It’s pretty bad that Admiral, which detects whether you are using an ad blocker or not, now advises this with Privacy Badger.
Let me make this very clear: I am not against advertising on websites. I have advertising on our websites.
I am against tracking by people such as Google. And that is all I am blocking: the tracking part. There is a difference.
Frankly, if you need to track in order for your ads to work, then there is something deeply wrong with your model. You’re actually doing your clients out of exposure.
This goes for the ad networks that work with us, too. If you have Privacy Badger installed and both you and I miss out on ads on our sites, then so be it.
What is so wrong about using the context of the page and delivering ads to suit? Everyone still wins with this model and we don’t feel as violated.
So I won’t be disabling Privacy Badger, thanks.
It also means I’ll be happy to charge a premium on advertisers who want to appear on our site because the content is relevant—and because the non-tracked stuff will at least get seen by an engaged public.
Here are July 2021’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.
Sources Star Trek: 1999 reposted from Alex on NewTumbl. Didn’t Star Trek and Space: 1999 share a producer?
Publicity shot for French actress Manon Azem, from Section de recherches.
Charlie Chaplin got there first with this meme. Reposted from Twitter.
I realize the history page in Lucire KSA for July 2021 suggests that you need a four-letter surname to work for Lucire.
The 1981 Morris Ital two-door—sold only as a low-spec 1·3 for export. Reposted from the Car Factoids on Twitter. Ford Capri 1300 double-page spread, reposted from the Car Factoids on Twitter.
Alexa Breit photographed by Felix Graf, reposted from Instagram.
South America relief map, reposted from Twitter.
From the Alarm für Cobra 11: die Autobahnpolizei episode ‘Abflug’, to air July 29, 2021. RTL publicity photo. Lucire’s Festival de Cannes coverage can be found here. Photo courtesy L’Oréal Paris.
Last of the Ford Vedette wagons, as the Simca Jangada in Brazil, for the 1967 model year. The facelift later that year saw to the wagon’s demise.
Ford Consul advertisement in Germany, announcing the 17M’s successor. Interesting that the fastback, so often referred to as a coupé, is captioned as a two-door saloon, even though Ford did launch a “standard” two-door. More on the Consul in Autocadehere. Image from the Car Factoids on Twitter.
After 13 years, it was time to facelift the Lucire licensing website.
It’s a very familiar template, similar to what we used for JY&A Consultinga few months back. The home page copy we already had from a flier that we created late last year that Susan Ninan and I worked on; and the ‘About’ page’s text was mostly carried over (though it still needs 13 years of updates).
I am surprised the old site still netted us enquiries but it was looking extremely dated. The 2008 design was positively archæological in internet terms. However, I’m not sure if the new one is particularly interesting, because the web design convention is to do something very simple at the moment.
The old one was created with consideration for those who didn’t have mouse wheels, whereas these days it seems to be all right, even fashionable, to scroll away.
Hopefully everything is more fit for purpose though, and the links are more useful. We’ve kept the code very light.
And if you do want to license an international fashion magazine with an independent, authentic and engaged firm, you know where to come.
Above: The old and the new Lucire licensing sites—to my eyes, the old appears more creative, even in 2021.
Promoting DuckDuckGo: ‘Glancing back’ in Lucire KSA, June 2021.
For some time now, in every print issue of Lucire, and Lucire KSA, there is a mention of search engine DuckDuckGo. But I wasn’t sure how long we had been doing this, till I checked tonight. We started referencing DuckDuckGo in 2012, on our history page, where we look back at what we wrote 15, 10 and 5 years ago. What we do is feed in the year and Lucire, and let the search engine do the rest. It might not have Google’s might, but in my book it deserves considerably more loyalty, and all the help we can give.
Being self-employed my whole adult life, I haven’t exactly been let go from actual employment, but there have been some gigs, paid and unpaid, that came to an end without me expecting it.
I’ve never been sore about losing them, but I don’t agree with the way they were done.
Gig 1. Did a quarterly task for these folks, which soon became a monthly one. Lasted 14 years and was either the longest-serving or second-longest-serving in that capacity. Let go in a group email.
Gig 2. Voluntary one, told that I wouldn’t be needed because the organization was going in a new direction. I wouldn’t be replaced because of this new format. Found out later that there was no new format and I was replaced. Would it have hurt to tell the truth? After all, I replaced the previous person, and I would have been fine with them needing a fresh face. It’s not as though I made any money off them!
