Surprisingly, Vivaldi hadnât notified me of any updates for monthsâI was on v. 2.05, and had no idea that they were up to 2.10. Having upgraded manually, I noticed its handling of type had deteriorated. Here is one paragraph in Lucire:
My font settings had also changed.
Coincidentally, I downloaded Opera GX last night to have a go, and it displays type in the way Iâm used to:
Since both are Chromium-based, and Opera is sensitive about privacy as Vivaldi is, I decided to make the change and see if I like the new browser better. I was used to Operas of old being independent, not Chromium-based, but the good news is I could use the same plug-ins.
Iâm missing Vivaldiâs easy screenshot process and its clipping (Opera GX has something similar but introduces an extra step of saving the file) but so far the browsers arenât too different in terms of everyday functionality. Opera GXâs extensionsâ window isnât as well organized and I have to scroll to tinker with the settings of anything later in the alphabet.
The unchangeable dark theme takes a bit of getting used to (but it matches my laptop, so thereâs that), and thereâs a GX home page thatâs superfluous for me.
I donât need the built-in ad blocker out of principle, but I do have certain anti-tracking plug-ins (e.g. Privacy Badger) that I was able to install from the Opera shop without incompatibility.
Hard-core gamers may like the CPU limiter and RAM limiter, to make sure the browser doesnât eat up capacity for their games. Itâs not something I need concern myself about, but I can see it being handy. I remember when old Chrome (many years ago) and Firefox (more recently) began eating memory like crazy with my settings (no idea why), and this would have been useful.
But as someone who reads online a lot, itâs important that type is properly handled. I donât know what Vivaldi has done to its type rendering, and thatâs probably the biggest thing that tipped me in favour of change.
The descent of software seems to be a common theme among some companies. You get good ones, like Adobe and Fontlab, where (generally) successive versions tend to improve on those gone before. Then you get bad ones, like Facebook, which make things worse with each iteration. Facebook Timeline launched to much fanfare at the beginning of the decade, and I admit that it was a fantastic design, despite some annoying bugs (e.g. one that revealed that Facebook staff had no idea there were time zones outside US Pacific time). It was launched at the right time: a real innovation that helped boost my waning interest in the platform. But then they started fiddling with it. I equated it to what General Motors did with the Oldsmobile Toronado: a really pure design upon launch for 1966, with that purity getting spoiled with each model year, till the 1970 one lost a lot of what made it great to begin with. Donât get me started on the 1971s.
Facebook had, for instance, two friendsâ boxes when they began fiddling. The clever two-column layout eventually disappeared so what we were left with was a wide wall, a retrograde step.
Theyâve spent the rest of the decade not innovating, but by seemingly ensuring that every press announcement they make is a complete lie, or at least something not followed up by concrete action.
When they bought Instagram, they began ruining it as well. First to go in 2016 were the maps, which I thought were one of the platformâs best features. Instagram claimed few used them, but given that by this point Facebook owned them, any âclaimâ must be taken with a grain of salt. Perhaps their databases could not handle it. Back in the days of Getsatisfaction reports, there were more than enough examples of Facebook’s technical shortcomings. In December I had to replace my phone after the old one was dropped, but now Iâm wondering whether I should have spent the money getting it fixed. Because the new phone is running on a skin over Android 7, and it looks like Instagram doesnât support this version, as far as videos are concerned. So you could say that videos are no longer supported. Since December Iâve had to Bluetooth all my videos to my old phone, peer through what I could make of the details on a dodgy screen, and upload that way, if I wanted a proper frame rate. User feedback on Reddit and elsewhere suggests the cure is to upgrade to Android 8, not something I know how to do.
It might have been a bug, or it may have been a case of trialling a feature among a tiny subset of users, but for ten months I could upload videos of over eight minutes. As of February 2019, that feature vanished, and Iâm back to a minute. I notice others now have it as part of IGTV, but I canât see anything that will allow me to do the same, and why would I want vertical videos, anyway? God gave us eyes that are side by side, not one above the other. Frankly, when youâve been spoiled by videos going between eight and nine minutes, one minute is very limiting.
Now I see with the latest versions of Instagram that the filters donât even work. For the last few versions, no preview appears for most of the filters; and now itâs constantly âCanât continue editingâ (v. 90) or âYour photo couldnât be processed correctlyâ (v. 89).
