Posts tagged ‘book’

November 2022 gallery


Here are November 2022’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.

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About me (according to libraries)


I suppose it shouldn’t surprise me that I have a US Library of Congress entry, as a published author, though if I am reading it correctly, it relates to my 2010 mayoral campaign.

Following the links there, I arrived at a Virtual International Authority File but the data there seem to relate to my Wikipedia entries. Disappointing.

Keep going, and there’s an entry at OCLC, a non-profit library collective, also linking to Wikipedia.

But from there I have a WorldCat identity that OCLC manages, and this is where things get a little more interesting.

There’s some 2010 mayoral campaign stuff, five references to academic papers I wrote (nice to see they are ‘held by 2 WorldCat member libraries worldwide’), an early book I wrote, Typography & Branding (though I don’t recall having written it in 2002 as they claim), and a book I didn’t author but am credited in the colophon as the body typeface family’s designer, Mainland Island from Wai-te-ata Press.

I’m flattered that Typography & Branding is held at two Australian locations, the University of Newcastle Auchmuty Library and the Curtin University Library. I hope their students are getting a lot out of this early book of mine.

I admit I like this tag cloud:

Commiserations to my namesake, Jack Yan, on not winning the Toronto mayoral election. I was getting a lot of news hits from Toronto and Ontario, far more than our media here managed back in the day. I also thought he did rather well in the televised debates. We only had one episode of Back Benches in 2010 that wasn’t really a debate. But there was a fun quiz, which I won—some of us know more about this city than others.

In a very crowded field, Jack managed seventh out of 31, with incumbent John Tory holding on to his gig with 62 per cent of the vote.

I hope he has another crack at it if he feels he has something to offer. I found him a really great guy to deal with.

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On the mayoral races in Wellington and Toronto: Tory for us, not for them


Almost makes you want to run for mayor again.

I had a look at my 2013 manifesto during the weekend and it wasn’t half bad. And, with respect to our candidates in Wellington, each of whom I know socially (and politics aside, actually like), it goes into more detail, and is arguably more visionary, than what I’ve seen from them to date.

It was quite uplifting to read this from Stephen Olsen writing in Scoop, covering the 2022 mayoral candidates’ meeting at St Peter’s Church last night:

To be honest the lack of rigorous thinking made for a lacklustre event. It even had me pining for the 2010 and 2013 Mayoral campaigns of an outsider, Jack Yan, who did reasonable and intelligent things like put forward a detailed manifesto and who did justice to the role of an articulate, knowledgeable and expressive candidate. (A disclaimer being that I was on the Back Jack team of 2010 and a supporting advisor three years later).

It was written without bias, and evaluates each of the three leading candidates.

Stephen concludes:

Tory Whanau did have a few Jack-like moments in calling as forcefully as possible for more democracy, more boldness, more engagement of citizens and more community-based co-design opportunities to rejuvenate Wellington. However for her campaign to get some wind under its wings it will need far more amplitude on those basic but vital notes. It’s not a time to pull punches.

In both of the elections I contested, I said we could not have politics as usual. I stand by that, because look at the lack of progress between 2013 and 2022 when voters choose politics as usual: rising rates, little change in the industry make-up (which is another way of saying very few high-value jobs have been created as a proportion of the total), which leads to a lack of economic resilience (and things being unaffordable for Wellingtonians). I said as much nine years ago.

Paul and Andy represent the old guard, and are conservative. Tory is a well read woman—I recall seeing Richard Rumelt’s Good Strategy, Bad Strategy in her office, among others, and she is aware of the world outside politics. She is the same age Mark Blumsky was when he was mayor, and the same age I was when I first ran. A good age, young enough to articulate a vision and have the energy to carry it out.

Whomever took a jab at her ‘inexperience’ as detailed in Stephen’s article obviously does not know her history or background. That person evidently does not know Wellington well enough, either, or just how well the last 30-something mayor we had improved the place. Maybe their memory’s playing tricks on them now and they’re out of touch. I mightn’t have agreed with everything Mark did, and maybe there are some rose-coloured glasses at play—but I do agree with the digital advancement this city made under him. Anyone miss the wooden bus stops along Courtenay Place? Anyone? Bueller? I thought not.

Our choices this year are Tory boys or Tory in name. Tory Whanau would make a fine mayor and (finally) the city’s first non-white mayor, too.
It wasn’t nostalgia that had me looking up my 2013 manifesto. It was one Jack Yan running for mayor this year. Not me, but the guy in Toronto.

