Posts tagged ‘2010s’


Browser history

11.04.2022


In 2011, I was definitely on Firefox.
 
I believe I started browsing as many did, with Netscape. But not 1.0 (though I had seen copies at university). I was lucky enough to have 1.1 installed first.

I stuck with Netscape till 4.7. Its successor, v. 6, was bloated, and never worked well on my PC.

Around this time, my friend Kat introduced me to Internet Explorer 5, which was largely stable, so I made the leap to Microsoft. IE5 wasn’t new at this point and had been around for a while.

I can’t remember which year, but at some point I went to Maxthon, which used the IE engine, but had more bells and whistles.

By the end of the decade, Firefox 3 was my browser of choice. In 2014, I switched to Waterfox, a Firefox fork, since I was on a 64-bit PC and Firefox was only made for 32-bit back then. A bug with the Firefox browsers saw them stop displaying text at the end of 2014, and I must have switched to Cyberfox (another 64-bit Firefox-based browser) around this time.

I went back to Firefox when development on Cyberfox stopped, and a 64-bit Firefox became available, but by 2017, it ate memory like there was no tomorrow (as Chrome once did, hence my not adopting it). Vivaldi became my new choice.

There are old posts on this blog detailing many of the changes and my reasons for them.

I’ve always had Opera installed somewhere, but it was never my main browser. Maybe this year Opera GX will become that, with Vivaldi’s latest version being quite buggy. We shall see. I tend to be pretty loyal till I get to a point where the software ceases to work as hoped.

Tags: , , , , , , , , , , , , , , ,
Posted in internet, New Zealand, technology | No Comments »


Amazon: as dodgy as the rest of them

28.11.2021

Jane Pendry in the UK Tweeted this in response to a Tweet about Amazon, and I had to reply:

   Jane helpfully elaborated:

   You read correctly: Amazon is just as dodgy as the others I’ve criticized publicly. Just that I hadn’t got around to them on this blog, because there had been a lengthy dialogue and I wanted to get more facts. But above is where I’ve got to so far, and it seems I’m not alone.

Tags: , , , , , , , , , ,
Posted in business, globalization, internet, technology, UK, USA | No Comments »


Refreshing the less oft-seen pages on Lucire’s website

23.10.2021



A decade separates these two incarnations of Lucire’s shopping home page. Some Facebook gadgets were added during the 2010s and the magazine cover was updated, but it was woefully out of date and needed to be refreshed.

It’s very unusual for us to go into the less-frequented pages in Lucire and adapt them to a new template before doing a major one such as the fashion index page. But sometimes you go with the creative flow, so it was the turn of the ‘Newsstand’ pages plus the shopping home page, which hadn’t been updated in seven years (and most of it hadn’t been touched for ten).
   Needless to say, on the latter, almost everything was out of date. We’ve removed the links to the shopping directory, which last existed to support the print magazine as it was in the mid-2000s. Since then, we haven’t really had a shopping section in print, and we ceased to update it much online.
   What was disappointing to note, after my lament about the disappearance of so many fashion websites earlier this year, that even more had closed down, so much so that the three ‘Newsstand’ pages have come back down to two (as it was in the 2000s). There are still some that have not been updated in years, but we have maintained the links for historical purposes.
   Poking about the directories did lead me to lucire.com/xp, a framed page with content for our mobile edition in 2000 that was compatible with Plucker. Long before cellphones became the norm, we were already catering for portable devices. I knew we had a Plucker edition, but had forgotten about the xp directory till tonight.
   The copy on that page reads, ‘Lucire Express was the hand-held version of Lucire, powered by Plucker. With more recent developments in syndication and content management, support for Express has been discontinued.’
   It seemed logical that cellphone browsers would be developed to reduce the content of high-res pages to make them readable, but that is yet to happen (unless one goes into a simplified view mode). To think that programmers found a way to do that in the 2000s. How times have changed, with what appears to be a slowing down of innovation—forcing us to adapt to the technology (developing mobile-friendly themes in-house) rather than the other way round.

Tags: , , , , , , , , , ,
Posted in design, New Zealand, publishing, technology, Wellington | No Comments »


September 2021 gallery

02.09.2021

Here are September 2021’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month. It sure beats having a Pinterest.

