Looking back over the years
And whatever else that appears,
I remember I cried when my mother died
Never wishing to hide the tears.
And at fifty-nine years old,
My father, God rest his soul,
Couldnât understand why the only lass
He had ever loved had been taken,
Leaving him to start
With a heart so badly broken
Despite encouragement from me,
No words were ever spoken.
And when he passed away,
I cried and cried all day.
Alone again, naturally.
Considering Gilbert OâSullivan was 21 when he wrote âAlone Againâ, itâs a remarkably mature lyric, particularly as he didnât know his father well, and his mother was alive when the song was penned.
But it is my current earworm and with a slight change in the words, it reflects my mood.
Of course Iâm not âaloneâ: I have a partner and a network of friends, but there is an element of loneliness as part of the immigrant experience that hardly anyone talks about.
When you emigrate to parts unknown with your parents, and you donât have a say in it, you arguably have a different perspective on your new home country than someone who perhaps chose to go there, and you certainly have a different perspective to someone born and bred there.
Iâve never blogged the full story though most of my friends know it.
There is a photo somewhere of my family as I knew it at age two or so: my parents, my maternal grandmother, and me. At that age, I knew there were other family membersâpaternal grandparents, aunts, uncles, cousinsâbut this was my immediate definition of family, and I held on to that for a long time. Certainly it was my definition during my formative years.
I came with my parents and not my grandmother, landing here three days shy of my fourth birthday.
When my grandmother arrived in March 1978 under the family reunion policy, my mother and I being her only living descendants, I felt âthe familyâ was complete again.
Immigrants will probably tell you, more so if they are not of the majority race, that they have a sense that they need to face life in this new country together. That most of the people around you wonât be able to share the experience youâre having, because youâre making sense of it through a different lens. We spoke Cantonese at home, and we will have talked about the odd customs of the people here, from the stupidity of the colloquialism bring a plate to my parents needing to fight for the Wellington Hospital Board to give my mother her correct pay (something which ultimately required the intervention of former mayor Frank Kitts). Most of your peers wouldnât know what it was like for a white person to tell your Mum and yourself to go back to where you came from. Or to be denied service at what is now Countdown on account of your race.
Repeated experiences like that give you a sense of âthe family versus the worldâ. Happy ones naturally outnumber negative onesâby and large, New Zealanders are a tolerant, embracing peopleâbut itâs probably natural for humans to build up some sort of defence, a thicker skin to cope with a few of the added complications that the majority donât have to think twice about. Itâs why some of us will jump to âracismâ as an explanation for an injustice even when the motives may not be that at all. Itâs only come from experience and reinforcement, certainly at a time when overt racism was more commonplace in Aotearoa, and more subtle forms were at play (as they still are with decreasing frequency; hello, Dominion Post).
As the familyâs numbers dwindled, it impacts you. It certainly impacted my father in 1994, in the way OâSullivanâs song says, and as âthe last man standingâ there is a sense of being alone. Never mind that my father had aphasia in his last years and couldnât respond intelligibly when I spoke to him: the fact he could hear me and acknowledge me was of great comfort. He understood the context. And frankly, precious few others do.
Other than aunts, uncles and cousins, the only time I really get to use Cantonese now is at shops where Cantonese speakers serve me. The notion of an âAsianâ invasion where youâre walking the streets not knowing whatâs being spoken (Iâm looking at you, Winston) is rot. You feel the loss of identity as well as your family because identity is relative: while you have a soul, a deeper purpose, that is arguably more absolute, you answer who you are in relation to those around you. I am proud of my heritage, my culture, my whakapapa. They identify me to the rest of you. Each of you holds a different impression, part of the full picture, just as in branding. The last person who understood part of my identity, the one relative to my immediate family who came with me to this new land, is now gone, and that cannot be reclaimed.
Therefore, this isnât solely about the passing of an elderly man and the natural cycle of life. This is about how a little bit of you goes as well. Wisdom tells you that you form another part of your identityâsay how I relate to my partner, for instanceâand in time you rebuild who you are and how you face the world. However, that takes time, and OâSullivan might be an earworm for a little while longer.
I sincerely hope Iâm wrong when I say that the passing of Kiwi composer, arranger and conductor Terry Gray went unnoticed in our news media.
