Sources
Viki Odintcova, via Instagram.
Alexa Breit, photographed by Weniamin Schmidt, via Instagram.
Vickery Electrical advertisement: something I asked my Dad to photocopy for me in the 1980s. Briefly we had one of those Apple II portables, on loan from a colleague of Dad. I can’t recall if it had one disk drive or two, but it was a fun little unit to have in my bedroom for that period. Dad was prepared to buy it if I wanted to keep it, but I didn’t have much software to run, plus I already had the Commodore 64 for schoolwork. Lucire issue 43 cover, photographed by Damien Carney, creative direction and fashion styling by Nikko Kefalas, make-up by Joanne Gair, hair by Kirsten Brooke Anderson, and assisted by Rachel Bell, and modelled by Elena Sartison. Find out more here.
Drew Barrymore quotation from Elephant Journal on Twitter.
I still have plenty of old stamps, which I tend to save for family (though I’m less discerning about those discounted Christmas ones, which I always used to buy in bulk). This is going to my cousin’s daughter and her husband, and their family.
Comments after an article on Buzzfeed News. Business as usual for Facebook.
Happy birthday to our niece Esme!
Tania Dawson promotes Rabbit Borrows, from Instagram.
Bizarre that the only car with a manual transmission on sale at Archibalds is from the 1950s. Iâm sure New Zealand was majority-manual into the first decade of this century.
While I saw Vodafoneâs Super Wifi commercials, I never thought to act on them, since (mistakenly) I thought it was something to do with cellphones. Might have been the gadgets they used in the commercial.
But, after talking to Raghu, their salesâ rep in Pune, a city outside of Mumbai that I know well, he convinced me to upgrade not just my cellular plan (which was from 2012 when a gig of data were a lot) but the home internet to Super Wifi.
This is really a laypersonâs post as there isnât much online about it, at least not from a New Zealand perspective.
The set-up consists of the Vodafone Ultra Hub (a modem that I was already familiar with, since I had mine since 2018), and two TP-Link Deco X20 units, which are for all-home wifi. The idea is that they transmit the wifi signal over the house. Theyâre equipped for wifi 6, which really just tells you the speedâand not 6G was I was told on the phone (a minor slip).
I knew about mesh wifi units since a friend had already told me how she and her partner used them in their home.
Weâre in a 290 mÂČ home so I had a suspicion that the two units would be insufficient, but Vodafoneâs protocol is to begin with two.
The Ultra Hub is identical to the old oneâthe copyright notice on the box says 2017âso Iâll be returning it. The two Deco units plug in, one to the Ultra Hub, the other in another part of the house. The theory is that they communicate between each other.
I downloaded the TP-Link app first before plugging in the Deco unitsâin fact I had them the day beforeâand I was fortunate that it could be found at a public APK site, since I do not have Google, and, God willing, never will, on any cellphone of mine.
Itâs a remarkably easy to use app, fortunately, with a Speedtest built in.
Iâve always had problems at one end of the house where I have a desktop PC thatâs not wifi-enabled, and putting in a PCI-E adapter wouldnât work due to space restrictions inside the case. My only option to pick up wifi would be a USB 3 adapter, which coincidentally was also made by TP-Link (itâs the Archer T9UH).
I disliked the D-Link Powerlink units, which, despite the manufacturerâs claims, lost 90 per cent of their speed between the two points. The signal at the modem end would come in at speeds of between 700 and 1,000 Mbit/s, but 40 to 90 Mbit/s at the other end was commonplace. The 1 Gbyte promised by all the marketing was a fantasy.
The previous owner of this house also used Powerlink units, but at different points.
Computer geeks still tell me these are good and I suspect they could work well in smaller homes or ones with newer wiring.
For context, using the old Saturn fibre cable that I had installed in 1999 at the old house, I would easily see over 300 Mbit/s via a cat 5 ethernet cable. Having to live with speeds between a ninth and a third of that in a house with Chorus fibre was tough going, and life proved too busy to get an extra internal cable installed.
