Archive for the ‘Sweden’ category


Here’s the latest book I worked on: Panos: My Life, My Odyssey out May 26

17.05.2022


 
[Originally posted in Lucire] Toward the end of next week, Panos Papadopoulos’s autobiography, Panos: My Life, My Odyssey, comes out in London, with an event in Stockholm following. This is an intimate memoir about Panos’s rise, from childhood poverty in Greece to the ‘king of swimwear’ in Scandinavia. Not only do I have an advance copy, I collaborated with Panos on it.

I’m fascinated by autobiographies. When I was a teenager, I read Lee Iacocca’s one, written with William Novak. I presume Novak interviewed Iacocca, or he worked with some additional notes, and ghosted for him. Whatever the case, it remains an engaging read, and I replaced my well worn paperback with a hardcover one a few years ago, when I spotted it at a charity fair. More recently I bought Don Black’s autobiography, The Sanest Guy in the Room, and enjoyed that thoroughly.

Panos and I probably had a similar arrangement to Iacocca and Novak, whereby I interviewed and prompted him for some stories, and I wrote from copious notes that he gave me. There’s an entire chapter in there that’s based on his reflections about the time he bought into a football team in Sweden, that he wrote in great detail himself soon after the events took place. Somehow over 10 months of 2021—though the idea has been floating around for many years before—Panos and I created this eminently readable tale, the sort of autobiography I would like to read.

Of course we start in Greece in 1958, and how a young lad, who begins working at age five alongside his mother as she cleaned an office, finds poverty a torment, and vows to get himself out of it. He also cannot tolerate injustice, and attempts to expose pollution, workplace accidents, and corruption—only to find himself and his parents harassed. By his late teens, after taking an interrail journey to northern Europe, he finds an opportunity to study in Sweden.

It’s not “the rest is history”, as Panos works in kitchens, washing dishes and peeling potatoes. He also finds gigs as a prison guard, a parole officer, a rest home carer, and a substitute teacher.

His first taste of fame is for a postgraduate sociology paper, where he examines the importance of clothing in nighttime disco settings, which captures the imagination of major newspapers and TV networks.

Finding dissatisfaction and frustration working in health care for the city of Göteborg, he seized upon an idea one day when spying just how drab the beaches were in Sweden: beautiful bodies covered in monochrome swimwear.

Injecting colour on to the beaches through his Panos Emporio swimwear label wasn’t an overnight success, and Panos elaborates on his story with the sort of passion you would expect from a Greek native, capturing your attention and leaving you wanting more.

He reveals his secrets about how he lifted himself out of poverty, creating a company given a platinum rating in Sweden, an honour reserved only for the top 450, out of half a million limited-liability companies there.

Read about how he managed his first sales despite doubts from the entire industry, how he secured Jannike Björling—then Sweden’s most sought-after woman, photographed constantly by the paparazzi—as Panos Emporio’s model, and how he followed up with securing Victoria Silvstedt, just as she was about to become world-famous posing for Playboy.

By 1996, 10 years into his label’s journey, and with the release of the Paillot (still offered in the Panos Emporio range today), the press dubbed him ‘the king of swimwear’, but he wasn’t done yet.

More high-profile models followed, and there’s even an encounter with Whitney Houston, revealed for the first time in the book. There are royal encounters, with former King Constantine II, and Sweden’s HM King Carl XVI Gustaf and HM Queen Sofia. HSH Princess Stéphanie almost makes it into the book.

There are touching moments, too, such as his heartfelt recollection of his friendship with Jean-Louis Dumas, the chairman of Hermès, and his wife Rena.

We’ve known each other for over 20 years, and from the start he complimented me on my writing, so I have a feeling he wanted me for this task for some time. We’ve both had to start businesses from scratch, and we did them away from our countries of birth. Additionally, he knew I grew up amongst Greeks so I had more than an average insight into his culture. We’ve talked about it numerous times, maybe as far back as 2016, when Panos Emporio celebrated its 30th anniversary. I’m very grateful for that. There were obviously stories I knew, since I interviewed him about them over the years, but plenty I did not, and they form the bulk of this 320 pp. book, published by LID Publishing of London, and released on May 26. A party in Stockholm follows on May 31.
 
Technically, the process was an easy collaboration as Panos and I shared notes and written manuscripts back and forth, and I had the privilege to lay it out and edit the photos as well. The whole book was typed out on WordPerfect, which gave an almost perfect re-creation of how the copyfitting would go in InDesign, unlike Word—for a while others doubted I could fit the contents into the agreed page length, since they couldn’t see it in the same format that I did. Martin Majoor’s FF Nexus Serif is used for the body text. And, while hardly anyone probably cares about such things, I managed to deliver it so the printer could do the book without wasting paper with the right page impositions. I know what it’s like to have printing bills.

