All galleries can be seen through the ‘Gallery’ link in the header, or click here (especially if you’re on a mobile device). I append to this entry through the month.
One thing about not posting to NewTumbl is I’ve nowhere convenient to put quotations I’ve found. Maybe they have to go here as well. Back when I started this blog in 2006â15 years ago, since it was in JanuaryâI did make some very short posts, so it’s not out of keeping. (I realize the timestamp is in GMT, but it’s coming up to midday on January 1, 2021 here.)
Here’s one from Robert Reich, and I think for the most part US readers will agree, regardless of their political stripes.
In 2008, Wall Street nearly destroyed the economy. The Street got bailed out while millions of Americans lost their jobs, savings, and homes. Yet not no major Wall Street executive ever went to jail.
In more recent years, top executives of Purdue Pharmaceuticals, along with the Sackler family, knew the dangers of OxyContin but did nothing. Executives at Wells Fargo Bank pushed bank employees to defraud customers. Executives at Boeing hid the results of tests showing its 737 Max Jetliner was unsafe. Police chiefs across America looked the other way as police under their command repeatedly killed innocent Black Americans.
Yet here, too, those responsible have got away with it.
I did offer these quotations with little or no commentary at NewTumbl and Tumblr.
What came up with the above was a Twitter exchange with a netizen in the US, and how some places still touted three- to four-day shipping times when I argued that it was obviousâespecially if you had been looking at the COVID positivity rates that their government officials relied onâthat these were BS. And that Amazon (revenue exceeding US$100 milliard in the fourth quarter of 2020) and Apple (profit at c. US$100 milliard for the 12 months ending September 30) might just be rich enough to hire an employee to do the calculations and correlate them with delaysâwe are not talking particularly complicated maths here, and we have had a lot of 2020 data to go on. But they would rather save a few bob and lie to consumers: it’s a choice they have made.
The conclusion I sadly had to draw was that businesses there can lie with impunity, because they’ve observed that there are no real consequences. The famous examples are all too clear from Reich’s quotation, where the people get a raw dealâeven losing their lives.
The below is excerpted from an email sent to the Race Relations’ Commissioner, Meng Foon, sent yesterday, in light of this Tweet (and the thread that follows):
Me and my friend just wrote a letter to NCEA about the inclusion of a Lionel Terry poem in the History exam 💅😘
The New Zealand Qualifications’ Authority responded to Cadence:
Okkk so the response to our email…basically they said Terry was a 'little-known white supremacist' and that 'information was included to put his poem in context'. This info literally just said he murdered Joe Kum Yung, and that 'He was known for his views on race.'
I find it totally bizarre and inexplicable in the wake of the March 15 mosque terror attacks that someone would have thought it appropriate to include a poem by Terry in such a context, which in my view affords a murderer, racist, and white supremacist undeserved sympathy, and treats the murder of Joe Kum Yung as a side note.
I dare say the equivalent would be quoting from the manifesto of the Christchurch terrorist.
I would have no issue if Terry had been discussed in the context of the xenophobia (even the sinophobia) and racism of the era, with students asked to analyse that critically.
Looking at the Level 2 history exam paper in full, I question whether the poem’s inclusion is even that relevant to the question, more so when compared to the other sources given by the examiner.
Cadence Chung, the student who brought this to the attention of a number of people on Twitter, said she received a response from NZQA suggesting that sufficient context had been given. This I feel dismisses the seriousness of the hate crime perpetrated on Joe Kum Yung and, by extension, on our community, and is yet another example of the ongoing racism that surfaces from time to time.
One is used to it coming from certain quarters but from an official government body?
It does not reflect where New Zealanders stand today and NZQA should both explain and apologize for its inclusion.
Indeed, right now, an analysis of why NZQA felt its actions appropriate in 2020 would make a suitable question in a future exam.
If only I had read Tina Ngata’s Tweet on the subject first, as it is far more to the point:
It was the 1st *recorded* race based murder in NZ (bc govt doesn't count colonizers killing MÄori as race based).
