Archive for June 2020


Switching to a Chinese OS solves another Instagram bug

25.06.2020

Whaddya know? Uploading an Instagram video with an Android 7-based phone is fine if it’s on a Chinese OS and not a western one.
   This was a bug I wrote about nearly two years ago, and I wasn’t alone. Others had difficulties with their Android 7 phones with getting Instagram videos to play smoothly: the frame rate was incredibly poor. The general solution posted then was to upgrade to Android 8.
   I never did that. Instead I would Bluetooth the files over to my old Meizu M2 Note (running Android 5), and upload to Instagram through that. It wasn’t efficient, and soon afterwards I stopped. By 2020 I gave up Instagramming regularly altogether.
   With my switch over to a Meizu Chinese OS (Flyme 8.0.0.0A, which on the M6 Note is still Android 7-based) earlier this week, I uploaded one video and it appears to be perfectly fine.

   So all those who wrote on to Reddit and elsewhere with their Android 7 problems, this could be a solution—though I know it won’t appeal to those who aren’t familiar with the Chinese language and would rather not get lost on their own phones. Those who managed to upgrade their OSs have likely already done so.


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After 18 months, some progress on the Meizu M6 Note

23.06.2020

That was an interesting day in cellphone land. I collected the Meizu M6 Note from PB last Friday and switched it on for the first time in the small hours of Tuesday.
   I originally wasn’t pleased. I had paid NZ$80 for a warranty repair (there is provision under the Consumer Guarantees Act 1993 in some circumstances) and was told at the service counter that all that was performed was a factory reset, followed by a week’s testing. In other words, what I had originally done, twice, before bringing the phone in. I replied that that was not going to work, and was told by the PB rep that maybe I shouldn’t have so many apps open. Conclusion: a newer phone is far less capable than an older one.
   But he wasn’t the technician, and as I discovered, Joe had done more than a mere factory reset. When I switched the phone on, it was back to square one, like the day I bought it, complete with Google spyware. I wasn’t thrilled about this, but it suggested to me that the ROM had been flashed back to the beginning.
   Meizu’s factory resets don’t take you right back to factory settings, not if you had rooted the phone and removed all the Google junk.
   To his credit, this was a logical thing to do. However, within 10 minutes it developed a fault again. The settings’ menu would not stay open, and crap out immediately, a bit like what the camera, browser, and gallery had done at different times. All I had done up to this point was allow some of the apps to update, and God knows what Google was doing in the background as messages for Play and other programs flashed up in the header. The OS wanted to update as well, so I let it, hoping it would get past the bug. It didn’t.
   So far, everything was playing out exactly as I had predicted, and I thought I would have to head to PB and point out that I was taking them up on the three months they guarantee their service. And the phone was warranted till December 2020 anyway. Give me my money back, and you can deal with Meizu for selling a lemon.
   However, I decided I would at least try for the umpteenth time to download the Chinese OS, and install it. Why not? Joe had given me a perfect opportunity to give this another shot, and the phone appeared unrooted. The download was painfully slow (I did the same operation on my older Meizu M2 Note out of curiosity, and it downloaded its OS update at three to four times the speed—can we blame Google for slowing the newer phone down?) but eventually it got there. The first attempt failed, as it had done countless times before. This was something that had never worked in the multiple times I had tried it over the last 18 months, and I had drawn the conclusion that Meizu had somehow locked this foreign-market phone from accepting Chinese OSs.
   I tried again.
   And it worked. A fluke? A one-off? Who knows? I always thought that in theory, it could be done, but the practice was entirely different.
   It took a while, but I was astonished as the phone went through its motions and installed Flyme 8.0.0.0A, killing all the Google spyware, and giving me the modern equivalent of the Meizu M2 Note from 2016 that I had sourced on Ebay from a Chinese vendor.
   I may be speaking too soon, but the settings’ bug disappeared, the apps run more smoothly, and as far as I can tell, there is no record of the phone having been rooted. I had a bunch of the APKs from the last reset on the SD card, so on they went.
   Meizu synced all contacts and SMSs once I had logged in, but there was one really annoying thing here: nothing from the period I was running the western version of the phone appeared. The messages prior to December 2018 synced, plus those from the M2 Note during June while the M6 was being serviced.
   It appears that the western versions of these apps are half-baked, and offer nothing like the Chinese versions.
   With any luck, the bugs will not resurface—if they don’t, then it means that the read–write issues are also unique to the western version of the M6 Note.
   I’ve spent parts of today familiarizing myself with the new software. There are some improvements in presentation and functionality, while a few things appear to have retrograded; but overall, this is what I expect with a phone that’s two years newer. There should be some kind of advance (even little things like animated wallpapers), and with the western version, other than processor speed and battery life, there had not been. It was 2016 tech. Even the OS that the phone came back with was mid-decade. This is what the western editions are: out of date.
   The only oddity with the new Chinese Flyme was the inability to find the Chinese version of Weibo through Meizu’s own Chinese app store—only the foreign ones showed up on my search, even though the descriptions were all in simplified Chinese.
   These mightn’t have been the developments that Joe at PB expected but if things remain trouble-free, that NZ$80 was well worth spending to get a phone which, for the first time in its life, feels new. The other lesson here is to avoid western-market phones if you don’t find the Chinese language odd. I had already made enquiries to two Aliexpress sellers to make sure that they could sell me a non-western phone, ready to upgrade. Hopefully that won’t need to happen.
   Next week: let’s see if I can shoot some video and have that save without killing the gallery, the bug that kicked all of this off.


