing vogue.com into the browser in the US would take one automatically to Style.com. Then, somewhere along the line, Condé Nast decided that vogue.com should be the online home of Vogue after all.
But having made the decision to forge ahead with Style.com, Condé Nast did it with a lot of resources, and took its site to number one among print fashion magazine web presences in a remarkably short space of time. It devoted plenty of resources to it, and it’s thanks to Style.com that certain things that were once frowned upon—e.g. showing off catwalk collections after the show—became acceptable. Designers used to enjoy the fact that we and Elle US delayed online coverage, the belief being that the delay ensured that pirates could not copy their designs and beat them to the high street.
To get itself known, Condé Nast bought advertising at fashion websites that were better known, including this one (yes, in 2000 that really was the case), at a time when online advertising cost considerably more than it does today.
The muscle from the best known name in fashion publishing changed the way the media interacted with readers. Designers figured that if they wanted coverage, they would have to accept that their work would be shown nearly instantly. We became used to that idea, so much so that we now have to show the catwalk videos live in the 2010s.
In some ways, the change makes sense: we’re talking about an Alexa rank in the 4,000s, which translates to plenty of traffic. The name is known, and most shoppers will make some association with Vogue. The official word is that Franck Zayan, formerly head of ecommerce for Galeries Lafayette, will helm the revised website, and he’s reporting that brands are coming on board rapidly.
One shouldn’t mourn the loss of Style.com as a fashion news portal, since the content we’re all used to is bound to appear at Vogue. And in all the years we had it in our magazines’ directory, it was listed under our Vogue entry anyway. We await the new site to see what Condé Nast will do with it, and it may yet return to the spot where it once was in the 20th century, in the shopping guide.
For the last few years, I’ve looked back at the events of the year in a tongue-in-cheek fashion. (In fact, in 2009, I looked back at the decade.) Tumblr’s the place I look at these days for these summaries, since it tends to have my random thoughts, ones complemented by very little critical thinking. They tell me what piqued my interest over the year.
These days, I’ve been posting more about the TV show I watch the most regularly, the German Alarm für Cobra 11: die Autobahnpolizei. A good part of my Tumblr, at least, and of Danielle Carey’s, whom I first connected with via this blog, features screen shots and other photographs from it. But Cobra 11 aside—and for those “cultured” Germans who tell me it’s the worst show on their telly, may I remind you that you still make Das Traumschiff?—I still will be influenced by everyday events.
So what do I spy?
Sadly, despite my intent in wanting to blog humorously, it turns out that 2014 doesn’t necessarily give us a lot to laugh about. And we’ve had over a year after that Mayan calendar gag, and 13 years after Y2K. It’s still not time to laugh yet.
January
I made a spoof English Hustle poster given all the hype about American Hustle, which seems to have, prima facie, the same idea. It meets with Adrian Lester’s approval (well, he said, ‘Ha,’ which I gather is positive).
I post about Idris Elba giving a response about the James Bond character. (Slightly ahead of my time, as it turns out.)
Robert Catto wrote of Justin Bieber’s arrest: ‘So, J. Biebs is arrested for racing a rented Lamborghini in a residential neighbourhood while under the influence (of drugs and alcohol) while on an expired license, resisting arrest, and a bunch of previous stuff including egging a neighbour’s house. With that many accusations being thrown at him, this can only mean one thing.
‘The race for Mayor of Toronto just got interesting.’
I wrote to a friend, ‘If there was a Facebook New Zealand Ltd. registered here then it might make more sense ensuring that there were fewer loopholes for that company to minimize its tax obligations, but the fact is there isn’t. Either major party would be better off encouraging New Zealand to be the head office for global corporations, or encourage good New Zealand businesses to become global players, if this was an issue (and I believe that it is). There is this thing called the internet that they may have heard of, but both parties have seen it as the enemy (e.g. the whole furore over s. 92A, first proposed by Labour, enacted by National).
‘Right now, we have some policy and procedural problems preventing us from becoming more effective exporters.
‘It’s no coincidence that I took an innovation tack in my two mayoral campaigns. If central government was too slow in acting to capture or create these players, then I was going to do it at a local level.’
And there are $700 trillion (I imagine that means $700 billion, if you used the old definitions—12 zeroes after the 700) worth of derivatives yet to implode, according to I Acknowledge. Global GDP is $69·4 (American) trillion a year. ‘This means that (primarily) Wall Street and the City of London have run up phantom paper debts of more than ten times of the annual earnings of the entire planet.’