Gig 3. Another voluntary one. Hadn’t heard anything but then I usually didn’t till pretty late in the game. Except this time I had to chase them up, given how late things got. When do you need me? Found out I was replaced and that the decision had been made months earlier. I was the last to know. Offered some inconsequential consolation, but no apology. Ironically this happened as my influence in this particular area grew substantially overseas, so the help I could have given them was immense, so bad luck and bad timing to that mob. Bridges burned.
I’ve let a few people go in the past—one had so many allegations against him (theft, sexual harassment) that with hindsight I wonder why we took so long. Given the anonymous (and ineffective and illogical) letters he’s sent to some of my most loyal colleagues, I think he’s still sore. Others had to be let go when the financial winds blew against us. But I’m pretty sure they all knew why.
The only mysterious one from our companies was one person who claimed I cut him off and stopped using his writing services. It was a complete lie—he just vanished. At one point we re-established contact. We agreed to put it down to an email glitch (although this person regularly phoned me and stopped doing so, but in the interests of moving on, I let it go). Years later, he did it again—just disappeared. He told a mutual friend of ours the same lie, that I ceased to have anything to do with him. I relayed the above story to that friend but I could see she didn’t believe me—till he did it to her a few years later!
Above: The latest entry to Autocade at the time of writing: the new Hyundai Tucson (the short-wheelbase one is pictured).
Autocade will cross the 24 million page view mark tomorrow, notching up the latest million views in record time, despite only a tiny increase (14 models, to 4,438) in the database entries. I imagine this is down to a mixture of people finding it useful, and those working from home during lockdowns wanting a break.
You know the drill.
March 2008: launch
April 2011: 1,000,000 (three years for first million)
March 2012: 2,000,000 (11 months for second million)
May 2013: 3,000,000 (14 months for third million)
January 2014: 4,000,000 (eight months for fourth million)
September 2014: 5,000,000 (eight months for fifth million)
May 2015: 6,000,000 (eight months for sixth million)
October 2015: 7,000,000 (five months for seventh million)
March 2016: 8,000,000 (five months for eighth million)
August 2016: 9,000,000 (five months for ninth million)
February 2017: 10,000,000 (six months for 10th million)
June 2017: 11,000,000 (four months for 11th million)
January 2018: 12,000,000 (seven months for 12th million)
May 2018: 13,000,000 (four months for 13th million)
September 2018: 14,000,000 (four months for 14th million)
February 2019: 15,000,000 (five months for 15th million)
June 2019: 16,000,000 (four months for 16th million)
October 2019: 17,000,000 (four months for 17th million)
December 2019: 18,000,000 (just under three months for 18th million)
April 2020: 19,000,000 (just over three months for 19th million)
July 2020: 20,000,000 (just over three-and-a-half months for 20th million)
October 2020: 21,000,000 (three months for 21st million)
January 2021: 22,000,000 (three months for 22nd million)
April 2021: 23,000,000 (three months for 23rd million)
June 2021: 24,000,000 (two months for 24th million)
Two months and just over a week, if you want to split hairs. I’m very pleasantly surprised at the increase, and thank all our readers for visiting and using the site.
I also want to thank Nigel Dunn, Peter Jobes and Keith Adams for their contributions over the years. Now to make sure it stays interesting for me as well as readers—SUVs are just not that fun when they form the majority of new releases!
I haven’t been able to find anything on this bug online, but it’s very common.
As far as I can recall, all of our online publications that use Wordpress have themes designed or modified by yours truly. However, Lucire Rouge has a mostly bought-in theme, where my changes have been limited to a couple of CSS rules. The theme developer actually came in and helped us with a few modifications, which shows the extent to which he does follow-up for paying customers.
But there was one thing he was never able to crack, and I don’t think it’s his fault, since it happens on a lot of websites, including Medinge Group’s (also a theme I did not design, though I did earlier ones). On both these sites, there were no bolds and italics. There still aren’t on Medinge’s.
There are <strong> and <em> codes in there, but the bolding and obliquing are done by the browser. The font files actually aren’t loaded, so what we see are false bolds (the browser attempts to “overprint” the roman, duplicating the outline and shifting it marginally to give the illusion of a heavier typeface) and obliques, not italics (it’s the roman file pushed over 15 degrees or so). The former is particularly bad, as the outlines clash, and the result can be hollow glyphs, something that any font developer will know when one outline winds up accidentally on top of another in Fontographer or Fontlab.