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Nissan’s own documents show Carlos Ghosn’s arrest was a boardroom coup

22.06.2020

I said it a long time ago: that the Carlos Ghosn arrest was part of a boardroom coup, and that the media were used by Hiroto Saikawa and co. (which I said on Twitter at the time). It was pretty evident to me given how quickly the press conferences were set up, how rapidly there was “evidence” of wrongdoing, and, most of all, the body language and demeanour of Mr Saikawa.
   Last week emerged evidence that would give me—and, more importantly, Carlos Ghosn, who has since had the freedom to make the same allegation that he was set up—cause to utter ‘I told you so.’
   I read about it in The National, but I believe Bloomberg was the source. The headline is accurate: ‘Nissan emails reveal plot to dethrone Carlos Ghosn’; summed up by ‘The plan to take down the former chairman stemmed from opposition to deeper ties between the Japanese company and France’s Renault’.
   One highlight:

the documents and recollections of people familiar with what transpired show that a powerful group of insiders viewed his detention and prosecution as an opportunity to revamp the global automaker’s relationship with top shareholder Renault on terms more favourable to Nissan.
   A chain of email correspondence dating back to February 2018, corroborated by people who asked not to be identified discussing sensitive information, paints a picture of a methodical campaign to remove a powerful executive.

   Another:

Days before Mr Ghosn’s arrest, Mr Nada sought to broaden the allegations against Mr Ghosn, telling Mr Saikawa that Nissan should push for more serious breach-of-trust charges, according to correspondence at the time and people familiar with the discussions. There was concern that the initial allegations of underreporting compensation would be harder to explain to the public, the people said.
   The effort should be “supported by media campaign for insurance of destroying CG reputation hard enough,” Mr Nada wrote, using Mr Ghosn’s initials, as he had done several times in internal communications stretching back years.

   Finally:

The correspondence also for the first time gives more detail into how Nissan may have orchestrated [board member] Mr Kelly’s arrest by bringing him to Japan from the US for a board meeting.

   Nissan’s continuing official position, that Ghosn and Kelly are guilty until proved innocent, has never rang correctly. Unless you’re backed by plenty of people, that isn’t the typical statement you should be making, especially if it’s about your own alleged dirty laundry. You talk instead about cooperating with authorities. In this atmosphere, with Nissan, the Japanese media duped into reporting it based on powerful Nissan executives, and the hostage justice system doing its regular thing, Ghosn probably had every right to believe he would not get a fair trial. If only one of those things were in play, and not all three, he might not have reached the same conclusion.