I was glad to see the tail end of those powerline units as I was promised that 600 Mbit/s was going to be possible at the end of the house with the mesh.
It wasnât. In fact, the second unit failed to pick up the first, and I was forced to bring it closer to the first in another room.
Speedtestâs first result was 106 Mbit/s down and 58 Mbit/s up, which was an improvement, but not a good one, and far short of the promised levels.
The TP-Link app had a Speedtest result of over 916 Mbit/s no matter where I went. I didnât realize that it was giving me the results at the point of entry on the first Deco unit.
Therefore, it should show a higher number. When I realized this, I began running Speedtests via speedtest.net, and was disappointed to see, even at the first unit via wifi, results in the 120 Mbit/s region.
I called tech support. The first person didnât know much, but I explained that Raghu had promised two additional mesh units should my experience not be up to expectation. She said she was only authorized to send one. I decided to take it. She was also authorized to give me unlimited phone data for seven days in case I needed to use the cell as a hotspot.
I called again later and got to speak with a tech, Paul, who had the units at his home, and could tell me more.
First, the X20s have two LAN ports on the back. I had read somewhere that these were for the modem-to-unit link exclusively. It turns out that was wrong. You can plug in an ethernet cable and run it straight into your computerârendering my purchase of the TP-Link Archer adapter redundant. Secondly, I should employ a wifi test if I really wanted to see what was going on: I should plug in a device via ethernet into the Deco unit.
The results were then markedly different: between 600 and 700 Mbit/s from the first unit, but still low numbers with the second.
The third unit arrived and this helped somewhat, with 300-plus Mbit/s in a ground floor room when connected via ethernet.
In the meantime, I had got back in touch with Raghu and suggested that a fourth unit might do the trick, and get me at least back to the speeds I had in the late 2010s. Interestingly, he was only authorized to send two, which meant I would be in possession of five such units, all of which I had to pay the courier charges for.
Units four and five arrived. The fourth unit went into the upstairs office and I had a 3 m ethernet cable running from it, on the floor, to the PC. The speeds were still poor: 178 Mbit/s down, 175 Mbit/s up.
One thing TP-Linkâs app does not tell you, at least not in diagrammatic form, is how the Deco units are all connected. I discovered through the web interface (tplinkdeco.net in a browser, using the password that you signed up to the app with) that the office one was stretching to get its signal from the first oneâand not the other two in the house. This Reddit page told me what I needed to know: you reboot the unit that you want reconnecting elsewhere. I did that, and it found the third unit in the âdenâ (as we call it) and speeds went up to between 200 and 270 Mbit/s both down and up.
Iâm still dealing with speeds lower than what I had in 2018 using a 1999 cable but getting into the 200s is a far sight better than being in the double digits. If I have any serious downloading to do, thereâs always the option of the laptop and a direct connection from the Ultra Hub, where I can work away at 700â900 Mbit/s.
Iâll continue to tinker since the laptop managed to get over 300 Mbit/s during the tests, and I believe that that was down to the location of the office Deco unit. However, Iâm hampered by the 3 m ethernet cable and Iâm going to need 5 m, possibly (no one sells a 4 m). Possibly going to a cat 7 cable might do the trick there, too.
So there you have it, a real-world trial of Vodafone New Zealandâs Super Wifi. Not as great as promised but less of a let-down than what powerline modems do in real life. And yes, you can hook ethernet cables from the units to your computer.
While I care much more about when John Simm will grace our screens again (pun intended), it was hard to avoid the reality TV that gets beamed into our living rooms during prime-time. There is the disgustingMarried at First Sight Australia, where I am speechless with shock that fellow Scots alumnus John Aiken appears to dispense mansplaining without conscience, but, on the other channel, the far more pleasant The Bachelor New Zealand, where, finally, for the first time on our airwaves, I see a Kiwi male that I can identify with. Apart from the times when I appeared on telly (I realize that this sentence sounds wanky, but if you canât identify with yourself, then thereâs something wrong).
