Sources
Viki Odintcova, via Instagram.
Alexa Breit, photographed by Weniamin Schmidt, via Instagram.
Vickery Electrical advertisement: something I asked my Dad to photocopy for me in the 1980s. Briefly we had one of those Apple II portables, on loan from a colleague of Dad. I can’t recall if it had one disk drive or two, but it was a fun little unit to have in my bedroom for that period. Dad was prepared to buy it if I wanted to keep it, but I didn’t have much software to run, plus I already had the Commodore 64 for schoolwork. Lucire issue 43 cover, photographed by Damien Carney, creative direction and fashion styling by Nikko Kefalas, make-up by Joanne Gair, hair by Kirsten Brooke Anderson, and assisted by Rachel Bell, and modelled by Elena Sartison. Find out more here.
Drew Barrymore quotation from Elephant Journal on Twitter.
I still have plenty of old stamps, which I tend to save for family (though I’m less discerning about those discounted Christmas ones, which I always used to buy in bulk). This is going to my cousin’s daughter and her husband, and their family.
Comments after an article on Buzzfeed News. Business as usual for Facebook.
Happy birthday to our niece Esme!
Tania Dawson promotes Rabbit Borrows, from Instagram.
Here are April 2021âs images. I append to this gallery through the month.
Sources
Tania Dawson promotes SomĂšrfield Hair Care, sourced from Instagram.
Austrian model Katharina Mazepa for Dreamstate Muse magazine, shared on her Instagram. This was an image that was removed from a PG blog at NewTumbl last yearâapparently this was considered ‘nudity’ and rated M.
AMC promotes the Gremlin, the US’s first subcompact car. More on the Gremlin at Autocade; 1970 advertisement via Twitter. Volkswagen 1302S photographed in June 2018, one of the images Iâve submitted to Unsplash for downloading. I did have the owner’s permission to shoot his car.
St Gerard’s Church and Monastery atop Mt Victoria in Wellington, New Zealand, photographed by me and also submitted to Unsplash.
Facebook group bots: someone else was so used to seeing bot activity on Facebook, they made a meme about it.
Holden Commodore Evoke Ute, an example of ‘base model brilliance’. More at Autocade. Morris Marina ad via the Car Factoids on Twitter. Innocenti Mini 90 and 120 via the Car Factoids on Twitter.
The aerial shot of Rongotai in 1943 is from the Air New Zealand collection. This is a scan of a photostat Dad made for me in the 1980s. The piece of paper was getting a bit old so I thought it was time to make it digital-only. The â1929â marks the site of the original Rongotai Aerodrome, I believe.
Instafraud, from Bob Hoffman’s The Ad Contrarian newsletter.
Alisia Ludwig, from her Instagram, photographer unnamed. Fiat X1/9 brochure, from the Car Factoids on Twitter. More on the Peugeot 508 (R23) at Autocade.
Model Skyler Simpson at Seminole Hard Rock Hotel & Casino, Tampa, photographer unknown, via Instagram.
This is a comment (with my reply, in reverse chronology) from a NewTumbl user, Thewonderfulo, who often posts about the siteâs rating system. Iâve no idea if itâs official, but it certainly passes itself off as authoritative.
I usually find myself agreeing with them but hereâs a prime example where I donâtâbecause, first, I canât see anything in the NewTumbl rules that confirms this (excepting one sentence below which Iâll get on to); secondly, NewTumbl has told me of some of their positions personally and I feel theyâve confirmed my position; and thirdly, if bare behinds can be seen in PG-13 films (including in their country), then a single ‘buttcheek’ is even less offensive and couldnât possibly be M, which is where NewTumbl classifies nudity.
There is one sentence under the O category (âOfficeâ, or safe for work): âImages that would be considered sultry or provocative qualify as O provided the people in the photo have both their tops and bottoms covered â not just hidden from view, but actually wearing clothes.â Weâd then have to argue about how much âcoverageâ there is, and here Iâd fall back on being alive for nearly five decades and having kept my eyes open about popular culture. Swimwear, for instance, provides acceptable coverage which wouldnât offend most of us in the occident. From memory thatâs the level of skin the post in question was dealing with.
