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The Persuader
My personal blog, started in 2006. No paid or guest posts, no link sales.
Posts tagged ‘Elle’
01.01.2023
Here are January 2023’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.
Notes
Rosa Clará image, added as I was archiving files from the third quarter of 2021.
The Claudia Schiffer Rolling Stone cover came to mind recently—I believe it was commended in 1991 by the Society of Publication Designers, which I was a member of.
I looked at a few more risquĂ©, but mainstream, covers to see what is appropriate, since the Lucire issue 46 cover was one of our more revealing though most glamorous ones in years. Vanity Fair and Women’s Health were useful US cases.
Lucire 46 cover for our 25th anniversary: hotographed by Lindsay Adler, styled by Cannon, make-up by Joanne Gair, and hair by Linh Nguyen. Gown by the Danes; earrings by Erickson Beamon at Showroom Seven; and modelled by Rachel Hilbert.
Tags: 1961, 1970s, 1975, 1980s, 1989, 1990, 1990s, 2009, 2017, 2021, 2022, 2023, actress, advertisement, advertising, Australia, Bertone, BL, BMW, British Leyland, Cannon, car, cartography, celebrity, China, CondĂ© Nast, Croatia, design, Elle, Ellen von Unwerth, fashion, film, Frankfurt, Germany, Giorgetto Giugiaro, Google, humour, Italy, Joanne Gair, JY&A Media, Lindsay Adler, Linh Nguyen, Lucire, magazine, magazine design, magazines, Mastodon, Mini, modelling, New York, Nissan, NY, photography, publishing, science, signage, Society of Publication Designers, Spain, supermodel, TV, UK, USA, Vogue Posted in China, design, gallery, humour, media, publishing, UK, USA | No Comments »
02.08.2022



Here are three Elle covers that I uploaded to last month’s gallery, from 1991, 2007 and 2022. Which looks the most modern?
To me, it’s the 1991 US one. The Futura Light type is calm, it all looks rather balanced, and the photograph is well lit and composed. From memory, it was commended by the Society of Publication Designers in New York but I have to check my old annuals.
Go to 2007 and there’s just too much clutter, and the custom type looks uncomfortable, especially the bolder cut. The 2022 cover sits somewhere in between, but it feels like it’s the dawn of desktop publishing with different sizes and weights, and type inside circles.
Granted, I’m not comparing apples with apples, as the 21st-century covers are for the French market, and the 2022 cover isn’t strictly for Elle but the Elle Corps summer special. Makes you wonder what timelessness is, and if such a thing even exists. Many of the old covers for Lucire that I art-directed were meant to be timeless, too, but how they have dated! Is it about calm, a lack of clutter, and a sensible, restrained use of type? Or does that in fact date things, and we’re just at a moment in time when the 1991 cover’s trends have come round again?
Tags: 1991, 2007, 2022, design, Elle, France, graphic design, Hachette, layout, publishing, typography, USA Posted in design, France, media, publishing, typography, USA | No Comments »
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