Posts tagged ‘remake’


Remakes: Widows joins other Euston Films series

04.11.2018

I see British filmmaker Steve McQueen has remade Lynda La Plante’s Widows.
   I was younger than he was when it aired, and didn’t appreciate the storylines to the same extent, though I have recollections of it.
   What I did recall was a Smith and Jones sketch, which had a voiceover along these lines: ‘From the makers of The Sweeney and Minder, Eusless Films presents Widows: exactly the same, but with women in it.’
   The reality was that La Plante wrote Widows because she was unimpressed with how men wrote female parts in scripts (she was the actress Lynda Marchal, and I still remember a small role she had in The Professionals). It was actually ground-breaking. Verity Lambert produced.
   I hope McQueen does well with his remake, with Viola Davis, and the setting shifted to Chicago.
   I worry a bit given that Hollywood also remade Edge of Darkness or State of Play: pretty decent miniseries that weren’t as good when transplanted and turned into feature films, according to period reviews.
   I saw the former and while it was a pacy actioner, even as far as employing the same New Zealand director, Martin Campbell, it lacked the depth and suspense of the original; I daren’t even see the latter as the original remains one of my favourite miniseries and I don’t want to see it butchered, even if Scottish director Kevin Macdonald helmed it. It was a wave of American efforts to remake anything with John Simm and Philip Glenister.
   But tonight I did think about the other famous Euston Films series that were remade or reimagined.
   The Sweeney was remade but with the action still in South London. The 2012 version by Nick Love had a tight budget but plenty of violence, perhaps recapturing the grittiness that audiences would have felt when they first saw the Armchair Cinema special of Regan. Ray Winstone, who guested on the original, took the lead, and channelled Jack Regan well; Ben Drew (Plan B) had even more of a coldness and wild tension on screen as George Carter than Dennis Waterman did. It’s perhaps best known for a car chase involving the crew from Top Gear, who took the opportunity to build a sketch around it during production. It wasn’t as special as the original, and I didn’t rush to repeat the DVD. Reviewers didn’t like it, but in my opinion it ranks above Sweeney!, the first attempt to turn the TV series into a silver screen film but using the original cast. There, we saw countless acts of violence explained away at the end in one meeting with Thaw and Michael Latimer’s characters after a plot that seemed to build up a complex conspiracy. Sweeney 2, by Troy Kennedy Martin (the brother of the creator), was far tenser and the better effort, and it was fun to spot the Ford press fleet vehicles with the VHK prefix on the number plates.

   Minder never went to the big screen, but a remake, or sequel, appeared in 2009, with Shane Richie and Lex Shrapnel. I sat through the first, found it tolerable, and at least in the spirit of the original, but it always felt like an imitation trying to live up to its forebear, not something that carved its own direction. Many don’t seem to remember that Minder was created as a vehicle for Dennis Waterman, not George Cole, even if more and more scripts wound up focusing on the latter’s Arthur Daley, leading to Waterman quitting the series. The 2009 series’ première followed on from that later formula, whereas to me it always required the two stars being on par with each other.

   So, will the Americanized Widows follow suit? Will it be ‘exactly the same, but with women in it,’ or, with McQueen as talented as he is, will it be a solid retelling with the same sense of ambiguity at the conclusion as the original? I might have to see it because of McQueen and screenwriter Gillian Flynn, and McQueen says he has been a fan of the series since he saw it as a teenager. Even the original Dolly Rawlins (Ann Mitchell) has a cameo.
   Now, who’ll star in a new Van der Valk?

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Behind the scenes

16.10.2017

Agent: Yes, that’s correct, we promise we can find you a job, no matter what.
Applicant: That’s great! You can help me?
Agent: Of course. Now, let’s look at your academic transcript.
The Agent studiously examines the transcript.
Agent: Oh, dear, this isn’t very good.
Applicant: Um …
Agent: It says you have a very poor average, that you scored 16 per cent in your university exams.
Applicant: Yes, but when I came in here, you promised you would find me a job!
Agent: But …
Applicant: You promised!
The Agent reflects on what he told the Applicant earlier in the session.
Agent: I might just have something. It’s for one of the specialists on a New Zealand version of a TV show. It’s called Married at First Sight. Are you interested, sir?
Applicant: Call me Tony.

Originally published on my Blogcozy blog.

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Sherlock Holmes, US-style

27.04.2014

There’s a good reason (other than time) I do not watch Elementary, though I did try about 10 minutes’ worth before giving up.
   The last time I watched the US make Sherlock Holmes, it was the above: The Return of Sherlock Holmes (though I believe it was 4:3). CBS updated Holmes to the modern day, and put in a female Watson.
   Nothing wrong with that premise. But the other one is slightly problematic: John Watson’s descendant, Jane Watson (Margaret Colin) finds a cryogenically frozen Sherlock Holmes (Australian actor Michael Pennington), defrosts him, and together they solve a series of murders.
   It was fun as a teenager in the wake of Moonlighting, Remington Steele and Back to the Future, but it doesn’t really stand up that well today.
   Interestingly, apart from one segment, it was filmed in Britain (you know this because Shane Rimmer—who is actually Canadian—and Connie Booth are in it). Britain stood in for the US.
   I wasn’t thrilled with two of the last three BBC Sherlocks—they simply weren’t as clever as the first six—but the series is still more enjoyable than most of the stuff on telly today.

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Thoughts on Players, the Indian remake of The Italian Job

12.12.2010

It’s been known for some time that Players, the official, licensed Indian remake of The Italian Job, will film in New Zealand, but what surprised me is that Wellington is to take the place of Torino in the 21st-century version.
   At least they changed the name, because the American remake of The Italian Job was set in Los Angeles. I assume it is called Players because The Wellington Job doesn’t have the same ring to it.
   Abbas and Mastan Burmawalla are directing, which will mean plenty of style, and the cast includes Abhishek Bachchan, Sonam Kapoor, Bipasha Basu, Bobby Deol, Sikander Kher and Neil Nitin Mukesh. With the female names in there, this may be a remake of the remake of The Italian Job, because I cannot see either Sonam or Bipasha called Rozzer, Yellow or Camp Freddie. And the male names suggest that this film should do well among a decent part of the audience with four of India’s super-hunks in it.
   None are identifiable as the local equivalent of Prof Peach.
   A few things interest me at this stage.
   We’ll need an excuse for $4 million of gold bullion to be shipped to Wellington, and it won’t be for a Fiat car factory. Assuming that’s closer to $40 million today, there aren’t too many reasons someone would shift that much to us down here in gold.
   Possibilities include: (a) PM John Key decides to shift his personal fortune for safe-keeping at Bill English’s house in Wellington; (b) MGM’s payment for the Hobbit movie; or (c) a Chinese bribe for concessions on the free-trade deal to lock India out.
   We already know that you can race a Mini around the city quite happily thanks to Goodbye, Pork Pie:

so three should not be a problem.
   I’m not terribly sure where the Wellington traffic computer is, whether our women are, indeed, as large as Prof Peach would like them, and I wonder what shape our fictional Mafia (‘The Mafia? The Mafia’) will take. I have some suspicions, and it involves the local cast of The Apprentice throwing Filofaxes. One hears, however, Russian actor Vyacheslav Razbegaev is lined up to take a part.
   The only question remains is: what is Hindi for ‘You’re only supposed to blow the bloody doors off!’ so I may add it to my ‘Favourite quotes’ section in Facebook?
   In all seriousness, I may well time my next visit to India when this premières. Time to email some enquiries through …

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