While Zac the lifeguard from a few years ago seemed like a lovely chap, he was in many ways the usual stereotype: sporty, unfazed, carefree, white, with a great smile. Moses Mackay is cultured, worldly, considered, respectful, humble, well dressed, and, surprisingly for this show, wasnât quick to snog every contestant. It was also nice to see a bachelor whoâs a person of colour on our screens for a change. He grew up poor and thatâs not an unfamiliar story to many of us. Heâs comfortable talking about his relationship with God. Heck, he even croons for a living.
Iâm no Matt Monro but Iâve serenaded my partnerâjust get us at the James Cook when the elderly gent is banging out tunes by Michel Legrand, or, as I call him, Big Mike, on the lobby piano. And yes, for some of us, this is perfectly normal. Just ask Moses.
For all of us fellas who wanted to see an example of a cultured Kiwi gentleman on our screensâand as the fĂȘted star, not the comic reliefâour wishes were finally granted.
Iâve no idea whom he picked, although I knew one of the contestants who didnât make itâNew Zealand is that small. I could say the same about Zacâs season as well. Iâm sure not knowing the outcome also puts me in a minority. But I wish him well.
I’m reminded of my friend Frankie Stevens, since I mentioned Matt Monro above. I once did the same to Frankie and he said something along the lines of, ‘I was touring with Matt. We were in Spain, and he’d come in the morning with a glass of whisky.’ Another time I mentioned John Barry. ‘I worked with Johnny and Don Black. On The Dove. I sang the theme tune but Gregory Peck wanted someone else.’
For my overseas readers: you don’t usually have these conversations in Aotearoa with a guy who’s not only met your musical heroes, but worked with them. All I could do was show I had the theme on my phone.
With apologies to Lyn Paul, but Frankie would have been great (and indeed better) singing the theme to The Dove.
Demolition has commenced on 1â4 Māmari Street, across the road from where I lived for over three decades.
Iâm not against change and my feelings toward the development have already been recorded here.
It was with a tinge of sadness that I saw the demolition crews there and the only wall left standing was part of the north side to no. 4.
Right now the sections, littered with debris, are letting in plenty of summer sunlight.
But not for long.
Iâll remember Gus and Lyna Bourkeâs place at no. 2 which I understand they bought after the war. Lyna was widowed by the time we met her in 1983, and she had an incredibly low-mileage silver Hillman Hunter in the garage. As her eyesight failed, the car stayed in there, and it was in incredibly good nick by the time she passed in the 1990s. We always had good chats and Lyna was our âneighbourhood watchâ as she kept an eye on the street from her living room.
Frank and Carol Reading and their family at no. 3 were probably there for a decent half-century, and they were incredibly good neighbours. Frank passed only a few years ago but they had wisely bought the Bourke residence as well in the 1990s, plus no. 4 decades before, so I imagine that made life easy for the developers who only had to purchase from two sellers to build on the site.
We visited the Reading house many times over the years to help each other out, and that was the great community we had in the cul-de-sac back then. On our side of the street there were frequent chats over the fences with nos. 12 and 14.
The old street changed a lot when both nos. 10 and 11 went on the market in 2018, then it was our turn in 2019. And now it has had its biggest change in probably a century as those old weatherboard bungalows from the early 20th century were demolished.
I realize same-again McHouses arenât everyoneâs cup of tea but as one famous architect recently told me: itâs hard to get creativity consented. And the demand is there, so this was inevitable. I already felt that the old street was a memory, but one that could be refreshed on a revisit; but now it really is a memory. Contrast this with the other neighbourhoods Iâve lived in Wellington, which have remained largely the same, or were subject to far slower developments after our departure.
Just as well I got the neighbours together in 2011 to stop the council taking away the right turn into the street. With 24 dwellings there in the near future, theyâre going to need it more than ever.
And yes, the above video was on Instagram, which is going the way of Myspace and Facebook, I believe. I haven’t been on there for nearly a fortnight and the feed held little interest to me. Near-daily âGramming from 2012 to 2019 was enough.
All galleries can be seen through the ‘Gallery’ link in the header, or click here (especially if you’re on a mobile device). I append to this entry through the month.
