Posts tagged ‘Brexit’


November 2022 gallery

03.11.2022

Here are November 2022’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.
 

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Posted in cars, culture, France, gallery, humour, interests, internet, marketing, New Zealand, politics, publishing, TV, typography, UK, USA | No Comments »


June 2022 gallery

03.06.2022

Here are June 2022’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.
 


 

Notes
Most of these are self-explanatory, though the Göteborgs-Posten newspaper page with Panos Papadopoulos gets a mention. Panos name-drops me about his autobiography.

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September 2021 gallery

02.09.2021

Here are September 2021’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month. It sure beats having a Pinterest.

 
Sources
The 2016 Dodge Neon sold in México. More at Autocade.
   IKCO Peugeot 207. More at Autocade.
   Double standards in New Zealand media, reposted from Twitter.
   The cover of the novelization of Once Upon a Time in Hollywood. Nice work on the use of Americana, which does take me back to the period, but I’m not convinced by this cut of Italian Old Style. I just don’t remember it being used that much.
   Daktari’s Cheryl Miller as the new Dodge model, in her second year, promoting the 1971 Dodge Demon. This was a 1960s idea that was being carried over with minor tweaks into the new decade, and it didn’t work quite as well as the earlier Joan Parker ‘Dodge Fever’ advertisements (also shown here in this gallery).
   House Beautiful cover, January 1970, before all the garishness of the decade really hit. This is still a clean, nicely designed cover. I looked at some from the years that followed on House Beautiful’s website, and they never hit this graphic design high mark again.
   That’s the Car and Driver cover for my birth month? How disappointing, a Colonnade Chevrolet Monte Carlo.
   French typesetting, as posted on the typography.guru forums.
   Read books, humorous graphic reposted from Twitter.
   My reply in the comments at Business Desk, on why it made more sense for me to have run for mayor in 2010 and 2013 than it would in 2022.
   Seven years before its launch, Marcello Gandini had already styled the Innocenti Mini. This is his 1967 proposal at Bertone.
   JAC Jiayue A5. More at Autocade.
   Phil McCann reporting for the BBC, reposted from Twitter.
   Car and Driver February 1970 cover. As a concept, this could still work.

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April 2021 gallery

05.04.2021

Here are April 2021’s images. I append to this gallery through the month.

 
Sources
Tania Dawson promotes Somèrfield Hair Care, sourced from Instagram.
   Austrian model Katharina Mazepa for Dreamstate Muse magazine, shared on her Instagram. This was an image that was removed from a PG blog at NewTumbl last year—apparently this was considered ‘nudity’ and rated M.
   AMC promotes the Gremlin, the US’s first subcompact car. More on the Gremlin at Autocade; 1970 advertisement via Twitter.
   Volkswagen 1302S photographed in June 2018, one of the images I’ve submitted to Unsplash for downloading. I did have the owner’s permission to shoot his car.
   St Gerard’s Church and Monastery atop Mt Victoria in Wellington, New Zealand, photographed by me and also submitted to Unsplash.
   Facebook group bots: someone else was so used to seeing bot activity on Facebook, they made a meme about it.
   Holden Commodore Evoke Ute, an example of ‘base model brilliance’. More at Autocade.
   Morris Marina ad via the Car Factoids on Twitter.
   Innocenti Mini 90 and 120 via the Car Factoids on Twitter.
   The aerial shot of Rongotai in 1943 is from the Air New Zealand collection. This is a scan of a photostat Dad made for me in the 1980s. The piece of paper was getting a bit old so I thought it was time to make it digital-only. The ‘1929’ marks the site of the original Rongotai Aerodrome, I believe.
   Instafraud, from Bob Hoffman’s The Ad Contrarian newsletter.
   Alisia Ludwig, from her Instagram, photographer unnamed.
   Fiat X1/9 brochure, from the Car Factoids on Twitter.
   More on the Peugeot 508 (R23) at Autocade.
   Model Skyler Simpson at Seminole Hard Rock Hotel & Casino, Tampa, photographer unknown, via Instagram.

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February 2021 gallery

08.02.2021

Finally, let’s begin the February 2021 gallery!

 
   All galleries can be seen through the ‘Gallery’ link in the header, or click here (especially if you’re on a mobile device). I append to this entry through the month.

