Posts tagged ‘Opera’


Testing the browsers: which has the best typography?

23.02.2012

Con Carlyon inspired this post today. He’s kept an eye on the best browser and forwarded me a test from TechCrunch where Firefox, Chrome, IE9 and Opera 11 are pitted against one another. The victors are Firefox and Chrome.
   My needs are quite different from most people. For starters, the number-one criterion for me on any browser is decent typography. Firefox has been, at least since v. 3, the most typographically aware browser, picking up the correct typefaces from stylesheets, and providing access to all installed fonts on a system through its menu.
   I had done these tests before, but I thought it was about time I revisited the main four browsers and their typographic capability. These were all done on the same machine, and the full screen shots are available if anyone wants to see them. Firefox and IE9 were already on my system but were checked to be current and up to date. Chrome and Opera were downloaded today (February 23, 2012).
   This is not a test about Java or overall speed, just typography. But I would have to give the speed crown to Chrome—bearing in mind that my Firefox is full of extensions and add-ons.

The Lucire home page
Not the latest HTML, but there is a fairly standard stylesheet. Here is how the four browsers performed.

Firefox 10.0.2
Firefox
I am used to this, so I don’t see anything unusual. Firefox is my browser of choice (though I have since tried Waterfox 64-bit, and noticed no speed difference). It picks up the web font (Fiduci, in the headline), kerns (see We in Week) and the text font, Dante, is installed on this machine. It’s the first type family specified in the stylesheet.
   Kerning: 1. Font fidelity: 1.

Chrome
Chrome
Not much difference on the left-hand side. However, Chrome fails to pick up Dante, even though it’s installed. It’s opted for Monotype Garamond for the body text. It’s the eighth typeface family specified in the stylesheet—an unusual choice. At least two of the other typeface families preceding Garamond are installed on this machine.
   Kerning: 1. Font fidelity: 0.

Microsoft Internet Explorer 9
IE9
Awful. IE9’s bugs have already been documented on this blog, and it is very limited on which fonts it allows you to access in its menu (TTFs only). There is no kerning, and Monotype Garamond, again, has been chosen as the text font. There were some even less attractive choices on the home page that I didn’t take a screen shot of.
   Kerning: 0. Font fidelity: 0.

Opera 11.63
Opera
Interestingly, Fiduci is picked up for the headlines and Dante for the text. But a bug that Firefox had back in v. 2 in 2006, and which I filed with the makers of Opera in 2010, remains present. Opera fails to display characters above ASCII 128 properly, and when it hits a ligature, it will change the following characters to a different typeface, in this case, Times. No kerning, either.
   Kerning: 0. Font fidelity: 0·5.

A Lucire news page
Much the same comments apply from the above, but it gave me confirmation of each browser’s issues.

Firefox 10.0.2
Firefox
The first choices in each CSS spec are picked up.

Chrome
Chrome
Instead of the Lucire typeface in the central column, Chrome specifies Verdana, the sixth typeface family for the spec.

Microsoft Internet Explorer 9
IE9
Same as Chrome, except without the kerning.

Opera 11.63
Opera
Correct typefaces, but for the changing fonts in the middle of the line.

Conclusion
If I really didn’t care about type—and most people don’t—I would have a hard time choosing between Chrome and Firefox. On this test alone, Chrome was the fastest—but I suspect a Firefox without add-ons would be comparable. But once you factor in type, Chrome makes some very odd decisions, as does IE9, about which fonts it chooses from the installed base. It doesn’t, consistently, pick the first one—and previous versions did.
   Interestingly, Chrome now displays Facebook in Verdana. When I first encountered it, it displayed Facebook in our in-house Lucire 1, which we had programmed to substitute for Arial on our older machines.
   So somewhere along the line, someone changed the way Chrome picked fonts, but having something installed is no longer a guarantee it will even show up on Google’s browser. That can’t be good for corporate environments where companies have paid a site- or company-wide licence to have the correct fonts installed. But I’m glad Chrome now uses the kerning pair data in fonts, and that’s made a positive difference to legibility.
   IE9 is simply terrible. It made the same wrong calls as Chrome, but, to make things worse, it won’t even use the kerning data. Of the four tested, it comes dead last.
   Opera is not far ahead, mind, at least based on the arbitrary point scale I assigned above. While it picks up the correct typefaces, some might think its irritating habit of changing fonts mid-line to be more annoying. It could well be, as this does nothing for reading. Imagine every quotation mark and every word with a ligature changing—for no apparent reason. As mentioned, this bug was in Firefox in 2006, and Opera knows about it, but evidently Opera users are not displeased with the glitch and it remains unfixed.
   Typographically, Firefox 10.0.2 is the victor—and that’s no surprise. When I discovered bugs in Firefox 4, I was met with professional developers on the forums who actually understood type and the niceties behind the OpenType spec. Those are details some professional typeface designers don’t know. It looks I won’t be changing browsers any time soon.

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Posted in internet, technology, typography, USA | 6 Comments »