Posts tagged ‘newspaper’


Facebook continues to give in to fake accounts, much like the UK with COVID-19

10.07.2021

At the beginning of July I noticed Facebook had changed its reporting options. Gone is the option labelled ‘Fake account’, replaced by ‘Harmful or spam’. It’s a small change that, I believe, is designed to get Facebook off the hook for failing to remove fake accounts: since you can’t report them, then you can’t say they’ve failed to take them down.

   Except, if you choose ‘Harmful or spam’, Facebook does acknowledge that your report is for a fake account:

   Of course they’re harmful. Harmful to us regular people who have to pay more and more money to reach our human supporters since the fakes command an increasing amount of fans on our pages, for instance. It isn’t harmful for Facebook’s revenue or Zuckerberg’s wealth. So it really depends how you define harmful; one would imagine that a competent court would define it from a consumer’s point of view.
   Their new group policy, where Facebook has also given up against the bot epidemic, letting fake accounts join public groups, is a disaster. As you can see, the majority of new members to one group I oversee—and where I usually get tips to new bot accounts—are fakes. They’ve used scripts to join. It’s a bit of a giveaway when there are brand-new accounts joining groups before they’ve even made friends. The legit names have been pixellated; the fakes I’ve left for you to see.

   It’s not as bad as, say, giving up on the people who elected you to run the country and letting COVID-19 do whatever it wants, killing citizens in the process. But it comes from the same dark place of putting people second and lining your pockets first—Mark Zuckerberg does it, Robert Mugabe did it, etc. Distract and plunder.
   In The Guardian:

Boris Johnson will revoke hundreds of Covid regulations and make England the most unrestricted society in Europe from 19 July despite saying new cases could soar to 50,000 a day before masks and social distancing are ditched.

   In fact, one Tweeter jokingly showed his interpretation of the UK’s COVID alert levels:

   On this, let our own Prof Michael Baker have the last word. Also in The Guardian, which I shared three days ago on Mastodon:

   Baker said public health professionals were “disturbed” by the UK’s return to allowing Covid to circulate unchecked, and that the phrase “living with it” was a “meaningless slogan” that failed to communicate the consequences of millions of infections, or the alternative options for managing the virus.
   “We often absorb a lot of our rhetoric from Europe and North America, which have really managed the pandemic very badly,” he said. “I don’t think we should necessarily follow or accept Boris Johnson and co saying: “Oh, we have to learn to live with virus.’
   “We always have to be a bit sceptical about learning lessons from countries that have failed very badly.”

   We really need to be confident of our own position on this. There are too many, especially those propelled by foreign forces with their friends in the foreign-owned media, advocating that we follow other Anglophone countries—probably because they lack either intelligence, imagination, pride, or empathy. I’ve spent a good part of my career saying, ‘Why should we follow when we can lead?’

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July 2021 gallery

02.07.2021

Here are July 2021’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.

 
Sources
Star Trek: 1999 reposted from Alex on NewTumbl. Didn’t Star Trek and Space: 1999 share a producer?
   Publicity shot for French actress Manon Azem, from Section de recherches.
   Charlie Chaplin got there first with this meme. Reposted from Twitter.
   I realize the history page in Lucire KSA for July 2021 suggests that you need a four-letter surname to work for Lucire.
   The 1981 Morris Ital two-door—sold only as a low-spec 1·3 for export. Reposted from the Car Factoids on Twitter.
   Ford Capri 1300 double-page spread, reposted from the Car Factoids on Twitter.
   Alexa Breit photographed by Felix Graf, reposted from Instagram.
   South America relief map, reposted from Twitter.
   From the Alarm für Cobra 11: die Autobahnpolizei episode ‘Abflug’, to air July 29, 2021. RTL publicity photo.
   Lucire’s Festival de Cannes coverage can be found here. Photo courtesy L’Oréal Paris.
   Last of the Ford Vedette wagons, as the Simca Jangada in Brazil, for the 1967 model year. The facelift later that year saw to the wagon’s demise.
   Ford Consul advertisement in Germany, announcing the 17M’s successor. Interesting that the fastback, so often referred to as a coupé, is captioned as a two-door saloon, even though Ford did launch a “standard” two-door. More on the Consul in Autocade here. Image from the Car Factoids on Twitter.

