I thought downgrading to an earlier Instagram would have solved the frame-rate problem, but I was wrong. Here are two videos using the same file. The first was uploaded using my new phone, but running v. 43 from April 2018, given that using the latest Instagram produced very stuttered video. However, it was the same story, so we can conclude there’s something wrong with using newer phones with Instagram. I’m not alone: others reported this bug earlier this year and the one solution appears to be upgrading the OS to Android 8. The conclusion I have to draw is that there is a fault with Android 7, or how Instagram works with Android 7.
The second was uploaded using my old phone, running probably the same version from April 2018, since that was the last time I performed an Instagram update. The frame rate is now normal.
The first took four attempts to upload. The second tool nine attempts, meaning that I have uploaded this file 13 times on two phones, only to have Instagram show two. There is a problem with Instagram making videos publicly visible, a bug I first reported here earlier this year.
I’m going to have to pray my old phone holds up despite its damaged screen. Looks like all video uploads will have to be done using it, at least till Instagram fixes the frame-rate issue.
Failed uploads Above: Finally, the video uploaded after nine attempts on the old phone. One attempt never made it to the wall. Instagram refused to show eight of the uploads.
It’s been nearly one week with the new Meizu M6 Note.
It’s the “international” model, which means it’s not Chinese-spec, and there was no way to turn it into a Chinese one.
One observation is that the international one is far buggier than the Chinese one. Either that, or Android 7 is far buggier than Android 5.
For instance, if I leave my old phone as a USB media device, it would stay on that mode. The new one will always change by itself to ‘charge only’, meaning each time I plug it into USB, I now have to waste time doing an extra step.
Secondly, there’s no drive assistant on the new phone, which may have been a Chinese-only feature. I guess they don’t know we have cars outside China.
I’ve mentioned the app shortcomings in an earlier post.
But here’s one that I doubt is related to the Chineseness of my phone: Instagram simply performs better on the old phone than on the new. A Meizu M2 Note on an old Flyme (on top of Android 5) running a version of Instagram that dates back seven or eight months uploads smoother videos than a Meizu M6 Note on the latest Flyme (atop Android 7) running the latest Instagram.
The issue then is: is it the phone, the OS, or the app that’s to blame?
My first clue was my attempts at uploading a haka performed at my primary school. It took nine attempts before Instagram made one publicly visible, a bug going back some time.
When it did upload, I noticed it was clunky as it advanced.
I uploaded it again today on the old phone and there were no issues. It worked first time.
Now, the two are on different aspect ratios so you might think you’re not comparing apples with apples. How about these two videos? Again, Android 7 required repeated attempts before Instagram would make the video public. Things worked fine with the older phone.
Anyone know why it’s far, far worse as the technology gets newer? Like servers, which are much harder to manage now, or banks, where cheques take five to seven times longer to clear than in the 1970s, technology seems to be going backwards at the moment.
PS., 10.29 a.m. GMT: The frame rate issue was solved by downgrading to what I had on the old phone, i.e. a version from April. Hardly ideal. However, that did not solve the problem of Instagram preventing the video from being seen by the public. The video above still needed four attempts, whereas on the old phone, two was typical, and one was when you were particularly lucky.
I think the signs of a departure from Twitter are all there. Certainly on a cellphone there’s little point to it any more. As of last week, this began happening.
If you donāt seesee me on Twitter as often, itās becausebecause itāsitās no longer compatible withwith the Swype keyboardkeyboard on my phonephone. I canātcanāt be botheredbothered correcting faults createdcrcreated by technologytechnology and not me. Other sites are fine.
That last sentence refers only to the fact that Twitter is the only website on the planet where the keyboard is incompatible. (Thanks to Andrew McPherson for troubleshooting this with me.) Other sites are buggy, too: earlier today I couldn’t delete something from Instagram (being owned by Facebook means all the usual Facebook databasing problems are creeping in), and one video required four upload attempts before it would be visible to others:
I couldn’t reply on the Facebook website to a direct message (clicking in the usual typing field does nothing, and typing does nothing) except in image form, so I sent my friend this:
Earlier this year, many friends began experiencing trouble with their Facebook comments: the cursor would jump back to the beginning of text fields, pushing the first few characters they typed to the end. Others are complaining of bugs more and more oftenāreminds me of where I was four or five years ago. And we all now know about Facebook bots, four years after I warned of an ‘epidemic’.
It’s as I always expected: those of us who use these sites more heavily encounter the bugs sooner. Vox was the same: I left a year before Six Apart closed it down, and the bugs I encountered could never be fixed. I’m actually going through a similar battle with Amazon presently, blog post to come.