My Life, My Odyssey was the working title, but it seems LID liked it enough to retain it for the final product. I wanted to retitle it Panos: Who Designs Wins, but the experts in charge of sales preferred the working title. ‘Who designs wins’ appears on the back cover, so it’s still getting out there!

Caroline Li, LID’s designer, did the cover, and I followed her lead with the headline typeface choice; and Martin Liu, who I’ve known from Stefan Engeseth’s many books, published and coordinated. I’m grateful to the watchful eye and coordination of Aiyana Curtis, who oversaw the production stage and did the first edit; she also engaged the copy editor and proofreader, who turned my stubborn Hart’s Rules-compliant text into LID’s house style.

I see from her résumé that Aiyana had done some work here in Aotearoa, and Caroline and Martin, like me, have Hong Kong roots, so we all probably had some things in common that made the process easier. It was particularly easy to understand Caroline’s design approach, and as someone who had done mock covers while we were trying out potential photos, I will say hers is infinitely superior to mine. Similarly, I understood Martin’s business approach from day one.

The final manuscript was done in October 2021 and we’ve spent the last few months doing production, shooting the cover, and preparing for the launch, where LID’s Teya Ucherdzhieva has ably been working on a marketing plan. Panos himself, never one to do things by halves, has thrown himself into doing the launch, and it promises to be an excellent event.
 
For those who’d like to get their hands on a copy, Amazon UK and Barnes & Noble are retailing Panos: My Life, My Odyssey, and a US launch is slated for October (Amazon and other retailers will have it in their catalogues).

Tags: , , , , , , , , , , , , , , , , , , , , , , ,
Posted in business, culture, design, media, publishing, Sweden, typography, UK | No Comments »


May 2022 gallery

02.05.2022

Here are May 2022’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.
 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Posted in cars, culture, gallery, humour, interests, internet, marketing, Sweden, technology, UK | No Comments »


Stefan Engeseth gives away his book, One, in the interests of peace

13.04.2022

I always thought One: a Consumer Revolution for Business was one of Stefan Engeseth’s best books, if not the best.

He recently posted on Linkedin: ‘readers have told me that the book can lead to a better understanding of people and society (which can end wars).’ In the interests of peace, he thought he’d give away his book for free, as a PDF, subtly retitled One: a Consumer Revolution for Peace.

‘I originally wrote the book to start a consumer revolution,’ he says. ‘And today it is consumers, through social media, who are demanding nations to end wars. I have thought about updating the book, but now I realize that the content could be the DNA for change and to build a better future on.’

Here’s his original Linkedin post, and you can grab your copy of this excellent book here.

Tags: , , , , , , , , , ,
Posted in business, marketing, Sweden | 2 Comments »


April 2022 gallery

02.04.2022

Here are April 2022’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.
 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Posted in cars, culture, gallery, interests, publishing, Sweden, technology, USA | No Comments »


July 2021 gallery

02.07.2021

Here are July 2021’s images—aides-mémoires, photos of interest, and miscellaneous items. I append to this gallery through the month.

 
Sources
Star Trek: 1999 reposted from Alex on NewTumbl. Didn’t Star Trek and Space: 1999 share a producer?
   Publicity shot for French actress Manon Azem, from Section de recherches.
   Charlie Chaplin got there first with this meme. Reposted from Twitter.
   I realize the history page in Lucire KSA for July 2021 suggests that you need a four-letter surname to work for Lucire.
   The 1981 Morris Ital two-door—sold only as a low-spec 1·3 for export. Reposted from the Car Factoids on Twitter.
   Ford Capri 1300 double-page spread, reposted from the Car Factoids on Twitter.
   Alexa Breit photographed by Felix Graf, reposted from Instagram.
   South America relief map, reposted from Twitter.
   From the Alarm für Cobra 11: die Autobahnpolizei episode ‘Abflug’, to air July 29, 2021. RTL publicity photo.
   Lucire’s Festival de Cannes coverage can be found here. Photo courtesy L’Oréal Paris.
   Last of the Ford Vedette wagons, as the Simca Jangada in Brazil, for the 1967 model year. The facelift later that year saw to the wagon’s demise.
   Ford Consul advertisement in Germany, announcing the 17M’s successor. Interesting that the fastback, so often referred to as a coupé, is captioned as a two-door saloon, even though Ford did launch a “standard” two-door. More on the Consul in Autocade here. Image from the Car Factoids on Twitter.

