There is something quite elegant about title typography from the turn of the decade as the 1960s become the 1970s. There is 1971’s Diamonds Are Forever by Maurice Binder, which apparently is one of Steven Spielberg’s favourites, but I’m thinking of slightly humbler fare from the year before. I got thinking about it […]
Read More… from Title design in 1970: big geometric type rules
This was the back of Mum’s 1985 tax assessment slip from the IRD. Helvetica, in metal. The bold looks a bit narrow: a condensed cut, or just a compromised version because of the machinery used? Not often seen, since by this time phototypesetting was the norm, though one reason Car magazine was a good […]
My last post implied that I ego-surfed and found a Wikipedia chat entry about me, but that’s not the case. I was searching for information on how to remove a system-protected font from Windows 10, and seeing as I often post solutions to obscure technical issues on here, I had hoped I recorded my how-to […]
Goes to show how seldom I ego-search. Here’s something a Wikipedian wrote about me in a discussion in 2010: Jack Yan is not a notable typeface designer. He has never laid a hand on mouse or trackball to operate a font editing application. He tells some graphic designer employees of his what he wants […]
After all that bollocks from the Hon J. Rees-Mogg, MP about banning the metric system from the Commons, I thought the Brexit-loving Tories would at least get this right. That #Brexit bill is typeset in Palatino. That was designed by a German. Come on, people, don’t you want to use British typefaces? Tell Johnny Foreigner […]
When Neil Gaiman pays you a compliment about one of your typeface families (JY Integrity, which I designed in 1993), you gratefully accept. They are glorious. Thank you so much for making the font. — Neil Gaiman (@neilhimself) July 7, 2018 You may also like Finishing off 2011 with the most fun radio interview I […]
Read More… from Neil Gaiman on JY Integrity on his UK paperbacks
Star Wars is in my feed in a big way. To get up to speed on the film series, I had to start with the memorable theme by John Williams. Thanks, Bill and Paul. And who better to describe the plot than someone else in the science-fiction world, Doctor Who? Seriously though, I […]
The below ran in Lucire today, though it is equally suited to the readers of this blog. RIT Massimo Vignelli, who passed away on May 27, was a hero of mine. When receiving the news shortly before it hit the media in a big way, from our mutual friend Stanley Moss, this title’s travel editor […]
JY Pinnacle Italic will be re-released as a Pro version shortly, and above are some of the extra characters we’ve added. I know the swash k still needs work, and it will be fixed up by the time of release. Pinnacle always had a decent bunch of ligatures, but if you have the […]
Here’s a glyph inside JY Integrity that never got used beyond the original publicity in the mid-1990s. Before there was OpenType, there was QuickDraw GX, and I was part of the consortium trying to sort out the character set, along with Allan Haley and others. We were using this newfangled collaboration tool called the […]
Read More… from Archæological evidence that QuickDraw GX existed