I only found out last month that Terry died in 2011. As a kid of the 1970s and a teenager of the 1980s, Terryâs music was a big part of my life. Before we got to New Zealand, he had already composed the Chesdale cheese jingle, which Kiwis above a certain age know. He was the bandleader on Top Dance, what New Zealanders used to watch before the localized version of Strictly. Terryâs music appeared on variety shows and live events (e.g. Telequest, Miss New Zealand) through the decade. Country GP, The Fire-Raiser, Peppermint Twist, and Daphne and ChloĂ« were also among Terryâs works. In the late 1980s, Terry released an album, Solitaire, which was one of the first LPs I bought with my own money as a teen. By the turn of the decade, Terry hosted live big band evenings at the Plaza Hotel in Wellington, sponsored by the AM Networkâuntil the AM Network could no longer fund the fun, regular events and the radio network itself, eventually, vanished. Terryâs Mum used to attend in those days, and I must have gone to at least half a dozen. I also picked up a Top Dance cassette at one of the evenings.
I still have a nice letter from Terry somewhere, thanking me for my support, in the days when he lived in the Hutt. I learned that he eventually moved down south, to Dunedin, and died of leukemia on July 8, 2011.
On (nearly) the seventh anniversary of his passing, I want to pay tribute to Terry. Here he is in action in Top Dance, hosted by Lindsay Yeo, in 1982.
For the last few years, Iâve looked back at the events of the year in a tongue-in-cheek fashion. (In fact, in 2009, I looked back at the decade.) Tumblrâs the place I look at these days for these summaries, since it tends to have my random thoughts, ones complemented by very little critical thinking. They tell me what piqued my interest over the year.
These days, Iâve been posting more about the TV show I watch the most regularly, the German Alarm fĂŒr Cobra 11: die Autobahnpolizei. A good part of my Tumblr, at least, and of Danielle Careyâs, whom I first connected with via this blog, features screen shots and other photographs from it. But Cobra 11 asideâand for those âculturedâ Germans who tell me itâs the worst show on their telly, may I remind you that you still make Das Traumschiff?âI still will be influenced by everyday events.
So what do I spy?
Sadly, despite my intent in wanting to blog humorously, it turns out that 2014 doesnât necessarily give us a lot to laugh about. And weâve had over a year after that Mayan calendar gag, and 13 years after Y2K. Itâs still not time to laugh yet.
January
I made a spoof English Hustle poster given all the hype about American Hustle, which seems to have, prima facie, the same idea. It meets with Adrian Lesterâs approval (well, he said, âHa,â which I gather is positive).
I post about Idris Elba giving a response about the James Bond character. (Slightly ahead of my time, as it turns out.)
Robert Catto wrote of Justin Bieberâs arrest: âSo, J. Biebs is arrested for racing a rented Lamborghini in a residential neighbourhood while under the influence (of drugs and alcohol) while on an expired license, resisting arrest, and a bunch of previous stuff including egging a neighbourâs house. With that many accusations being thrown at him, this can only mean one thing.
âThe race for Mayor of Toronto just got interesting.â
I wrote to a friend, âIf there was a Facebook New Zealand Ltd. registered here then it might make more sense ensuring that there were fewer loopholes for that company to minimize its tax obligations, but the fact is there isnât. Either major party would be better off encouraging New Zealand to be the head office for global corporations, or encourage good New Zealand businesses to become global players, if this was an issue (and I believe that it is). There is this thing called the internet that they may have heard of, but both parties have seen it as the enemy (e.g. the whole furore over s. 92A, first proposed by Labour, enacted by National).
âRight now, we have some policy and procedural problems preventing us from becoming more effective exporters.
âItâs no coincidence that I took an innovation tack in my two mayoral campaigns. If central government was too slow in acting to capture or create these players, then I was going to do it at a local level.â
And there are $700 trillion (I imagine that means $700 billion, if you used the old definitionsâ12 zeroes after the 700) worth of derivatives yet to implode, according to I Acknowledge. Global GDP is $69·4 (American) trillion a year. âThis means that (primarily) Wall Street and the City of London have run up phantom paper debts of more than ten times of the annual earnings of the entire planet.â
February
The Sochi Olympics: in Soviet Russia, Olympics watch you! Dmitry Kozak, the deputy PM, says that westerners are deliberately sabotaging things there. How does he know? âWe have surveillance video from the hotels that shows people turn on the shower, direct the nozzle at the wall and then leave the room for the whole day.â Sports Illustrated does an Air New Zealand safety video.