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Posted in cars, China, culture, design, France, gallery, humour, internet, marketing, New Zealand, publishing, Sweden, technology, TV, UK, USA | No Comments »


June 2021 gallery

01.06.2021

Here are June 2021’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.

 
Sources
The Guardian letter, from Twitter.
   Ford Cortina Mk II pick-up made by Hyundai, referred by 강동우 on Twitter.
   Ikea water, reposted from Twitter.
   Alexa launch, reposted from Twitter.
   Protest Sportswear’s women’s range for spring–summer 2021. Read more at Lucire.
   Collusion between Google and Facebook, from Bob Hoffman’s The Ad Contrarian newsletter.
   Ford Falcon ESP limited edition—a familiar image to those of us who read Australian car magazines in the early 1980s. More on the Ford Falcon (XD) at Autocade.
   This was the famous advertisement for the 1965 Ford Mustang, for its début in April 1964 at the World’s Fair in New York. It was mentioned in Lee Iacocca’s autobiography, but I had not seen it till 2020.
   Dido Harding work history, shared by James O’Brien on Twitter, possibly from The Eye.

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Facebook whistleblower gets fired; and a workaround for Meizu Music’s inability to find your SD card

19.04.2021

This is a pretty typical story: find fault with Big Tech, try to alert the appropriate people in the firm, get fired.
   Julia Carrie Wong’s excellent article for The Guardian shows a data scientist, Sophie Zhang, find blatant attempts by governments to abuse Facebook’s platform, misleading their own people, in multiple countries. Of course Facebook denies it, but once again it’s backed up by a lot of evidence from Zhang, and we know Facebook lies. Endlessly.
   Facebook claims it has taken down over ‘100 networks of coordinated inauthentic behavior,’ but I repeat again: if a regular Joe like me can find thousands of bots really easily, and report some with Facebook doing next to nothing about them, then 100 networks is an incredibly tiny number in a sea of hundreds of millions of users. Indeed, 100 networks is tiny considering Facebook itself has claimed to have taken down milliards of bots.
   And people like me and Holly Jahangiri, who found a massive number of bots that followed the Russian misinformation techniques, have been identifying these since 2014, if not before.
   Zhang reveals how likes from pages are inflating various posts—forget the bots I’ve been talking about, people have manufactured full pages on the site.
   She uncovered one in Honduras, and then:

The next day, she filed an escalation within Facebook’s task management system to alert the threat intelligence team to a network of fake accounts supporting a political leader in Albania. In August [2019], she discovered and filed escalations for suspicious networks in Azerbaijan, Mexico, Argentina and Italy. Throughout the autumn and winter she added networks in the Philippines, Afghanistan, South Korea, Bolivia, Ecuador, Iraq, Tunisia, Turkey, Taiwan, Paraguay, El Salvador, India, the Dominican Republic, Indonesia, Ukraine, Poland and Mongolia.

   Facebook was inconsistent with what it did, and its own self-interest interfered with it taking action. In other words, Facebook is harmful to democracy, and not just in the US which has received most of the occidental news coverage. On Azerbaijan, Zhang wrote in a memo:

Although we conclusively tied this network to elements of the government in early February, and have compiled extensive evidence of its violating nature, the effective decision was made not to prioritize it, effectively turning a blind eye.

   She was ultimately fired for her trouble, Facebook saying she wasn’t doing the job she had been hired for.
   So if you are going to work for Big Tech, leave your conscience at the door. That blood on your hands, just ignore it. Red’s such a fetching colour when it’s not on a balance sheet.

Little Tech can be troublesome, too. Last year, Meizu updated its Music app after a few years of letting it languish (a familiar theme with this firm), and it was a real lemon. It wouldn’t pick up anything on my SD card, at the location the old Music app itself saved the files. When I could still access the Meizu (English-language) forum, I managed to post a comment about it. Only today did I realize someone had responded, with the same issue.
   I can read enough Chinese to get the phone to do a search for local music files, and the only things it could pick up are what’s on the phone RAM itself, not the card. There’s no way to point to custom locations such as a card (even though there is a custom search, but it applies to the phone only).


Above: Meizu Music will only find music on the phone’s RAM—in this case sound files that come with the dynamic wallpaper and a couple of meeting recordings I made.

