Posts tagged ‘Wikipedia’


Who’d like to ask the hard questions of Wikipedia as it turns 20?

14.01.2021

Well, that was a rather sycophantic interview with Jimmy Wales, co-founder of Wikipedia, on Radio New Zealand, as the online encyclopædia turns 20.
   So I was rather excited when a Tweeter said he was going to interview Wales and asked for questions from the public. I responded:

   Let’s say they’re not going to get asked. He wrote:

   And I responded, quite prepared to engage:

   No reply. And of course there are senior editors: Wikipedians themselves use this term. I can only assume that it’s going to be another sycophantic interview. Why aren’t some people willing to ask some hard ones here? I’m guessing that the only way tough questions are asked about tech is if a woman gets on to it (someone like Louise Matsakis or Sarah Lacy).
   There’s plenty of evidence of all three of my positions, as documented here and elsewhere, and I didn’t even include a great question on bullying.

Tags: , , , , , , , , ,
Posted in internet, media, New Zealand, USA | No Comments »


Searching for Murray Smith

09.12.2020

Earlier today Strangers, the 1978 TV series created by Murray Smith, came to mind. Smith created and wrote many episodes of one of my favourite TV series, The Paradise Club (which to this day has no DVD release due to the music rights), and penned an entertaining miniseries Frederick Forsyth Presents (the first time that I noticed one Elizabeth Hurley) and a novel I bought when I first spotted it, The Devil’s Juggler. He also wrote one of my favourite Dempsey and Makepeace episodes, ‘Wheel Man’, which had quite a few of the hallmarks of some of his other work, including fairly likeable underworld figures, which came into play with The Paradise Club.
   Yet there’s precious little about Smith online. His Wikipedia entry is essentially a version of his IMDB credits with some embellishments, for instance. It doesn’t even record his real name.
   Don’t worry, it’s not another dig at Wikipedia, but once again it’s a reflection of how things aren’t permanent on the web, a subject I’ve touched on before after reading a blog entry from my friend Richard MacManus. And that we humans do have to rely on our own memories over what’s on the ’net still: the World Wide Web is not the solution to storing all human knowledge, or, at least, not the solution to accessing it.
   It’s easy to refer to the disappearance of Geocities and the like, and the Internet Archive can only save so much. And in this case, I remember clearly searching for Murray Smith on Altavista in the 1990s, because I was interested in what he was up to. (He died in 2003.) I came across a legal prospectus of something he was proposing to do, and because it was a legal document, it gave his actual name.
   Murray Smith was his screen name, and I gather from an article in The Independent quoting Smith and his friend Frederick Forsyth, he went by Murray, but the family name was definitely Murray-Smith. Back in those days, there was a good chance that if it was online, it was real: it took too much effort to make a website for anyone to bother doing fake news. My gut says it was George David Murray-Smith or something along those lines, but there’s no record of that prospectus online any more, or of the company that he and Forsyth set up together to make Frederick Forsyth Presents, which I assume from some online entries was IFS Productions Ltd. Some websites’ claim that his name was Charles Maurice Smith is incorrect.
   Looking today, there are a couple of UK gazette entries for George David Murray Smith (no hyphen) in the armed forces, including the SAS in the 1970s, which suggest I am right.
   Even in the age of the web, the advantage still lies with those of us who have good memories who can recall facts that are lost. I’ve often suggested on this blog that we cannot fully trust technology, and that there’s no guarantee that even the official bodies, like the UK Companies’ Office, will have complete, accessible records. The computer is a leveller, but not a complete one.

Tags: , , , , , , , , , , , , ,
Posted in business, culture, interests, internet, TV, UK | No Comments »


Autocade reaches 4,300 models before the month is out

31.10.2020

A very quick note, probably more for me than anyone else: the 4,300th model went up on Autocade tonight. It was slightly deliberate, since I checked the stats for the site to see we were up to 4,299. I’ve a folder of models to be added, and I admit I scrolled down a little to see what piqued my interest—having said that, it’s what I usually do anyway. But there was a desire not to add yet another two-box crossover (had enough of those for a while) or any model that would lead me to be obsessed about a full line (DAF 33, anyone?). As the 1980–4 Pontiac Phoenix is already on the site, the 1978–9 entry went up. (Yes, I disagree with Wikipedia, which has Phoenixes starting in 1977, which is true, but it was mid-year, it was officially part of the Ventura line, and Phoenix doesn’t appear in the 1977 full-line brochure.) Wikipedians can do it their way, and I’ll do it mine.
   At some point I’ll add the Oldsmobile Omega for 1975–9 and we’ll have the X-cars for those years all up.

