Posts tagged ‘design’


Can a no-name mouse take the place of a Microsoft Intellimouse?

01.08.2021

I’ve occasionally had good luck with ultra-cheap Chinese mice. Years ago, I bought one, with very simple left and right buttons and a scroll wheel, and it proved to be one of the most comfortable I owned. The wheel didn’t run smoothly at first but a quick trim of the plastic, and it’s been fine since.

   This US$3·89 mouse (price at time of writing) was a similar case. I ordered it to see if it might be better than the NZ$75 Asus ROG Strix Evolve mouse, and that was bought to replace my favourite, the Microsoft Intellimouse 1·1. One of those was being used after my Microsoft Laser Mouse 6000 died—like the Intellimouse, these had large bodies that people with bigger hands, like me, can use.
   As those in a similar predicament know, mice have shrunk over the last decade, so finding a replacement takes months as you read the specs and, in some cases, visit the stores to see if they have anything.
   A Tecknet mouse proved too low by a millimetre or two to be comfortable, but when I saw this no-name unit being sold by a place called 7 Elves Store (did they mean dwarves, as in Disney?) on Aliexpress, I decided to take a punt. (The specs suggest the brand name is Centechia, but it’s nowhere to be found on the device or in the heading and description.) And for US$3·89 plus (sorry) my share of carbon emissions from the air freight, it didn’t cost me much to find out.
   It arrived a few weeks ago in damaged condition. The buttons did not work at all, and once again I had to make some simple repairs to get it working. It’s too light. The plastic is of a crappy grade. And the details on the base of the mouse suggest whomever wrote the text had not been in the occident much, if at all. I don’t like the lights because I don’t care if a mouse has pulsing RGB effects since (a) my hand is over it and (b) I’m looking at the screen, not the mouse.
   But here’s the thing: it fits my hand. It’s nowhere nearly as comfortable as those old Microsoft mice, but as a cheapie that I can take in my laptop bag, it does a better job than the Tecknet. It’s not as comfortable as the Asus, but it beats every other mouse, that is, the ones I didn’t buy, that I’ve seen in the shops. On the whole, I can use it more than the Tecknet, and it will do when I’m travelling or out of the office, though I still haven’t found the holy grail of a decent sized Microsoft mouse. (The revived Intellimouse, as I may have mentioned earlier, is asymmetric, and its shape doesn’t work for me.) I’m not sure why this is so hard for mice manufacturers: you’ve all peaked a bit early, and none of the improvements you’ve made have advanced the ideas of user comfort and ergonomics.
   For those who care about this stuff, here’s the Aliexpress link.

Tags: , , , , , , , , , ,
Posted in China, technology | No Comments »


Facelifting the Lucire licensing site after 13 years

30.06.2021

After 13 years, it was time to facelift the Lucire licensing website.
   It’s a very familiar template, similar to what we used for JY&A Consulting a few months back. The home page copy we already had from a flier that we created late last year that Susan Ninan and I worked on; and the ‘About’ page’s text was mostly carried over (though it still needs 13 years of updates).
   I am surprised the old site still netted us enquiries but it was looking extremely dated. The 2008 design was positively archæological in internet terms. However, I’m not sure if the new one is particularly interesting, because the web design convention is to do something very simple at the moment.
   The old one was created with consideration for those who didn’t have mouse wheels, whereas these days it seems to be all right, even fashionable, to scroll away.
   Hopefully everything is more fit for purpose though, and the links are more useful. We’ve kept the code very light.
   And if you do want to license an international fashion magazine with an independent, authentic and engaged firm, you know where to come.



Above: The old and the new Lucire licensing sites—to my eyes, the old appears more creative, even in 2021.