This was the month I first saw the graphic containing a version of these words: âJesus was a guy who was a peaceful, radical, nonviolent revolutionary, who hung around with lepers, hookers, and criminals, who never spoke English, was not an American citizen, a man who was anti-capitalism, anti-wealth, anti-public prayer (yes he was Matthew 6:5), anti-death penalty but never once remotely anti-gay, didnât mention abortion, didnât mention premarital sex, a man who never justified torture, who never called the poor âlazyâ, who never asked a leper for a co-pay, who never fought for tax cuts for the wealthiest Nazarenes, who was a long haired, brown skinned (thatâs in revelations), homeless, middle eastern Jew? Of course, thatâs only if you believe whatâs actually in the Bibleâ (sic). For those who want a response, this blog post answers the points from a Catholic point of view, but the original quoteâs not completely off-base.
March
My friend Dmitry protests in Moskva against Russiaâs actions in the Crimea. This was posted on this blog at the time. He reports things arenât all rosy in Russia when it comes to free speech.
Another friend, Carolyn Enting, gets her mug in the Upper Hutt Leader after writing her first fictional book, The Medallion of Auratus.
MH370 goes missing.
And this great cartoon, called âIf Breaking Bad Had Been Set in the UKâ:
April
I call Lupita Nyongâo âWoman of the Year 2014â.
A post featuring Robin Williams (before that horrible moment in August), where he talks about the influence of Peter Sellers and Dr Strangelove on him. I seem to have posted a lot of Robin that month, from his CBS TV show, The Crazy Ones.
A Lancastrian reader, Gerald Vinestock, writes to The Times: âSir, Wednesdayâs paper did not have a photograph of the Duchess of Cambridge. I do hope she is all right.â
A first post on those CBS TV attempts to create a show about Sherlock Holmes set in the modern day in the US, partnered with a woman: on 1987âs The Return of Sherlock Holmes.
The fiftieth anniversary of the on-sale date of the Ford Mustang (April 17).
The death of Bob Hoskins. Of course I had to post his last speech in The Long Good Friday, as well as the clip from Top Gear where Richard Hammond mistook Ray Winstone for Hoskins. They all look the same to me.
May
Judith Collinsâ story about what she was doing in China with Oravida collapses.
Someone points out there is a resemblance between Benedict Cumberbatch and Butthead from Beavis and Butthead.
Jean Pisani Ferryâs view on the origins of the euro crisis in The Economist: âSuppose that the crisis had begun, as it might easily have done, in Ireland? It would then have been obvious that fiscal irresponsibility was not the culprit: Ireland had a budget surplus and very low debt. More to blame were economic imbalances, inflated property prices and dodgy bank loans. The priority should not have been tax rises and spending cuts, but reforms to improve competitiveness and a swift resolution of troubled banks, including German and French ones, that lent so irresponsibly.â
Sir Ian McKellen says, âDid I want to go and live in New Zealand for a year? As it turns out, I was very happy that I did. I canât recommend New Zealand strongly enough. Itâs a wonderful, wonderful place, quite unlike [the] western world. Itâs in the southern hemisphere and itâs far, far away and although they speak English, donât be fooled. Theyâre not like us. Theyâre something better than us.â
Lots of Alarm fĂŒr Cobra 11 posts.
Liam Fitzpatrick writes of Hong Kong, before the Occupy protests, âHong Kongersâsober, decent, pragmatic and hardworkingâare mostly not the sort of people who gravitate to the barricades and the streets. Neither do they need to be made aware of the political realities of having China as a sovereign power, for the simple fact that postwar Hong Kong has only ever existed with Chinaâs permission. In the 1960s, the local joke was that Mao Zedong could send the British packing with a mere phone call.
âWith that vast, brooding power lying just over the Kowloon hills, tiny Hong Kongâs style has always been to play China cleverlyâto push where it can (in matters such as education and national-security legislation, where it has won important battles) and to back off where it cannot.â
It didnât seem completely prescient.
August
The General Election campaign: National billboards are edited. Doctor Who goes on tour prior to Peter Capaldiâs first season in the lead role.