February
The Sochi Olympics: in Soviet Russia, Olympics watch you! Dmitry Kozak, the deputy PM, says that westerners are deliberately sabotaging things there. How does he know? ‘We have surveillance video from the hotels that shows people turn on the shower, direct the nozzle at the wall and then leave the room for the whole day.’ Sports Illustrated does an Air New Zealand safety video.
This was the month I first saw the graphic containing a version of these words: ‘Jesus was a guy who was a peaceful, radical, nonviolent revolutionary, who hung around with lepers, hookers, and criminals, who never spoke English, was not an American citizen, a man who was anti-capitalism, anti-wealth, anti-public prayer (yes he was Matthew 6:5), anti-death penalty but never once remotely anti-gay, didn’t mention abortion, didn’t mention premarital sex, a man who never justified torture, who never called the poor “lazy”, who never asked a leper for a co-pay, who never fought for tax cuts for the wealthiest Nazarenes, who was a long haired, brown skinned (that’s in revelations), homeless, middle eastern Jew? Of course, that’s only if you believe what’s actually in the Bible’ (sic). For those who want a response, this blog post answers the points from a Catholic point of view, but the original quote’s not completely off-base.
March
My friend Dmitry protests in Moskva against Russia’s actions in the Crimea. This was posted on this blog at the time. He reports things aren’t all rosy in Russia when it comes to free speech.
Another friend, Carolyn Enting, gets her mug in the Upper Hutt Leader after writing her first fictional book, The Medallion of Auratus.
MH370 goes missing.
And this great cartoon, called ‘If Breaking Bad Had Been Set in the UK’:
April
I call Lupita Nyong’o ‘Woman of the Year 2014’.
A post featuring Robin Williams (before that horrible moment in August), where he talks about the influence of Peter Sellers and Dr Strangelove on him. I seem to have posted a lot of Robin that month, from his CBS TV show, The Crazy Ones.
A Lancastrian reader, Gerald Vinestock, writes to The Times: ‘Sir, Wednesday’s paper did not have a photograph of the Duchess of Cambridge. I do hope she is all right.’
A first post on those CBS TV attempts to create a show about Sherlock Holmes set in the modern day in the US, partnered with a woman: on 1987’s The Return of Sherlock Holmes.
The fiftieth anniversary of the on-sale date of the Ford Mustang (April 17).
The death of Bob Hoskins. Of course I had to post his last speech in The Long Good Friday, as well as the clip from Top Gear where Richard Hammond mistook Ray Winstone for Hoskins. They all look the same to me.
May
Judith Collins’ story about what she was doing in China with Oravida collapses.
Someone points out there is a resemblance between Benedict Cumberbatch and Butthead from Beavis and Butthead.
Jean Pisani Ferry’s view on the origins of the euro crisis in The Economist: ‘Suppose that the crisis had begun, as it might easily have done, in Ireland? It would then have been obvious that fiscal irresponsibility was not the culprit: Ireland had a budget surplus and very low debt. More to blame were economic imbalances, inflated property prices and dodgy bank loans. The priority should not have been tax rises and spending cuts, but reforms to improve competitiveness and a swift resolution of troubled banks, including German and French ones, that lent so irresponsibly.’
Sir Ian McKellen says, ‘Did I want to go and live in New Zealand for a year? As it turns out, I was very happy that I did. I can’t recommend New Zealand strongly enough. It’s a wonderful, wonderful place, quite unlike [the] western world. It’s in the southern hemisphere and it’s far, far away and although they speak English, don’t be fooled. They’re not like us. They’re something better than us.’
Lots of Alarm für Cobra 11 posts.
July Sopheak Seng’s first Lucire cover, photographed by Dave Richards, and with a fantastic crew: hair by Michael Beel, make-up by Hil Cook, modelled by Chloé Graham, and with some layout and graphic design by Tanya Sooksombatisatian and typography by me.
Liam Fitzpatrick writes of Hong Kong, before the Occupy protests, ‘Hong Kongers—sober, decent, pragmatic and hardworking—are mostly not the sort of people who gravitate to the barricades and the streets. Neither do they need to be made aware of the political realities of having China as a sovereign power, for the simple fact that postwar Hong Kong has only ever existed with China’s permission. In the 1960s, the local joke was that Mao Zedong could send the British packing with a mere phone call.
‘With that vast, brooding power lying just over the Kowloon hills, tiny Hong Kong’s style has always been to play China cleverly—to push where it can (in matters such as education and national-security legislation, where it has won important battles) and to back off where it cannot.’
It didn’t seem completely prescient.