These Wordpress themes rely on Google Fonts (another sin, in my opinion) so I don’t know if the fault lies with Google or Wordpress, or the developer. If Wordpress does indeed power 70 per cent of websites, then I have to say the bug is awfully common, and I probably do see it on a very high percentage of visited sites.
The themes allow us to select the font family, but the selection only calls a single font file from the family.
Above: A graphic clipping text from Lucire Rouge that I sent to the developer.
The solution, as I discovered after months of toing and froing with Lucire Rouge’s theme dev, was to do your own font-linking rules in the CSS file and upload the fonts themselves to the relevant directory on the server. I must note publicly the ‘months’ were not his fault, but due to my own delay. I should not expect computer programmers to be typographers, either.
It is something that one needs to watch out for, as the fake bolds and italics are horrible to look at, and must look amateur, even to the non-professional.
Last month, I Tweeted that I would stop replying to advertorial queries sent to us from Gmail, since over 99 per cent of them result in no deal whatsoever. In fact, that 99 is an underestimate.
One of the early (say mid-1990s to the mid-2000s) rules of the ’net was that if you didn’t have a custom domain, and were relying on the likes of Hotmail or AOL, then you instantly lacked credibility when approaching another business. But as Gmail became ubiquitous, that rule was no longer that important for us, especially since some of our own team opted to use their Gmails and have their work addresses forward to them. I’ve always been one to go with the flow when it came to my colleagues, so if they were using Gmail more, then who was I to be so negative against others approaching us doing the same?
Except for sanity. Of course I’ll still read emails from Gmail but since I get numerous advertorial enquiries every day, then you have to draw the line somewhere. You might say that I’ve waited too long to do this as the 99 per cent sample was taken over years. But past behaviour does show I tend to stick at something for longer than many people.
I’m also surprised at how many of these enquirers want us to ignore New Zealand law, and to have advertorials not marked as such. I’m not in the business of publishing sales’ catalogues, or a sales’ catalogue masquerading as a magazine, so advertorials are marked as promotional material in some way. So even if they get past first base, they usually fall at the second.
I’ve bought Don Black’s The Sanest Guy in the Room, which is a great read—you know that it’s piqued your interest if you can do 110 pages in a single sitting. There’s more to go, and it’s entertaining learning a bit about the backgrounds to his songs, ‘Born Free’ arguably his best known. (I do know there are insurance commercials with the song, so I hope he, and the families of John Barry and Matt Monro are getting decent royalties from them—though it’s pretty bad I have no idea which company it’s for. I assume it’s a successor firm to AA Mutual.)
Don has been very humble in this book and in one part, excerpts his favourite lyrics that others have written. In my mind, however, Don is the top man in his business, and it seems right that I highlight a few of my favourites out of his extensive repertoire and honour him. These come to mind, in no particular order. Many show a good use of rhyme, and all evoke imagery. The repetition of a root word is also clever. And they’re “singable”. As someone who works with the English language professionally they appeal to me for their ingenuity and, in some cases, brevity. Surprisingly, by the time I chose 10, I realized I had not included any of his James Bond lyrics.
Any errors are mine as I recall the songs in my head.
But how do you thank someone
Who has taken you from crayons to perfume?
(‘To Sir with Love’, from To Sir with Love)
You’ve been dancing round my mind
Like a bright carousel.
(‘If There Ever Is a Next Time’, from Hoffman)
While your eyes played games with mine
(‘On Days Like These’, from The Italian Job)
This way Mary, come Mary,
While the sun is high,
Make this summer the summer that refused to die
(‘This Way Mary’, from Mary, Queen of Scots)
Walkabout,
And as you wander on
Reflect and ponder on
The dreams today forgot to bring.
(‘Walkabout’, from Walkabout)
The me I never knew
Began to stir some time this morning.
The me I never knew
Arrived without a word of warning.
You smiled and you uncovered
What I had not discovered.
(‘The Me I Never Knew’, from Alice’s Adventures in Wonderland)
Most people stay and battle on with their boredom
But what’s the sense in dreaming dreams if you hoard ’em?
(‘I Belong to the Stars’, from Billy)
Love has no season,
There are no rules.
Those who stop dreaming are fools.
(‘Our Time Is Now’, from the Shirley Bassey album The Performance)
Main attraction, couldn’t buy a seat
The celebrity celebrities would die to meet
(‘If I Never Sing Another Song’, as originally performed by Matt Monro)
There’s so much more for me to find,
I’m glad I’ve left behind behind.