Now, since Mastodon and others work perfectly fine, and there’s no end of trouble to Big Tech, it’s inevitable that we jump ship, isn’t it?
Above: I must report and block dozens of Instagram accounts a day, not unlike getting over the 200-a-day mark on Facebook in 2014.
For the last few days, I made my Twitter private. It was the only time in 11 years of being on the service where I felt I needed that level of privacy; I only made things public again when I realized that I couldnāt actually contact people who werenāt already following me.
However, it was relatively blissful. Accounts with automated following scripts were blocked as I had to approve them manually. I had far fewer notifications. And I only heard directly back from people I liked.
It actually reminded me of the āold daysā. Itās why Mastodon appeals: since there were only a million people on there at the end of last year, it felt like Twitter of old (even if it has already descended far enough for actor Wil Wheaton to get abused, compelling him to leave).
The quieter few days also got me thinking: I had far more business success prior to social media. I was blogging at Beyond Branding, and that was a pretty good outlet. I emailed friends and corresponded like pen pals. Those werenāt fleeting friendships where the other party could just ālikeā what you said. If I really think about it, social media have done very little in terms of my business.
Iām not saying that social media donāt have a purposeāa viral Tweet that might get quoted in the press could be useful, I supposeābut I really didnāt need them to be happy in my work and my everyday life.
Since giving up updating my Facebook wall in 2017, I havenāt missed telling everyone about what Iām up to, because I figured that the people who needed to know would know. Twitter remained a useful outlet because there are some people on there whose interactions I truly value, but as you can surmise from what I said above, the number of notifications didnāt matter to me. I donāt need the same dopamine hit that others do when someone likes or re-Tweets something of theirs.
Interestingly, during this time, I logged into Whatsapp, an app I load once every three months or so since I have a few friends on it. I saw a video sent to me by Stefan Engeseth:
When I look at my Instagram stats, theyāre back to around 2015 levels, and with these current trends, my usage will drop even further as we head into 2019.
And I really donāt mind. The video shows just why social media arenāt what theyāre cracked up to be, and why they arenāt ultimately healthy for us.
I can add the following, that many of you who read this blog know: Facebook is full of bots, with false claims about their audience, and engages in actual distribution of questionable invasive software, charges Iāve levelled at the company for many years, long before the world even heard of Christopher Wylie. Twitter is also full of bots but actually disapproves of services that help them identify them; they have double standards when it comes to what you can and canāt say; and, perhaps most sadly, those people who have viewpoints that are contrary to the mainstream or the majority are shat on by disorganized gangs of Tweeters. Thatās not liberty. Instagram is also full of botsālike when I was on Facebook, when I reported dozens to hundreds of bots a dayāand there seems to be no end to them; it also lies when it talks about how its advertising works. Given all of these problems, why would I provide these services with my precious time?
I engage with these social media in more and more limited fashion and I wouldnāt be surprised if Iām completely away from these big tech names in due course.
Itās not as though young people are active on them, so the idea that they are services where you can get the next generation of customers is bogus. If you say youāre on Facebook, you might be considered an old-timer now. I asked a Year 11 student here on work experience what he used. Facebook wasnāt one of them. He said most of his friends Snapchatted, while he was in to Reddit. He didnāt like Facebook because it wasnāt real, and we have a generation who can spot the BS and the conceit behind it.
It does make the need for services such as Duck Duck Go even greater, for us to get unbiased information not filtered by Googleās love of big corporations, in its quest to rid the web of its once meritorious nature. Google is all about being evil.
As we near the 2020s, a decade which we hope will be more caring and just than the ones before, itās my hope that we can restore merit to the system and that we find more ethical alternatives to the big names. I canāt see as great a need to show off fake lives on social media when itās much more gratifying, for me at least, to return to what I did at the beginning of the century and let the work speak for itself.
This post was originally going to be about Facebook lying. It still is, just not in the way originally conceived.
Those who follow this blog know that, on Instagram, I get alcohol advertising. Alcohol is one of the categories you can restrict on Facebook. Instagram claims that it relies on your Facebook ad preferences to control what advertising you see. That is a lie, and itās still a lie even as of today (with an ad for Johnnie Walker in my feed). I turned off alcohol advertising in Facebook ages ago, and itās made no difference to what I see on Instagram.
What it doesnāt tell you is that Instagram keeps its own set of advertising interests, which can be found at www.instagram.com/accounts/access_tool/ads_interests, but itās only accessible on the web version, which no one ever really checks out. When I last checked on August 18, you could still see a snippet of these interests, and they are completely different to those that I have on Facebook (where I go in to delete my interests regularly, something which, I might add, I should actually not have to do since I opted out of interest-based advertising on Facebook, which means that Facebook should have no need to collect preferences, but I digress). You cannot edit your Instagram ad preferences. They are, like the Facebook ones, completely laughable and bear no resemblance to my real interests. Advertisers: caveat venditor.
