Posts tagged ‘typography’


A letter from composer Terry Gray, 1991

18.07.2018

What a coincidence to come across a letter from composer, arranger, conductor and former TVNZ bandleader Terry Gray, dated May 25, 1991, after I blogged about him on (nearly) the seventh anniversary of his passing. Here it is for others who may be interested in a little slice of Kiwi life. It looks like ITC Garamond Book Narrow here, though the resolution doesn’t make it very clear.

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Posted in culture, interests, New Zealand, TV, Wellington | No Comments »


A three-decade time capsule hanging on my door

15.07.2018

There was an Epson bag hanging from the back of my bedroom door, hidden by larger bags. I opened it up to discover brochures from my visit to a computer fair in 1989 (imaginatively titled Computing ’89), and that the bag must have been untouched for decades.
   I’ve no reason to keep its contents (if you want it, message me before Thursday, as the recycling comes the morning after), but I wanted to make some scans of the exhibitors’ catalogue for nostalgia.
   Let’s start with the cover. It’s sponsored by Bits & Bytes. Kiwis over a certain age will remember this as the computer magazine in this country.

You can tell this is a product of the 1980s by the typesetting: someone couldn’t be bothered buying the condensed version of ITC Avant Garde Gothic, so they made do with electronically condensing Computers and Communications. In fact, they’re a bit light on condensed fonts, full stop, as they’ve done the same with the lines set in Futura.
   While the practice is still around, the typeface choices mark this one out as a product of its time.
   Inside is a fascinating article on the newfangled CD-ROM being a storage medium. Those cuts of Helvetica and Serifa are very 1980s, pre-desktop publishing. It should be noted that Dr Jerry McFaul remained with the USGS, where he had been since 1974, till his retirement. The fashions are interesting here, as is ITC Fenice letting us know that he’s speaking at the Terrace Regency Hotel, a hotel I have no recollection of whatsoever. I can only tell you that it must have been on the Terrace.
   The other tech speakers have a similar look to the visiting American scientist, all donning suits—something their counterparts in 2018 probably wouldn’t today. In fact, the suit seems to be a thing of the past for a lot of events, and I often feel I’m the oldster when I wear mine.
   The article itself makes a strong case for CD-ROM storage, being more space-saving and better for the environment: it’s interesting to know that the ‘depletion of the ozone layer’ was a concern then, though 30 years later we have been pretty appalling at doing anything about it.



   The second article in the catalogue of any note was on PCGlobe, supplied to the magazine on 5¼-inch diskette.
   Bits & Bytes would have run the catalogue as part of the main magazine, and did a larger run of these inner pages, back in the day when printing was less flexible.
   It’s a fascinating look back at how far we’ve come (on the tech) and how far we haven’t come (on the environment). Next year, we’ll be talking about 1989 as ‘30 years ago,’ yet we live in an age where we’re arguing over Kylie Jenner’s wealth. Progress?

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Posted in design, interests, media, New Zealand, publishing, technology, typography, USA, Wellington | No Comments »


Neil Gaiman on JY Integrity on his UK paperbacks

09.07.2018

When Neil Gaiman pays you a compliment about one of your typeface families (JY Integrity, which I designed in 1993), you gratefully accept.

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Posted in culture, design, internet, New Zealand, publishing, typography, UK, Wellington | No Comments »


An old slant for Labour

08.06.2016

I noticed this on April 28 and Tweeted about it, tagging the New Zealand Labour Party at the time. It still hasn’t been fixed as of today. That’s supposedly Commercial Type’s Stag Bold Italic in the headline, but someone has slanted the italic. Is this a signal that Labour leans to the right more than it’s letting on? Did someone say 1984?

   Still, Stag is a far more inspired, and typographically appropriate, choice than the Futura used by our present government’s political party, after years of Gill Sans. Interestingly, I seem to recall the Labour of Bill Rowling having Futura Italic in its logotype. If only modern-day Labour could get its italic displaying correctly.
   Good typography wins votes. I should know.