The suicide of Robin Williams.
Michael Brown is killed. Greg Howard writes, âThere was Trayvon Martin in Sanford, Fla., and Oscar Grant in Oakland, Calif., and so many more. Michael Brownâs death wasnât shocking at all. All over the country, unarmed black men are being killed by the very people who have sworn to protect them, as has been going on for a very long time now âŠ
âThere are reasons why white gunâs rights activists can walk into a Chipotle restaurant with assault rifles and be seen as gauche nuisances while unarmed black men are killed for reaching for their wallets or cell phones, or carrying childrenâs toys.â
Like so many things, such a statement of fact became politicized in months to come.
Darren Watson releases âUp Here on Planet Keyâ, only to have it banned by the Electoral Commission. With his permission, I did a spoken-word version.
Journalist Nicky Hager, who those of us old enough will remember was a right-wing conspiracy theorist, is branded a left-wing conspiracy theorist by the PM because this time, he wrote about National and not Labour. The Deputy PM, Bill English, who commended Hagerâs work 12 years ago over Seeds of Distrust, and even quoted from it, remained fairly quiet.
It wasnât atypical. I wrote in one post, âIn 2011, Warren Tucker said three times in one letter that he told PM John Key about the SIS release. Now he says he only told his office but not the PM personallyâafter an investigation was announced (when the correct protocol would be to let the investigation proceed) âŠ
âKey did not know about GCSB director Ian Fletcherâs appointment (week one of that saga) before he knew about it (week two).
âKey cannot remember how many TranzRail shares he owned.
âKey cannot remember if and when he was briefed by the GCSB over Kim Dotcom.
âKey did not know about Kim Dotcomâs name before he did not know about Kim Dotcom at all.
âKey cannot remember if he was for or against the 1981 Springbok tour.â
Some folks on YouTube did a wonderful series of satirical videos lampooning the PM. Kiwi satire was back. This was the first:
Matt Crawford recalled, âAt this point in the last election campaign, the police were threatening to order search warrants for TV3, The Herald on Sunday, RadioNZ et alâover a complaint by the Prime Minister. Over a digital recording inadvertently made in a public space literally during a media stunt put on for the pressâa figurative media circus.â
Quoting Robert Muldoon in 1977âs Muldoon by Muldoon: âNew Zealand does not have a colour bar, it has a behaviour bar, and throughout the length and breadth of this country we have always been prepared to accept each other on the basis of behaviour and regardless of colour, creed, origin or wealth. That is the most valuable feature of New Zealand society and the reason why I have time and again stuck my neck out to challenge those who would try to destroy this harmony and set people against people inside our country.â
And my reaction to the Conservative Partyâs latest publicity, which was recorded on this blog, and repeated for good measure on Tumblr: âEssentially what they are saying is: our policy is that race doesnât matter. Except when it comes to vilifying a group, it does. Letâs ignore the real culprits, because: âThe Chineseâ.â
September
The passing of Richard âJawsâ Kiel.
John Barnett of South Pacific Pictures sums up Nicky Hager: âHager is a gadfly who often causes us to examine our society. He has attacked both the right and the left before. Itâs too easy to dismiss it as a left wing loony conspiracy. We tend to shoot the messengers rather than examine the messages.â
New Zealanders begin vilifying Kim Dotcom: I respond. I blog about Occupy Central in Hong Kongâwhich led to a television appearance on Breakfast in early October.
October
Iâm not sure where this quotation comes from, but I reposted it: âA white man is promoted: He does good work, he deserved it.
âA white woman is promoted: Whose dick did she suck?
âA man of color is promoted: Oh, great, I guess we have to âfill quotasâ now.
âA woman of color is promoted: j/k. That never happens.â
Facebook gets overrun by bots: I manage to encounter 277 in a single day. (I eventually reach someone at Facebook New Zealand, who is trying to solicit business for one of the fan pages we have, and point this out. I never hear back from him.) The trouble is Facebook limits you to reporting 40 a day, effectively tolerating the bots. It definitely tolerates the click farms: I know of dozens of accounts that the company has left untouched, despite reports.