Jack’s finally got his website up and got in touch, in good humour, as he saw the crazy coincidence of not just the name but of running for mayor of one’s city. I naturally forwarded on the emails I received thanks to mistaken identity. Out of interest, I had a look through what I wrote back then and sent it on out of interest. Just helping a brother out.

He probably doesn’t need it, as he has good, comprehensive policies tailored to his city. There’s a Tory called Tory running there. Torontonians have way more candidates to choose from. To the folks there, give the guy a chance and check out his website at

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July 2022 gallery


Here are July 2022’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.

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June 2022 gallery


Here are June 2022’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.


Most of these are self-explanatory, though the Göteborgs-Posten newspaper page with Panos Papadopoulos gets a mention. Panos name-drops me about his autobiography.

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Here’s the latest book I worked on: Panos: My Life, My Odyssey out May 26


[Originally posted in Lucire] Toward the end of next week, Panos Papadopoulos’s autobiography, Panos: My Life, My Odyssey, comes out in London, with an event in Stockholm following. This is an intimate memoir about Panos’s rise, from childhood poverty in Greece to the ‘king of swimwear’ in Scandinavia. Not only do I have an advance copy, I collaborated with Panos on it.

I’m fascinated by autobiographies. When I was a teenager, I read Lee Iacocca’s one, written with William Novak. I presume Novak interviewed Iacocca, or he worked with some additional notes, and ghosted for him. Whatever the case, it remains an engaging read, and I replaced my well worn paperback with a hardcover one a few years ago, when I spotted it at a charity fair. More recently I bought Don Black’s autobiography, The Sanest Guy in the Room, and enjoyed that thoroughly.

Panos and I probably had a similar arrangement to Iacocca and Novak, whereby I interviewed and prompted him for some stories, and I wrote from copious notes that he gave me. There’s an entire chapter in there that’s based on his reflections about the time he bought into a football team in Sweden, that he wrote in great detail himself soon after the events took place. Somehow over 10 months of 2021—though the idea has been floating around for many years before—Panos and I created this eminently readable tale, the sort of autobiography I would like to read.

Of course we start in Greece in 1958, and how a young lad, who begins working at age five alongside his mother as she cleaned an office, finds poverty a torment, and vows to get himself out of it. He also cannot tolerate injustice, and attempts to expose pollution, workplace accidents, and corruption—only to find himself and his parents harassed. By his late teens, after taking an interrail journey to northern Europe, he finds an opportunity to study in Sweden.

It’s not “the rest is history”, as Panos works in kitchens, washing dishes and peeling potatoes. He also finds gigs as a prison guard, a parole officer, a rest home carer, and a substitute teacher.

His first taste of fame is for a postgraduate sociology paper, where he examines the importance of clothing in nighttime disco settings, which captures the imagination of major newspapers and TV networks.

Finding dissatisfaction and frustration working in health care for the city of Göteborg, he seized upon an idea one day when spying just how drab the beaches were in Sweden: beautiful bodies covered in monochrome swimwear.

Injecting colour on to the beaches through his Panos Emporio swimwear label wasn’t an overnight success, and Panos elaborates on his story with the sort of passion you would expect from a Greek native, capturing your attention and leaving you wanting more.

He reveals his secrets about how he lifted himself out of poverty, creating a company given a platinum rating in Sweden, an honour reserved only for the top 450, out of half a million limited-liability companies there.

Read about how he managed his first sales despite doubts from the entire industry, how he secured Jannike Björling—then Sweden’s most sought-after woman, photographed constantly by the paparazzi—as Panos Emporio’s model, and how he followed up with securing Victoria Silvstedt, just as she was about to become world-famous posing for Playboy.

By 1996, 10 years into his label’s journey, and with the release of the Paillot (still offered in the Panos Emporio range today), the press dubbed him ‘the king of swimwear’, but he wasn’t done yet.

More high-profile models followed, and there’s even an encounter with Whitney Houston, revealed for the first time in the book. There are royal encounters, with former King Constantine II, and Sweden’s HM King Carl XVI Gustaf and HM Queen Sofia. HSH Princess Stéphanie almost makes it into the book.

There are touching moments, too, such as his heartfelt recollection of his friendship with Jean-Louis Dumas, the chairman of Hermès, and his wife Rena.

