Posts tagged ‘UK’


January 2022 gallery

01.01.2022

Here are January 2022’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.
 


 

Notes
More on the Ford Falcon (XA) in Autocade. Reposted from Twitter.
   Taupō Plimmerton summer sunset, photographed by me.
   BBC parody news item, via Twitter.
   More on the Wolseley on Autocade.
   More on the Mitsubishi Colt Galant at Autocade.
   Dodge 1500 advertisement via George Cochrane on Twitter.
   Model Alexa Breit in bikini, via Instagram.
   More on the Renault 17 in Autocade.
   More on the Renault 20 in Autocade.
   More on the Renault Mégane IV in Autocade.
   ‘Sign not in use’ posted by John on Twitter.
   Asus ROG Strix G17 G713QE-RTX3050Ti, at Asus’s Singapore website.
   Pizza Express Woking parody still, via Twitter.
   More on the Daewoo Cielo in Autocade.

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Posted in cars, gallery, humour, interests, internet, marketing, media, New Zealand, politics, UK, USA, Wellington | No Comments »


Lucire’s Twitter account is back

17.12.2021

I can’t yet reveal why, but I’ve come across the work of Hong Kong-trained and based designer Caroline Li, and it’s really good. She’s done a lot of book covers, and I know first-hand how hard it is to have a small canvas to work from. Maybe I’m just used to magazines. Check out her work here.

After nearly two months, Lucire’s Twitter account has been restored.
   Earlier in the week, they had requested—again—that I upload my ID to prove that I was who I said I was, despite this having been done countless times already in the past two months.
   Today, I received another ‘it appears that this issue may have been resolved.’ I had my doubts and was about to send them a reply giving them a piece of my mind, but I checked, and sure enough, Lucire’s account was back.
   I don’t know if my letter to Twitter New Zealand Ltd.’s directors, via their lawyers, did the trick, or whether my private information finally reached someone literate with reasonable intelligence.
   I gave the lawyers till today (the 17th) to respond, though the timing of the resolution could be a coincidence.
   It showed just how terrible Twitter’s systems have been and how right I was to call the entire process farcical.
   To think that Facebook did better when Lucire’s Instagram was deactivated, and we were only out for a week. And I have had plenty to say about Facebook over the years, as you all know.
   It’s a shame that we never got to play with Zoho Social’s premium version trial with all our social media accounts intact. I just hope that now that we’ve reactivated all our gadgets (IFTTT, Dlvr.it, etc.), that they work as they once did. (As they certainly didn’t when we used our temporary @luciremagazine account on Twitter.)

When I was waiting for my new phone to arrive, I didn’t know what all the DHL status updates meant. I looked online to see if I could get a clue as to how long each stage took, especially the “last mile” delivery. There were very few screenshots or public traces. Here’s the trace from my package in case it helps someone else the same boat. (Vivaldi put the DHL website header near the bottom when I made the screenshot.)

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Posted in business, China, design, Hong Kong, internet, New Zealand, technology | 1 Comment »


December 2021 gallery

01.12.2021

Here are December 2021’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.
 


 

Notes
Roger Moore and Ford Fiesta Mk I, via George Cochrane on Twitter.
   More on the Volkswagen Fox in Autocade.
   More on the Ford Consul Corsair at Autocade.
   The Guardian article excerpt, full story here.
   The devil drives Kia? Reposted from Twitter.
   Audi maths on an A3, via Richard Porteous on Twitter.
   Christmas decoration, via Rob Ritchie on Twitter.
   Back to the ’70s: Holden Sandman used for Panhead Sandman craft beer promotions.
   Georgia–Pacific panelling promotions, 1968, via Wendy O’Rourke on Twitter.
   Ford Cortina Mk II US advertisement via the Car Factoids on Twitter.
   Bridal fashion by Luna Novias, recently featured in Lucire.
   Deborah Grant in UFO, with the VW–Porsche 914, which would have looked very modern at the time.
   Freeze frame from episode 1 of The Champions (1968), with William Gaunt, Stuart Damon and Alexandra Bastedo.
   Our rejected greeting card design, with a picture shot at Oriental Parade, Wellington.
   Ford Taunus GT brochure spread via the Car Factoids on Twitter.
   My Daddy Is a Giant image and UK measures, reposted from Twitter.
   Richard Nixon attempts to appeal to younger voters, 1972. Simple, modernist design using Futura Bold.
   A 1983 Pontiac Firebird Trans Am advertisement.
   Mazda Savanna brochure via George Cochrane on Twitter.
   More on the Renault Mégane E-Tech Electric in Autocade.
   Lucire issue 44 cover, photographed by Lindsay Adler, layout by me.