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Crunching the COVID-19 numbers for June 15

15.06.2020

I hadn’t done one of these for a long time: take the number of COVID-19 cases and divide them by tests done. For most countries, the percentage is trending down, though there has been little movement in Sweden. I hadn’t included Brazil, Russia and India before, but as they are in the top part of the table, I’ve included them for the first time for context. That does leave the C of the BRIC countries out, but as China does not disclose its testing numbers, I can’t work out a figure for them. Given the news, it is no surprise that Brazil has the worst percentage I have seen since I began crunching these numbers: more than half of the tests done result in a positive. The source is Worldometers.

Brazil 867,882 of 1,604,784 = 54·08%
Sweden 51,614 of 325,000 = 15·88%
France 157,220 of 1,384,633 = 11·35%
KSA 127,541 of 1,106,398 = 10·99%
USA 2,162,261 of 24,795,407 = 8·72%
Singapore 40,818 of 488,695 = 8·35%
Switzerland 31,131 of 461,128 = 6·75%
Spain 291,008 of 4,826,516 = 6·03%
India 333,255 of 5,774,133 = 5·77%
Italy 236,989 of 4,620,718 = 5·13%
UK 295,889 of 6,772,602 = 4·37%
Germany 187,671 of 4,694,147 = 4·00%
Russia 537,210 of 15,161,152 = 3·54%
South Korea 12,121 of 1,105,719 = 1·10%
Taiwan 445 of 74,409 = 0·60%
New Zealand 1,504 of 311,121 = 0·48%
Australia 7,335 of 1,830,665 = 0·40%
Hong Kong 1,113 of 275,293 = 0·40%

   It shows that COVID-19 is far from over, something that we here in New Zealand need to be reminded of as we begin to rebuild. Still, nearby Fiji is also COVID-19-free, so perhaps we can begin having some travel with them?


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Why I don’t find the Asiatic characters on Little Britain and Come Fly with Me racist

11.06.2020


BBC

I have a problem with blackface and yellowface, generally when there are more than capable actors who could have taken the role, but I make exceptions in some situations.
   Take, for example, the news that Little Britain and Come Fly with Me are being removed from streaming services because of what are now deemed racist portrayals. Matt Lucas, who plays half the roles in each, has even said that the shows were right for the time but they’re not what he would make today. Yet I don’t find myself being troubled by his and David Walliams’s characters, since in both they are equal-opportunity about it, even going so far as to address racism head-on with Come Fly with Me’s Ian Foot, a clearly racist character.
   I always viewed everyone from Ting Tong to Precious as caricatures viewed through a British lens, and it is through their comedy that they shine a light on the nation’s attitudes. Matt and David might not like me grouping their work in with Benny Hill’s Chow Mein character, who, while offensive to many Chinese, tended to expose the discomfort of the English “straight man” character, usually portrayed by Henry McGee. I can’t think of one where Mein doesn’t get the upper hand. I like to think these characters all come from the same place.
   Sometimes, especially in comedy, you need people of the same race as most of the audience to point to their nation’s attitudes (and often intolerance)—it’s often more powerful for them as it’s not seen as preaching. Where I have a problem is when characters are founded on utterly false stereotypes, e.g. the bad Asian driver, the loud black man.
   And can you imagine the furore if every character portrayed by Matt and David in Come Fly with Me was white? They would be sharply criticized for not being representative of the many cultures at a modern British airport.
   I don’t turn a blind eye to brownface in Hong Kong (Chinese actors playing Indians) or the mangled Cantonese used to dub white actors, but the same rules apply: if it shines a light on a situation, helps open our collective eyes, and make us better people, then surely we can accept those?
   I Tweeted tonight something I had mentioned on this blog many years ago: Vince Powell’s sitcom Mind Your Language, set in 1970s Britain, where Barry Evans’s Jeremy Brown character, an ESL teacher, has to deal with his highly multicultural and multiracial class. The joke is always, ultimately, on Mr Brown, or the principal, Miss Courtenay, for their inability to adjust to the new arrivals and to understand their cultures. Maybe it’s rose-coloured glasses, but I don’t remember the students being shown as second-class; they often help Jeremy Brown out of a pickle.
   Importantly, many of the actors portrayed their own races, and, if the DVD commentary is to be believed, they were often complimented by people of the same background for their roles.
   Powell based some of his stories on real life: a foreign au pair worked for them and brought home her ESL classmates, and he began getting ideas for the sitcom.
   However, at some stage, this show was deemed to be racist. As I Tweeted tonight, ‘I loved Mind Your Language but white people said the depictions of POC were racist. Hang on, isn’t it more racist to presume we can’t complain ourselves? Most of the actors in that depicted their own race.
   â€˜I can only speak for my own, and I didn’t find the Chinese character racist. Because there were elements of truth in there, she was portrayed by someone of my ethnicity, and the scripts were ultimately joking about the British not adjusting well to immigrant cultures.
   â€˜Which, given how Leavers campaigned about Brexit, continues to be true. I get why some blackface and yellowface stuff needs to go but can’t we have a say?
   â€˜Tonight on TV1 news, there were two white people commenting on the offensiveness of minority portrayals in Little Britain and Come Fly with Me. I hope someone sees the irony in that.’
   However, if any minorities depicted by Matt and David are offended by their work—Ting Tong, Asuka and Nanako are the only Asiatic characters they do that I can think of, so east Asians aren’t even that well represented—of course I will defer to your judgement. I can’t pretend to know what it’s like for someone of Pakistani heritage to see Matt’s Taaj Manzoor, or someone with a Jamaican heritage to see Precious Little. However, unlike some commentators, I do not presume that members of their community are powerless to speak up, and they are always welcome on this forum.