Tags: , , , , , , , , , , , ,
Posted in design, internet, marketing, media, publishing, technology | No Comments »


Rotten sequel ideas, no. 1

01.06.2021

I’m not a comedian by any stretch of the imagination (neither are a lot of the people on comedy programmes here in Aotearoa) but every now and then my mind goes to funny places. Such as this:

Commando II

   Since Coming 2 America was so uniformly awful (the best bits are in the trailer), this was another terrible sequel idea that came to mind today. Non-antipodeans who don’t know of Eric Bana’s past might not think his fictional casting here being terribly funny, but for a lot of us he was a comedic actor before he was the Hulk or the Time Traveler (one l, just this time, for the movie). But I couldn’t think of another funny 40-something Australian who had done some action.
   I always felt the way Vernon Wells played Bennett in the original was campy, as though he could see the conceit behind the whole thing of being in a Schwarzenegger movie in the mid-1980s. He wasn’t above parodying himself when he appeared in Weird Science in a role that recalled Wez in Mad Max 2.
   In case this comes up in a search while a Hollywood exec is looking up Commando II, please be advised that this would be a rotten idea.

Tags: , , , , , , ,
Posted in culture, design, humour, USA | No Comments »


May 2021 gallery

01.05.2021

Here are May 2021’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.

Sources
Viki Odintcova, via Instagram.
   Alexa Breit, photographed by Weniamin Schmidt, via Instagram.
   Vickery Electrical advertisement: something I asked my Dad to photocopy for me in the 1980s. Briefly we had one of those Apple II portables, on loan from a colleague of Dad. I can’t recall if it had one disk drive or two, but it was a fun little unit to have in my bedroom for that period. Dad was prepared to buy it if I wanted to keep it, but I didn’t have much software to run, plus I already had the Commodore 64 for schoolwork.
   Lucire issue 43 cover, photographed by Damien Carney, creative direction and fashion styling by Nikko Kefalas, make-up by Joanne Gair, hair by Kirsten Brooke Anderson, and assisted by Rachel Bell, and modelled by Elena Sartison. Find out more here.
   Drew Barrymore quotation from Elephant Journal on Twitter.
   I still have plenty of old stamps, which I tend to save for family (though I’m less discerning about those discounted Christmas ones, which I always used to buy in bulk). This is going to my cousin’s daughter and her husband, and their family.
   Comments after an article on Buzzfeed News. Business as usual for Facebook.
   Happy birthday to our niece Esme!
   Tania Dawson promotes Rabbit Borrows, from Instagram.
   Bizarre that the only car with a manual transmission on sale at Archibalds is from the 1950s. I’m sure New Zealand was majority-manual into the first decade of this century.
   More on the 1982–94 Chevrolet Cavalier at Autocade.
   Citroën C5 X, as covered in Lucire.
   Amira Aly (Mrs Oliver Pocher) photographed by Christoph Gellert, reposted from Instagram.
   Gaza statistics, sourced from Twitter.
   Even after 44½ years of living in the occident, I find certain western customs very strange. From Twitter.
   Number crunching from Private Eye, reposted from Twitter.
   Evaporated milk, reposted from Twitter.
   Triumph Herald advertisement from the Car Factoids on Twitter.
   Cadillac tailfins, reposted from Tumblr.
   This photo of Sophia Loren was captioned ‘© David Hurn | Sophia Loren, Inglaterra, 1965’ on Tumblr. I wonder if she is on the set of Stanley Donen’s Arabesque. Reposted from Tumblr.
   I had the pleasure of watching Peggy Sue Got Married again a few weeks ago. This was a nice scene at the end, that seemed to suggest that Peggy Sue had travelled back in time. John Barry’s score is sublime.
   The Murdoch method: reposted from my old NewTumbl account.
   Alexa Breit photographed by Sagaj, reposted from Instagram.

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Posted in business, cars, design, France, gallery, humour, India, interests, internet, marketing, media, New Zealand, politics, publishing, TV, UK, USA, Wellington | No Comments »


April 2021 gallery

05.04.2021

Here are April 2021’s images. I append to this gallery through the month.