Kim Dotcomâs lawyers file a motion to dismiss in Virginia in United States v. Dotcom and others, and summarize the case so far: âNearly three years ago, the United States Government effectively wiped out Megaupload Limited, a cloud storage provider, along with related businesses, based on novel theories of criminal copyright infringement that were offered by the Government ex parte and have yet to be subjected to adversarial testing. Thus, the Government has already seized the criminal defendantsâ websites, destroyed their business, and frozen their assets around the worldâall without benefit of an evidentiary hearing or any semblance of due process.
âWithout even attempting to serve the corporate defendants per the Federal Rules of Criminal Procedure, the Government has exercised all its might in a concerted, calculated effort to foreclose any opportunity for the defendants to challenge the allegations against them and also to deprive them of the funds and other tools (including exculpatory evidence residing on servers, counsel of choice, and ability to appear) that would equip robust defense in the criminal proceedings.
âBut all that, for the Government, was not enough. Now it seeks to pile on against ostensibly defenseless targets with a parallel civil action, seeking civil forfeiture, based on the same alleged copyright crimes that, when scrutinized, turn out to be figments of the Governmentâs boundless imagination. In fact, the crimes for which the Government seeks to punish the Megaupload defendants (now within the civil as well as the criminal realm) do not exist. Although there is no such crime as secondary criminal copyright infringement, that is the crime on which the Governmentâs Superseding Indictment and instant Complaint are predicated. That is the nonexistent crime for which Megaupload was destroyed and all of its innocent users were denied their rightful property. That is the nonexistent crime for which individual defendants were arrested, in their homes and at gunpoint, back in January 2012. And that is the nonexistent crime for which the Government would now strip the criminal defendants, and their families, of all their assets.â
Stuart Heritage thinks The Apprentice UK has run its course, and writes in The Guardian: âThe Apprentice has had its day. Itâs running on fumes. Itâs time to replace it with something more exciting, such as a 40-part retrospective on the history of the milk carton, or a static shot of someone trying to dislodge some food from between their teeth with the corner of an envelope.â
November
Doctor Who takes a selfie and photobombs himself.
Andrew Little becomes Labour leader, and is quoted in the Fairfax Press (who, according to one caption, says his motherâs name is Cecil): âIâm not going to resile from being passionate about working men and women being looked after, having a voice, and being able to go to work safe and earn well. Thatâs what I stand for.
âThe National party have continued to run what I think is a very 1970s prejudice about unions ⊠We have [in New Zealand] accepted a culture that if you are big, bold and brassy you will stand up for yourself. But [this] Government is even stripping away protections [from] those who are bold enough to do so.
âI think New Zealanders are ready for someone who will talk bluntly about those who are being left behind. Thatâs what Iâll be doing.â
Iâm not a Labour voter but I was impressed.
I advise my friend Keith Adams in Britain, who laments the driving standards there, that in order to have the road toll we have, theyâd need to kill another 2,000 per annum. âThe British driver is a well honed, precision pilot compared to oneâs Kiwi counterpart.â
December
Julian Assange on Google, and confirmation that the company has handed over personal data to the US Government. He calls Eric Schmidt âGoogleâs secretary of state, a Henry Kissinger-like figure whose job it is to go out and meet with foreign leaders and their opponents and position Google in the world.â
The Sydney siege and the tragic deaths of Katrina Dawson and Tori Johnson.
The killing of NYPD officers Rafael Ramos and Wenjian Liu. The NYPD doesnât look very white to me, but a murderer used the death of Eric Garner as an excuse to murder a Dad and a newlywed.
My second post on those CBS TV attempts to create a show about Sherlock Holmes set in the modern day in the US, partnered with a woman: on 1993âs 1994 Baker Street.
Craig Ferguson hosts his last Late Late Show. And moreâs the pity: heâs one of the old school, never bitter, and never jumped on the bandwagon attacking celebrities.
To take a leaf from Adland, where this is hosted, Chrysler’s message is: buy this ugly car or Eminem will beat you up.
To be fair, the cinematographer has picked some good angles for the 200 so it doesn’t look like a rehashed Sebring. Shooting it at night minimizes the harsh realities of the centre section. And the commercial has a nice feel to it: it’s not a stereotypical pull-the-patriotic-heartstrings American one, but one which does convey what the script says: we’ve been through hard times, we’re realistic, and, therefore, we understand you more. We also see Chrysler not pulling any fake snobbery, though admittedly the DaimlerChrysler AG days ruined any chance of the company having luxury pretensions for a while.