Two fantastic items in my Tweetstream today, the first from journalist Jehan Casinader, a New Zealander of Sri Lankan heritage, in Stuff.
Some highlights:
As an ethnic person, you can only enter (and stay in) a predominantly white space â like the media, politics or corporate leadership â if you play by the rules. And really, thereâs only one rule: blend in. Youâre expected to assimilate into the dominant way of thinking, acting and being âŠ
I sound like you. I make myself relatable to you. I communicate in a way that makes sense to you. I donât threaten you. I donât make you uncomfortable. And I keep my most controversial opinions to myself.
And:
Kiwis love stories about ethnic people who achieve highly: winning university scholarships, trying to cure diseases, inventing new technology or entering the political arena. These people are lauded for generating economic and social value for the country âŠ
We do not hear stories about ethnic people who work in thankless, low-skilled jobs â the refugees and migrants who stock our supermarket shelves, drive our taxis, pick our fruit, milk our cows, fill our petrol tanks, staff our hospitals and care for our elderly in rest homes.
Jehan says that now he is in a position of influence, heâs prepared to bring his Sri Lankan identity to the places he gets to visit, and hopes that everyone in Aotearoa is given respect ânot because of their ability to assimilateâ.
He was born here to new immigrants who had fled Sri Lanka, and I think there is a slight difference to those of us who came as children. Chief among this, at least for me, was my resistance to assimilation. Sure I enjoyed some of the same things other kids my age did: the Kentucky Fried Chicken rugby book, episodes of CHiPs, and playing tag, but because of various circumstances, as well as parents who calmly explained to me the importance of retaining spoken Cantonese at home, I constantly wore my Chineseness. I hadnât chosen to leave my birthplaceâthis was the decision of my parentsâso I hung on to whatever I could that connected me back to it.
I could contrast this to other Chinese New Zealanders I went to school with, many of whom had lost their native language because their parents had encouraged assimilation to get ahead. I canât fault themâmany of them are my dearest friendsâbut I was exposed to what Jehan wrote about from a young age.
It saddened me a lot because here were people who looked like me who I couldnât speak to in my mother tongue, and the only other student of Chinese extraction in my primary class who did speak her native language spoke Mandarinâwhich to many of my generation, certainly to those who did so little schooling before we left, find unintelligible.
At St Markâs, I had no issue. This was a school that celebrated differences, and scholastic achievement. (I am happy to say that sports and cultural activity are very much on the cards these days, too.) But after that, at one college, I observed what Jehan said: the Chinese New Zealanders who didnât rock the boat were safe buddies to have; those who were tall poppies were the target of the weak-minded, the future failures of our society. You just have to rise above it, and, if anything, it made me double-down on my characterâso much so that when I was awarded a half-scholarship to Scots, I found myself in familiar surroundings again, where differences were championed.
But you do indeed have to play the game. Want your company recognized? Then get yourself into the media. Issue releases just like the firms that were sending them to you as a member of the media. Donât bring your Chineseness into that, because you wonât get coverage. Jack Yan & Associates, and Lucire for that matter, always had a very occidental outlook, with my work taking me mostly to the US and Europe, with India only coming in at the end of the 2000sâbut then we were bound by the lingua franca of the old colonial power.
Despite my insistence on my own reo at home, and chatting every day to my Dad, I played the game that Jehan did when it came to work. I didnât as much when I ran for mayor, admittedlyâI didnât want voters to get a single-sided politician, but one who was his authentic selfâbut that also might explain why Stuffâs predecessor, which was at that stage owned by a foreign company, gave me next to no coverage the first time out. They werenât prepared to back someone who didnât fit their reader profile. The second time out, it still remained shockingly biased. Ironically the same publishing group would give me reasonably good coverage in Australia when I wasnât doing politics. Thatâs the price to pay for authenticity sometimes.