Itâs exactly as I said in my last post on NewTumbl. I love the concept, and the people who run the site, but the moderators are in some sort of Handmaidâs Tale Gilead. In fact, Iâd venture to say that Tumblr wouldnât consider a buttock to be offensive enough for removal. Given NewTumblâs history, as a Tumblr alternative that would be more tolerant, I believe that the moderators really donât understand the whole picture, and where the lines should be drawn.
To think, after chatting directly to NewTumbl I was feeling a bit more chipper about the site, only to have a one-sentence comment and zero willingness to engage by a user who is, I fear, typical of the âstandardsâ that are actually being applied by the overenthused American puritans.
Incidentally, speaking of Americans, the sort of divisive talk that they are infamous for is all too present. Have a look at the thread from my earlier post. Frankly, if they have a problem with a buttock on a woman who is actually wearing clothes, while this sort of mudslinging is fine on a family-friendly post, then I wonât be in a hurry to return. Sorry.
Here are the images that have piqued my interest for December 2020. For November’s gallery, click here (all gallery posts are here). And for why I started this, here’s my earlier post on this blog, and also here and here on NewTumbl.
Now that I have an image gallery plug-in (New Image Gallery) for the miscellaneous stuff that normally goes on NewTumbl, the question is whether these should appear as posts or pages. Let’s try posts to begin with, as I’m not yet sure that I want dozens of individual pages (which to me are top-level items in Wordpress). My previous blog post here outlined why I’m experimenting with this. This post will be updated as the gallery is updated.
Image sources are there in WordpressâI need to find a way to make them show when you click on the image. I may need to hack the PHP. We shall see.
This Pukerua Bay Tardis was the last thing I shot before the cellphone’s camera and gallery failed
First world problems: the cellphone. Right now my partner and I have half a phone each, so between us, we have one phone. She can receive calls on hers but no one can hear her answer. Mine no longer rings but you can hear me speak. So I guess the way to communicate with us, while there are no repairers within easy reach during Level 3, is to call her, we note down the number, and one of us calls you back on my phone. Oh, and neither of us can take photos any more: hers has had an issue with SD cards from quite early on, and mine developed an inability to function as a camera last week.
Iâm not that bothered, really. Iâve no real desire to get a new one and while itâs a shame to lose a very good camera, one wonders whether I should just get a camera. After all, those last longer than a mere 18 months âŠ
The fault on my Meizu M6 Note isnât easily explained. Iâve spotted similar errors online, solved by deleting the app cache or app data. That doesnât work for me. The camera crashes on opening, as does the downloadsâ folder. The gallery is a grey, translucent screen that does or doesnât crash eventually. The stock music and video apps cannot find anything, though the stock file manager and ES File Explorer tell me that everything is there, and the music and video files play.
Iâve not lost any important dataâIâve always backed up regularlyâand Iâve transferred everything off the SD card, including all SMSs and contacts, as well as photos.
PB (who sold my phone) says this is a software issue (avoiding a warranty claim) but Iâm sensing that the phone is crapping out whenever itâs trying to write to one of its disks. That sounds like hardware to me. I can transfer files via ES File Explorer but it crashes immediately after the transfer. It doesnât appear to be the SD card, as when I unmount it, it makes no difference.
Meizu has been useless: no forum answers and no customer-service answers, though I did contact them during the CCP Workersâ Day holiday and mainland China was, it appears, shut.
Iâd go back to my old phone but the only way to charge it is to drive to Johnsonville and ask the repair shop to charge itâthatâs been the only way since they repaired the screen last year. They claim they havenât altered the charging mechanism, but since no charger in this house works, not even a new one, I canât explain why this is. The techs there are mum because it would be giving away a trade secret, I suspect. It seems I need a special charger since the manufacturerâs one is no longer compatible, and, guess what? I bet you the repairer will sell me one at some ridiculous price.
But for now it is rather inconvenient, making me wonder: just why on earth do we need a cellphone anyway, when we have perfectly adequate land lines, when they become this much of a nuisance? They are frightfully expensive for little, fragile trinkets that I now increasingly use for just calling and not apps. There is no utility to a phone that can only be charged at one location, and there is no utility to the newer phone to which no one has posted a ready solution.