Tags: , , , , , , , , , ,
Posted in cars, interests, publishing, USA | No Comments »


More things that don’t work: Google knowledge panels, and typing in te reo Māori in Facebook

06.09.2020

A guide to emojis for 2020.

At least Twitter works. Google, as usual, doesn’t.
   I had a check to see how Lucire was performing in a Google search yesterday and noticed there was a Wikipedia box to the right, and a message saying that if it was about us, I could ‘claim’ the box. I clicked on the link, and as Google knows my email address is associated with Lucire through its search console, it verified me. ‘Congratulations, you’ve been verified’, according to the Google website, and I could ‘Add or change info’, with a ‘Review info’ box that I could click on.

   Actually, it’s just a coloured rectangle. Clicking on it does nothing.
   Maybe it’s my privacy settings, so I used my fresh, unblocked, Google-can-plant-what-it-likes Chromium browser. I log in as me on Google. And here’s what I get.

   Another variant is the below:

   ‘This account doesn’t have permission to publish on Google Search.’ Um, it does. You just told me I did.
   The box remains claimed but there’s not a damned thing I can do.

Long-time readers will remember my pointing out many years ago how the Google Dashboard isn’t accurate, especially when it comes to arithmetic. Nothing has changed.
   Google says I have one task. Well, I can’t, since I’ve never used it. Click through: I have none, and Google returns a ‘Get started’ page. Google says I have two albums. Again, impossible. Click through: I have none. It says I belong to one group. Click through: zero. I’m honestly astonished at how bad they are. If you can’t do maths, you probably shouldn’t be working with computers.




Finally, I see Facebook has forced a lot of people to change to its new template. I actually don’t care what the UI looks like, as I’m not there sufficiently to care. And I bet that if you were Māori, you’d want to have the old template back, since you can’t type macronized vowels. The macron just winds up on the baseline on any Chromium browser.

   One friend tried to replicate this on Windows and couldn’t, so this might not be a universal issue.
   The font being called by the stylesheet is Segoe UI Historic. I have it installed, and it’s not something I’ve ever edited. I will point that that, according to Character Map, no macronized vowels are visible in the relevant Unicode range, though I haven’t opened it in Fontlab to confirm. If the browser has to substitute, that’s fine. But what font (indeed, which of the Segoe fonts) has macrons on the baseline? It appears to be Microsoft’s Segoe, so if it’s not a Facebook linked font (the code inspector suggests it isn’t), then we can point the finger at Microsoft for a buggy font on a standard Windows 10 computer. Either way, someone in a Big Tech outfit goofed.

I had bookmarked this on my cellphone but because it’s my cellphone, it takes a long time to get it on this blog. I have to remember to grab the phone, then look up the post. But it’s your regular reminder that Facebook usually does nothing, despite saying it actively takes down hateful content. As I noted on The Panel in late August, eight copies (I believe in part) of the Christchurch massacre still exited on the platform as of March 15, 2020. The lies are laid bare once more.

   As a company, they also take their sweet time in removing bots. Here’s Instagram in a message to me on August 27 (it’s not the only 2018 report they responded to that week):

Same old, same old.

Tags: , , , , , , , , , , , ,
Posted in culture, internet, New Zealand, publishing, Sweden, technology, Wellington | 2 Comments »


More Wikiality—and this time it’s about me!

13.08.2020

Goes to show how seldom I ego-search.
   Here’s something a Wikipedian wrote about me in a discussion in 2010:

Jack Yan is not a notable typeface designer. He has never laid a hand on mouse or trackball to operate a font editing application. He tells some graphic designer employees of his what he wants them to draw with software, and has them do all the work of drawing and solving all the design problems involved in creating and designing a typeface and its fonts. As a professional typeface designer myself, Yan’s involvement in type design and font production does not qualify him as a typeface designer. Not even close.