It doesn’t make me want to rush out and get one of these cars, but I’ll say one thing: at least it’s not a Lancia commercial adapted for the US, as I don’t think the first one worked particularly well. Though this one from 2008 might not be so bad if the Delta gets there:
What are my top 10 John Barry picks? The man had done such a variety of compositions that it’s hard to pick them out without qualifying a top 10 with genres. But for me, these stick in my mind as being the most significant, often because they are tied to important moments in my life.
Theme from Somewhere in Time
This moved me so much that I played it at my Mum’s funeral. I wrote lyrics to it before the Michael Crawford version emerged. Barry said he received more mail about his work on Somewhere in Time than anything else. It’s not hard to see why. It was tied to the passing of his parents and the theme remains the most haunting and emotional tune he wrote in his career.
Theme from The Persuaders
You can’t divorce the feeling of running around the Riviera from the hipness of Barry’s themeâI used to bomb along the Moyenne Corniche with the theme going, reliving Danny and Brett’s adventures.
âA Lot of Living to Doâ
Not a Barry composition, but he produced an album for Annie Ross at Ember. It’s the arrangement and Johnny Spence’s orchestra’s performance that lifted this song for me, and it never fails to get me in a good mood.
On Her Majesty’s Secret Service
While many 007 aficionados point to Goldfinger, for me, it was the lush orchestral arrangements in OHMSS that stand out to make it John Barry’s finest James Bond score. The theme is more Bondian than anything else he did, in my opinion, and lent the film more richness than its lead actor, a young George Lazenby, was then able to convey. ‘We Have All the Time in the World’ nearly deserves its own entry, especially the string-heavy instrumental version played after the death of Tracy in the film, but much of the incidental music just has vistas of Swiss mountains somehow built in. You can’t help but see those images in your head when tracks such as ‘Journey to Blofeld’s Hideaway’ and ‘Attack on Piz Gloria’ are played.
Chaplin
The 1990s were the last active decade for Barry, if you don’t count Playing by Heart and Enigma at the turn of the century, and with Chaplin, his last collaboration with director Richard Attenborough, a mature Barry is able to reflect on the passing of time as well as that of Charlie’s life. The score is moving, more so in my opinion than his Oscar-winning Out of Africa or Dances with Wolves (the latter, I thought, was overrated) as it takes the action from London slums to Charlie receiving an Academy Award in 1972.
Theme from Eleanor and Franklin
This was a TV-movie about the First Family, but its theme still has a sense of occasion and “American-ness” to it. I always thought if I ever chose to get married, it would be a lovely theme to use. Unlike many of Barry’s grand themes, Eleanor and Franklin doesn’t have a sense of sorrow or melancholy to it, yet it gives any occasion a feeling of dignity.
Born Free
Deserves inclusion here, not because it was one of Barry’s greatest works (he wrote it as a Disney pastiche), but because there’s no way you can be my age and not know it. It’s a song from childhood; my late mother was called Elsa (sharing her name with the lioness); and it’s incredibly singable. Like a pastiche of a Disney song.
From Russia with Love
Another non-Barry theme song, but tied to Barry because of his long involvement in the James Bond films. He arranged and conducted the theme for the movie, and the Matt Monro vocal version remains one of my favourite Bond songs.
Moonraker
Bond purists hated Moonraker because it was the furthest Eon Productions took things from the novels of Ian Fleming, but it was blessed with a lush orchestral score from Barry. The Bonds, by this time, didn’t need to have a cutting-edge sound, and Barry himself, maturing as a musician, took a classical route toward the end of the 1970s. The theme was sung by Shirley Bassey and, in my opinion, remains one of the better ones; and Barry proved that you didn’t need heavy drumbeats, rapid rhythms, or Bee Gees-style synthesizers (cf. The Spy Who Loved Me) to make a Bond score work in 1979. The theme was rumoured to have originally been destined for Frank Sinatra to perform, but, according to Barry, ‘it just didn’t work out.’ Sadly, the masters for a lot of the work done by the French orchestra have gone, which meant when the soundtrack was reissued in 2003, it was no different to the abbreviated one that came out in 1979. Because of the low opinion many Bondophiles have of the movie, it’s unlikely to be re-recorded any time soonâthough with Barry’s passing, it may finally be rediscovered as the gem that it is.