Sources
Katharina Mazepa for Guess, more information here.
   Financial Times clipping from Twitter.
   Year of the Ox wallpaper from Meizu.
   American English cartoon via Twitter.
   Doctor Who–Life on Mars cartoon, from Pinterest.
   Dr Ashley Bloomfield briefing with closed captioning, found on Twitter.
   South African version of the Opel Commodore C: more at Autocade.
   Chrysler–Simca 1307 and 1308 illustrations: more on the car at Autocade.

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January 2021 gallery

01.01.2021

Let’s kick off January’s images right here!

 
   Click here for all months (or hit ‘Gallery’ at the top of the screen, if you’re on the desktop), here for December, and here for November. This post explains why I wound up doing the gallery here.
   I append to this entry through the month.

Sources
Changan Uni-T, more at Autocade.
   Cartoon from Textile Cartoons on NewTumbl.
   Twenty seventeen newspaper clipping with Donald Trump from The Herald.
   BMW image from Kolbenkopp on Twitter (more at this post).
   Bestune B70 Mk III, more at Autocade.
   Bridal gown by Luna Novias, and featured in Lucire.
   Citroën AX-330 advertisement from 1970 sourced from here.
   Chilean Peugeot 404 advertisement sourced from here.
   Ford US full line from 1972 from Consumer Guide.
   Xpeng P7, more at Autocade.
   More on the Lancia Beta Monte-Carlo in Autocade.
   Clarins model from the Lucire archives.
   Ford Cortina Mk III by Hyundai advertisement from the Car Factoids on Twitter.

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Old-school Brexit

29.12.2020

I was led by this Tweet to have a peek at the Draft EU–UK Trade Cooperation Agreement and can confirm that on p. 931 (not p. 921), under ‘Protocols and Standards to be used for encryption mechanism: s/MIME and related packages’, there is this:

The text:

The underlying certificate used by the s/MIME mechanism has to be in compliance with X.509 standard. In order to ensure common standards and procedures with other Prüm applications, the processing rules for s/MIME encryption operations or to be applied under various Commercial Product of the Shelves (COTS) environments, are as follows:

– the sequence of the operations is: first encryption and then signing,
– the encryption algorithm AES (Advanced Encryption Standard) with 256 bit key length and RSA with 1024 bit key length shall be applied for symmetric and asymmetric encryption respectively,
– the hash algorithm SHA-1 shall be applied.

s/MIME functionality is built into the vast majority of modern e-mail software packages including Outlook, Mozilla Mail as well as Netscape Communicator 4.x and inter-operates among all major email software packages.

   Two things have always puzzled me about the UK’s approach to getting some sort of a deal with the EU.
   There are two Davids, Davis and Frost, no relation to the TV producer and TV host. As far as I can tell, despite knowing that the transition period would end on January 1, 2021, failed to do anything toward advancing a deal with the EU, so that the British people know there are new rules, but not what they are. The British taxpayer would be right to question just what their pounds have been doing.
   If I may use an analogy: there’s an exam and the set date was given but no one has done any swotting. Messrs Davis and Frost haven’t even done the coursework and sat in the lectures and tutorials blankly.
   The person who has done the least is Alexander Boris de Pfeffel Johnson, the British prime minister, who stumbled in to the exam room at the last minute without knowing the subject.
   But never mind, sneaked into the room with his clobber is an earlier graduate’s paper! Surely he can plagiarize some of the answers out of that should the same questions arise!
   I don’t know much about SHA-1 hash algorithms but the original Tweeter informs us that this had been ‘deprecated in 2011’ as insecure. However, I can cast my mind back to when ‘Netscape Communicator 4.x’ was my browser of choice, and that was 1998–2001. (I stuck with Netscape 4·7 for a long time, as 6 was too buggy, and in 2001 a friend gave me a copy of Internet Explorer 5, which I then used in Windows. This pre-dates this blog, hence Netscape is not even a tag here.)
   This is a comedy–tragedy from the land of Shakespeare, and I wonder if it means that the British government is expecting things to get so bad that they will have to wind up using computer software from 20 years ago.
   Or they just couldn’t be arsed over the last four years (yes, count ’em!) to do any real work, and hoped that no one would read the 1,259 pp. to find the mistakes.
   To conclude, another bad analogy: it’s not really oven-ready despite all this time baking. However, it appears the ingredients aren’t as fresh as we were led to believe. The proof of the pudding will be in the eating.

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Bring back humour to all, please!