Instagram is a steadily collapsing platform and I shudder to think what itâll be like when they get to the 1971 Oldsmobile Toronado stage. I almost wonder if Facebook is doing the digital equivalent of asset-stripping and taking the good stuff into its own platform, to force us into their even shittier ecosystem. At this rate, others like meâlong-time usersâwill cease to use it and go with the likes of Pixelfed. I stay on there because of certain friends, but, like Facebook, at some stage, they may have to get accustomed to the notion that I am no longer on there for anyone else but a few clients. And they may bugger off, too, sick of every second item being an ad. Weâll have foretold this bent toward anti-quality years before the mainstream media catch on to it, as we have done with Google and Facebook, and all their gaffes.
Tumblr is dead, long live NewTumbl.
I came across NewTumbl (formally newTumbl) a few days ago, after finding my Tumblr feed just wasnât what it used to be. Itâs not that the dirty pictures are goneâI only ever followed one blog where the images might be considered sensualâbut that the energy was. Those friends whose posts interested me werenât posting much any more, and it wasnât just them: my posting had diminished significantly. Platforms, I imagine, have a shelf life, and when announcements such as Verizonâs last year, which became known, perhaps incorrectly, as Tumblrâs âporn banâ, it was bound to affect the platform. It was the language that opened Verizon up to ridicule: apparently, they had a problem with âfemale-presenting nipplesâ, and some innocent content was flagged for removal.
What Verizon had really underestimated was that among the adult imagery were communities that were having free and safe discussions about sexuality, and sex workers themselves had a place where they, too, could post. It wasnât an âadultâ site per se, considering the overwhelming majority of the content was family-friendly. That perhaps kept the place relatively safe: you could have these private discussions while coming across general posts featuring interesting photography or good political viewpoints. Tumblr also hadnât descended into the political divisiveness that plague platforms such as Twitter.
I liked Tumblr for many reasons. It became a fun place to post interesting graphics for me, and to put anything that I didnât want to structure into long-form thoughts. It was image-based. Every now and then I would put up a quotation. The Font Police blog is still there, with over 20,000 followers.
I liked the fact that for years, someone would get back to you when you posted a query. This was true even after Yahoo acquired it.
But during the Blogcozy experiment, which sadly resulted in that platformâs closure, I cut down my time on Tumblr, because I had found a more suitable place to put those brief thoughts and to share with friends. Had Tumblr been a greater draw, I wouldnât have considered it. After Blogcozy closed, I didnât really resume my Tumblring to the same extent. Social seemed to be dying, since it was being run by Big Tech firms that lied as their main position. Even if Tumblr was more honest (and it was), the age of social media seemed to be at an end.
I may have been wrong, because since posting on NewTumbl Iâve been impressed by the sense of energy there. Yes, it has attracted a great deal of the adult posters who left Tumblr. But if you donât want to see X-rated stuff, you say so in the settings, and adjust to M (for mature), O (for office), or even F (for family). You won’t see anything coarser than what you chose (with the occasional exception when posters did not have a clue how the ratings’ system works). The interface is familiar-but-different-enough for Tumblr users and Verizon lawyers. Yet it goes beyond what Tumblr does, with the smart use of Interstate as the body typeface, and photos in multi-image posts actually appear in the order you load them.
Itâs not perfect: I couldnât link a video but I could upload; and I managed to stumble on a 404 page by following links, both of which Iâll report, since they make it so easy to do.
But hereâs the really good thing: the transparency. One of the main developers, Dean, talks to users and provides feedback. Heâll even post when an error occurs during developmentâthatâs something youâll never see Facebook do when its databases die.
He and I have already exchanged notes via DMs after I joined for two days, and I said I saw so many parallels between what he was doing and what I saw with Tesla when Martin Eberhard was running it (transparency over ego), or even in the days when Jerry and David were building YahooâIâm old enough to have been submitting sites to them while they were still being run out of a garage. Thereâs an exciting sense with Dean and the small NewTumbl crew that theyâre building something useful for the world, celebrating free speech and humanity. Am I being overly optimistic? I donât think I am: I enjoy the UI, I like the openness and honesty, and these are just what the tech sector needs. I see a draw for spending my time here even though I have zero followers to my blog. The buzz feels similar to when I discovered some sites back in the 1990s: it seems new and exciting.
Itâs also rather nice being the first person to populate some fandom hashtags, though I was second for Doctor Who, and for anyone ever searching for The Avengers, they will see, rightly, a photograph of Diana Rigg and Patrick Macnee.
Iâll see you there at jackyan.newtumbl.com. Lucire also has a NewTumbl at lucire.newtumbl.com.
Above: The one thing I posted to Tumblr that went viral, in 2011.
I came across a thread at Tedium where Christopher Marlow mentions Pandora Mail as an email client that took Eudora as a starting-point, and moved the game forward (e.g. building in Unicode support).