August
The General Election campaign: National billboards are edited. Doctor Who goes on tour prior to Peter Capaldi’s first season in the lead role.
The suicide of Robin Williams.
Michael Brown is killed. Greg Howard writes, ‘There was Trayvon Martin in Sanford, Fla., and Oscar Grant in Oakland, Calif., and so many more. Michael Brown’s death wasn’t shocking at all. All over the country, unarmed black men are being killed by the very people who have sworn to protect them, as has been going on for a very long time now …
‘There are reasons why white gun’s rights activists can walk into a Chipotle restaurant with assault rifles and be seen as gauche nuisances while unarmed black men are killed for reaching for their wallets or cell phones, or carrying children’s toys.’
Like so many things, such a statement of fact became politicized in months to come.
Darren Watson releases ‘Up Here on Planet Key’, only to have it banned by the Electoral Commission. With his permission, I did a spoken-word version.
Journalist Nicky Hager, who those of us old enough will remember was a right-wing conspiracy theorist, is branded a left-wing conspiracy theorist by the PM because this time, he wrote about National and not Labour. The Deputy PM, Bill English, who commended Hager’s work 12 years ago over Seeds of Distrust, and even quoted from it, remained fairly quiet.
It wasn’t atypical. I wrote in one post, ‘In 2011, Warren Tucker said three times in one letter that he told PM John Key about the SIS release. Now he says he only told his office but not the PM personally—after an investigation was announced (when the correct protocol would be to let the investigation proceed) …
‘Key did not know about GCSB director Ian Fletcher’s appointment (week one of that saga) before he knew about it (week two).
‘Key cannot remember how many TranzRail shares he owned.
‘Key cannot remember if and when he was briefed by the GCSB over Kim Dotcom.
‘Key did not know about Kim Dotcom’s name before he did not know about Kim Dotcom at all.
‘Key cannot remember if he was for or against the 1981 Springbok tour.’
Some folks on YouTube did a wonderful series of satirical videos lampooning the PM. Kiwi satire was back. This was the first:
Matt Crawford recalled, ‘At this point in the last election campaign, the police were threatening to order search warrants for TV3, The Herald on Sunday, RadioNZ et al—over a complaint by the Prime Minister. Over a digital recording inadvertently made in a public space literally during a media stunt put on for the press—a figurative media circus.’
Quoting Robert Muldoon in 1977’s Muldoon by Muldoon: ‘New Zealand does not have a colour bar, it has a behaviour bar, and throughout the length and breadth of this country we have always been prepared to accept each other on the basis of behaviour and regardless of colour, creed, origin or wealth. That is the most valuable feature of New Zealand society and the reason why I have time and again stuck my neck out to challenge those who would try to destroy this harmony and set people against people inside our country.’
And my reaction to the Conservative Party’s latest publicity, which was recorded on this blog, and repeated for good measure on Tumblr: ‘Essentially what they are saying is: our policy is that race doesn’t matter. Except when it comes to vilifying a group, it does. Let’s ignore the real culprits, because: “The Chinese”.’
September
The passing of Richard ‘Jaws’ Kiel.
John Barnett of South Pacific Pictures sums up Nicky Hager: ‘Hager is a gadfly who often causes us to examine our society. He has attacked both the right and the left before. It’s too easy to dismiss it as a left wing loony conspiracy. We tend to shoot the messengers rather than examine the messages.’
New Zealanders begin vilifying Kim Dotcom: I respond. I blog about Occupy Central in Hong Kong—which led to a television appearance on Breakfast in early October.
October
I’m not sure where this quotation comes from, but I reposted it: ‘A white man is promoted: He does good work, he deserved it.
‘A white woman is promoted: Whose dick did she suck?
‘A man of color is promoted: Oh, great, I guess we have to “fill quotas” now.
‘A woman of color is promoted: j/k. That never happens.’
Facebook gets overrun by bots: I manage to encounter 277 in a single day. (I eventually reach someone at Facebook New Zealand, who is trying to solicit business for one of the fan pages we have, and point this out. I never hear back from him.) The trouble is Facebook limits you to reporting 40 a day, effectively tolerating the bots. It definitely tolerates the click farms: I know of dozens of accounts that the company has left untouched, despite reports.
Kim Dotcom’s lawyers file a motion to dismiss in Virginia in United States v. Dotcom and others, and summarize the case so far: ‘Nearly three years ago, the United States Government effectively wiped out Megaupload Limited, a cloud storage provider, along with related businesses, based on novel theories of criminal copyright infringement that were offered by the Government ex parte and have yet to be subjected to adversarial testing. Thus, the Government has already seized the criminal defendants’ websites, destroyed their business, and frozen their assets around the world—all without benefit of an evidentiary hearing or any semblance of due process.