 
Sources
Tania Dawson promotes Somèrfield Hair Care, sourced from Instagram.
   Austrian model Katharina Mazepa for Dreamstate Muse magazine, shared on her Instagram. This was an image that was removed from a PG blog at NewTumbl last year—apparently this was considered ‘nudity’ and rated M.
   AMC promotes the Gremlin, the US’s first subcompact car. More on the Gremlin at Autocade; 1970 advertisement via Twitter.
   Volkswagen 1302S photographed in June 2018, one of the images I’ve submitted to Unsplash for downloading. I did have the owner’s permission to shoot his car.
   St Gerard’s Church and Monastery atop Mt Victoria in Wellington, New Zealand, photographed by me and also submitted to Unsplash.
   Facebook group bots: someone else was so used to seeing bot activity on Facebook, they made a meme about it.
   Holden Commodore Evoke Ute, an example of ‘base model brilliance’. More at Autocade.
   Morris Marina ad via the Car Factoids on Twitter.
   Innocenti Mini 90 and 120 via the Car Factoids on Twitter.
   The aerial shot of Rongotai in 1943 is from the Air New Zealand collection. This is a scan of a photostat Dad made for me in the 1980s. The piece of paper was getting a bit old so I thought it was time to make it digital-only. The ‘1929’ marks the site of the original Rongotai Aerodrome, I believe.
   Instafraud, from Bob Hoffman’s The Ad Contrarian newsletter.
   Alisia Ludwig, from her Instagram, photographer unnamed.
   Fiat X1/9 brochure, from the Car Factoids on Twitter.
   More on the Peugeot 508 (R23) at Autocade.
   Model Skyler Simpson at Seminole Hard Rock Hotel & Casino, Tampa, photographer unknown, via Instagram.

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Posted in cars, China, design, gallery, internet, marketing, media, New Zealand, politics, technology, UK, USA, Wellington | No Comments »


The colourless world

14.02.2021

This is a development proposed for my old street in Rongotai. Since I’ve moved away I haven’t a say in what happens there. I can only make some general remarks. And this post is not written from the Luddite position.
   It’s the price of progress that as cities grow, we need more housing, and if it means bowling for old bungalows from the first decades of the 20th century in favour of 14 townhouses, then that is the reality we must face, no matter our feelings of nostalgia. What a shame the green space will be reduced dramatically.
   But why, oh why, must there be another development devoid of colour with a planned uniformity that smacks of communism? Don’t people deserve to live in colour and in dwellings that have some imagination and individuality from their neighbours’? Come to think of it, people deserve to have cars in shades beyond black, white and grey, but I’m not sure if all dealers have that memorandum.
   I also hope these aren’t airtight mould-traps that harm their future residents.
   The obvious bright side is more people will have homes in a pretty handy part of Wellington. Another bright side I see here is that with the increase of dwellings on the street from 14 to 24, there might be more neighbourhood children enjoying living in a cul-de-sac.
   It’ll be a shock when these developers discover there are more paint colours available than the ones they have chosen. And when certain architects discover there are multiple ways to skin a cat. They might also get a shock to find that bread can come pre-sliced these days. Vive la révolution!

Tags: , , , , , , , , ,
Posted in design, New Zealand, Wellington | 1 Comment »


Facebook fooled us into thinking we were being creative

11.02.2021

My friend Keith has been away from Facebook for six weeks, for work reasons, and hasn’t missed it. And he asked, ‘Was it all really a waste of time?’
   I know you think you know what I’m going to say, but the answer might surprise you a little.
   Fundamentally, it’s yes (this is how you know this blog has not been hijacked), but Keith’s question brought home to me, as well as other work I’ve done this week, the biggest con of Facebook for the creative person.
   It’s not the fact the advertising results are not independently checked, or that there’s evidence that Facebook itself uses bots to boost likes to a page. The con was, certainly when I was a heavy user around the time Timeline was introduced, making us feel like we were doing something creative, satiating that part of our brain, when in fact we were making Zuckerberg rich.
   How we would curate our lives! Show the best side of ourselves! Choose those big pictures to be two-column-wide Timeline posts! We looked at these screens like canvases to be manipulated and we enjoyed what they showed us.
   Before Facebook became ‘the new Digg’ (as I have called it), and a site for misinformation, we were still keeping in touch with friends and having fun, and it seemed to be the cool thing to do as business went quiet in the wake of the GFC.
   And I was conned. I was conned into thinking I was enjoying the photography and writing and editing—at least till I realized that importing my RSS feeds into Facebook gave people zero incentive to come to my sites.
   This week, with redoing a few more pages on our websites, especially ones that dated back many years, I was reminded how that sort of creative endeavour gave me a buzz, and why many parts of our company websites used to look pretty flash.
   The new look to some pages—the photo gallery was the most recent one to go under the knife—is slightly more generic (which is the blunt way to say contemporary), but the old one had dated tremendously and just wasn’t a pleasure to scroll down.
   And while it still uses old-fashioned HTML tables (carried over from the old) it was enjoyable to do the design work.
   There’s still more to do as the current look is rolled out to more pages.
   Maybe it took me a while to realize this, and others had already got there, but most of my time had been spent doing our print magazines lately. But designing web stuff was always fun, and I’m glad I got to find that buzz again, thanks to Amanda’s nudge and concepts for jya.co, the JY&A Consulting site. Forget the attention economy, because charity begins at the home page.