Jehan finishes his piece on a positive note and I feel he is right to. We still have issues as a nation, no doubt, but I think we embrace our differences more than we used to. There have been many instances where I have seen all New Zealanders rise up to condemn racism, regardless of their political bents. (What is interesting was I do recall one National MP still in denial, residing in fantasy-land, when I recalled a racist incidentâand this was after March 15, 2019!) People from all walks of life donated to my fund-raising when a friendâs car had a swastika painted on it. We have a Race Relationsâ Commissioner who bridges so many cultures effectivelyâa New Zealander of Taishanese extraction who speaks te reo MÄori and Englishâwho is visible, and has earned his mana among so many here. The fact that Jehanâs piece was even published, whereas in 2013 it would have been anathema to the local arm of Fairfax, is further reason to give me hope.
The second item? Have a watch of this. It’s largely in accord with my earlier post.
Before this gets recycled, I thought Iâd scan it as a memento: a 1986 printout off our Riteman dot matrix printer (which I still have, with spare cartridges), hooked up to a Commodore 64. I forget the printer interface. The image isnât mine: I only imagine that 14-year-old me was claiming copyright over the layout and text. To me this was all amazing. Dad bought a box of the line-flow paper from the computer store, I believe, a place called Einstein, run by a really nice guy called Raju Badiani (who also sold the computer system). Anything seemed possible, and by the summer of 1986â7 I was hacking the bits and bytes and creating my own bitmap fonts on the 64, trying to make it all look like Eurostile. Nothing as sophisticated as Emigre. The 5ÂŒ-inch floppies are still around somewhere!
When Dad was made redundant from Cory-Wright & Salmon, which had purchased his workplace, Turnbull & Jones, he bought all the Grundig equipment and accessories, thinking that he would find it useful. And for a while he did. The odd one he cannibalized, while the parts were used and adapted. Cory-Wright wound up contracting him for all the servicing of Grundig office equipmentâprincipally dictating machinesâand actually wound up hiring three people after they realized all the things Dad actually did there.
He was quite happy to go to work for himself, as he picked up contracts with other firms as well. Some were companies who had gone to him at Turnbull & Jones anyway, and upon being told he had been let go, sought him out. But in the long run Grundig proved to be a fraction of what he wound up fixing, and it was the Japanese brands that I usually saw at home in his workshop, along with Philips (and no, the Japanese brands were not more reliable). Like many hard workers with a customer base, he did far better in self-employment than he did as an employee.
Which brings me to this post. You could say this cache of Grundig parts is part of my inheritance, but what to do with it? The trouble with being in New Zealand is that thereâs no Ebayâweâre told to use the Australian one if we wished to sell, except none of the postal options applyâand outside these shores no oneâs heard of Trade Me.
Iâd like to sell the bits though I havenât done an inventory yet. That was one of my favourite things when I visited Dad at Turnbull & Jones: he kept an inventory of all the items in his room and I used to make new ones as a fun activity. I marvelled at the new packaging that Grundig introduced, and this probably got me in to German graphic design.
Hereâs one item for starters: the wall box (die Wanddose) for the central dictation system (Central-Diktat-Anlage), Typ 593. I have at least five of them, boxed. This was opened for the first time when I took the photo, between 40 and 50 years after it was packaged. That’s the original rubber band as it left the factory in Germany. Some have already been opened. Iâve microphones, foot controls, complete machines. Suggestions are welcome, especially if someone might find it all useful. Those mics are going for âŹ12 on Ebay in Germany, and mine are new. If anyone out there ever wondered, âIs there a lost cache of Grundig parts out there?â then I have your answer.
How interesting to find a photocopy of a letter my Dad wrote to the Department of Social Welfare in 1986, to apply for National Superannuation on behalf of his parents.
We had been here less than a decade, but, frankly, Dadâs correspondence was always like this. The whole idea of immigrants coming to Aotearoa with limited English always smacked of racism and intolerance to me, and this letter illustrates that it might actually be our linguistic superiority in mastering another tongue that has racists and xenophobes worried.
There are some minor errors here, and he could have used a few commas instead of full stops, but itâs on a par with period correspondence from native Anglophones.
I still have this Underwood typewriter.