   The user is called James Arboghast, whom I’ve never heard of in any of my years in the type design business.
   Now, you can argue whether I’m notable or not. You might not even like my designs. But given that Arboghast has such a knowledge of our inner workings, then maybe it would suggest that I am?
   Based on the above, which is libellous, let me say without fear of committing the same that, in this instance, Mr Arboghast is a fantasist and a liar.
   I’ve no beef with him outside of this, but considering that I was the first typeface designer in this country to work digitally—so much so that Joseph Churchward, who is indisputably notable, came to me 20 years ago to see if we could work together—there were no ‘graphic designer employees’ around who had the skills. At least none that I knew of when I was 14 years old and deciding which bitmaps to light up on an eight-by-eight grid.
   There were still no such people around when I began drawing stuff for submission to ITC, or when I began drawing stuff that I digitalized myself on a hand-held scanner. I certainly couldn’t afford employees at age 21 when I asked my Mum to fork out $400 to buy me a really early version of Fontographer. And there were still no such people around when I hand-kerned 1,000 pairs into my fonts and did my own hinting. Remember, this was pre-internet, so when you’re a young guy in Wellington doing this work in isolation, you had to know the skills. I might even have those early drawings somewhere, and not that long ago I found the maths book with the bitmap grid.
   If I didn’t know about the field then I certainly would have been found out when the industry was planning QuickDraw GX and I was one of the professional typeface designers advising on the character sets, and if I didn’t know how to solve design problems, then the kerning on the highway signs’ type in this country would not comply with NZS. (The kerning is terrible, incidentally, but government standards are government standards. It was one of those times when I had to turn in work that I knew could be far, far better.) I’d also have been seriously busted by my students when I taught the first typeface design course in New Zealand.
   Every single retail release we have has been finished by me, with all the OpenType coding done by me. All the alternative characters, all the ligatures, all the oldstyle numerals and accented characters in languages I can’t begin to fathom. Latin, Cyrillic and Greek. I’ve tested every single font we’ve released, whether they are retail or private commissions.
   The only time a team member has not been credited in the usual way was with a private commission, for a client with whom I have signed an NDA, and that person is Jasper Luki, a very talented young designer with whom I had the privilege to work at the start of his career in the 2010s.
   The fact that people far, far more famous than me in the type field around the world, including in his country, come to me with contract work might suggest that, if I’m not notable, then I’m certainly dependable.
   And people wonder why I have such a low opinion of Wikipedia, where total strangers spout opinions while masquerading as experts. The silver lining is that writing the above was a thoroughly enjoyable trip down memory lane and a career that I’m generally proud of, save for a few hiccups along the way.

Tags: , , , , , ,
Posted in design, New Zealand, technology, typography, Wellington | 1 Comment »


Business as usual at Wikipedia

27.12.2019

I know Wikipedia is full of fiction, so what’s one more?

   I know, you’re thinking: why don’t you stop moaning and go and fix it if it’s such a big deal?
   First up, for once I actually did try, as I thought the deletion of a sentence would be easy enough. But the site (or maybe my own settings) blocks me from editing, so that’s that.
   Secondly, it reinforces this blog post.
   This one sentence was presumably written by a New Zealander, and one who knows very little, though they have more editing privileges than me.
   Like the 12-year-old ‘Ford CE14 platform’ piece that only got corrected after I posted on Drivetribe, I have to ask: what possesses someone to invent fiction and to be so sure of themselves that they can commit it to an encyclopædia? (Incidentally, subsequent Wikipedians have reintroduced all the errors back on to the Ford page since editor Nick’s 2017 effort to correct it—you simply cannot cure Wikipedia of stupid.)
   I know we aren’t being set very good examples by American politicians (on both sides) and by British ones these days, but surely individual citizens have some sort of integrity when they go online to tell us how great they are?
   For the record, the Familia nameplate was never used here in the last generation for a new car—you only see it on Japanese imports. Secondly, the three-door BH shape was only ever sold here as a Ford Laser, never a Mazda—Familia, 323 or otherwise.
   “Post-truth” is nothing new: it’s been the way of Wikipedia for well over a decade. It was all foreshadowed online.
   It still begs the question why I don’t see such callous edits on the German or Japanese editions of that website.

Tags: , , , , , , , , , , ,
Posted in cars, culture, internet, marketing, New Zealand | No Comments »


People are waking up to Wikipedia’s abuses

25.05.2018


Tristan Schmurr/Creative Commons

Welcome to another of my “I told you they were dodgy” posts. This time, it’s not about Facebook or Google (which, finally, are receiving the coverage that should have been metered out years ago), but Wikipedia.
   The latest is on a Wikipedia editor called ‘Philip Cross’, a story which Craig Murray has been following on his blog.
   Start with this one, where Murray notes that Cross has not had a single day off from editing Wikipedia between August 29, 2013 and May 14, 2018, including Christmas Days.
   And this one.
   Both note that Cross edits Wikipedia entries on antiwar and antiestablishment figures, making them more negative and stripping away the positive, and concerns raised by other Wikipedia editors amount to naught. Cross is known to be against the UK Labour Party leader Jeremy Corbyn, and has devoted a lot of time to George Galloway’s page. However, he likes right-wing Times columnists Oliver Kamm and Melanie Phillips.
   Matt Kennard Tweeted on May 12:

while on May 21, Twitter user Leftworks said:

In other words, suggesting that someone play by the rules on Wikipedia will get you threatened with a ban from Wikipedia.
   Now you get the idea, you can check out Murray’s subsequent blog posts on the subject:

https://www.craigmurray.org.uk/archives/2018/05/emma-barnett-a-classic-philip-cross-wikipedia-operation/
https://www.craigmurray.org.uk/archives/2018/05/the-philip-cross-msm-promotion-operation-part-3/
https://www.craigmurray.org.uk/archives/2018/05/philip-cross-madness-part-iv/

   Whether you believe Philip Cross is one person or not, it highlights what I’ve said on this blog and formerly on Vox in the 2000s: that certain editors can scam their way to the top and not be questioned. I know first-hand that publicly criticizing Wikipedia could get me hate mail, as had happened last decade when I was subjected to days of email abuse from one senior editor based in Canada. That time I merely linked to a piece which talked about the dangers of Wikipedia and how some editors had scammed it—all that editor unwittingly did with her emails was confirm that position (no one says that all scammers are smart) and since then, observing Wikipedia has cemented it. Interestingly, both the Wikimedia Foundation and Wikipedia’s remaining co-founder Jimmy Wales are quick to defend Cross, even in the face of overwhelming evidence that “he” is biased.
   Facebook’s idea of using Wikipedia to combat “fake news” is about as moronic a decision one can make.
   Now that there are voices adding to my own, and on far more serious matters than non-existent cars, I can only hope people will, at the least, treat Wikipedia with caution. If you choose to stop donating to them, I wouldn’t blame you.

Tags: , , , , , , , , , , , , , ,
Posted in internet, media, politics, publishing, technology, UK, USA | 1 Comment »


Happy birthday: Autocade turns 10

07.03.2018


Above: Autocade can be hard work—and sometimes you have to put up less exciting vehicles, like the 2001–7 Chrysler Town & Country, for it to be a useful resource.

March 8, 2018 marks 10 years of Autocade.
   I’ve told the story before on this blog and elsewhere, about how the site came to be—annoyed by the inaccuracies and fictions of Wikipedia (who said the masses would be smart enough to get rid of the mistakes?), I took a leaf out of the late Michael Sedgwick’s book and created a wiki that had brief summaries of each model, the same way Sedgwick had structured his guides. I received an emailed threat from a well known British publisher (I’m looking at you, Haymarket, and as predicted in my reply, your thoughts proved to be totally baseless) when we started, and 12½ million page views later, we’re on 3,628 models (I think we finished the first day on 12), with our page on the Ford Fiesta Mk VII leading the count (other than the home page).
   Autocade began as a wiki but with so many bots trying to sign up, I closed off those registrations. There have really been about six contributors to the site, all told: myself and Keith Adams for the entries, Peter Jobes and Nigel Dunn for the tech, and two members of the public who offered copy; one fed it in directly back in the day when we were still allowing wiki modifications. I thank everyone for their contributions.
   A few years ago, I began running into people online who used Autocade but didn’t know I was behind it; it was very pleasing to see that it had become helpful to others. It also pleased me tremendously to see it referenced in Wikipedia, not always 100 per cent correctly, but as Autocade is the more accurate site on cars, this is the right way round.
   When a New Zealand magazine reviewed us, the editor noted that there were omissions, including his own car, a Mitsubishi Galant. Back then we were probably on 1,000 models, maybe fewer. All the Galants are now up, but Autocade remains a work in progress. The pace of adding pages has declined as life gets busier—each one takes, on average, 20 minutes to research and write. You wouldn’t think so from the brevity, but I want it to be accurate. I’m not perfect, which is why the pages get changed and updated: the stats say we’re running on 3·1 edits per page.
   But it looks like we’re covering enough for Autocade to be a reasonably useful resource for the internet public, especially some of the more obscure side notes in motoring history. China has proved a challenge because of the need to translate a lot of texts, and don’t think that my ethnicity is a great help. The US, believe it or not, has been difficult, because of the need to calculate cubic capacities accurately in metric (I opted to get it right to the cubic centimetre, not litres). However, it is an exciting time to be charting the course of automotive history, and because there are still so many gaps from the past that need to be filled, I have the chance to compare old and new and see how things have moved on even in my four-and-a-half decades on Earth.
   Since Sedgwick had done guides up to 1970, and paper references have been excellent taking us through the modern motor car’s history, I arbitrarily decided that Autocade would focus on 1970 and on. There are some exceptions, especially when model lines go back before 1970 and it would be a disservice to omit the earlier marks. But I wanted it to coincide roughly with my lifetime, so I could at least provide some commentary about how the vehicle was perceived at the time of launch. And the ’70s were a fascinating time to be watching the motor industry: those nations that were confident through most of the 20th century with the largest players (the US and UK) found themselves struggling, wondering how the Japanese, making scooters and motorcycles just decades before, were beating them with better quality and reliability. That decade’s Japanese cars are fascinating to study, and in Japan itself there is plenty of nostalgia for them now; you can see their evolution into more internationally styled product, rather than pastiches of others’, come the 1980s and on. The rise of Korea, Spain, China, India, Turkey, México and other countries as car-exporting nations has also been fascinating to watch. When Autocade started, Australia still had a domestic mass-produced car industry, Chrysler was still owned by Americans, and GM still had a portfolio of brands that included Pontiac and Saturn.
   I even used to go to one of the image galleries and, as many cars are listed by year, let the mouse scroll down the page. You can see periods grouped by certain colours, a sign of how cars both follow and establish fashion. There are stylistic trends: the garishness of smog-era US cars and the more logical efficiency of European ones at the same time; smoother designs of the 1980s and 1990s; a creeping fussiness and a concentration on showing the brand’s identity in the 2000s and 2010s. As some of the most noticeable consumer goods on the planet, cars make up a big part of the marketing profession.
   The site is large enough that I wouldn’t mind seeing an academic look at industry using the data gathered there; and I always thought it could be a useful book as well, bearing in mind that the images would need to be replaced with much higher-resolution fare.
   For now, I’m going to keep on plodding as we commence Autocade’s second decade. The Salon de Genève has brought forth some exciting débutantes, but then I should get more of the Chrysler Town & Country vans up …