(‘I’ve Never Been This Far Before’, from Alice’s Adventures in Wonderland)
Yesterday, I worked remotely, and I don’t know what possessed me, but as OneDrive was activated on my laptop, I decided to save a word processing file there, planning to grab it from my desktop machine later in the day.
Normally I would just leave the file where it was and transfer it across the network, which is what I should have stuck with.
Heck, even transferring a file using a USB stick would have been a better idea than OneDrive.
I hadn’t signed up to it on my desktop PC. I went through the motions, used the default settings where it said it would back up documents and pictures (while making it clear my files would remain exactly where they were). I grabbed the file I need—the entire 18 kilobytes of it—and thought nothing more. I deactivated OneDrive as I saw no real use for it any more.
Bad idea, because most of my desktop icons vanished, and my Windows default documents’ and pictures’ folders were emptied out.
After reactivating OneDrive, I found the lot in the OneDrive folder, and promptly moved them back to their original folders. The desktop files—the text files I had on there plus the icons—I duplicated elsewhere. Ultimately, I made new shortcuts for everything—thank goodness my laptop’s icon layout is identical to my desktop’s—and restored the three text files from their duplicate directory.
The above took me all of a few minutes to write but in reality I spent an hour fixing this—something that Windows said would not happen.
Chalk it up to experience—consider this fair warning to anyone who thinks of using “the cloud”.
Also in the “say one thing, do another” file for yesterday: I attempted to sign in to my Flickr account, which has not been touched since around 2008. I tried a range of addresses I had in 2006, when I originally signed up, and attempted to do password resets. Flickr: ‘Invalid email or password.’ I even tried an address that Yahoo! emailed me at in 2018 concerning Flickr, and which Flickr itself said might be the correct email (use your Yahoo! username and add ‘@yahoo.com’ to the end of it).
I had no other option but to email their support, and mentioned that I was a paying Smugmug customer, given that the photo site now owns Flickr.
They have responded in a timely fashion, not telling me the email I had used, but said they had sent it a password reset in there.
Surprisingly (or maybe not, considering we are talking about another big US site again), the address was indeed one of the ones I had tried (I’m glad I kept a record). Except now it works—what’s the bet that post-enquiry, they fixed things up in order to send me that reset email?
I thanked the support person for the reset email, but suggested that they had some bugs, and fixing them would mean less for him to do.
Don Marti linked an interesting article in The Drum in which he was quoted. Duck Duck Go, Firefox and Github have all opposed Google’s new FLOC tracking method. Meanwhile, Bob Hoffman points out that only four per cent of Apple users have opted in to tracking after the Cupertino company’s new OS opted you out by default.
Most of the time, people tell me that they find targeted ads ‘creepy’ as they appear from site to site, so it’s no wonder that take-up has been so low with Apple users. So if not FLOC, then what?
Well, here’s a radical idea: show ads on sites that have subject-matter relevant to the advertiser. It’s what happened before Google’s monopoly, and there were plenty of smaller ad networks that did a great job of it. The prices were still reasonable, and Google wasn’t taking a big cut of the money earned. Of course Big Tech doesn’t like it, because they won’t earn as much, and the old system actually required people with brains to figure out how best to target, something creepy tracking has tried to replace.
The old methods, with their personal touch, resulted in some creative advertising work—I remember we had some page takeovers on Lucire’s website where the traditional header was redesigned to show off the R55 Mini, thanks to one of our earlier ad directors, Nikola McCarthy. No tracking involved, but a great brand-builder and a fantastic way for Mini to get a fashion connection. Ads with tracking are so transactional and impersonal: ‘Buy this,’ or, ‘You’ve searched for this. Buy this.’
I doubt it does the brands much good, and before you say that that doesn’t matter, let me also add that it can’t do the humans much good, either. The user’s purpose is reduced to clicking through and buying; so much for building a relationship with them and understanding their values. That isn’t marketing: it’s straight selling. Which means the marketing departments that put these deals together are doing themselves out of a job. They’re also spending money with a monopoly that, as far as I have read, doesn’t have independently certified metrics, which 20 years ago would have been a concern with some agencies.
I do like innovations, but every now and then, I feel the newer methods haven’t done us much good. Tracking is tracking, no matter what sort of jargon you use to disguise it.