As of now, Instagram no longer lists ad interests for me, though those alcohol ads still show up.
So, Instagram lies about Facebook ad preferences affecting your Instagram advertising, because they donāt.
And as late as August 18, because Instagram kept its own set of preferences, it was lying about its reliance on Facebook ad preferences.
And today, Instagram might still be lying because while it doesnāt show your preferences on Instagram any more, Facebook ad preferences still have no effect on Instagram advertising. As far as I can tell, even though the Instagram ad preference page is blank, it still relies on a separate set of preferences that is now secret and, as before, not editable.
But we are talking Big Tech in Silicon Valley. Google lies, Facebook lies. You just have to remember that this is par for the course and there is no need to believe anything they say. Even in a year when Facebook is under fire, they continue to give ammo to its critics. This makes me very happy now that there is a bodyāthe EUāthat has the cohones to issue fines, something that its own countryās authorities are either too weak or too corrupt to do.
It appears my friend Justin was spot on: I probably was part of a test group trialling longer Instagram videos since April.
Today, Instagram announced that people could upload 10-minute videos, and an hour for those with big followings. This news article (hat tip to Cachalot Sang on Twitter) says thereāll be a new app called IGTV, although Iāve always just uploaded mine via regular Instagram. I havenāt cracked nine minutes yet, but Iāve uploaded videos in the high eights. Regular Instagram seemed to balk at doing anything too large. Also bear in mindāarguably from someone who has had more experience of this than anyone in Instagram-landāthat these uploads take ages and can sometimes fail.
Donāt be disappointed if your views are low, since Instagram only counts full views. I have videos still saying they have had zero views, yet I have likes and, in some cases, comments. Not everyoneās going to sit back and watch these in full.
I had noticed that in the last week, my videos, all of which are over a minute, have successfully uploadedāup from the one in two ratio that I experienced when Instagram first gave me the ability to upload videos longer than one minute in April. No wonder, if the official announcement was made today: they probably began allowing all the big ones through.
As the one user (that I know of) who has publicly been uploading videos of over a minute for nearly two months, welcome to the club. I hope youāll enjoy it.
I see the media (led by the Murdoch Press) have been reporting that Instagram plans to let people upload videos of an hour long. Itās a ārumourā at the moment, apparently.
As those of you who follow this blog know, Iāve been able to upload videos exceeding one minute since April, and one theory that Justin Bgoni, whoās the bursar at my Alma Mater, St Markās Church School, advanced when I mentioned it to him was that I must be part of a trial.
That makes perfect sense and it shouldnāt be a surprise that someone with a great financial mind like Justinās would conclude this. He says: weāre in New Zealand, itās a small country, and there are probably 10,000 people who have been given the capability in advance. Soon, he theorized weeks ago, Instagram will roll it out to the general public. I think heās right.
Iāve so far fielded two questions from strangers on how I do this, and I tell them the truth: Iāve just been able to, and I was as surprised as anyone else.
I donāt claim to have āspecial super powerā like this user doesāand when I visited his Instagram, he doesnāt have a single video over a minute, so goodness knows what heās talking about. (Having said that, I do like a lot of his uploads.) If youāre uploading 10 one-minute videos into a single post, that doesnāt count: almost anyone can do that, and it doesnāt take special powers, just patience.
There is a limit for me, however. Iāve attempted four times to upload a 9ā²3ā³ video to Instagram, and have failed each time, so we can conclude that thatās too long. However, I have managed 8ā²37ā³ as of today, so the present maximum length on Instagram must be between the two times.
I havenāt discovered too much more since I last posted on this topic, other than enjoying the freedom of having the greater length. (Instagramās probably noted that, which is why the rumours have begun surfacing.) Engagement is still rather low on the long videos, for starters. Instagram only (rightly) counts full views, so there are videos with likes but 0 views recorded.
Itās nice, once again, to be ahead of the ball when it comes to these technologies, just as I have been with Google and Facebook. The exception here is that itās been a positive feature rather than the usual negative ones, though I realize that since itās Instagram, it comes with a load of Facebook-linked privacy issues. Just today it fired through another alcohol ad despite my having turned them off in my settings, again underlining Facebookās blatant dishonesty.
Yet here I am, still using one of their services despite having mostly de-Facebooked (and de-Googled years before that). Like millions of others, Iām still a sucker because I continue to use a service they own.
Speaking of the Murdoch Press and Google, we (at work) actually deal with the former when it comes to advertising. Let that sink in for a moment: I trust Murdochs more than I trust Google when it comes to our usersā privacy. Thatās saying something.