‘Without even attempting to serve the corporate defendants per the Federal Rules of Criminal Procedure, the Government has exercised all its might in a concerted, calculated effort to foreclose any opportunity for the defendants to challenge the allegations against them and also to deprive them of the funds and other tools (including exculpatory evidence residing on servers, counsel of choice, and ability to appear) that would equip robust defense in the criminal proceedings.
‘But all that, for the Government, was not enough. Now it seeks to pile on against ostensibly defenseless targets with a parallel civil action, seeking civil forfeiture, based on the same alleged copyright crimes that, when scrutinized, turn out to be figments of the Government’s boundless imagination. In fact, the crimes for which the Government seeks to punish the Megaupload defendants (now within the civil as well as the criminal realm) do not exist. Although there is no such crime as secondary criminal copyright infringement, that is the crime on which the Government’s Superseding Indictment and instant Complaint are predicated. That is the nonexistent crime for which Megaupload was destroyed and all of its innocent users were denied their rightful property. That is the nonexistent crime for which individual defendants were arrested, in their homes and at gunpoint, back in January 2012. And that is the nonexistent crime for which the Government would now strip the criminal defendants, and their families, of all their assets.’
Stuart Heritage thinks The Apprentice UK has run its course, and writes in The Guardian: ‘The Apprentice has had its day. It’s running on fumes. It’s time to replace it with something more exciting, such as a 40-part retrospective on the history of the milk carton, or a static shot of someone trying to dislodge some food from between their teeth with the corner of an envelope.’
November
Doctor Who takes a selfie and photobombs himself.
Andrew Little becomes Labour leader, and is quoted in the Fairfax Press (who, according to one caption, says his mother’s name is Cecil): ‘I’m not going to resile from being passionate about working men and women being looked after, having a voice, and being able to go to work safe and earn well. That’s what I stand for.
‘The National party have continued to run what I think is a very 1970s prejudice about unions … We have [in New Zealand] accepted a culture that if you are big, bold and brassy you will stand up for yourself. But [this] Government is even stripping away protections [from] those who are bold enough to do so.
‘I think New Zealanders are ready for someone who will talk bluntly about those who are being left behind. That’s what I’ll be doing.’
I’m not a Labour voter but I was impressed.
I advise my friend Keith Adams in Britain, who laments the driving standards there, that in order to have the road toll we have, they’d need to kill another 2,000 per annum. ‘The British driver is a well honed, precision pilot compared to one’s Kiwi counterpart.’
December
Julian Assange on Google, and confirmation that the company has handed over personal data to the US Government. He calls Eric Schmidt ‘Google’s secretary of state, a Henry Kissinger-like figure whose job it is to go out and meet with foreign leaders and their opponents and position Google in the world.’
The Sydney siege and the tragic deaths of Katrina Dawson and Tori Johnson.
The killing of NYPD officers Rafael Ramos and Wenjian Liu. The NYPD doesn’t look very white to me, but a murderer used the death of Eric Garner as an excuse to murder a Dad and a newlywed.
My second post on those CBS TV attempts to create a show about Sherlock Holmes set in the modern day in the US, partnered with a woman: on 1993’s 1994 Baker Street.
Craig Ferguson hosts his last Late Late Show. And more’s the pity: he’s one of the old school, never bitter, and never jumped on the bandwagon attacking celebrities.
In Lucire’s publication history, more Americans than New Zealanders have read from the title. Online, that was always the case, as we started off in 1997 with a 70 per cent US readership, which has dropped to around 42 per cent with other countries catching up with web browsing over the last 16 years.
Who knew, then, that Kiwis would come en masse over the last day and a bit to have a gander at our behind-the-scenes story on Air New Zealand’s next safety video?
And all it took were five swimwear models from the Sports Illustrated Swimsuit Issue. None of whom are actually New Zealanders (four American, one Australian), though former Miss South Pacific Joyana Meyer, who is based locally, does make an appearance.
I can see the irony: Kiwis browsing a Kiwi site reading about a Kiwi airline. Yes, it is strange, considering we are quite happy reading Australian newspapers and German magazines. We are proud, however, of our national carrier.
I can also see the second irony, in that the video itself has foreigners in the main roles.
However, 70 million SI readers now alerted to the Cook Islands, New Zealand and Air New Zealand without reliance on ‘Who Shot J. R. R.?’ marks a new change, and that might not be a bad thing for the maturing of tourist marketing.