We’ve known each other for over 20 years, and from the start he complimented me on my writing, so I have a feeling he wanted me for this task for some time. We’ve both had to start businesses from scratch, and we did them away from our countries of birth. Additionally, he knew I grew up amongst Greeks so I had more than an average insight into his culture. We’ve talked about it numerous times, maybe as far back as 2016, when Panos Emporio celebrated its 30th anniversary. I’m very grateful for that. There were obviously stories I knew, since I interviewed him about them over the years, but plenty I did not, and they form the bulk of this 320 pp. book, published by LID Publishing of London, and released on May 26. A party in Stockholm follows on May 31.
Technically, the process was an easy collaboration as Panos and I shared notes and written manuscripts back and forth, and I had the privilege to lay it out and edit the photos as well. The whole book was typed out on WordPerfect, which gave an almost perfect re-creation of how the copyfitting would go in InDesign, unlike Word—for a while others doubted I could fit the contents into the agreed page length, since they couldn’t see it in the same format that I did. Martin Majoor’s FF Nexus Serif is used for the body text. And, while hardly anyone probably cares about such things, I managed to deliver it so the printer could do the book without wasting paper with the right page impositions. I know what it’s like to have printing bills.

My Life, My Odyssey was the working title, but it seems LID liked it enough to retain it for the final product. I wanted to retitle it Panos: Who Designs Wins, but the experts in charge of sales preferred the working title. ‘Who designs wins’ appears on the back cover, so it’s still getting out there!

Caroline Li, LID’s designer, did the cover, and I followed her lead with the headline typeface choice; and Martin Liu, who I’ve known from Stefan Engeseth’s many books, published and coordinated. I’m grateful to the watchful eye and coordination of Aiyana Curtis, who oversaw the production stage and did the first edit; she also engaged the copy editor and proofreader, who turned my stubborn Hart’s Rules-compliant text into LID’s house style.

I see from her résumé that Aiyana had done some work here in Aotearoa, and Caroline and Martin, like me, have Hong Kong roots, so we all probably had some things in common that made the process easier. It was particularly easy to understand Caroline’s design approach, and as someone who had done mock covers while we were trying out potential photos, I will say hers is infinitely superior to mine. Similarly, I understood Martin’s business approach from day one.

The final manuscript was done in October 2021 and we’ve spent the last few months doing production, shooting the cover, and preparing for the launch, where LID’s Teya Ucherdzhieva has ably been working on a marketing plan. Panos himself, never one to do things by halves, has thrown himself into doing the launch, and it promises to be an excellent event.
For those who’d like to get their hands on a copy, Amazon UK and Barnes & Noble are retailing Panos: My Life, My Odyssey, and a US launch is slated for October (Amazon and other retailers will have it in their catalogues).

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Stefan Engeseth gives away his book, One, in the interests of peace


I always thought One: a Consumer Revolution for Business was one of Stefan Engeseth’s best books, if not the best.

He recently posted on Linkedin: ‘readers have told me that the book can lead to a better understanding of people and society (which can end wars).’ In the interests of peace, he thought he’d give away his book for free, as a PDF, subtly retitled One: a Consumer Revolution for Peace.

‘I originally wrote the book to start a consumer revolution,’ he says. ‘And today it is consumers, through social media, who are demanding nations to end wars. I have thought about updating the book, but now I realize that the content could be the DNA for change and to build a better future on.’

Here’s his original Linkedin post, and you can grab your copy of this excellent book here.

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Posted in business, marketing, Sweden | 2 Comments »

December 2021 gallery


Here are December 2021’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.


Roger Moore and Ford Fiesta Mk I, via George Cochrane on Twitter.
   More on the Volkswagen Fox in Autocade.
   More on the Ford Consul Corsair at Autocade.
   The Guardian article excerpt, full story here.
   The devil drives Kia? Reposted from Twitter.
   Audi maths on an A3, via Richard Porteous on Twitter.
   Christmas decoration, via Rob Ritchie on Twitter.
   Back to the ’70s: Holden Sandman used for Panhead Sandman craft beer promotions.
   Georgia–Pacific panelling promotions, 1968, via Wendy O’Rourke on Twitter.
   Ford Cortina Mk II US advertisement via the Car Factoids on Twitter.
   Bridal fashion by Luna Novias, recently featured in Lucire.
   Deborah Grant in UFO, with the VW–Porsche 914, which would have looked very modern at the time.
   Freeze frame from episode 1 of The Champions (1968), with William Gaunt, Stuart Damon and Alexandra Bastedo.
   Our rejected greeting card design, with a picture shot at Oriental Parade, Wellington.
   Ford Taunus GT brochure spread via the Car Factoids on Twitter.
   My Daddy Is a Giant image and UK measures, reposted from Twitter.
   Richard Nixon attempts to appeal to younger voters, 1972. Simple, modernist design using Futura Bold.
   A 1983 Pontiac Firebird Trans Am advertisement.
   Mazda Savanna brochure via George Cochrane on Twitter.
   More on the Renault Mégane E-Tech Electric in Autocade.
   Lucire issue 44 cover, photographed by Lindsay Adler, layout by me.