Last night, I reset the newer unit to factory settings, and, happily, none of the Google BS returned. Maybe it was software. I still canât do any updating with Meizuâs official patches, which is annoying. But for that brief, glorious period, I could take photos again. The camera, gallery and downloadsâ folder would open.
I did have to find, with some difficulty, the Chinese version of the Meizu app store, since I never saved the APK separately. This at least allowed me to get some of the Chinese apps not available on Meizuâs western app store. It was a shame to see some of the apps I once had no longer in the catalogue; presumably, the licence had expired.
And there I was, for about five or six hours reconfiguring everything, and Iâm now suspecting that I should not have put the thing into developer mode or downloaded Whatsapp. Those were the last things I did, content that all was well, before waking up this morning to find myself back to square one, with the bugs all returned. The log files tell me nothing other than Meizuâs servers not responding properly (theyâve been getting progressively worse supporting people outside China).
I never wanted Whatsapp but for one friend formerly in Germany, and one of Dadâs friends in Hong Kong. The former has moved back here and can be reached on Facebook, accessible via a basic browser. And sadly, I doubt I will hear much from the latter now that Dad has passed away. He knows my regular number anyway, and if I had a cellphone that rings, maybe he could call it.
Since Whatsapp and Instagram are owned by Facebook, it would not surprise me if both were becoming less and less compatible with Android v. 7, and Iâve charted Instagramâs increasing, Facebook-era faults on this blog before. If Facebook canât get its basics right on its flagship site, then why should I have their crap in my pocket?
Generally, I could live without it. Maybe tomorrow night Iâll give the reset another go. Iâve saved most of the APKs from this round, and it was a good opportunity to do without some apps that I seldom used. But I already lost a day to it earlier in the week, a night to it last night, and I face the prospect of more hours to come. These things are not productive when they take up this much time. And I donât like typing on tiny keyboards, I do absolutely zero work on them other than calls since it is impossible to compose a logical email (which you then have to somehow sync back to the desktop to maintain a full, professional record, wasting even more time), and they serve only a narrow range of purposes, photography being one. Iâm still quicker looking at a paper map than relying on a device.
However, I donât like faulty gadgets that have cost me hundreds of dollars, and since a reset solved the problems for a few hours, it might be worth one more shot to at least bring things closer to normal, useful or not. Letâs at least have that camera and music back.
A lot of the world’s population has come together in the fight against COVID-19. Except Facebook, of course, who is exploiting the virus for profit. Facebook has done well in the first quarter of 2020 with positive earnings. Freedom From Facebook & Google co-chairs Sarah Miller and David Segal note (the links are theirs): ‘Facebook has exploited a global pandemic to grow their monopoly and bottom line. Theyâve profited from ads boasting fake cures and harmful information, allowed ad targeting to âpseudoscienceâ audiences, permitted anti-stay-at-home protests to organize on the platform, and are now launching a COVID âData for Goodâ endeavour to harvest even more of our personal information.
âMake no mistake, Facebook having more of your data is never âgood”, nor will they just relinquish the collected data when the pandemicâs curve has been flattened. Rather, theyâll bank it and continue to profit from hyper-targeted ads for years to come.’
It’s been a few weeks (April 19 was my last post on this subject) since I last crunched these numbers but it does appear that overall, COVID-19 infections as a percentage of tests done are dropping, several countries excepting. Here is the source.
France 167,178 of 724,574 = 23·07%
UK 171,253 of 901,905 = 18·99%
Sweden 21,092 of 119,500 = 17·65%
USA 1,095,304 of 6,391,887 = 17·14%
Spain 239,639 of 1,455,306 = 16·47%
Singapore 17,101 of 143,919 = 11·88%
KSA 22,753 of 200,000 = 11·38%
Switzerland 29,586 of 266,200 = 11·11%
Italy 205,463 of 1,979,217 = 10·38%
Germany 163,009 of 2,547,052 = 6·40%
South Korea 10,774 of 623,069 = 1·73%
Australia 6,766 of 581,941 = 1·16%
New Zealand 1,479 of 139,898 = 1·06%
Taiwan 429 of 63,340 = 0·68%
Hong Kong 1,038 of 154,989 = 0·67%
Emmerdale fans will never forgive me. I’ve not been one to watch British soaps, finding them uninteresting. However, in this household, we have had Emmerdale on since it’s scheduled between TV1âs midday bulletin and the 1 p.m. government press conference on COVID-19, or, as some of us call it, The Ashley Bloomfield Show, named for our director-general of health who not only has to put up with all of this, but took a hit to one-fifth of his pay cheque. Naturally, one sings along to the Emmerdale theme, except I have no clue about its lyrics. Are there lyrics?