As some of you know, Iâve been searching for an email client to use instead of Eudora (here’s something I wrote six years ago, almost to the day), but worked with the demands of the 2010s. I had feared that Eudora would be totally obsolete by now, in 2018, but for the most part itâs held up; I remember having to upgrade in 2008 from a 1999 version and wondering if I only had about nine years with the new one. Fortunately, itâs survived longer than that.
Brana BujenoviÄâs Pandora Mail easily imported everything from Eudora, including the labels I had for the tables of contents, and the personalities I had, but itâs not 100 per cent perfect, e.g. I canât resize type in my signature file. However, finally Iâve found an email client that does one thing that no other client does: I can resize the inbox and outbox to my liking, and have them next to each other. In the mid-1990s, this was one of Eudoraâs default layouts, and it amazed me that this very efficient way of displaying emails never caught on. I was also heartened to learn from Tedium that Eudora was Apple co-founder Steve Wozniakâs email client of choice (âThe most important thing I use is Eudora, and that’s discontinued’). Iâm in good company.
However, this got me thinking how most users tolerate things, without regard, in my opinion, to whatâs best for them. Itâs the path of least resistance, except going down this path makes life harder for them.
The three-panel layout is de rigueur for email clients todayâall the ones Iâve downloaded and even paid good money for have followed this. Thunderbird, Mailbird, the oddly capitalized eM. All have had wonderful reviews and praise, but none allow you to configure the in- and outbox sizes. Hiriâs CEO says thatâs something theyâre looking at but right now, theyâre not there, either. Twenty-plus years since I began using Eudora and no one has thought of doing this, and putting the power of customization with the user.
But when did this three-panel layout become the standard? I can trace this back to Outlook Express, bundled with Windows in the late 1990s, and, if Iâm not mistaken, with Macs as well. I remember working with Macs and Outlook was standard. I found the layout limiting because you could only see a few emails in the table of contents at any given time, and I usually have hundreds of messages come in. I didnât want to scroll, and in the pre-mouse-wheel environment of the 1990s, neither would you. Yet most people put up with this, and everyone seems to have followed Outlook Expressâs layout since. Itâs a standard, but only one foisted on people who couldnât be bothered thinking about their real requirements. It wasnât efficient, but it was free (or, I should say, the licence fee was included in the purchase of the OS or the computer).
âIt was freeâ is also the reason Microsoft Word overtook WordPerfect as the standard word processor of the 1990s, and rivals that followed, such as Libre Office and Open Office, had to make sure that they included Word converters. I could never understand Word and again, my (basic) needs were simple. I wanted a word processor where the fonts and margins would stay as they were set till I told it otherwise. Word could never handle that, and, from what I can tell, still canât. Yet people tolerated Wordâs quirks, its random decisions to change font and margins on you. I shudder to think how many hours were wasted on people editing their documentsâWord canât even handle columns very easily (the trick was usually to type things in a single column, then reformatâso much for a WYSIWYG environment then). I remember using WordPerfect as a layout programme, using its Reveal Codes featureâit was that powerful, even in DOS. Footnoting remains a breeze with WordPerfect. But Word overtook WordPerfect, which went from number one to a tiny, niche player, supported by a few diehards like myself who care about ease of use and efficiency. Computers, to me, are tools that should be practical, and of course the UI should look good, because that aids practicality. Neither Outlook nor Word are efficient. On a similar note I always found Quattro Pro superior to Excel. With Mac OS X going to 64-bit programs and ending support for 32-bit there isnât much choice out there; Iâve encountered Mac Eudora users who are running out of options; and WordPerfect hasnât been updated for Mac users for years. To a large degree this answers why the Windows environment remains my choice for office work, with Mac and Linux supporting OSs. Someone who comes up with a Unicode-supporting word processor that has the ease of use of WordPerfect could be on to something.
Then you begin thinking what else we put up with. I find people readily forget or forgive the bugs on Facebook, for example. I remember one Twitter conversation where a netizen claimed I encountered more Facebook bugs than anyone else. I highly doubt that, because her statement is down to short or unreliable memories. I seem to recall she claimed she had never experienced an outageâwhen in fact everyone on the planet did, and it was widely reported in the media at the time. My regular complaints about Facebook are to do with how the website fails to get the basics right after so many years. Few, Iâm willing to bet, will remember that no oneâs wall updated on January 1, 2012 if you lived east of the US Pacific time zone, because the staff at Facebook hadnât figured out that different time zones existed. So we already know people put up with websites commonly that fail them; and we also know that privacy invasions donât concern hundreds of millions, maybe even thousands of millions, of people, and the default settings are “good enough”.