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The return of Van der Valk


I came across an old post of mine on Euston Films remakes, at the time the American version of Widows hit the big screen. My last question, after going through Minder, The Sweeney and Widows reboots, sequels and remakes: ‘Now, who’ll star in a new Van der Valk?’
   Since local TV programmers and I have entirely different tastes, I only happened across the new Van der Valk from 2020 recently thanks to a French reviewer on Twitter. I wish I knew earlier: I rate Marc Warren as an actor, it has a great ensemble cast, and for those of us who are older, the theme tune is based on the original (Jack Trombey still gets a credit in each episode, though it should be noted that it’s a pseudonym for the Dutch composer Jan Stoeckart).
   As far as I know, few (if any?) of the Van der Valk episodes with Barry Foster were based on the Nicolas Freeling stories, so I didn’t really mind the absence of Samson and Arlette. Mentally I treated it as a prequel, pre-Arlette, till I found out that showrunner Chris Murray had killed her off in a flashback sequence in episode 3 (giving stuntwoman Wendy Vrijenhoek the least screen time of the four actresses who have played her in the British versions). Which is, of course, the opposite to how Freeling had it, since he had killed off van der Valk and had Arlette star in two novels.
   I read that one reviewer noted that the stories weren’t particularly Dutch, but then, were they ever? I didn’t really get into Broen or Wallander because of how Scandinavian the storylines were (though it must be said, I enjoyed Zen for its Italianness). I do, however, appreciate the change of scene from London or Los Angeles, which seem to be the home of so many cop shows. I even welcomed Brighton with Grace, starring John Simm, and produced by Kieran Murray-Smith (of the Murray-Smiths), or, for that matter, Sheffield with Doctor Who.
   But a Van der Valk sans Arlette does mean the heart of the old stories is gone, and we have yet another emotionally broken TV detective, a ploy that we’ve all seen before. But the casting is solid, and the very likeable Marc Warren shows he can lead a series ably.
   Of the Euston Films shows I followed as a youngster, it does appear they have all now been revisited in my lifetime, except for one: Special Branch. Bring back Craven!

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September 2021 gallery


Here are September 2021’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month. It sure beats having a Pinterest.

The 2016 Dodge Neon sold in México. More at Autocade.
   IKCO Peugeot 207. More at Autocade.
   Double standards in New Zealand media, reposted from Twitter.
   The cover of the novelization of Once Upon a Time in Hollywood. Nice work on the use of Americana, which does take me back to the period, but I’m not convinced by this cut of Italian Old Style. I just don’t remember it being used that much.
   Daktari’s Cheryl Miller as the new Dodge model, in her second year, promoting the 1971 Dodge Demon. This was a 1960s idea that was being carried over with minor tweaks into the new decade, and it didn’t work quite as well as the earlier Joan Parker ‘Dodge Fever’ advertisements (also shown here in this gallery).
   House Beautiful cover, January 1970, before all the garishness of the decade really hit. This is still a clean, nicely designed cover. I looked at some from the years that followed on House Beautiful’s website, and they never hit this graphic design high mark again.
   That’s the Car and Driver cover for my birth month? How disappointing, a Colonnade Chevrolet Monte Carlo.
   French typesetting, as posted on the forums.
   Read books, humorous graphic reposted from Twitter.
   My reply in the comments at Business Desk, on why it made more sense for me to have run for mayor in 2010 and 2013 than it would in 2022.
   Seven years before its launch, Marcello Gandini had already styled the Innocenti Mini. This is his 1967 proposal at Bertone.
   JAC Jiayue A5. More at Autocade.
   Phil McCann reporting for the BBC, reposted from Twitter.
   Car and Driver February 1970 cover. As a concept, this could still work.

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