Not "little known" to our NZ Chinese community & not to those who study NZ racism.
Try NOT to erase whole ethnic communuties when defending yourself against racism. https://t.co/zakPRKkcLR
One hundred and fifteen years on since the racially motivated murder of Joe Kum Yung, we still have people who give this little regard to our various communities. My tale about being denied service at a Wellington supermarket in 1993 on racial grounds doesn’t seem that far-fetched, to be frank.
I have a problem with blackface and yellowface, generally when there are more than capable actors who could have taken the role, but I make exceptions in some situations.
Take, for example, the news that Little Britain and Come Fly with Me are being removed from streaming services because of what are now deemed racist portrayals. Matt Lucas, who plays half the roles in each, has even said that the shows were right for the time but theyâre not what he would make today. Yet I donât find myself being troubled by his and David Walliamsâs characters, since in both they are equal-opportunity about it, even going so far as to address racism head-on with Come Fly with Meâs Ian Foot, a clearly racist character.
I always viewed everyone from Ting Tong to Precious as caricatures viewed through a British lens, and it is through their comedy that they shine a light on the nationâs attitudes. Matt and David might not like me grouping their work in with Benny Hillâs Chow Mein character, who, while offensive to many Chinese, tended to expose the discomfort of the English âstraight manâ character, usually portrayed by Henry McGee. I canât think of one where Mein doesnât get the upper hand. I like to think these characters all come from the same place.
Sometimes, especially in comedy, you need people of the same race as most of the audience to point to their nationâs attitudes (and often intolerance)âitâs often more powerful for them as itâs not seen as preaching. Where I have a problem is when characters are founded on utterly false stereotypes, e.g. the bad Asian driver, the loud black man.
And can you imagine the furore if every character portrayed by Matt and David in Come Fly with Me was white? They would be sharply criticized for not being representative of the many cultures at a modern British airport.
I donât turn a blind eye to brownface in Hong Kong (Chinese actors playing Indians) or the mangled Cantonese used to dub white actors, but the same rules apply: if it shines a light on a situation, helps open our collective eyes, and make us better people, then surely we can accept those?
I Tweeted tonight something I had mentioned on this blog many years ago: Vince Powellâs sitcom Mind Your Language, set in 1970s Britain, where Barry Evansâs Jeremy Brown character, an ESL teacher, has to deal with his highly multicultural and multiracial class. The joke is always, ultimately, on Mr Brown, or the principal, Miss Courtenay, for their inability to adjust to the new arrivals and to understand their cultures. Maybe itâs rose-coloured glasses, but I donât remember the students being shown as second-class; they often help Jeremy Brown out of a pickle.
Importantly, many of the actors portrayed their own races, and, if the DVD commentary is to be believed, they were often complimented by people of the same background for their roles.
Powell based some of his stories on real life: a foreign au pair worked for them and brought home her ESL classmates, and he began getting ideas for the sitcom.
However, at some stage, this show was deemed to be racist. As I Tweeted tonight, âI loved Mind Your Language but white people said the depictions of POC were racist. Hang on, isnât it more racist to presume we canât complain ourselves? Most of the actors in that depicted their own race.
âI can only speak for my own, and I didnât find the Chinese character racist. Because there were elements of truth in there, she was portrayed by someone of my ethnicity, and the scripts were ultimately joking about the British not adjusting well to immigrant cultures.
âWhich, given how Leavers campaigned about Brexit, continues to be true. I get why some blackface and yellowface stuff needs to go but canât we have a say?
âTonight on TV1 news, there were two white people commenting on the offensiveness of minority portrayals in Little Britain and Come Fly with Me. I hope someone sees the irony in that.â
However, if any minorities depicted by Matt and David are offended by their workâTing Tong, Asuka and Nanako are the only Asiatic characters they do that I can think of, so east Asians arenât even that well representedâof course I will defer to your judgement. I canât pretend to know what itâs like for someone of Pakistani heritage to see Mattâs Taaj Manzoor, or someone with a Jamaican heritage to see Precious Little. However, unlike some commentators, I do not presume that members of their community are powerless to speak up, and they are always welcome on this forum.