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Posted in cars, culture, design, gallery, humour, interests, media, New Zealand, politics, publishing, TV, typography, UK, USA, Wellington | No Comments »


Amazon: as dodgy as the rest of them

28.11.2021

Jane Pendry in the UK Tweeted this in response to a Tweet about Amazon, and I had to reply:

   Jane helpfully elaborated:

   You read correctly: Amazon is just as dodgy as the others I’ve criticized publicly. Just that I hadn’t got around to them on this blog, because there had been a lengthy dialogue and I wanted to get more facts. But above is where I’ve got to so far, and it seems I’m not alone.

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Posted in business, globalization, internet, technology, UK, USA | No Comments »


Life in the capital

21.11.2021

Amazing what sort of press releases come in. I had no idea that Auckland is our capital, and I was surprised to find that Toronto and Antwerp are as well in the same release.
   Essential Living is a British firm, from the looks of it, and no, we won’t be publishing this in Lucire.

   You’d think the PR firm might check as well, but maybe post-Brexit they don’t really care about other countries any more?

Meanwhile, on Twitter. It’s getting nutty toward the end of the year. Just today we saw a motorcyclist come off his Suzuki in Johnsonville, and a Toyota van almost losing control altogether in Tawa. ‘Driving to the conditions’ doesn’t seem to be a thing any more. On Friday, it was this:

Usual story on Facebook. I had better report this fake account with a fake name!

   Facebook says: it’s fine, nothing to see here.

   Why do people continue to believe their user number claims? They’re rubbish.

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Posted in business, internet, media, New Zealand, technology, UK, USA, Wellington | No Comments »


November 2021 gallery

06.11.2021

Here are November 2021’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.
 


 

Notes
Nice to see BoConcept advertise on Lucire’s website (they were an early print advertiser).
   Triumph 1300, Hillman Avenger Super and Range Rover advertisements via the Car Factoids on Twitter.
   More on the Ford Sierra at Autocade.
   Mindfood advertisement on the Lucire website: it might not be worth a lot but I’m still happy to take some money off my colleagues.
   Aston Martin Rapide, photographed by me.
   Audi R8 Typ 42, more at Autocade.
   More on the 1968–70 Dodge Charger at Autocade.
   Mercedes-Benz 280SL pagoda and Fart via George Cochrane on Twitter.
   Renault 15 via the Car Factoids on Twitter.

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Posted in cars, China, gallery, humour, internet, media, New Zealand, publishing, UK, USA | No Comments »


RIP Lionel Blair

05.11.2021

It’s not Harp Lager. It’s much funnier.

   Mind you, I watched this to remember Lionel today.

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Posted in culture, TV, UK | No Comments »


October 2021 gallery

01.10.2021

Here are October 2021’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month. Might have to be our Instagram replacement!


 

Notes
Chrysler’s finest? The 300M rates as one of my favourites.
   The original cast of Hustle, one of my favourite 2000s series.
   Boris Johnson ‘wage growth’ quotation—what matters to a eugenicist isn’t human life, after all. Reposted from Twitter.
   For our wonderful niece Esme, a Lego airport set. It is an uncle and aunt’s duty to get decent Lego. My parents got me a great set (Lego 40) when I was six, so getting one at four is a real treat!
   Publicity still of Barbara Bach in The Spy Who Loved Me. Reposted from Twitter.
   Koala reposted from Twitter.
   Photostat of an advertisement in a 1989 issue of the London Review of Books, which my friend Philip’s father lent me. I copied a bunch of pages for some homework. I have since reused a lot of the backs of those pages, but for some reason this 1989 layout intrigued me. It’s very period.
   Fiat brochure for Belgium, 1970, with the 128 taking pride of place, and looking far more modern than lesser models in the range.
   John Lewis Christmas 2016 parody ad still, reposted from Twitter.
   More on the Triumph Mk II at Autocade. Reposted from Car Brochure Addict on Twitter.
   The origins of the Lucire trade mark, as told to Amanda’s cousin in an email.
   More on the Kenmeri Nissan Skyline at Autocade.
   Renault Talisman interior and exterior for the facelifted model.
   The original 1971 Lamborghini Countach LP500 by Bertone show car. Read more in Lucire.
   More on the Audi A2 in Autocade.