   Eventually I restored the old app through the settings, and all was well. It would occasionally forget the album cover art and I’d have to relink it (who says computers remember things?), but, by and large, Music 8.0.10 did what was expected of it.
   Until this last week. The phone insisted on upgrading to 8.2.12, another half-baked version that could never locate any SD card music.
   Sure I could just move the entire directory of 1,229 songs to the phone, but I wondered why I should.
   Restoring the app would work only for a few hours (during which I would try to relink the album cover art, ultimately to no avail). Blocking the new version the app store did nothing; blocking the entire app from updating did nothing. Blocking network access to the Music app did nothing. Essentially, the phone had a mind of its own. If anyone tells you that computing devices follow human instructions, slap them.


Above: I asked the app store to ignore all updates for Meizu Music. The phone will ignore this and do what it wants, downloading the update and installing it without any human intervention.

   I had a couple of options. The first was to make Migu Music the default—and I had used that for a while before I discovered I could restore the Music app. It’s passable, and it does everything it should, though I missed the cover art.
   The other was to find a way to make Music 8.2.12 work.
   There is one way. Play every one of the 1,229 songs one by one to have Music recognize their existence.
   Using ES File Explorer, you head to the SD card, and click on each song. It asks which app you’d like to open it. Choose Music. Repeat 1,228 times.


Above: I finally got there after doing something 1,229 times. As a non-tech person I know of no way to automate this easily. I can think of a few but developing the script is beyond my knowledge.

   Whoever said computing devices would save you time is having you on. They may have once, but there are so many systems where things are far more complicated in 2021 than they were in 2011.
   You may be asking: doesn’t ES let you select multiple files, even folders? Of course it does, but when you then ask it to play them, it ignores the fact you’ve chosen Music and plays them in its own music player.
   And even after you’ve shown Music that there are files in an SD card directory, it won’t pick up its existence.
   It’s at odds with Meizu’s Video app, which, even after many updates, will find files anywhere on your phone.
   For a music player with the same version (8) it’s vastly different, and, indeed, inferior to what has come before.
   How’s the player? Well, it connects to the car, which is where I use it. But so many features which made it appealing before are gone. Editing a song’s information is gone. Half the album cover art is unlinked (including albums legitimately downloaded through the old Meizu music service), and there’s no way of relinking it. European accented characters are mistaken for the old Big 5 Chinese character set.
   The only plus side is that some songs that I had downloaded years ago with their titles in Big 5, as opposed to Unicode, now display correctly. That accounts for a few songs (fewer than 10) of the 1,229.
   I know Meizu will do nowt, as its customer service continues to plummet. I may still file something on its Chinese BBS (the western one is inaccessible and, from what I can tell, no longer maintained by anyone from their staff), but it’s highly unlikely I’ll be brand-loyal. It’s yet another example of a newer program being far, far worse, by any objective measure, than its predecessor, giving credence to the theory that some software developers are clueless, have no idea how their apps work, have no idea how people use their apps, or are downright incompetent. It’s a shame, as Meizu’s other default and system apps are generally good.
   In the future, I’m sure someone else in China will be happy to sell me a non-Google phone when it’s time to replace this one.

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Posted in China, design, internet, media, politics, technology, USA | 3 Comments »


March 2021 gallery

05.03.2021


 

All galleries can be seen through the ‘Gallery’ link in the header, or click here (especially if you’re on a mobile device). I append to this entry through the month.

Sources
Ford Taunus by Otosan, 1992: more at Autocade.
   Tipalet advertisement, sourced from Twitter. Based on what my parents told me, this wouldn’t have appealed even then!
   Fiat Ritmo Diesel, Tweeted by Darragh McKenna.
   Emory University letter, Tweeted by Haïtian Creative.
   The Jaguar XJ-S was first marketed as the S-type in the US—more at this Tweet from the Car Factoids. More on the XJ-S here on Autocade.
   Bree Kleintop models Diff Charitable Eyewear, shared on Instagram.
   Alisia Ludwig photographed by Peter Müller, from Instagram.
   The Daily Campus, February 19, 2021, and Metropolitan Police newspaper quote, sourced from Twitter.
   Ford Cortina Mk II 1600E two-door, one of 2,563 made for export only. Source: the Car Factoids on Twitter.
   Alisia Ludwig photographed by Weniamin Schmidt, shared on Instagram.
   Ford Cortina Mk II 1600E advertisement, sourced from Twitter.
   Morris 2200 HL advertisement: more on the car at Autocade.
   More on the Dodge Charger L-body at Autocade.
   More on the Samsung XM3, also at Autocade.