Keyboards wider than 40 cm are bad for you as you reach unnecessarily far for the mouse, yet most people tolerate 46 cm unless theyâre using their laptops. Does this also explain the prevalence of Toyota Camrys, which one friend suggested was the car you bought if you wanted to âtell everyone you had given up on lifeâ? It probably does explain the prevalence of automatic-transmission vehicles out there: when I polled my friends, the automaticâmanual divide was 50â50, with many in the manual camp saying, âBut I own an automatic, because I had no choice.â If I didnât have the luxury of a âspare carâ, then I may well have wound up with something less than satisfactoryâbut I wasnât going to part with tens of thousands of dollars and be pissed off each time I got behind the wheel. We donât demand, or we donât make our voices heard, so we get what vendors decide we want.
Equally, you can ask why many media buyers always buy with the same magazines, not because it did their clients any good, but because they were safe bets that wouldnât get them into trouble with conservative bosses. Maybe the path of least resistance might also explain why in many democracies, we wind up with two main parties that attract the most votersâspurred by convention which even some media buy into. (This also plays into mayoral elections!)
Often we have ourselves to blame when we put up with inferior products, because we havenât demanded anything better, or we donât know anything better exists, or simply told people what weâd be happiest with. Or that the search for that product costs us in time and effort. Pandora has had, as far as I can fathom, no press coverage (partly, Brana tells me, by design, as they donât want to deal with the traffic just yet; itâs understandable since there are hosting costs involved, and heâd have to pay for it should it get very popular).
About the only place where we have been discerning seems to be television consumption. So many people subscribe to cable, satellite, Amazon Prime, or Netflix, and in so doing, support some excellent programming. Perhaps that is ultimately our priority as a species. Weâre happy to be entertainedâand that explains those of us who invest time in social networking, too. Anything for that hit of positivity, or that escapism as we let our minds drift.
Justin Timberlake may have played Sean Parker in The Social Network, but he’s had a real-life social networking role to play as an investor as Myspace (sans intercapitalized S) showed off its new look yesterday.
And I like it.
After being frustrated with another attempt at ordering photos in a Facebook album (viz. it doesn’t work any more), seeing that fan page views had gone way down (as Facebook forces us to pay for promoted statuses), and noticing that I was largely using Facebook as a glorified version of Digg, it dawned on me: there must be a better way. As I told Facebook in a survey tonight:
These are actually reasons to leave Facebook or to find an alternativeâand right now, the MySpace reboot is looking way better. Facebook is little more to me than a glorified Digg now where I share some bookmarks, but not where I share my real statuses. And we all know what happened to Digg.
It’s a slight exaggeration as some of my closer friends get some status updates, but the majority come via Twitter, and that’s plugged in to my Facebook. Twitter, too, no longer has the effectiveness it once had in itself, unless you are directly contacting someone.
About the only newer (2007 and on) platform I get any pleasure out of is Tumblr, but that’s not what I call a social network.
It’s funny, because one year ago, I was raving about Facebook Timeline. How Facebook gave me instant gratification through “likes” and how it looked so clever. But then, as with the Oldsmobile Toronado, designers tinkered with it. They added unnecessary features, such as the second friends’ box. Anything that was ingenious about the original Timeline, such as the way it could guess your most significant past moments, disappeared or was pushed downâor rendered useless. The fact that fan pages still don’t update on the 1st of each monthâa bug that existed when Facebook first created Timelineâsuggests to me that the company doesn’t really care any more about the user experience. It’s all about the money, and when that happens, the lovin’ feeling’s goneâjust as it had with Google, which I also used to rave about.
While the pundits are saying that Myspace is great because it focuses on music, they are missing the other angle. Based on the preview, it’s a visual delight. It makes updating your social network look good, and you have a fleeting moment of pride as you see the next status go live. We’re so spoiled with technology now that we like those experiencesâand the new Myspace user interface, created by Australian firm Josephmark, captures that part of us. I can dig updating in News Gothic.
Freed from the clutches of the Murdoch Press, Myspace might come good againâat the perfect time as Facebook fatigueâand even a bit of Twitter fatigueâsets in. I never thought I would say that.
I just hope the new management keep the website clean: don’t do a Facebook.
And I still have more friends on Myspace than I do on Google Plus, so I am starting from a bigger number than I did on Facebook all those years ago.