âMoviolaâ, or ‘Flight over New York’ from Across the Sea of Time
A strange entry. It was understood that ‘Moviola’, which appeared in the album of the same name, was in fact Barry’s unused theme for Barbra Streisand’s The Prince of Tides. Why let it go to waste? Perhaps such a great composition deserved a cinematic airing, and Barry incorporated it into his score for the IMAX film Across the Sea of Time. I never saw the film, but it is a classic, sweeping Barry composition that us fans love, though it would be an exception in being a number that was not written for the film it appeared in. (There were elements of Zulu in Cry, the Beloved Country, but Barry defended this by saying it was based on an actual Zulu song.)
It was with great sadness that I wrote an obit about my favourite composer, John Barry, today, and published it on the Lucire website.
While Barry didn’t have to do with fashion per se, his music was often fitting themes to each era. Who can write a complete history of 1960sâ music without some of its anthems: Barry’s Goldfinger and Born Free themes must rank highly (the Academy thought so with the latter; ironic considering Born Freeâs producer did not), and the haunting ‘We Have All the Time in the World’? Barry fans like me will point to even his 1970sâ output as brilliant, regardless of the merit of the film: Murphy’s War, King Kong and The Deep work as stand-alone works as far as I am concerned. This blog itself is named for a TV series for which Barry wrote the theme, The Persuaders. Somewhere in Time remains as haunting now as it did then; Barry’s contribution to Out of Africa made the film seem larger than it really was. John Barry had styleâand style is the currency my magazines deal in.
It’s easy to point to Barry’s major works, as the obits have done, but as I type, I can think of The Glass Menagerie, Across the Sea of Time, Masquerade and Swept from the Sea as excellent scores, too.
Barry once said that he was very visual. It’s an odd comment from a composer, but what he probably meant was that he could find music to complement scenes that he saw. For someone who wanted to be a film composer since childhood, and taking every opportunity to get there, his is a career that many of us would rightfully envy. He loved what he did, was acclaimed for it, and managed to live his daily life in reasonable privacy.
I understood the visual comment but it was hammered home best when, driving around Oriental Bay, I saw one of the ferries go out. At the same time, Barry’s Raise the Titanic theme came on my tape deck (this was a while ago).
Now, a WellingtonâPicton ferry is not the Titanic, but I was amazed at how well the theme complemented the sight of a ship in the harbour. It was then I realized just how hard it would be for a musician to convey images, and just what Barry meant. I defy anyone listening to the Raise the Titanic theme (presuming you can find itâmine was not conducted by Barry) to not get nautical images in your head when it’s played and your eyes are shut. That’s how good Barry was.
I always knew at some point I would write John Barry’s obit. I didn’t expect it so soon, but then, I imagine, no one did. He’s the only celeb whose obit-writing caused me to tear up; when composer David Arnold Tweeted that he felt that ‘Mary’s Theme’ from Mary, Queen of Scots was fitting, I teared up a little more.
For me, John Barry’s music is the music of my teenage years and my 20s. So much of what I did, I did to a Barry soundtrack. On Her Majesty’s Secret Serviceâs CD accompanied me into my first trip to Switzerlandâlike the experience with the ferry, it went with the snowy landscapes. As I bombed around Monaco and the South of France, it was The Persuadersâ theme (which I even referred to when I wrote a story about the experience). It was a further bond with my good friend, Richard Searleâwhen he got me out of some legal issues many years ago, a Barry biography was my gift to him; when I met Donna Loveday, the curator, Barry came up againâshe even used one of his compositions at her wedding.
It’s like a little bit of myself died todayâthat’s the feeling I get from the news. I never met John Barry nor did I meet anyone who knew him. The closest I got was Richard telling me he had been to a Barry concert, of which I was very jealous.
But I am a fan, and will remain so till my days end. He was the only musician whose career I can say I followed for a majority of my lifetime. So this is how it feels to lose a celebrity whose work you truly admired.
Theme from Somewhere in Time
Theme from The Persuaders
âA Lot of Living to Doâ
On Her Majesty’s Secret Service
Chaplin
Born Free
From Russia with Love
Moonraker
âMoviolaâ, or ‘Flight over New York’ from Across the Sea of Time