Photo galleries, old and new. The top layout is more creative design-wise than the lower one, but sadly the browsing experience felt dated.

Tags: , , , , , , , , , , , ,
Posted in design, internet, technology | No Comments »


When fashion magazine websites begin looking the same

08.02.2021


Above: Vogue Korea’s website follows the æsthetic of a big lead image and smaller subsidiary ones.

This started as a blog entry but took a tangent about 500 words in, and it was better as an op–ed in Lucire. Some of the themes will be familiar to regular readers, especially about Big Tech, but here I discuss its influence on web design trends and standardization. The headline says it all: ‘Where have the fun fashion magazine websites gone?’. Browsing in the 1990s was fun, discovering how people coded to overcome the limitations of the medium, and, in my case, bringing in lessons from print that worked. Maybe it’s an age thing, or the fact I don’t surf as much for leisure, but in 2021 the sites I come across tend to look the same, especially the ones that were in Lucire’s ‘Newsstand’ section.
   I do know of great sites—my friend and colleague Charlie Ward has his one, which does everything you would expect from a great designer’s web presence. So many others look like they’ve bought a template. As to those of us in magazines—I’d love to see something that really inspired me again.

Tags: , , , , , , , , , , , ,
Posted in design, internet, media, New Zealand, publishing, technology, Wellington | No Comments »


Branding ourselves in the 2020s: a revamp for JY&A Consulting’s website, jya.co

05.02.2021

Last night, I uploaded a revised website for JY&A Consulting (jya.co), which I wrote and coded. Amanda came up with a lot of the good ideas for it—it was important to get her feedback precisely because she isn’t in the industry, and I could then include people who might be looking to start a new venture while working from home among potential clients.
   Publishing and fonts aside, it was branding that I’m formally trained in, other than law, and since we started, I’ve worked with a number of wonderful colleagues from around the world as my “A team” in this sector. When I started redoing the site, and getting a few logos for the home page, I remembered a few of the old clients whose brands I had worked on. There are a select few, too, that I’m never allowed to mention, or even hint at. C’est la vie.
   There are still areas to play with (such as mobile optimization)—no new website is a fait accompli on day one—and things I need to check with colleagues, but by and large what appears there is the look I want for 2021. And here’s the most compelling reason for doing the update: the old site dated from 2012.
   It was just one of those things: if work’s ticking along, then do you need to redo the site? But as we started a new decade, the old site looked like a relic. Twenty twelve was a long time ago: it was the year we were worried that the Mayans were right and their calendar ran out (the biggest doomsday prediction since Y2K?); that some Americans thought that Mitt Romney would be too right-wing for their country as he went up against Barack Obama—who said same-sex marriage should be legal that year—in their presidential election; and Prince Harry, the party animal version, was stripping in Las Vegas.
   It was designed when we still didn’t want to scroll down a web page, when cellphones weren’t the main tool to browse web pages with, and we filled it up with smart information, because we figured the people who’d hire us wanted as much depth as we could reasonably show off on a site. We even had a Javascript slider animation on the home page, images fading into others, showing the work we had done.
   Times have changed. A lot of what we can offer, we could express more succinctly. People seem to want greater simplicity on websites. We can have taller pages because scrolling is normal. As a trend, websites seem to have bigger type to accommodate browsing on smaller devices (having said that, every time we look at doing mobile versions of sites, as we did in the early 2000s, new technology came along to render them obsolete)—all while print magazines seem to have shrunk their body type! And we may as well show off, like so many others, that we’ve appeared in The New York Times and CNN—places where I’ve been quoted as a brand guy and not the publisher of Lucire.
   But, most importantly, we took a market orientation to the website: it wasn’t developed to show off what we thought was important, but what a customer might think is important.
   The old headings—‘Humanistic branding and CSR’, ‘Branding and the law’ (the pages are still there, but unlinked from the main site)—might show why we’re different, but they’re not necessarily the reasons people might come to hire us. They still can—but we do heaps of other stuff, too.
   I might love that photo of me with the Medinge Group at la Sorbonne–CELSA, but I’m betting the majority of customers will ask, ‘Who cares?’ or ‘How does this impact on my work?’
   As consumer requirements change, I’m sure we’ll have pages from today that seem irrelevant, in which case we’ll have to get on to changing them as soon as possible, rather than wait nine years.
   Looking back over the years, the brand consulting site has had quite a few iterations on the web. While I still have all these files offline, it was quicker to look at the Internet Archive, discovering an early incarnation in 1997 that was, looking back now, lacking. But some of our lessons in print were adopted—people once thought our ability to bring in a print æsthetic was one of our skills—and that helped it look reasonably smart in a late 1990s context, especially with some of the limited software we had.