I realize I’ve blogged less in general this year. Once upon a time, when I blogged less here, I was over at Vox (when it worked), writing personal, cathartic posts, sometimes directed at a limited audience. But now, and I never thought I would say this: Facebook seems to be where I’m directing some of my activity.
The big attraction came on September 25, when I upgraded to Facebook Timeline. Since I’ve worked in visual communications for most of my life, Timeline’s look appeals to me, and, like others who favoured the revamp, I spent some time experimenting with it. Naturally, I also rechecked my privacy settingsâa must whenever Facebook makes a change. And, I am sure Mr Zuckerberg will be happy to hear, I began sharing more.
It’s that human trait of wanting instant gratification from what you’ve shared. Vox was good for that: you regularly got feedback to the limited-audience posts from your closest “friends” (many of whom have become real-life friends). Facebook, which has, since I joined in 2007, allowed us to share different things to different audiences (I’m surprised when people think that this was a recent addition to the service) offers something similar, but till recently its user interface did not appeal to me. Tumblr was one of the few places that was more graphically driven, but there’s such a culture of reblogging there, and I never felt too comfortable sharing anything more than a few original photos and some pithy thoughts.
Facebook became the service between writing long blog posts (here) and pithy reblogs on Tumblr. I could share photos with select audience members. If I had queries, I could direct them to one of the circles of people that Facebook, this year, encouraged everyone to set up (my five haven’t changed since Facebook allowed us to set up groups of friends beyond ‘Limited Profile’). And the feeling of instant gratification was there for things you wanted people to know aboutâthat strange human need of knowing that you were heard.
I wound up putting some things on Facebook that I would have put on Tumblr a year ago, even if it was to a closed platform, and even if it was to a limited audience. It was “my” limited audience, after all, a group which I knew would appreciate the content. It wasn’t that personally knowing the audience seemed to compensate for the cowardice of not putting something out there publiclyâit was the knowledge that it would be seen, and “liked”. We humans need so little to get a kick.
I know there’s Google Plus, but it’s just not for me. That has been covered elsewhere, but the smaller contact number there has no appeal. Of the 50-odd who have added me to their circles, I have a few real friends, all of whom I can reach more easily through email.
This seems to be a round-about way for me to advise people that you can catch me on Facebook. For non-friends, I have opened up my account to subscribers, and occasionally write public status updates, or share public photos and links. I’ve also taken the backward step of setting up a fan page, where I record some of my business and political thoughts which are a bit more in depth than the minutiĂŠ of life that form Facebook status updates.
Then, there is Twitter, which I found myself using a lot less of since everyone went to ‘New Twitter’. New Twitter means an extra click for everything, and it’s far slower and buggier. Only this week have I switched to Twitter Mobile, even for my desktop and laptop, just so I can make a quicker judgement about whether to follow back a follower, and Tweet more reliably without an ‘Oops! We did something wrong’ message.
I’m not so bold as to proclaim that Facebook is “it”, given the criticisms I’ve levelled at it in the past. I still have concerns over its privacy, just as I have concerns over Google about its terrible record. But, credit where it is due, whomever was responsible for Timeline seems to have understood the needs of some of its users. I know it’s annoyed some peopleâI have heard of one Facebooker who has used his account less since Timeline, because it turns him offâbut, for me, it seems to be one of the better thought-out changes in the nearly half-decade I have been on the service, and fattened their wallets with my private information.
I might have to go on to one of those Twitter clients, when “new” Twitter is forced upon all users soon.
When it eventually began working (it didn’t initially), I liked the new Twitter’s overall look. It was only missing one feature: telling us what the last Tweet of the person was at a glance. I didn’t want to click on each person to see what their last Tweet was.
Knowing what the last Tweet was allows me to make a judgement call about whether I follow that person back. Sometimes you can tell if the Tweeter is actually a spammer, sending automated Tweets that you have no interest in following. For instance, these are my newest followers (sorry, folksâbut since anyone can see you, I’m sure you won’t mind being used for this exercise):
In each case, I already have an idea who is worth following back, and it saves me some time. (I won’t comment on whom I have followed back out of these four.)
The new Twitter is a little slower because it loads so much moreâyet I don’t get any more utility from it, based on my usage.
We all adapt, just as we did with wholesale changes to Facebook and other services. But I wonder whether it will be like Digg or Technorati, or, for that matter, Infoseek and Altavista (remember the portal gag? I think Google does), where changes scared people away.
PS.:Based on Twitter’s own ‘Help Center’, the bug I reported three months ago is still present for a lot of users. While the bug disappeared for me around six weeks ago, I’m now dreading the change, being one of the first people to encounter it when the new Twitter was launched.âJY
