Posts tagged ‘parody’


Geely Vision: as fast as a Citroën 2CV flat out

23.01.2015

I was very interested to see this graphic on the Geely Instagram account today:

   Spot the issue? I commented (and I wonder if they will delete it): ‘I would be a bit worried if the Geely GC7 found 71·5 mph its “flat out” speed. That would make it only as fast as a Citroën 2CV!’
   That reference to the French 2CV (which I note the Germans called the Ente or, even more humorously, the Döschwo), is intentional. Not only is 71·5 mph the top speed of a Citroën 2CV, but here’s an advertisement from over 30 years ago (found here):

   This particular Geely (variously sold, with stylistic differences, as the Geely Vision and Gleagle GC7 and other identities over the years—and it’s related to the Emgrand EC7, Geely New Emgrand and Geely Emgrand Classic) reminds me of the E140 Toyota Corolla. However, as the company is about to embark on launching the wonderful GC9, a car styled under Peter Horbury débuting its new design language, this is the least appropriate time to remind people that some Chinese manufacturers have engaged in cloning vehicles. Geely’s been above board with original designs—unlike BYD, Zotye, Changcheng, Chery and others—and this is the last thing they want to be associated with.
   Please note this as a humorous tribute, guys—and redo it so that people don’t think the GC7’s top speed is 71·5 mph.

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Posted in cars, China, humour, internet, marketing, UK | No Comments »


‘Planet Key’ is good old-fashioned Kiwi satire

23.08.2014

Fed up with the Electoral Commission barring Darren Watson from expressing his valid view with his satirical song ‘Planet Key’, I made a spoken-word version of it for my Tumblr a week ago, with copyright clearance over the lyrics. I wrote:

Since the Electoral Commission has imposed a ban on Darren Watson’s ‘Planet Key’—in fact, it can never be broadcast, and apparently, to heck with the Bill of Rights Act 1990—I felt it only right to help him express his great work, in the best tradition of William Shatner covering ‘Rocketman’. This has not been endorsed by Mr Watson (whom I do not know), and recorded with crap gear.

   I’ve read the Electoral Act 1993 and the Broadcasting Act 1989, but I still think they’re trumped by the Bill of Rights Act 1990.
   Legal arguments aside, I agree with Darren, that his expression of his political view is no different from Tom Scott drawing a cartoon.
   He has a right to freedom of thought and a right to express it.
   The Electoral Commission’s position seems to centre around his receiving payment for the song to cover his and his animator’s costs—which puts it in the class of an election advertisement.
   Again, I’m not sure how this is different from the Tom Scott example.
   Tom is paid for his work, albeit by the media who license it. Darren doesn’t have the backing of media syndication, so he’s asking for money via sales of the song on Itunes. We pay for the newspaper that features Tom’s work, so we can pay Itunes to download Darren’s. Tom doesn’t get the full amount that we pay the newspaper. Darren doesn’t get the full amount that we pay Itunes. How are they different?
   Is the Commission saying that only people who are featured in foreign-owned media are permitted to have a say? This is the 21st century, and there are vehicles beyond mainstream media. That’s the reality.
   The good news is that other Kiwis have been uploading Darren’s song, with the Electoral Commission saying, ‘if the content appeared elsewhere online, it would not require a promoter statement if it was posted as the expression of a personal political view and no payment was involved,’ according to Radio New Zealand. Darren might not be making money like Tom Scott does, but his view is still getting out there.
   On that note, I’m sure you’d much rather hear the original than mine. If you ever see Darren’s gigs out there, please support him through those.

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Posted in culture, internet, media, New Zealand, politics, Wellington | No Comments »


The TV and film ideas that Ireland pioneered

02.06.2014

My friend Lou, who I enjoy winding up, just arrived in Belfast on holiday with her fiancé. I wrote on her Facebook the following slice of forgotten Irish television and film history.

If I was in Belfast, I would be rapping.

I pulled up to the house about seven or eight,
And I yelled to the cabby, ‘Yo mucker, smell you later!’
Looked at my kingdom, I was there at last
To sit on my throne as the prince of Bel Fast.

This is from the famous Irish sitcom, The Fresh Prince of Bel Fast. It’s set during the Troubles, about an Irish lad growing up in Bogside, a predominantly Catholic part of Derry City, being touted by gang elements. After getting into trouble playing football outside his school, his mother decides to send him to his uncle and aunt in a wealthy Protestant enclave in north Belfast. It was bittersweet, but entertaining nonetheless, and was later remade by the Americans as a vehicle for Will Smith.
   The Irish came up with the best television series over the years. There was, of course, the RUC detective who was partial to Oatfield’s toffee, and drove around in a gold Vauxhall Victor, solving crimes on both sides of the divide, O’Jack (later remade by the Americans as a vehicle for Telly Savalas). South of the border, in Éire, the film industry was best known for the political romantic comedy, Taoiseach’s Pet, where a journalism student goes undercover in the highest office in the land, initially to get a scoop, but winds up falling in love (later remade by the Americans as a vehicle for Doris Day and Clark Gable).

   I’m waiting for her to tell her fiancé’s family all about these.
   The French came up with some good ones, too, over the years, and I believe these have appeared on this blog in a similar vein (they are for Stella Artois).

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Posted in culture, humour, internet, marketing, media, TV, USA | No Comments »


Ford spoofs Cadillac with a more realistic commercial

29.03.2014

First up, the Cadillac ELR TVC, with actor Neal McDonough boasting about the US’s consumer culture and past glories:

   And now, Ford parodies it with a far more down-to-earth and realistic message about what we should be praising in the occident, starring environmental advocate Pashon Murray, who runs Detroit Dirt, a composting company:

   The parody is quite enjoyable and I’ve a feeling this will appeal to a wider audience than the original. However, for those who haven’t seen the original, it’ll up its views. GM is unlikely to be displeased, and the Ford Grand C-Max (or just C-Max in the US) is not a direct competitor.
   Even though it’s not original, the newer commercial—sans Muhammad Ali and the Apollo programme—feels more responsible and in tune with where we are in the 2010s.

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Posted in business, cars, marketing, USA | 2 Comments »


The Downfall of ‘Wellywood’

11.03.2010

Necessity is the mother of all invention. I never thought some of the Der Untergang (Downfall) parodies could be topped, but I think this just happened.

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Posted in culture, humour, internet, New Zealand, politics, Wellington | 2 Comments »