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Posted in cars, China, culture, design, France, gallery, humour, internet, marketing, New Zealand, publishing, Sweden, technology, TV, UK, USA | No Comments »


To Scotland with love

10.11.2020


Danjaq LLC/United Artists

Time for another podcast, this time with a Scottish theme. I touch upon how fortunate we are here in Aotearoa to be able to go to the ballet or expos, and, of course, on the US elections (thanks to those who checked out my last podcast entry, which had a record 31 plays—sure beats the single digits!). That leads on to a discussion about A. G. Barr, Richard Madden, and Sir Sean Connery, who never said, ‘The name’s Bond, James Bond.’

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Posted in culture, interests, media, New Zealand, politics, Sweden, TV, UK, USA | No Comments »


Medinge Group at Dutch Design Week: the contribution from Aotearoa New Zealand

19.10.2020

My partner Amanda and I are part of Medinge’s presence at Dutch Design Week this year.
   Since Medinge couldn’t celebrate our 20th anniversary due to COVID-19, some of our Dutch members, helped by many others, took the opportunity to get us into the event, which is virtual this year.
   We had done a lot of work on Generation Co earlier in 2020, thanks to a load of Zoom meetings and emails. This takes things even further, but builds on it.
   The programme can be found here, and is titled ‘Putting the Planet First: a New Orientation’.
   The description: ‘Instead of thinking about the 3Ps—your challenge is to adopt a new perspective. Always put Planet first. Then people. Then profit.’
   After signing up for free, you can head into our virtual rooms.
   From the page: ‘Only 21/10/2020, 10:00–13:00 lectures and livestreams from members of the Medinge Think Tank: a group of brand experts and visionaries from around the world whose purpose is to influence business to become more humane and conscious in order to help humanity progress and prosper. With international speakers who have worked on these rights and bring in the perspective from indigenous people who co-exist with the rivers.’
   On Tuesday the 21st at 10 a.m. CET is Amanda’s presentation on the Whanganui River, which was given the rights of a legal person in legislation enacted in March 2017.
   Amanda worked at the Office of Treaty Settlements at the time, so this is really her talk. I just set the laptop on the table, with a microphone generously lent to me by my friend Brenda Wallace. Then I edited it in video-editing software with all the skill of an amateur.
   But that’s the year of COVID-19 for you.
   The way the talk came about was in discussion in 2019 with my colleagues at Medinge Group. The concept of legal rights on natural resources and indigenous rights came up, as did the case of the Whanganui River, which is known beyond our shores.
   They had no idea Amanda worked on it, and proudly I mentioned her role.
   From then on she was part of the programme, and it all came together last Friday.
   In the talk, you’ll see me on a much lower chair than her, propped up by a bag of rice that slowly sags as the recording wears on.
   There’s only so much furniture at her Dad’s studio but it was the most comfortable place we could think of for the filming.
   More important are the contents of her talk, which I thoroughly recommend. She worked really hard on the responses over a few weeks to make sure it was thoroughly rigorous.
   It’s followed by a talk from my good friend and colleague Sudhir John Horo. Pop over, it’s going to be a really eventful day in virtual Eindhoven.

Tags: , , , , , , , , , , , , , , , , , ,
Posted in branding, business, culture, design, leadership, marketing, New Zealand, politics, social responsibility, Sweden, Wellington | No Comments »


More things that don’t work: Google knowledge panels, and typing in te reo Māori in Facebook

06.09.2020

A guide to emojis for 2020.

At least Twitter works. Google, as usual, doesn’t.
   I had a check to see how Lucire was performing in a Google search yesterday and noticed there was a Wikipedia box to the right, and a message saying that if it was about us, I could ‘claim’ the box. I clicked on the link, and as Google knows my email address is associated with Lucire through its search console, it verified me. ‘Congratulations, you’ve been verified’, according to the Google website, and I could ‘Add or change info’, with a ‘Review info’ box that I could click on.

   Actually, it’s just a coloured rectangle. Clicking on it does nothing.
   Maybe it’s my privacy settings, so I used my fresh, unblocked, Google-can-plant-what-it-likes Chromium browser. I log in as me on Google. And here’s what I get.

   Another variant is the below:

   ‘This account doesn’t have permission to publish on Google Search.’ Um, it does. You just told me I did.
   The box remains claimed but there’s not a damned thing I can do.

Long-time readers will remember my pointing out many years ago how the Google Dashboard isn’t accurate, especially when it comes to arithmetic. Nothing has changed.
   Google says I have one task. Well, I can’t, since I’ve never used it. Click through: I have none, and Google returns a ‘Get started’ page. Google says I have two albums. Again, impossible. Click through: I have none. It says I belong to one group. Click through: zero. I’m honestly astonished at how bad they are. If you can’t do maths, you probably shouldn’t be working with computers.