 
Sources
The 2016 Dodge Neon sold in México. More at Autocade.
   IKCO Peugeot 207. More at Autocade.
   Double standards in New Zealand media, reposted from Twitter.
   The cover of the novelization of Once Upon a Time in Hollywood. Nice work on the use of Americana, which does take me back to the period, but I’m not convinced by this cut of Italian Old Style. I just don’t remember it being used that much.
   Daktari’s Cheryl Miller as the new Dodge model, in her second year, promoting the 1971 Dodge Demon. This was a 1960s idea that was being carried over with minor tweaks into the new decade, and it didn’t work quite as well as the earlier Joan Parker ‘Dodge Fever’ advertisements (also shown here in this gallery).
   House Beautiful cover, January 1970, before all the garishness of the decade really hit. This is still a clean, nicely designed cover. I looked at some from the years that followed on House Beautiful’s website, and they never hit this graphic design high mark again.
   That’s the Car and Driver cover for my birth month? How disappointing, a Colonnade Chevrolet Monte Carlo.
   French typesetting, as posted on the typography.guru forums.
   Read books, humorous graphic reposted from Twitter.
   My reply in the comments at Business Desk, on why it made more sense for me to have run for mayor in 2010 and 2013 than it would in 2022.
   Seven years before its launch, Marcello Gandini had already styled the Innocenti Mini. This is his 1967 proposal at Bertone.
   JAC Jiayue A5. More at Autocade.
   Phil McCann reporting for the BBC, reposted from Twitter.
   Car and Driver February 1970 cover. As a concept, this could still work.

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Posted in business, cars, China, design, France, gallery, humour, interests, leadership, marketing, media, New Zealand, politics, publishing, technology, typography, UK, USA, Wellington | No Comments »


Baseless threats

27.08.2021

A couple of years ago, friends in Wellington, who own a business—let’s call it X—were approached by a US company with the same name, though in a slightly different industry.
   They wanted my friends to give up their page name facebook.com/x to them, and suggested that they should be facebook.com/xnz.
   No suggestion of payment, just a “you should consider”, and if I recall correctly, something to do with how much bigger they were.
   This was a really strange argument from someone in the US where their culture’s often based around the plucky individual taking on bigger players.
   How many myriads or even millions did Condé Nast pay to get style.com from Express all those years ago? If you’re that much bigger, maybe you could have afforded it? Or maybe you were just being cheeky, thinking you could get something for nothing. Well, not quite nothing. A little bit of bullying.
   Basically, taking away all the legalese and wank designed to make my friends hesitate, the Americans were upset that someone got in there with a Facebook page name years (nine years, if I recall correctly) before they did. How dare these Kiwis!
   ‘How should we respond?’ asked my friends.
   ‘You can either (a) ignore them or (b) tell them to go to hell,’ I advised. I think they chose (a). After all, there’s no point replying to one-sided rudeness.
   I’m reminded of this story because of emails from another US company recently and, again, stripping away the rudeness and implying I was a liar, boils down to them not really liking their First Amendment. Not when someone else exercises it fairly.
   Americans aren’t alone in being dicks about something but these particular two companies sure don’t like other people doing things that they can equally do. They trotted out a level of rudeness from the outset that you seldom see from their country, where regular Americans try their best to be nice.
   A third case was from the UK, where we received a threat from the agent of a fading celebrity whose crowning achievements were probably some soap opera and shooting for FHM in the 1990s. I don’t recall the circumstances in depth but I can tell you that that woman has not had much coverage since, by us or any other publication. Choose the wrong people, and you flush your goodwill down the toilet. Who’d touch you now, when there are plenty more stories that we can pursue with fewer headaches?
   I don’t know where the rudeness comes from, but I presume it’s a superiority complex that hides the fact that their arguments bear little merit. The result is that they damage their brands or their client’s reputations in the process.
   If you encounter it in business, then it’s a cinch that they don’t really have much to stand on. They feel bullying is their only means, because if they argued it rationally or faced the issue honestly they wouldn’t get what they want. It’s worth keeping an eye out for, and not waste your time on.

Tags: , , , , , , , , , , , ,
Posted in business, culture, publishing, UK, USA | No Comments »


Rocketman’s most annoying scene

11.08.2021

Originally noted at NewTumbl, this is the sort of stuff that can annoy me in films.
   This is a scene from Rocketman, where Elton John (Taron Egerton) arrives at the Troubador in Los Angeles in 1970. Car people, spot the problems.