As you saw in the previous postās postscripts, it is possible to upload videos of longer than one minute to Instagram, but Instagram may or may not let the public see them. If you want people to see your videos for sure, then keep them to the standard minute. But if you want to chance it, so far my experience is 50ā50, and there’s no correlation with length. Like all things Facebook, there is no consistency, and you are at the whim of the technology and its questionable database integrity. Here are the ones that have worked, the first at 2ā²50ā³, the second at 4ā², the third at 3ā²51ā³, and the fourth at 7ā²03ā³ (this had to be uploaded twice as Facebook hid the first attempt).
PS., April 28, 12.37 a.m.: A few more tries and the odds of a video lasting longer than one minute being visible to other Instagram users are definitely 1:2. The latest is this, at 7ā²53ā³.
Don’t be surprised if these record zero views on Instagram. I believe their stats only count full views, and no one’s going to sit watching a video there for that long unless it’s particularly compelling.
P.PS., May 4: I attempted a 9ā²03ā³ video. No joy. Instagram will allow the upload but the actual process takes an incredibly long time. The progress bar goes back a few times. Eventually it says there is an error. In theory, I think it’s possible, but right now I haven’t managed to exceed 7ā²53ā³.
Since Facebook bought Instagram, itās been getting buggier, of course.
Iāve complained about Instagram uploading a series of posts in a totally different order to what I had (which, on ANZAC Day, made it difficult for anyone to follow the story I was trying to tell on my account when the order is 2, 1, 5, 4, 3, 6, 7).
Video (2) was an interesting one, because Instagram allowed me to post something that was 2 minutes, 6 seconds long, which it had never done before (or since).
I thought it odd at the time but given that it was twice as long as normal, I didnāt complain. It allowed me to show more of the Air Force band performing ‘Au e ihuā (Soldierās Hymn).
I did complain about one particular video featuring our national anthem which Instagram would say was loading, then on checking again, it would vanish. I made three attempts over a two-hour period before it āstuckā (video no. 3 in the sequence above). I had to wonder if Instagram was picking up the music and flagging it as a copyright violation: after all, YouTube flags static as copyright violations (hat tip to Retrorechercher).
Above: Instagram says these two are loading, but the one featuring our national anthem (the top one) kept vanishing. It never made it on to my account without three attempts.
This morning, on checking the stats, I noticed that no one had viewed the longer video, and, after asking some friends on Twitter, learned that Instagram blocked anyone from seeing it. Itās like shadow-banning on Twitter: you can see your own stuff, but no one else can. Try it for yourselfāhere’s the link Instagram claims it’s at.
Look at the eighth post down. On my account (top), I can see it. When logged in as someone else (above), I can’t. Instagram’s version of shadow-banning?
I can still play it straight from Instagram on the web and on my phone.
You can give the MP4 a shot here (and note the URL, which is an Instagram one, and the duration). The thumbnail is here.
However, I canāt embed the video the normal way, and any link that it lets me share results in a 404. It all feels very familiar, because this is the sort of bug that Facebook used to cook up, e.g. on days when you couldnāt post, like, comment or share, or tag yourself in a photograph.
I might save the two-minute-long video separately in case thereās a way you can tell that it was edited inside Instagram.
To sum up: Instagram will not load content in the same order you do (we already know this); it will permit much longer videos that exceed one minute, but if they let it through, no one will ever see it except you. We also know that Facebook will pump through any advertising on to Instagram, even in categories you have expressly asked not to be shown.
There you have it, Instagram in 2018.
PS., April 25, 1.19 a.m. GMT: I’ve just tried a 2 minute 50 second video, and it appears it is visible. For how long, I don’t know. Check it out here, or, if the embed’s visible below, have a look.
P.PS., 1.59 a.m. GMT:Looks like four minutes is fine, too. While the first one is still invisible, it does appear Instagram has lifted the one-minute limit, and that’s not something I can find documented anywhere. Still, I’m grateful, because it makes far more sense to show two- to four-minute vids.
P.P.PS., 8.54 a.m. GMT: Just tried one at seven minutes, and it’s hidden. Seems Instagram is very inconsistent on what it shows and what it doesn’t. Link is here (it won’t work) and the MP4 is here.
I don’t know if Instagram does this on all phones, but when I make multi-photo posts, it often leaves behind a very interesting image. Sometimes, the result is very artistic, such as this one of a LotusāFord Cortina Mk II.
You can see the rear three-quarter shot just peer in through the centre. I’ve a few others on my Tumblr, but this is the best one. Sometimes technology accidentally makes decent art. I’m still claiming copyright given it’s derived directly from my work.