Finally, I see Facebook has forced a lot of people to change to its new template. I actually don’t care what the UI looks like, as I’m not there sufficiently to care. And I bet that if you were Māori, you’d want to have the old template back, since you can’t type macronized vowels. The macron just winds up on the baseline on any Chromium browser.

   One friend tried to replicate this on Windows and couldn’t, so this might not be a universal issue.
   The font being called by the stylesheet is Segoe UI Historic. I have it installed, and it’s not something I’ve ever edited. I will point that that, according to Character Map, no macronized vowels are visible in the relevant Unicode range, though I haven’t opened it in Fontlab to confirm. If the browser has to substitute, that’s fine. But what font (indeed, which of the Segoe fonts) has macrons on the baseline? It appears to be Microsoft’s Segoe, so if it’s not a Facebook linked font (the code inspector suggests it isn’t), then we can point the finger at Microsoft for a buggy font on a standard Windows 10 computer. Either way, someone in a Big Tech outfit goofed.

I had bookmarked this on my cellphone but because it’s my cellphone, it takes a long time to get it on this blog. I have to remember to grab the phone, then look up the post. But it’s your regular reminder that Facebook usually does nothing, despite saying it actively takes down hateful content. As I noted on The Panel in late August, eight copies (I believe in part) of the Christchurch massacre still exited on the platform as of March 15, 2020. The lies are laid bare once more.

   As a company, they also take their sweet time in removing bots. Here’s Instagram in a message to me on August 27 (it’s not the only 2018 report they responded to that week):

Same old, same old.

Tags: , , , , , , , , , , , ,
Posted in culture, internet, New Zealand, publishing, Sweden, technology, Wellington | 2 Comments »


Crunching the COVID-19 numbers for June 15

15.06.2020

I hadn’t done one of these for a long time: take the number of COVID-19 cases and divide them by tests done. For most countries, the percentage is trending down, though there has been little movement in Sweden. I hadn’t included Brazil, Russia and India before, but as they are in the top part of the table, I’ve included them for the first time for context. That does leave the C of the BRIC countries out, but as China does not disclose its testing numbers, I can’t work out a figure for them. Given the news, it is no surprise that Brazil has the worst percentage I have seen since I began crunching these numbers: more than half of the tests done result in a positive. The source is Worldometers.

Brazil 867,882 of 1,604,784 = 54·08%
Sweden 51,614 of 325,000 = 15·88%
France 157,220 of 1,384,633 = 11·35%
KSA 127,541 of 1,106,398 = 10·99%
USA 2,162,261 of 24,795,407 = 8·72%
Singapore 40,818 of 488,695 = 8·35%
Switzerland 31,131 of 461,128 = 6·75%
Spain 291,008 of 4,826,516 = 6·03%
India 333,255 of 5,774,133 = 5·77%
Italy 236,989 of 4,620,718 = 5·13%
UK 295,889 of 6,772,602 = 4·37%
Germany 187,671 of 4,694,147 = 4·00%
Russia 537,210 of 15,161,152 = 3·54%
South Korea 12,121 of 1,105,719 = 1·10%
Taiwan 445 of 74,409 = 0·60%
New Zealand 1,504 of 311,121 = 0·48%
Australia 7,335 of 1,830,665 = 0·40%
Hong Kong 1,113 of 275,293 = 0·40%

   It shows that COVID-19 is far from over, something that we here in New Zealand need to be reminded of as we begin to rebuild. Still, nearby Fiji is also COVID-19-free, so perhaps we can begin having some travel with them?

Tags: , , , , , , , , ,
Posted in China, India, New Zealand, Sweden | No Comments »


Live from Level 3

03.05.2020

Finally, a podcast (or is it a blogcast, since it’s on my blog?) where I’m not “reacting” to something that Olivia St Redfern has put on her Leisure Lounge series. Here are some musings about where we’re at, now we are at Level 3.

   Some of my friends, especially my Natcoll students from 1999–2000, will tell you that I love doing impressions. They say Rory Bremner’s are shit hot and that mine are halfway there. It’s a regret that I haven’t been able to spring any of these on you. Don’t worry, I haven’t done any here. But one of these days …

Perhaps the funniest Tweet about the safe delivery of the British PM and his fiancée’s son, for those of us who are Clint Eastwood fans:

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , ,
Posted in China, culture, France, globalization, Hong Kong, humour, New Zealand, politics, publishing, Sweden, UK, USA, Wellington | No Comments »