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Posted in design, internet, marketing, New Zealand, politics, typography | No Comments »


Meizu M2 Note: welcome to a Google-free mid-2010s

16.01.2016

Other than for the landline, I’ve never bought a phone before. Each cellphone has come as a result of a company plan or a loyalty gift from the telco, but when my Huawei Ascend Y200 began needing resets several times a day—I’ve had computer experts tell me this is the phone, or the SD card (like any endeavour, it’s hard to find agreement; this is like saying that the problem with an axe lies with the handle or the blade)—I decided to replace it. Plus, having built websites for clients it seemed only fair to have a device on which I could test them on an OS newer than Android 2.3, and after a few days I have to say the Meizu M2 Note has been worth every penny. (The Xiaomi Redmi Note 2 was on the shortlist but the Meizu performed better in online tests, e.g. this one.)
   You can find the specs on this device elsewhere, in reviews written by people far more au fait with cellular technology than me, but a few things about arriving in the mid-2010s with such a gadget struck me as worth mentioning.
   First, I opted for a blue one. They’re usually cheaper. Since I have a case for it, I don’t have to put up with the colour on the back anyway, so why not save a few bucks if the guts are the same?
   Secondly, it’s astonishing to think in five inches I have the same number of pixels as I do in 23 inches on my monitor.
   Thirdly, cellular battery technology has come a heck of a long way. (Down side: you can’t replace it in this device.)
   But here’s an absolutely wonderful bonus I never expected: it’s Google-free. Yes, the Flyme OS is built on Google’s Android 5.1.1, but the beauty of buying a phone from a country where Google is persona non grata is that I’m not stuck with all the crap I had on the Telstra Clear-supplied Huawei. No Google Plus, Google Play Store, Gmail, Google Maps and all the other stuff I had to switch off constantly. I could have had the phone rooted but it never was a big enough priority, even with my dislike of the big G.
   I don’t know how much ultimately gets back to Google through simply using its OS, but I’ve managed to keep away from signing in to any of their services. In this post-Snowden era, I regard that as a good thing.
   The phone booted up for the first time and gave me English as an option (as the seller indicated), so the device’s OS is all in the language I’m most fluent in. However, it’s not that weird for me to have Chinese lettering around, so the apps that stayed in the Chinese language are comprehensible enough to me. There is an app store that isn’t run by Google, at which all the apps are available—Instagram, Dolphin Browser, Opera Mini, plus some of the other admin tools I use. Nothing has shown up in my Google Dashboard. The store is in Chinese, but if you recognize the icon you should be all right, and the apps work in the language you’ve set your OS to.
   The China-only apps aren’t hard to dispose of, and the first ones to go were Netease, Dianping (I don’t even use an Anglo dining review app, so why would I need a China-only one?), Amap (again, it only works in China, and it can be easily reinstalled through Autonavi and its folded paper icon), and 116114, an app from a Chinese telco. Weibo I don’t mind keeping, since I already have an account, and I can see some utility to retaining Alipay, the painting app, and a few others.
   And having a Google-free existence means I now have Here Maps, the email is set up with my Zoho ’boxes, and 1Weather replaces the default which only gives Chinese cities.
   What is remarkable is that the Chinese-designed default apps are better looking than the western counterparts, which is not something you hear very often. The opposite was regularly the case. A UI tipping-point could have happened.
   I also checked the 2G, 3G and 4G frequencies against Vodafone New Zealand’s to ensure compatibility—there are at least two different M2 Notes on the market, so caveat emptor. Vodafone also recommends installing only one SIM, which suits me fine, as the other slot is occupied by a 64 Gbyte micro-SD card.
   The new Flyme-based-on-Android keyboard isn’t particularly good though, and I lose having a full set of smart quotes, a proper apostrophe, and en and em dashes, but far more obscure Latin-2 glyphs are accessible. I’m not sure what the logic is behind this.
   I had an issue getting the Swift keyboard to install, but I’ve opted for Swype, which, curiously, like the stock keyboard, is missing common characters. Want to type a g with a breve for Erdoğan? Or a d with a caron? Easy. An en dash? Impossible.
   This retrograde step doesn’t serve me and there are a few options in Swype. First, I had to add the Russian keyboard, which does give an em dash, alongside the English one, though I haven’t located a source of en dashes yet. Secondly, after copying and pasting in a proper apostrophe from a document, I proceeded to type in words to commit them to my personal Swype dictionary: it’s, he’d, she’ll, won’t, etc. This technique has worked, and while it’s not 100 per cent perfect as there’ll be words I missed, it’s better than nowt.
   I see users have been complaining about the omissions online for three years, and if nothing has been done by now, I doubt Swype’s developers are in a rush to sort it.
   Swype’s multilingual keyboards are easy to switch between, work well, but I haven’t tried my Kiwi accent on the Dragon-powered speech recognition software within.
   Going from a 3·2 Mpixel camera to a 13 Mpixel one has been what I expected, and finally I get a phone with a forward-facing camera for the first time since the mid-2000s (before selfies became de rigueur). It’s worth reminding oneself that a 13 Mpixel camera means files over 5 Mbyte are commonplace, and that’s too big for Twitter. I’m also going to have to expect to need more storage space offline, as I always back up my files.
   I haven’t found a way to get SMSs off yet (suggestions are welcome), unlike the Huawei, but transferring other files (e.g. photos and music) is easier. Whereas the Huawei needed to have USB sharing switched on, the Meizu doesn’t care, and you can treat it as a hard drive when connected to your PC without doing anything. That, too, has made life far easier.
   I’ve been able to upgrade the OS without issue, and Microsoft (and sometimes Apple) would do well to learn from this.
   It leaves the name, Meizu (魅族), which in Cantonese at least isn’t the most pleasant when translated—let’s say it’s all a bit Goblin King. Which may be appropriate this week.
   I’m not one who ever gets a device for image’s sake, and I demand that they are practical. So far, the Meizu hasn’t let me down with its eight cores, 16 Gbyte ROM and 4G capability, all for considerably less than a similarly equipped cellphone that wears an Apple logo. And it’s nice to know that this side of Apple, one can have a Google-free device.