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Catfished on Facebook? That’s OK, too, they’re there to provide the tools

11.06.2020

I don’t particularly have it in for Google and Facebook. I’m only pointing out the obvious: if you say your policy is x, or your product is y, then don’t deliver us z. Put it into non-electronic terms: if you sell me a car and I put it into first gear, and it instead reverses, then I will complain. And if you look back through 11 years of critique, that is what lies at the foundation of every post about them. Medinge does Brands with a Conscience, Big Tech does Brands without a Conscience. Once they start being honest and levelling with people, then I’ll stop pointing out their hypocrisy.

Speaking of which, a Facebook user calling themselves Barbara Black has taken a photo of former Miss Universe New Zealand Tania Dawson, using Tania’s photo as her profile pic and, of course, catfishing men. You know where this is going: despite numerous reports from Tania’s friends since the D-Day anniversary, including multiple ones from me, nothing has been done. Facebook tells me that there has been no violation of their terms. Some have actually found it impossible to report the fake profile, as their screen fills up with gibberish.

   Yet again it’s Facebook being on the side of the spammers, bots and phonies, as usual, because they have the potential to help their bottom line.
   I can safely say that all my reports of fake or compromised accounts this year have resulted in no take-downs whatsoever, making it far, far worse than what I experienced in 2014 when I said that Facebook faced a bot ‘epidemic’ (I used that very word).
   Very easy prediction for 2020: despite COVID-19, Facebook will have to remove more fake accounts than there are people on the planet. I reckon it has already happened but they won’t admit it. I just don’t know when people will wake up to the fact that this dubious site isn’t serving them, but at least the fakes have got to such a point now that everyday people recognize them: at some point, we will either know someone, or be that someone, who has been catfished or cloned. I’ve been off it for personal stuff for three years and have missed nowt.


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The ‘A’ (Aotearoa) Team

09.06.2020

Now that Aotearoa New Zealand has lifted our COVID-19 restrictions after getting rid of the virus on our shores, other than keeping our border closed, I Tweeted:

and between Cachalot on Twitter and I, we actually wound up with a variation of the song (incidentally, he was first with the chorus, showing that great minds think alike).

Then back to the refrain.
   Out of respect to the language in which the song was composed, te reo Māori, here are the original, poignant lyrics. It’s a beautiful, heart-wrenching song. There’s a further explanation to it here.

Pƍkarekare ana,
ngā wai o Waiapu
Whiti atu koe hine,
marino ana e.

Refrain
   E hine e,
   hoki mai ra.
   Ka mate ahau
   I te aroha e.

Tuhituhi taku reta,
tuku atu taku rīngi,
Kia kite tƍ iwi
raru raru ana e.

Refrain

Whati whati taku pene
ka pau aku pepa
Ko taku aroha
mau tonu ana e.