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February 2021 gallery

08.02.2021

Finally, let’s begin the February 2021 gallery!

 
   All galleries can be seen through the ‘Gallery’ link in the header, or click here (especially if you’re on a mobile device). I append to this entry through the month.

Sources
Katharina Mazepa for Guess, more information here.
   Financial Times clipping from Twitter.
   Year of the Ox wallpaper from Meizu.
   American English cartoon via Twitter.
   Doctor Who–Life on Mars cartoon, from Pinterest.
   Dr Ashley Bloomfield briefing with closed captioning, found on Twitter.
   South African version of the Opel Commodore C: more at Autocade.
   Chrysler–Simca 1307 and 1308 illustrations: more on the car at Autocade.

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January 2021 gallery

01.01.2021

Let’s kick off January’s images right here!

 
   Click here for all months (or hit ‘Gallery’ at the top of the screen, if you’re on the desktop), here for December, and here for November. This post explains why I wound up doing the gallery here.
   I append to this entry through the month.

Sources
Changan Uni-T, more at Autocade.
   Cartoon from Textile Cartoons on NewTumbl.
   Twenty seventeen newspaper clipping with Donald Trump from The Herald.
   BMW image from Kolbenkopp on Twitter (more at this post).
   Bestune B70 Mk III, more at Autocade.
   Bridal gown by Luna Novias, and featured in Lucire.
   Citroën AX-330 advertisement from 1970 sourced from here.
   Chilean Peugeot 404 advertisement sourced from here.
   Ford US full line from 1972 from Consumer Guide.
   Xpeng P7, more at Autocade.
   More on the Lancia Beta Monte-Carlo in Autocade.
   Clarins model from the Lucire archives.
   Ford Cortina Mk III by Hyundai advertisement from the Car Factoids on Twitter.

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Why con?

07.12.2020

During the course of the 2010s, I came across two con artists. One thing that united them was they were men. But they could not have been more different: one was rather elaborate and was the subject of a Panorama documentary; the other was a rank amateur and, at least in the situation we were in, never fooled us.
   I won’t name them as I’ve no wish to add to their notoriety, but here’s the real kicker: both had the means to do well legitimately if they each followed through honestly.
   The first one was clever enough to rope in people from very different parts, essentially setting up a publishing operation. But it was a swindle, and people were left in debt and jobless.
   However, if it had been legit, it would have actually done quite well, and if the con artist’s aim was money, then he would have made some, over a long period, which would have sustained him and his lifestyle.
   The second was not clever but came to a business partner of mine with a proposal to become a shareholder. We heard him out, he proposed an amount, and we drafted a cast-iron contract that could see him get a return on his investment, and protect the original principal. The money never came, of course, and we weren’t going to alter the share register without it. He might have hoped that we would.
   Again, he would have got something from it. Maybe not as good a return as property but better than the bank.
   The first is now serving time at Her Majesty’s pleasure after things caught up with him and he was extradited to where he had executed an earlier con; the second, after having had his face in the Sunday Star–Times, was last heard from in Australia where he conned his own relatives. He’s wanted by the police here.
   I don’t know where the gratification is here. And rationally, leaving honesty and morals aside (as they do), wouldn’t it be better making money regularly than swindling for a quick fix that nets you less? Is it down to laziness, making them less desirous to follow through?
   On the first case, I did have the occasion to speak to one lawyer pursuing him. I asked him about my case, since my financial loss was relatively small compared to the others taken in (namely a FedEx bill that a friend of mine helped me get a decent discount on because of her job). Where’s the con? I was told that it might not have been apparent as the con artist’s MO was to draw different strands, sometimes having them result in something, and sometimes not.
   Whatever the technique, it failed him anyway.
   And what a waste of all that energy to create something that not only looked legit (as in the TV series Hustle) but could have functioned legitimately with so many good people involved.
   That did make the 2010s rather better than the 2000s when the shady characters included a pædophile (who, to my knowledge, is also doing time), a sociopath, a forger, and a US fashion label that conned a big shipment’s payment out of us. I doubt I’d be famous enough to warrant a biography but they would make interesting stories!