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Posted in China, design, New Zealand, technology | 3 Comments »


Remarks on the typography of Star Wars

16.12.2015

Star Wars is in my feed in a big way. To get up to speed on the film series, I had to start with the memorable theme by John Williams.

Thanks, Bill and Paul.
   And who better to describe the plot than someone else in the science-fiction world, Doctor Who?

   Seriously though, I hope all friends who are big Star Wars fans enjoy Episode VII. It seems to be getting positive reviews, partly because it appeals to our sense of nostalgia. It hasn’t blown anyone away in the same manner as the 1977 original, but then Disney would be very foolhardy to stray for this sequel. If you are building a brand that was at its height 30 years ago, nostalgia isn’t a bad tool—just ask the team that came up with the 1994 Ford Mustang. J. J. Abrams—the creator of Felicity and What about Brian?, plus some other things—has apparently been a genius at getting just enough from the past.
   One item that is from Star Wars’ past is the opening title, or the crawl. I’ll be interested to learn if they’ve managed to re-create the typography of the original: they were unable to provide perfect matches for Episodes I through III because of the changes in technology and cuts of the typefaces that made it into the digital era. The main News Gothic type is far heavier in these later films. ITC Franklin Gothic was used for ‘A long time ago …’ for I to III; this, too, was originally News Gothic, but re-releases have brought all six films into line to use the later graphic.
   However, it could be argued that even between Episodes V and VI there were changes: News Gothic Extra Condensed in caps for the subtitle for The Empire Strikes Back, switching to Univers for Return of the Jedi. (It seems even the most highly ranked fan wiki missed this.) And, of course, there was no equivalent in the original Star Wars—’A New Hope’ was added in 1981.
   Here’s how it looked in 1977:

And if you really wish to compare them, here are all six overlaid on each other:

   I wasn’t a huge fan in the 1970s: sci-fi was not my thing, and I only saw Star Wars for the first time in the 1980s on video cassette, but I did have a maths set, complete with Artoo Detoo eraser (I learned my multiplication table from a Star Wars-themed sheet) and the Return of the Jedi book of the film. But even for this casual viewer and appreciator, enough of that opening sunk in for me to know that things weren’t quite right for The Phantom Menace in 1999. I hope, for those typographically observant fans, that The Force Awakens gets things back on track.

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Posted in humour, marketing, TV, typography, UK, USA | No Comments »


My first day with Windows 10

17.11.2015

I never expected that the Windows 10 download would ever begin. I had registered for it, but the Windows 10 notification window kept coming up with various excuses, talking about my drivers being out of date, then claiming that because of the automatic log-in, the download would not start. Clicking ‘Tell me more’ never did a thing: that took you to Microsoft’s home page. This went on for months.
   But on a day when I upgraded a new office Mac to El Capitán (and migrated the old data on to it), and reinstalled Lubuntu on another PC which threw a wobbly after being asked to adopt the Cinnamon desktop (which took many hours), Windows 10 decided it was ready after all on my main Windows 7 machine, via Windows Update.
   First signs were promising, with the 2½ Gbyte download coming in five minutes, although the computer stayed on ‘Preparing for the upgrade’ overnight. I had heard that the upgrade process would take an hour or so, not overnight, so something was wrong. Typically I had this trouble with one of the Macs on OS upgrades—one took 18 hours while another took 30 minutes once—but this was new territory for Windows.
   One thing I will say for Windows is that when things go wrong, there is help. One piece of advice, which proved right, was to crash out of the process (using the process manager), and to start it all over again.
   Windows just need a second stab at it, and recommenced the download. This time the ‘Preparing’ window flashed up and was gone, and the hard yards then began. It did wind up taking just over an hour. Getting it on a second attempt isn’t bad, considering I’ve had Mac OS upgrades fail far more times than that.
   First impressions are pretty good though most Windows 7 initiés will tell you that things are a bit harder to find. Don’t believe a soul when they tell you it’s faster to boot up: it isn’t. I’m sure it takes an extra minute compared to 7. Doing some basic things in the File Manager takes more movements of the mouse, to open menus and to click, and the menus aren’t as streamlined once you open the panel to find the functions you used to see at a glance. Little annoying things included Windows 10 forgetting that I had set Cyberfox as my default browser—it really loves Edge, and admittedly, it is a nice, fast program—and the time zone changing without you noticing (I prefer GMT, but Windows kept altering it to NZDT). You have to dig a bit deeper into the menus to make these things stick, such as going through the default programs’ dialogue box, and turning off Windows’ ability to check the time. Having opted for UK English, Cortana refused to work—curiously, it claimed that the installed US English pack was an unsupported language, until I downloaded the same for UK English.