10.12.2020

Very humorously, Nigella Lawson mispronounced microwave, only to have Those Who Have No Humour get up in arms and Ms Lawson having to clarify that she indeed knew how to pronounce the word the Tory way. Maybe it’s the Brexit age, where we can’t even reference the Continent, because of the Empah or some such, but sadly it might be down to the demise of humour in parts of our society. Britain may be leaving the EU but parts of society are about as cheerful as a bureaucrat from Brussels as they realize it’s a fait accompli. Oops.
   Back in April, I Tweeted this:

   Got plenty of positive replies and likes except one chap was concerned:

   So even in New Zealand, free from the stresses of COVID-19 infections, humour is dying in parts of our nation. (In this country, it’s spelled humour.)
   The reason the joke isn’t offensive or even distressing is that it’s highly unlikely. That’s often the essence of a good joke. (‘Let’s send an astronaut to the sun.’ ‘They’d get burnt up.’ ‘Not at night.’) If you took exception to it, then the explanation that follows is that you think the scenario is likely, and, therefore, you’re in a defensive mode.
   And come on, most of us wouldn’t drive hundreds of kilometres to take a meeting during a pandemic, so if you choose to make an odd decision, then expect some mirth at your expense.
   This entire episode brings up so many other thoughts: what did he tell his wife? (‘Just popping out to have a chat to some people at work.’) What did she respond? (‘Come back by 11 p.m.’) What crossed his mind then? (‘Cool, she didn’t say which day.’) There’s an entire sitcom episode about the drive down.
   I believe Mrs Bridges is English by birth and it’s completely in line with her country’s sense of humour. (‘Another woman? Pull the other one, I couldn’t even get Simon to drive back to Oxford.’) I’d even say she loves a good joke because of some of the things her husband says. Simon Bridges showed his more jovial and relaxed side once freed from the pressures of leading the Opposition, so clearly he has a sense of humour, too. You’d need it to have taken on that job.
   I used to wonder why this country no longer does political satire as often as it once did, but the humourless are being given positions of responsibility. Ever been to a party where certain staff from a certain ministry are present? (I won’t name which one, in case they change their mind about my being the New Zealand ambassador to Someplace.)
   This has been happening since Labour got elected in 1984. McPhail & Gadsby, endless critics of Sir Robert Muldoon, and The Billy T. James Show vanished. The powers-that-be didn’t want to risk their own lot being lampooned. Being a National MP, Simon clearly wished to reverse that by entertaining all of us in the absence of such shows. How we all laughed at David ‘I’m not that guy off Red Dwarf’ Seymour twerking, and look at the votes he got! And how he converted the votes from Dancing with the Stars to political ones in 2020! There’s something to be said for the Wally act. If we no longer fund such programmes then it is over to the politicians.
   How I wish that were not the case and Melanie Bracewell could appear more often as Jacinda Ardern. Is Liz Mullane still keen to don the Helen Clark costume? Who’d play Dr Ashley Bloomfield? Calls to Jacinda. (Episode 1: Helen Clark calls Jacinda Ardern. ‘If you want my advice …’ ‘I don’t.’ Episode 2: Jack Dorsey calls Jacinda Ardern. ‘Why don’t you Tweet much?’ ‘With Jack and Maurie on there? Are you mad?’ Episode 3: James Shaw calls Jacinda Ardern. ‘Come round, I’ll brew some tea the Green Party way.’ We would entitle this ‘The Billy Tea, James Shaw’.) I’d watch that.

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Social media produce some terrible clairvoyants

19.02.2020

I see Billie Eilish is singing the next James Bond title song, and it sounds pretty good.
   The last one, ‘Writing’s on the Wall’, wasn’t one of my favourites and while I didn’t mind Sam Smith’s composition, I felt a female voice might have suited it better. On a Bond music forum on Facebook (when I was still using it), I voiced disappointment, only to get comments in the thread essentially saying, ‘Everyone who dislikes this song is a homophobe.’
   Up until that point I had no clue about Smith’s sexuality—didn’t care then, don’t care now. I didn’t think much of this until tonight, when it dawned on me that when I say I’m not a fan of Brexit, on busier social media threads I’ll get, ‘Stop calling British people racists.’
   In neither case was homophobia or racism even hinted but it puzzles me that people can somehow go into Mystic Meg clairvoyant mode and see things that aren’t there—and get it completely wrong. And that has to be one of the things wrong with social media these days: people far too much in their own heads to even see what is right in front of them, letting their imaginations run riot. Could they be projecting? In any case, a discussion, or even an argument, is pointless if parties are unwilling to stick to the facts in front of them, preferring to go into snowflake mode and fling out accusations. It does them little credit.
   And folks wonder why so many of us have social media fatigue and would be quite content if certain sites vanished overnight.