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December 2020 gallery

01.12.2020

Here are the images that have piqued my interest for December 2020. For November’s gallery, click here (all gallery posts are here). And for why I started this, here’s my earlier post on this blog, and also here and here on NewTumbl.


 

Sources
   Auckland City Library opening, via Auckland City Council Residents’ Group on Twitter.
   Jono Barber scanned the Aston Martin DB5 story from newspaper clippings he recently found.
   From the Instagram of hairstylist extraordinaire, my friend Adrian Gutierrez. Photographed by Steve Yu, hair by Adrian Gutierrez, make-up by Meri, modelled by Chanel Margaux.
   Volkswagen Käfer advertisement from the Car Factoids on Twitter.
   Star Trek–Star Wars series from Alex on NewTumbl.
   Manawatū Guardian front page relates to this Tweet.
   Alexa Breit promotes masks by Peggell, via Instagram.
   Amber Peebles photographed by me in 2003 on a Voigtländer Bessamatic Deluxe.
   Google Forms’ 419 scam relates to this Toot.
   Peugeot 504 advertisement from the Car Factoids on Twitter.
   Triumph TR7 brochure cover from the Car Factoids on Twitter.
   Katharina Mazepa photograph from her Instagram.
   More about the JAC Jiayue A5 (JAC J7 for export) at Autocade.
   Tardis image from Alex on NewTumbl.
   More information on the Toyota Yaris Cross at Autocade.

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Language lines on NewTumbl

24.10.2020

This post was originally posted to NewTumbl.

I’m surprised that a clip from a front page of a British tabloid newspaper was ruled M by a moderator here after I made it O. It was critical of British cabinet minister Matt Hancock and made fun of his surname, with two words that rhymed with its two syllables.
   The words on the headline included the work wank, which was even starred there (w*nk) for the really sensitive. I realize this is an American website but I didn’t even think that was a word they used. For most of us in the Anglosphere, it’s nowhere near offensive. It’s not uncommon to call someone a wanker and the word is never bleeped on television—it’s that throwaway. I learned of the word wank when I was 11, and wanker I heard before that. Kids would probably know of it even younger now. A younger reader would not link it to anything sexual and if they did, they’re a dirty little kid. (Same with bugger, which infamously even appeared on television commercials for Toyota here, and I know in Australia, too.)
   The second word that appeared was cock, a colloquialism for penis, but also it has other meanings. Let’s not get into those: it’s clear the context suggested penis—in the same way an American might call someone a dick, I suppose. Again, hardly offensive, never bleeped, and, I don’t know about the US, but here it’s the word that children might learn to refer to male genitalia.
   But, here’s the real kicker: the image was from the front page of a national newspaper. Not the top shelf wrapped in a brown paper bag or plastic at a convenience store.
   Looking at the classifications, M is for adults-only stuff, with ‘strong suggestive or violent language.’ O was already suggested by NewTumbl staff as suitable for politics, including COVID-19 posts (this qualified), and the language by any standard was mild (feel free to come and give your reasoning if you were the mod and you want to defend your decision).
   So I’ve had a post removed for a word that an 11-year-old uses (remember, O is for ‘older teens’) and another word that children use, and both appeared on the front page of a national newspaper.
   I have used these words on a website run from a country that thinks it’s OK to show people getting blown away in violent movies and cop shows (oh, sorry, ‘police procedurals’), where guns are commonplace, but words are really, really dangerous. Thought you guys had a First Amendment to your Constitution.
   The conclusion I am forced to draw is that the post was removed because, like Facebook, there is a right-wing bias shown by a moderator who does not like a conservative government criticized here. Good luck, because I’ll continue to criticize a bunch of dickheads that even my right-leaning, pro-market, lifelong-Tory friends in Britain dislike. If this post is classified M then I will have to conclude that the reason is also political, because there’s not a single word here that any right-thinking user of English would deem ‘strong suggestive or violent’.
   I came here because I objected to the censorship at Tumblr, where, for instance, they hide posts referring to NewTumbl in searches. That’s pretty tame but enough for me to insist on free speech over silly, petty corporate decisions, the sort of games that other silly, petty corporations like Google play. I can live with NewTumbl’s male nipple rule and other attempts to be non-sexist, but I also believe that if you’re moderating, you should be apolitical.

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Posted in internet, media, publishing, UK, USA | 1 Comment »