   If you’re like me, you’re going: Elton’s in a 1978 Lincoln Continental Town Car, there’s a 1981 Chevrolet Caprice going by, past a parked 1975 Ford Thunderbird and a 1980 Chevrolet Monte Carlo. Not being American, I may be off by one model year, but my point still stands.
   To think they re-created the posters, the extras’ clothes in the ‘I’m Still Standing’ video, even the fur coats, but they couldn’t source a few motors. I really liked this movie, and scenes like this throw you out of its finely constructed world and you realize it’s just a film.

Tags: , , , , , , , , , , ,
Posted in cars, culture, USA | No Comments »


August 2021 gallery

11.08.2021

Here are August 2021’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.

 
Sources
Volkswagen Gol G4—more at Autocade.
   The fake friends of social media being the junk food equivalent of real friendships, from this post by Umair Haque.
   Stay at home, wear a mask—geek humour shared from Twitter.
   Thaikila swimwear—seems to have an interesting history.
   More on the Fiat 124 Sport Spider here at Autocade.
   Jerry Inzerillo, first male on the cover of an issue of Lucire anywhere in the world, in this case the August 2021 issue of Lucire KSA. The story can be found here on our website.

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Posted in business, cars, culture, gallery, internet, publishing, USA, Wellington | No Comments »


Is the sun setting on Alarm für Cobra 11: die Autobahnpolizei?

03.08.2021

It does seem the sun is setting, after 25 years, on Alarm für Cobra 11: die Autobahnpolizei on RTL.
   Last week, the network released three episodes from 8.15 p.m., and to heck with the low ratings of the last episode which would be far too late for younger viewers. They’re doing the same this week, and finishing up the season next week with the two last ones made.
   It’s no secret that the viewer numbers have been falling year after year, especially after the departure of Tom Beck, and the long-running actioner costs a lot to make—too much for a show that now nets around the 2 million mark each week, with increased competition from other networks and forms of entertainment.
   Last year, the show was revamped again, but unlike previous efforts, this was a very bumpy and massive reset. Shows don’t always do well after this, especially a revamp that was bigger than Martial Law abandoning most of its original cast in season 2 as well as not resolving the season 1 cliffhanger. Or each of the incarnations of Blackadder.
   Cobra 11 survived most earlier revamps, such as the seasons with Vinzenz Kiefer, because it maintained some continuity. We didn’t mind the anachronisms and the inconsistencies as long as the heart of the show was there. Over the first two decades, there was a humanity to the show, regardless of how much haters think it was a shallow actioner, and by that I refer to the home life of the main character, Semir Gerkhan, portrayed by Erdoğan Atalay.
   Viewers invested a lot into Semir and Andrea, and even with the 2014–15 seasons, we could count on that behind the emotional core of the series. It didn’t matter that the bright, cheerful years of Beck had become a sombre-keyed drama, with the happy couple’s marriage on the rocks, Semir sporting a full beard and not his goatee, and a major story arc.
   It was a return to the action–comedy tradition in 2016 with Daniel Roesner taking over from Kiefer, who I was surprised to see later in Bulletproof.



Semir and Andrea: the emotional heart of Alarm für Cobra 11.

   With Roesner’s departure, producers sought to get rid of everyone else on the show, wrapping up their storylines, so that 2020 would begin with only Atalay and Gizem Emre, who joined the cast in 2014, reprising their roles. We can deal with Semir pairing up with a female partner for the first time in 24 years (Vicky Reisinger, played by Pia Stutzenstein), having a new boss (a disabled character played by an able-bodied actor, Patrick Kalupa; and since we never had an episode about how the character became disabled, it seems a slap in the face to not cast a disabled actor), and an irritatingly dark set. But Andrea and the kids have been written out, not mentioned again; enter Semir’s estranged mother, who only became estranged a couple of seasons ago, since the character said previously that he called her every Christmas. To all intents and purposes, this was a new show with little connection to the old. And I think they may have gone one step too far in their efforts to present something new to viewers.
   There is a slight return to the structures of the older scripts in this second block of season 25, with an emphasis on the stories over the action (as there had been at the start). There are moments where you even recognize the show. But if the first half of the season had put you off, you never would have found out, especially since RTL hasn’t even bothered to show the action scenes in many of the press photos.
   The scheduling is exactly what you’d expect a network to do in order to kill a show, to say that the average viewer numbers had dropped again, too far to be viable. It’s the sort of show that might have a TV movie or two later on, but for now, I’m not that surprised there are statements that this 25th season (28th, if you believe the network) is the last ‘sein wird’ (for now). Another retooling for the 26th so it could return? Or time to wrap it all up?
   I don’t think it bodes well for us fans, unless they can tap into the Zeitgeist again for something that modern viewers are going to love.