Never used to leave the TV on for #Emmerdale, but with #COVID19 I doâand like many, I sing along:
Who the hell cares what goes on at that farm? Donât really know who has come to some harm. Whatever you see, thereâs no cause for alarm, When we peer in the lives of Emmerdale.
Not a single like on Twitter or Mastodon. I’ve offended a heck of a lot of people.
We are supposedly at Level 3, which someone said was Level 4 (the full lockdown) with takeaways. However, we’ve gone from the 1960s-style near-empty motorways to this almost immediately.
Hereâs a cautionary tale found by Lucire travel editor Stanley Moss. His words: âPhotographer Dmitry Kostyukov recently experienced a rich dialogue with an algorithm belonging to a Scandinavian swimwear company. Heâd been auto-mistaken for a Y chromosome, and digitally invited to become a brand ambassador. Dmitry accepted, and received the sample suit of his choice, an influencer name and instructions on how to photograph himself wearing the product. This exposes one facet of what advertising has become, commodified advocacy. Following is the text of his statement about the project, filled with reminders of what today constitutes the new paradigm of product promotion. Caveat emptor.â
In other words, donât leave your marketing in the hands of a program. I havenât followed up with Bright Swimwear, but I hope they’ll run with it, not just to show that they are âprogressiveâ, but to admit that there are limits to how algorithms can handle your brand. (They haven’t yet.)
If the world desires more humanistic branding, and people donât want to feel like just a number, then brands should be more personal. Automation is all right when you need to reach a mass audience with the same message, but cultivating personal relationships with your brand ambassadors would be a must if you desire authenticity. Otherwise, you just donât know the values of those promoting your brand.
Fortunately, I took it in good humour just as Dmitry did and ran the story in Lucire, and you can reach your own conclusions about the wisdom of algorithms in marketing, particularly in brand ambassadorship.
If you’d like a closer inspection, here’s my photo cropped roughly where hers is.
The clouds are the giveaway, and trust me, no one was standing in exactly the same position I was when I took the original.
I have called Dr Weaver out on Twitter and in a message via her website, with a proposal: how about giving me a set of the notes from the seminar my photo helped her sell, and we’d call this a winâwin? Attendees paid NZ$40 to attend her do, and I reckon NZ$40 is a fair price for a photo licence. I hope she’ll biteâseems an amicable way to get round this.
Update: Dr Weaver’s team were really punctual at getting back to me. The following morning, I received a reply from Felicity on her staff, who added my credit on the photograph caption. There were no notes from her seminar, howeverânote-taking is the attendee’s choice. However, they were happy to send me a book, and I notice this morning (Wednesday, two days after) they have asked for my address. Well done to their team on a swift response, and look out for the book appearing on my Instagram when it arrives. If it’s the sort of thing our readers like, we might even put it on Lucire.
The lesson: both sides wanted to turn something negative into something positiveâwins all round.
A photo posted by CARS IN NEW ZEALAND (NZ) (@kiwi_cars) on
It’s an old point, but the prevalence of cellphone cameras means it’s going to be increasingly hard to deny where you were on any given day. In this case, Kiwi_cars asked for permission to feature my number plate, as they usually blank it out. I gave my blessing, since my own rule is: if you can spot something publicly, you don’t need to censor. If you photograph something where the subject expects a level of privacy (e.g. through their home windows, even if you can see them from a public vantage-point; or when something is on private land), then you do.
And don’t we often buy a car for it to be admired? Since prewar days we’ve been conditioned into thinking how a car is not a durable good, but a fashion item that expresses who we are. It would seem hypocritical if someone does admire yours and you don’t permit it. If we weren’t interested in that, we’d all be driving Nissan Tiidas in a monochrome shade. And even some of those Tiida owners are very, very proud of their motors.
An edited version of this post originally appeared at Blogcozy.