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Posted in cars, China, culture, design, gallery, Hong Kong, humour, interests, marketing, media, politics, TV, UK, USA | No Comments »


The return of Van der Valk

08.09.2021

I came across an old post of mine on Euston Films remakes, at the time the American version of Widows hit the big screen. My last question, after going through Minder, The Sweeney and Widows reboots, sequels and remakes: ‘Now, who’ll star in a new Van der Valk?’
   Since local TV programmers and I have entirely different tastes, I only happened across the new Van der Valk from 2020 recently thanks to a French reviewer on Twitter. I wish I knew earlier: I rate Marc Warren as an actor, it has a great ensemble cast, and for those of us who are older, the theme tune is based on the original (Jack Trombey still gets a credit in each episode, though it should be noted that it’s a pseudonym for the Dutch composer Jan Stoeckart).
   As far as I know, few (if any?) of the Van der Valk episodes with Barry Foster were based on the Nicolas Freeling stories, so I didn’t really mind the absence of Samson and Arlette. Mentally I treated it as a prequel, pre-Arlette, till I found out that showrunner Chris Murray had killed her off in a flashback sequence in episode 3 (giving stuntwoman Wendy Vrijenhoek the least screen time of the four actresses who have played her in the British versions). Which is, of course, the opposite to how Freeling had it, since he had killed off van der Valk and had Arlette star in two novels.
   I read that one reviewer noted that the stories weren’t particularly Dutch, but then, were they ever? I didn’t really get into Broen or Wallander because of how Scandinavian the storylines were (though it must be said, I enjoyed Zen for its Italianness). I do, however, appreciate the change of scene from London or Los Angeles, which seem to be the home of so many cop shows. I even welcomed Brighton with Grace, starring John Simm, and produced by Kieran Murray-Smith (of the Murray-Smiths), or, for that matter, Sheffield with Doctor Who.
   But a Van der Valk sans Arlette does mean the heart of the old stories is gone, and we have yet another emotionally broken TV detective, a ploy that we’ve all seen before. But the casting is solid, and the very likeable Marc Warren shows he can lead a series ably.
   Of the Euston Films shows I followed as a youngster, it does appear they have all now been revisited in my lifetime, except for one: Special Branch. Bring back Craven!

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Posted in culture, TV, UK | No Comments »


Nostalgia: Money for Nothing

06.09.2021


Money for Nothing—image from Amazon Prime, where, as of yesterday, you can watch a presumably cleaner copy than what’s on YouTube.

As a young lad, I enjoyed the Screen One TV movie Money for Nothing (1993), which aired on the BBC in the UK and TV1 here. Not to be confused with the John Cusack movie Money for Nothing (1993).
   As someone who started my career very young, I could identify with the lead character, Gary Worrall (played by Christien Anholt), a teenager who finds himself in the adult world—and in the TV film, well out of his depth in a massive property deal that takes him to New York. It’s one film where Martin Short plays it straight (and is really good), Jayne Ashbourne does a cute Scots accent, Julian Glover is his usual brilliant self, and there’s a fantastic Johnny Dankworth score, with his wife Cleo Laine singing. I had the good fortune to see them both perform in Aotearoa in 1994.
   Because it’s television, of course the deals that Worrall does at the start of the TV movie work out. And he’s audacious. It was a little easier to believe as a 20-something (Anholt and I are about the same age), not so much in middle age!
   I’m still a romantic at heart and the love story that screenwriter Tim Firth added for Anholt and Ashbourne’s characters comes across nicely and innocently.
   There’s a line, however, between actually having made something or being able to do something, then proving to the doubters that you’re capable (which is where real life is, at least for me); and BSing your way forward not having done the hard yards. As it’s fiction, Worrall falls into the latter group. You wouldn’t want to be in the latter in real life—that’s where the Elizabeth Holmeses of this world wind up.
   I hadn’t seen Money for Nothing for over 25 years, but on a whim, I looked it up on July 27, and there it was on YouTube. Enjoy this far more innocent, post-Thatcher time.

PS.: Only today did I realize that Christien is the late Tony Anholt’s (The Protectors) son.

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Posted in business, culture, interests, TV, UK | No Comments »