Usually I find it easier to express myself in written form. For once, Black Lives Matter and the protests in the US prompted me to record another podcast entry. Iâm not sure where the flat as and the mid-Atlantic vowels come from when I listened to this againâmaybe I was channelling some of the passion I was seeing in the US, and I had watched the news prior to recording this.
My Anchor summary is: ‘Personal thoughts in solidarity with my black friends in the US. Yes, I posted a blackout image on my Instagram but it didnât seem to be enough. This is my small contribution, inspired by a Facebook post written by my white American friend Eddie Uken where he reflects on his perspective and privilege.’ Eddie’s Facebook post, which is public, is here.
Finally, a podcast (or is it a blogcast, since it’s on my blog?) where I’m not “reacting” to something that Olivia St Redfern has put on her Leisure Lounge series. Here are some musings about where we’re at, now we are at Level 3.
Some of my friends, especially my Natcoll students from 1999â2000, will tell you that I love doing impressions. They say Rory Bremner’s are shit hot and that mine are halfway there. It’s a regret that I haven’t been able to spring any of these on you. Don’t worry, I haven’t done any here. But one of these days âŠ
I know what youâre thinking. âDid he have six kids or only fiveâ. Well, to tell you the truth, in all this excitement, I've kinda lost track myself.
I see Billie Eilish is singing the next James Bond title song, and it sounds pretty good.
The last one, âWritingâs on the Wallâ, wasnât one of my favourites and while I didnât mind Sam Smithâs composition, I felt a female voice might have suited it better. On a Bond music forum on Facebook (when I was still using it), I voiced disappointment, only to get comments in the thread essentially saying, âEveryone who dislikes this song is a homophobe.â
Up until that point I had no clue about Smithâs sexualityâdidnât care then, donât care now. I didnât think much of this until tonight, when it dawned on me that when I say Iâm not a fan of Brexit, on busier social media threads Iâll get, âStop calling British people racists.â
In neither case was homophobia or racism even hinted but it puzzles me that people can somehow go into Mystic Meg clairvoyant mode and see things that arenât thereâand get it completely wrong. And that has to be one of the things wrong with social media these days: people far too much in their own heads to even see what is right in front of them, letting their imaginations run riot. Could they be projecting? In any case, a discussion, or even an argument, is pointless if parties are unwilling to stick to the facts in front of them, preferring to go into snowflake mode and fling out accusations. It does them little credit.
And folks wonder why so many of us have social media fatigue and would be quite content if certain sites vanished overnight.
On Andrew Yang’s run for the Democratic nomination in the US:
If Mastodon ever stops supporting that Javascript, I wrote: ‘Pretty stoked at what Andrew Yang has managed to achieve. Certain forces tried to minimize his coverage, to give him as little legitimacy as possible (sounds familiar). Yet he also normalized the idea of an Asian American presidential candidate, paving the way either for himself in 2024 or for someone else. #YangGang’. Those forces include some of the Democratic activist media.
It’s a damned shame. Yang didn’t vilify Republicans, listened to both sides, and was a pragmatist with solutions. Granted, there were areas his policies fell short, but at least he presented the optimistic side of American politics, something so rarely seen in what we outsiders perceive to be such a negative, murky world. Now Americans (and those of us watching from without) will likely face a shouting-match campaign.
And found on the web: a cellphone with a rotary dial that its creator, Justine Haupt, claims is more practical for her, and where calling is faster than with her modern phone. No apps, no SMS, but if you’re after something to call people, it does the job admirably. Her frequently dialled numbers are stored, so it’s only new numbers where she has to dial. The dial also serves as a volume control. Since I’m getting sick of apps, and I can’t be alone, Haupt may be on to something.
In her words: ‘A truly usable rotary-dial cellphone to replace my flip phone (I don’t use a smart phone). This is a statement against a world of touchscreens, hyperconnectivity, and complacency with big brother watchdogs.’