I know, we are falling back on babes and beaches, but I’ve never been convinced about the 100 Per Cent Pure campaign. While Sir Peter Jackson put us on the map thanks to his own love of our nation, I wonder if there may be fatigue in the association. What is the life cycle of such campaigns, typically?
I could be completely wrong on both but it was a dozen years since I was in Scandinavia talking to excited Swedes about our country in the wake of the first Lord of the Rings film.
Post-Conchords maybe it is time to show another side of us. You know I will keep championing Kiwi creativity and intellectual capital because I still believe these set us apart. Sports Illustrated doesn’t express that, but the fact that our national carrier is happy to co-brand with an iconic US title at least puts us on an internationally recognizable level. And it shows some decent, globally minded lateral thinking on behalf of the brand managers at Air New Zealand. I’m also encouraged that Air New Zealand’s new CEO, Christopher Luxon, is a brand guy with MNC experience because he’ll understand the need for differentiation on a global stage. It’s a stepping stone that we can take advantage of.
The question to engage our brains next are: how else can we get our best brands out there? Are there more collaborations that are possible? Or are there ways we can find leverage to go it alone?
I’ve written so many editorials about Lucire’s history for our various anniversaries that now we’ve turned 15, I feel like I’d just be going over old ground. Again. I’d do it maybe for the 20th or 21st, but the story has been told online and in print many times.
But 15 is a bit more of an occasion than, say, the ninth—so it deserves some recognition. The biggie this week is not so much that we have turned 15, but that we have officially announced a print-on-demand edition to complement our others in print and online, one that sees Lucire printed off as it’s ordered. It combines what we know—the digital world—with an analogue medium that everyone understands. It also gets around that sad reality that for every 1,000 copies printed, 500 usually wind up getting returned due to being unsold and pulped. In publishing, two-thirds sold qualifies as having “sold out”. And that’s not really that great for the first fashion magazine that the United Nations Environment Programme calls an industry partner.
We’re also celebrating the Ipad and Android editions, which actually launched in August but we didn’t get an announcement out till September. We also débuted a PDF download via Scopalto in France, and there’s one more edition that we’ll announce before the year is out.
So rather than look back—which is what we found ourselves doing at the 10th anniversary, at a time when the recession was about to bite and there was just an inkling of a fear that our best days were behind us—we’re now looking forward with some relish and wondering just how these new editions will play out.
If I were to take a look back to 1997, it would be to remark that being the first (at least for New Zealand) does not necessarily translate to being the most profitable. You carve out a niche that no one else had done before, prove a point, and someone else makes it work a bit better. So is the lesson in commerce.
It used to bug me but no more; we have a good record of doing things in a pioneering fashion, and when you look at Lucire, it’s one of the very few fashion titles from the original dot-com era that’s still being published today, and in more forms than we had imagined. We were always happy to put value labels right next to pricier ones in coverage or in editorials, because that is how real people dress, and because we based our coverage on merit rather than advertising budgets. We looked at the advertising market at a global, rather than regional, level, something which we see some agencies taking advantage of as greater convergence happens in that market.
I like to think that some day, all magazines will be printed as we’re doing them, but from more bases around the world, to alleviate the burden on our resources. They’ll be, as I predicted many years back, mini, softcover coffee-table books, publications to covet, and be less temporary. (I also said newspapers will become more like news magazines, but I live in a city where dailies are still printed as broadsheets, which reminds me that predictions can often take a lot longer to be realized.) Features will dominate ahead of short-term, flash-in-the-pan news, a path which the 28th New Zealand-produced Lucire issue takes, and something foreshadowed by Twinpalms Lucire in Thailand five years ago.
We’re also in a very enviable position with a cohesive team. You could say it’s taken us 15 years to find them. At 1 p.m. local time on October 20—15 years and one hour after we launched—our London team met to toast our 15th anniversary, while fashion editor Sopheak Seng, Louise Hatton, Michael Beel and Natalie Fisher worked on a photo shoot today in New Zealand for issue 29. Around the world, our team continues to deliver regular content, and I hope they’ll forgive me for not naming everyone as I fear accidental omissions. Just as I felt a little uncertain but excited about where things would lead with Lucire on October 21, 1997–the 20th in the US—I have a similar feeling today. And that’s a good thing, because if we’ve managed to get on the radars of millions in those last 15 years, I’m hopeful of the changes we can effect in the next 15.
Above:Lucire copies get finished at Vertia Print in Lower Hutt.