Tags: , , , , , , , , , , , , ,
Posted in culture, TV | No Comments »


July 2021 gallery

02.07.2021

Here are July 2021’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.

 
Sources
Star Trek: 1999 reposted from Alex on NewTumbl. Didn’t Star Trek and Space: 1999 share a producer?
   Publicity shot for French actress Manon Azem, from Section de recherches.
   Charlie Chaplin got there first with this meme. Reposted from Twitter.
   I realize the history page in Lucire KSA for July 2021 suggests that you need a four-letter surname to work for Lucire.
   The 1981 Morris Ital two-door—sold only as a low-spec 1·3 for export. Reposted from the Car Factoids on Twitter.
   Ford Capri 1300 double-page spread, reposted from the Car Factoids on Twitter.
   Alexa Breit photographed by Felix Graf, reposted from Instagram.
   South America relief map, reposted from Twitter.
   From the Alarm für Cobra 11: die Autobahnpolizei episode ‘Abflug’, to air July 29, 2021. RTL publicity photo.
   Lucire’s Festival de Cannes coverage can be found here. Photo courtesy L’Oréal Paris.
   Last of the Ford Vedette wagons, as the Simca Jangada in Brazil, for the 1967 model year. The facelift later that year saw to the wagon’s demise.
   Ford Consul advertisement in Germany, announcing the 17M’s successor. Interesting that the fastback, so often referred to as a coupé, is captioned as a two-door saloon, even though Ford did launch a “standard” two-door. More on the Consul in Autocade here. Image from the Car Factoids on Twitter.

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Posted in cars, China, culture, design, France, gallery, humour, internet, marketing, New Zealand, publishing, Sweden, technology, TV, UK, USA | No Comments »


Putting on the breaks

20.06.2021

Being self-employed my whole adult life, I haven’t exactly been let go from actual employment, but there have been some gigs, paid and unpaid, that came to an end without me expecting it.
   I’ve never been sore about losing them, but I don’t agree with the way they were done.
   Gig 1. Did a quarterly task for these folks, which soon became a monthly one. Lasted 14 years and was either the longest-serving or second-longest-serving in that capacity. Let go in a group email.
   Gig 2. Voluntary one, told that I wouldn’t be needed because the organization was going in a new direction. I wouldn’t be replaced because of this new format. Found out later that there was no new format and I was replaced. Would it have hurt to tell the truth? After all, I replaced the previous person, and I would have been fine with them needing a fresh face. It’s not as though I made any money off them!
   Gig 3. Another voluntary one. Hadn’t heard anything but then I usually didn’t till pretty late in the game. Except this time I had to chase them up, given how late things got. When do you need me? Found out I was replaced and that the decision had been made months earlier. I was the last to know. Offered some inconsequential consolation, but no apology. Ironically this happened as my influence in this particular area grew substantially overseas, so the help I could have given them was immense, so bad luck and bad timing to that mob. Bridges burned.
   I’ve let a few people go in the past—one had so many allegations against him (theft, sexual harassment) that with hindsight I wonder why we took so long. Given the anonymous (and ineffective and illogical) letters he’s sent to some of my most loyal colleagues, I think he’s still sore. Others had to be let go when the financial winds blew against us. But I’m pretty sure they all knew why.
   The only mysterious one from our companies was one person who claimed I cut him off and stopped using his writing services. It was a complete lie—he just vanished. At one point we re-established contact. We agreed to put it down to an email glitch (although this person regularly phoned me and stopped doing so, but in the interests of moving on, I let it go). Years later, he did it again—just disappeared. He told a mutual friend of ours the same lie, that I ceased to have anything to do with him. I relayed the above story to that friend but I could see she didn’t believe me—till he did it to her a few years later!

Tags: , , , , , , , , , , , ,
Posted in business, New Zealand, publishing, USA | No Comments »