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Don’t give the keys to the company Twitter to just anyone

02.02.2020

A few thoughts about Twitter from the last 24 hours, other than ‘Please leave grown-up discussions to grown-ups’: (a) it’s probably not a smart idea to get aggro (about a joke you don’t understand because you aren’t familiar with the culture) from your company’s account, especially when you don’t have a leg to stand on; (b) deleting your side of the conversation might be good if your boss ever checks, although on my end ‘replying to [your company name]’ is still there for all to see; and (c) if your job is ‘Chief Marketing Officer’ then it may pay to know that marketing is about understanding your audiences (including their culture), not about signalling that your workplace hires incompetently and division must rule the roost.
   I’m not petty enough to name names (I’ve forgotten the person but I remember the company), but it was a reminder why Twitter has jumped the shark when some folks get so caught up in their insular worlds that opposing viewpoints must be shouted down. (And when that fails, to stalk the account and start a new thread.)
   The crazy thing is, not only did this other Tweeter miss the joke that any Brit born, well, postwar would have got, I actually agreed with him politically and said so (rule number one in marketing: find common ground with your audience). Nevertheless, he decided to claim that I accused Britons of being racist (why would I accuse the entirety of my own nation—I am a dual national—of being racist? It’s nowhere in the exchange) among other things. That by hashtagging #dontmentionthewar in an attempt to explain that Euroscepticism has been part of British humour for decades meant that I was ‘obsessed by war’. Guess he never saw The Italian Job, either, and clearly missed when Fawlty Towers was voted the UK’s top sitcom. I also imagine him being very offended by this, but it only works because of the preconceived notions we have about ‘the Germans’:

The mostly British audience found it funny. Why? Because of a shared cultural heritage. There’s no shame in not getting it, just don’t get upset when others reference it.
   It’s the classic ploy of ignoring the core message, getting angry for the sake of it, and when one doesn’t have anything to go on, to attack the messenger. I see enough of that on Facebook, and it’s a real shame that this is what a discussion looks like on Twitter for some people.
   I need to get over my Schadenfreude as I watched this person stumble in a vain attempt to gain some ground, but sometimes people keep digging and digging. And I don’t even like watching accident scenes on the motorway.
   And I really need to learn to mute those incapable of sticking to the facts—I can handle some situations where you get caught up in your emotions (we’re all guilty of this), but you shouldn’t be blinded by them.
   What I do know full well now is that there is one firm out there with a marketing exec who fictionalizes what you said, and it makes you wonder if this is the way this firm behaves when there is a normal commercial dispute. Which might be the opposite to what the firm wished.
   As one of my old law professors once said (I’m going to name-drop: it was the Rt Hon Prof Sir Geoffrey Palmer, KCMG, AC, QC, PC), ‘The more lawyers there are, the more poor lawyers there are.’ It’s always been the same in marketing: the more marketers there are, the more poor marketers there are. And God help those firms that let the latter have the keys to the corporate Twitter account.

I enjoyed that public law class with Prof Palmer, and I wish I could remember other direct quotations he made. (I remember various facts, just not sentences verbatim like that one—then again I don’t have the public law expertise of the brilliant Dr Caroline Morris, who sat behind me when we were undergrads.)
   It’s still very civil on Mastodon, and one of the Tooters that I communicate with is an ex-Tweeter whose account was suspended. I followed that account and there was never anything, to my knowledge, that violated the TOS on it. But Twitter seems to be far harder to gauge in 2019–20 on just what will get you shut down. Guess it could happen any time to anyone. Shall we expect more in their election year? Be careful when commenting on US politics: it mightn’t be other Tweeters you need to worry about. And they could protect bots before they protect you.

Since I haven’t Instagrammed for ages—I think I only had one round of posting in mid-January—here’s how the sun looked to the west of my office. I am told the Canberra fires have done this. Canberra is some 2,300 km away. For my US readers, this is like saying a fire in Dallas has affected the sunlight in New York City.
   I’ve had a big life change, and I think that’s why Instagramming has suddenly left my routine. I miss some of the contact, and some dear friends message me there, knowing that doing so on Facebook makes no sense. I did give the impression to one person, and I publicly apologize to her, that I stopped Instagramming because the company is owned by Facebook, but the fact is I’ve done my screen time for the day and I’ve no desire to check my phone and play with a buggy app. Looks like seven years (late 2012 to the beginning of 2020) was what it took for me to be Instagrammed out, shorter than Facebook, where it took 10 (2007 to 2017).

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