   The next version of the site is from the early 2000s, and at this point, the website’s design was based around our offline collateral, including our customer report documents, which used big blocks of colour. The Archive.org example I took was from 2003, but the look may have débuted in 2001. Note that the screen wouldn’t have been as wide as a modern computer’s, so the text wouldn’t have been in columns as wide as the ones in the illustration. Browsers also had margins built in.

   We really did keep this till 2012, with updates to the news items, as far as I can make out—it looks like 2021 wasn’t the first time I left things untouched for so long. But it got us work. In 2012, I thought I was so smart doing the table in the top menu, and you didn’t need to scroll. And this incarnation probably got us less work.

   There’s still a lot of satisfaction knowing that you’ve coded your own site, and not relied on Wordpress or Wix. Being your own client has its advantages in terms of evolving the site and figuring out where everything goes. It’s not perfect but there’s little errant code here; everything’s used to get that page appearing on the site, and hopefully you all enjoy the browsing experience. At least it’s no longer stuck in the early 2010s and hopefully makes it clearer about what we do. Your feedback, especially around the suitability of our offerings, is very welcome.

Tags: , , , , , , , , , , , , , , , , , , , , ,
Posted in business, design, internet, marketing, New Zealand, technology, Wellington | 2 Comments »


December 2020 gallery

01.12.2020

Here are the images that have piqued my interest for December 2020. For November’s gallery, click here (all gallery posts are here). And for why I started this, here’s my earlier post on this blog, and also here and here on NewTumbl.


 

Sources
   Auckland City Library opening, via Auckland City Council Residents’ Group on Twitter.
   Jono Barber scanned the Aston Martin DB5 story from newspaper clippings he recently found.
   From the Instagram of hairstylist extraordinaire, my friend Adrian Gutierrez. Photographed by Steve Yu, hair by Adrian Gutierrez, make-up by Meri, modelled by Chanel Margaux.
   Volkswagen Käfer advertisement from the Car Factoids on Twitter.
   Star Trek–Star Wars series from Alex on NewTumbl.
   Manawatū Guardian front page relates to this Tweet.
   Alexa Breit promotes masks by Peggell, via Instagram.
   Amber Peebles photographed by me in 2003 on a Voigtländer Bessamatic Deluxe.
   Google Forms’ 419 scam relates to this Toot.
   Peugeot 504 advertisement from the Car Factoids on Twitter.
   Triumph TR7 brochure cover from the Car Factoids on Twitter.
   Katharina Mazepa photograph from her Instagram.
   More about the JAC Jiayue A5 (JAC J7 for export) at Autocade.
   Tardis image from Alex on NewTumbl.
   More information on the Toyota Yaris Cross at Autocade.

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Posted in cars, China, design, gallery, interests, internet, media, TV, UK, USA | 1 Comment »