Cortana gives completely the wrong address for me. I wonder if the resident of 39A Aparima Avenue is getting identified as the home of a lot of Windows 10 users.

   There’s not an awful lot that Cortana can tell you. Most enquiries wind up on Bing, and she’s only really good for the weather and exchange rates (as I have discovered so far). There are a few fun questions you can throw at her, asking if she’s better than Siri, or whether if she’s met Bill Gates, but generally, but we’re far from Knight Rider or replicant technology here. A New Zealand accent presents no problems. One thing she gets very wrong is my location, which is allegedly 39A Aparima Avenue in Miramar. I’m not sure how she arrived at that address, as I don’t live there and I don’t believe I know the person who does.
   It’s not too unpleasant to look at although the mobile-specific features can get a bit annoying. The menus feel too large overall, because it’s all designed from a mobile-first standpoint, while the biggest gripe from me comes with the typography.
   Microsoft has ruined ClearType here in its attempt to make something for mobile first, and most type looks very poor on screen. Fortunately, a Japanese website still hosts the MacType plug-in, which brings the font display closer to what we experience on Mac OS X. It even goes beyond what we were used to in Windows 7, which had been Microsoft’s best use of its ClearType technology to date.


After installing MacType, ITC Legacy Serif looks far more like it does in print.

   You can alter the fonts through the Registry Editor, and I set about getting rid of Arial as always. Windows 10 doesn’t like you removing a system font, so the trick is to replace it with something else called Arial, then remove the original from HKLM\Software\Microsoft\Windows NT\CurrentVersion\Fonts.
   Windows 10 removes your ability to change the icon and menu fonts, and they now have to be changed in the registry, too, at HKCU\Control Panel\Desktop\WindowMetrics, and very carefully.
   After tinkering with those, the display began looking like what I was familiar with, otherwise there was a bit too much Segoe on screen.
   There have so far been no program incompatibilities. As upgrades go, it hasn’t been too bad, and I haven’t been stuck here forever downloading updates. Apple still gets higher marks for its OS upgrade processes (when they work) but given how much data I have on my main Windows machine, and how different each PC is, Microsoft has done a good job. I’m glad the system waited till now, and delivered me a relatively bug-free transition. Software upgrading is one area where I don’t mind not being first.

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Posted in design, technology, typography, USA, Wellington | No Comments »


What to do when Firefox for Windows Vista displays no text

28.12.2014

During the six hours wasted with Ubuntu today (13 would no longer upgrade, so I removed it and decided to start afresh with 14—big mistake, since it would not let me use the same hard drive), I had to open up my five-year-old Windows Vista laptop and upgrade my Firefox. After all, what were the odds that Mozilla would cock up its flagship browser on two OSs? After all, it’s fine on Mac OS X and Linux.
   As it turns out, pretty high. Just as in Windows 7, Firefox for Windows Vista displays no text. And unlike Windows 7, which was solved by switching on hardware acceleration, Windows Vista proved a bit of a bugger to fix.
   During the months where I was trouble-shooting, and after my last post, one of the more knowledgeable Mozilla volunteers admitted that there is a fault with the Cairo rendering engine in Firefox: ‘This means that (at least in your case) the issue is most likely specific to the cairo drawing backend. Good to know, thanks.’
   It is still definitely related to the 2011 bug I filed where PostScript Type 1 fonts were incompatible with Firefox due to something breaking that time.
   Firefox for Windows Vista’s bug, as far as I can make out, is down to Type 1 fonts being incompatible with the browser, even though they are compatible with nearly everything else on the OS. This is slightly different from the Windows 7 fault, as I still have PostScript Type 1 fonts on that computer, but Firefox simply ignores those when specified in a stylesheet in favour of what it can load under hardware acceleration (usually the default).
   Despite my updating some of the system fonts that were particular to my Vista set-up to OpenType (which Firefox might have trouble with sometimes, too), that did not fix it. Firefox requires you to delete fonts off your system.
   On some websites, including Facebook, Helvetica is specified before Arial in stylesheets. If your Helvetica (not Neue Helvetica) is PostScript Type 1—and it probably would be on a Windows machine—Firefox will detect it, and return blank spaces.
   This is still a daft state of affairs with Cairo. Here’s how (to my very basic layman’s mind, and obviously to the minds of everyone at Adobe and a bunch of other places) how a program should deal with fonts:

