Sources
Viki Odintcova, via Instagram.
Alexa Breit, photographed by Weniamin Schmidt, via Instagram.
Vickery Electrical advertisement: something I asked my Dad to photocopy for me in the 1980s. Briefly we had one of those Apple II portables, on loan from a colleague of Dad. I can’t recall if it had one disk drive or two, but it was a fun little unit to have in my bedroom for that period. Dad was prepared to buy it if I wanted to keep it, but I didn’t have much software to run, plus I already had the Commodore 64 for schoolwork. Lucire issue 43 cover, photographed by Damien Carney, creative direction and fashion styling by Nikko Kefalas, make-up by Joanne Gair, hair by Kirsten Brooke Anderson, and assisted by Rachel Bell, and modelled by Elena Sartison. Find out more here.
Drew Barrymore quotation from Elephant Journal on Twitter.
I still have plenty of old stamps, which I tend to save for family (though I’m less discerning about those discounted Christmas ones, which I always used to buy in bulk). This is going to my cousin’s daughter and her husband, and their family.
Comments after an article on Buzzfeed News. Business as usual for Facebook.
Happy birthday to our niece Esme!
Tania Dawson promotes Rabbit Borrows, from Instagram.
This was the back of Mum’s 1985 tax assessment slip from the IRD. Helvetica, in metal. The bold looks a bit narrow: a condensed cut, or just a compromised version because of the machinery used?
Not often seen, since by this time phototypesetting was the norm, though one reason Car magazine was a good read was its use of metal typesetting until very late in the game. I know there are many reasons the more modern forms of typesetting are superior, least of all fidelity to the designed forms, but there’s a literal depth to this that makes me nostalgic.
Here are the images that have piqued my interest for December 2020. For November’s gallery, click here (all gallery posts are here). And for why I started this, here’s my earlier post on this blog, and also here and here on NewTumbl.
In two elections, I told people some blarney on why I decided to run.
In 2010: âI was working at Lewâs Diner and this guy had been picked on. I told him, âStand tall, boy, show some respect for yourself. Do you think Iâm going to spend the rest of my life in this slop house? No, sir, Iâm going to night school. Iâm going to make something of myself.â Some weird guy sitting next to him in a life preserver chimes up, points and me, and says, âThatâs right, heâs going to be Mayor!â And thatâs when I got the idea. Mr Carruthers did say, âA coloured mayor, thatâll be the day,â but it didnât deter me.â
In 2013: âI was wondering whether to stand again and decided to chill out and watch Doctor Who. In that episode, Jenna Coleman turns to the screen and says directly to me, âRun, you clever boy, and remember.â So I did.â
You have to admit these are better answers than the stock politiciansâ ones.
With that, ladies and gentlemen, have a blessed Anzac Day.
While chatting about the movie Shaker Run with one of our Lucireteam (who was not born when the film was made), I noticed that the intersection at Courtenay PlaceâTaranaki StreetâDixon Street was rather treacherous in 1980sâ fiction (start at 1’56”):
When I still had a blog on Vox, I noted that the car chase in this film played extreme liberties with New Zealand geography: you turn from the Auckland Harbour Bridge on to Willis Street, Wellington; and fly in a Holden Torana from a Viaduct rooftop, leaving the Lombard car park in Wellington, and landing in a Ford Cortina on a soundstage in Hong Kong.