Refrain

E kore te aroha
e maroke i te rā
Mākƫkƫ tonu i
aku roimata e.

Refrain


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Where does Hong Kong’s new national anthem law leave parody?

05.06.2020


Steve Cadman/Creative Commons 2·0

I don’t profess to be an expert on how Hong Kong law functions these days with its mix of old British ordinances and the laws made after 1997, but one thing that struck me with at least the news reports covering the criminalizing of insults against ‘March of the Volunteers’, the national anthem of the People’s Republic of China, is whether parody—a fundamental part of free speech—will still be permitted.
   I don’t have a problem with the anthem being taught to children as it was sung long before 1949, the establishment of the PRC. It was a wartime anthem, which people like my father knew, having been born in the 1930s at the time of the Sino–Japanese War. It is historical, and it has meaning. It is arguably even more familiar to older Chinese than the Republic of China’s anthem generally sung on the island of Taiwan. But, even back then, ‘March of the Volunteers’ had picked up this parody:

蔷䟆! èČ·ćšżç‰›è‚‰è’žè‘±èœ!

   If I recall correctly, the parody emerged when the Communists and Nationalists were trying to entice the citizenry over to their side, and the Communists were promising food.
   I won’t go in to parody and its relationship to freedom of speech here; there are plenty of resources on it online.
   But does it mean that repeating the parody lyrics would put me at risk in Hong Kong?
   Of course it has escaped no one that the law was passed on June 4, a ballsy move by Beijing.
   Meanwhile, a few members of the UK government have talked about giving BN(O) (British National [Overseas]) passport holders a pathway to British citizenship, leading some to say there would be a brain drain. What I will say here is: the British have talked about defending the rights of Hong Kong people under the joint declaration ever since 1997—indeed, even before, with the Blair-led opposition—and nothing has happened. I’ve gone into my issues entering the UK with this passport before, so you’ll excuse me if I say that actions speak more loudly than words. British politicians have been high on rhetoric for over two decades on this issue and I have no reason to believe the least trustworthy lot they have ever elected.
   I disagree that they are interfering with Chinese affairs if they are simply looking after those that identify themselves as British, but at the same time I don’t think Beijing’s foreign ministry has anything to be concerned about. The British have their own doorstep to think about, and the prospect of millions of Hong Kong Chinese heading there was too hard for them to stomach under Major or Blair, and I do not expect that attitudes have changed.


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Going beyond a blacked-out image: thoughts on Black Lives Matter

04.06.2020

Usually I find it easier to express myself in written form. For once, Black Lives Matter and the protests in the US prompted me to record another podcast entry. I’m not sure where the flat as and the mid-Atlantic vowels come from when I listened to this again—maybe I was channelling some of the passion I was seeing in the US, and I had watched the news prior to recording this.

   My Anchor summary is: ‘Personal thoughts in solidarity with my black friends in the US. Yes, I posted a blackout image on my Instagram but it didn’t seem to be enough. This is my small contribution, inspired by a Facebook post written by my white American friend Eddie Uken where he reflects on his perspective and privilege.’ Eddie’s Facebook post, which is public, is here.


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Online advertising dollars: Google’s cut from your work is 40 per cent

02.06.2020

From Bob Hoffman’s The Ad Contrarian newsletter of May 24: ‘two weeks ago a study by the ISBA and PcW that reported that half of every “programmatic” ad dollar is scraped by adtech middlemen’ and ‘According to a paper written by Fiona Scott Morton, an economist at Yale University, Google pockets about 40± of every online ad dollar before it ever gets to a publisher. Not just search dollars, not just programmatic dollars, but all online ad dollars.’ Just one more reason I refuse to sign these:

   I’m not part of the 90 per cent. And the bastards at Google are rich enough. Let them share it with illegal content mills as they are peas in a pod. Another solution for legitimate publishers is dearly needed.
   At least there’s been some sort of work with the commissions agencies take in other media, and that’s typically at 15 per cent here. Google is taking the piss with its automated systems.
   We know the US doesn’t have the balls (or funding?) to take them on at this point, but how about other sovereign territories in which Google operates? Surely they have to comply with our laws, too?


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