* Is it installed on the system? Yes.
* Use it.

Firefox seems to adopt this approach:

* Is it installed on the system? Yes.
* Let’s ignore the ones our programmers dislike in favour of the ones our programmers like, which would only be certain TrueType fonts, and to heck with the people who have licensed other fonts and installed them in good faith. Let’s punish anyone who decided to carry over older software. Let’s also fail selected OpenType fonts such as the italics in Source Sans Pro for no apparent reason. [PS.: If the first font family is incompatible, let’s display nothing. On a stylesheet, if one does not work, we won’t load the second one, but we will try to load the system font even if that is incompatible, too.]

   When it comes to stylesheets, neither OS makes much sense. Normally a program would go through each font specified, and display in the first one available. I don’t understand the rationale but Firefox will skip the ones in the stylesheet even when installed, even when compatible, and opt for system fonts or those specified as defaults in the program.
   All of this is counter-intuitive, and if it weren’t for what must be my OCD, I’d never have found out, and have given up to use another browser.
   Not that IE11 is much good:

Loading up the next ASCII character makes little sense, either.
   Firefox isn’t unique in mucking up type on Windows. Back in the days of versions 1 and 2, I avoided it because it was incapable of displaying ASCII characters above 128 in the same font. This still afflicted Opera, the last time I saw it in 2010. Chrome wasn’t much better: it will pick one character and display that in a different font or fail on the font-face spec in HTML. For years, Internet Explorer would only let you use TrueType.
   I don’t fully understand why Windows browsers must behave differently—no doubt it’s to do with Flash or HTML 5 or something connected with rendering—but it is very annoying when every other program I have gets this right.

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Posted in internet, technology, typography | No Comments »


Firefox, Waterfox, Cyberfox displaying no text? Do the opposite of what you are told

24.12.2014

After months of avoiding the latest Mozilla Firefox because it would display no text, installing, removing, and reinstalling an older version of Waterfox just so I could do some work, and experimenting over the last day with Cyberfox, which included editing fonts, looking at GFX settings, editing the registry, and doing an awful lot of research, I have now fixed the problem of having no text in these browsers.
   As I discovered years ago, the trick is to do the exact opposite of what the experts suggest.
   When trying to set up the office network in the mid-2000s, the only way I could get it going was to do the exact opposite of expert advice, by making sure the speed on every device did not match.
   Tonight, the solution was as simple as pie. Almost every piece of advice I had received when reporting this issue was: turn off hardware acceleration. It was already turned off, so, logically, I kept looking at other things. It got to the point where I was advised by Loic, one of the helpful guys on the Mozilla forums who had hitherto walked me through possible solutions, ‘As you are able to reproduce it, could you use the tool mozregression to find a possible regression range, it will help to narrow the underlying regression.’
   Software people think I am a lot smarter than I really am, and I had to admit to the writer that I am a layman and I had no idea what he was talking about.
   The correct solution, if you want Firefox, Waterfox and Cyberfox to display text where there was none, is to turn on hardware acceleration.
   You can imagine my feeling right now: a sense of satisfaction knowing that I am running the latest, most secure browser and that I overcame this rather serious bug, with the usual disappointment in realizing that I trusted again in expert advice that wasted time for a lot of people, including those kind developers on the Mozilla forums, and Alex, the guy behind Waterfox, who were trying to find a solution for me. I simply do not know enough about computers and software beyond what I have to do to make a living.
   The concluding remark from one of the guys, Nicolas, on the Mozilla thread was, ‘This means that (at least in your case) the issue is most likely specific to the cairo drawing backend. Good to know, thanks.’
   I hope documenting this bug has helped someone out there. Merry Christmas!

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Posted in internet, technology, typography | 4 Comments »