Tags: , , , , , , , , , , , , , , , , , , ,
Posted in cars, China, culture, design, globalization, India, internet, marketing, media, New Zealand, publishing, technology, UK, USA, Wellington | No Comments »


Wikipedia corrects serious error after 12 years

05.11.2017

Well done, Wikipedia, you got something right. It only took you 12 years.
   Nick, who appears to be a senior editor at the site, fixed up the complete fabrication that a user called ApolloBoy entered about the ‘Ford CE14 platform’ in 2005, after I wrote a pretty scathing piece on Drivetribe about Wikipedia’s inadequacies, in part based on an earlier blog post I wrote here.
   I am grateful to Nick who I expect saw my story.
   However, errors still abound, and as I pointed out in Drivetribe, another user called Pmeisel, who appears to have been an automotive industry professional, said back in February 2005 there was a real confusion between development codes and platforms on Wikipedia.
   While Nick has largely fixed the problem—he has noted that it was the European Ford Escort of 1990 and its derivatives that CE14 should refer to, and not much earlier American cars—there remains the lesser one that there is still no such thing as a ‘Ford CE14 platform’, just as there is no such thing as a ‘Ford C170 platform’, and so on.
   Ford did not use these codes to refer to platforms, they used them to refer to specific models.
   Let’s see if the Wikiality of this page will at least begin to disappear from the ’net, 12 years after ApolloBoy made up some crap and allowed it to propagate to the extent that some people regard it as fact.
   I have enquired into Wikipedia from time to time, enough to know it is full of mistakes. But the errors do seem to happen far more often in the Anglophone one. Perhaps those of us who speak English are more willing to commit fictions to publication. Goodness knows we have seen an example in print, too. Does this culture lend us to being far less precise with a poorer concern for the truth—and does that in turn lead to the ease with which “fake news” winds up in our media?

Tags: , , , , , , , , , , , ,
Posted in cars, culture, internet, publishing | 7 Comments »


Autocade hits 11,000,000 page views—a million in four months

25.06.2017


The Porsche 901 was the 3,500th model entry into Autocade earlier this month.

After lamenting in February that it had taken over six months for Autocade to get from 9,000,000 to 10,000,000 page views (prior to that it was every five months), I was happy to note that the next million took four months, which is a new record for the website.

March 2008: launch
April 2011: 1,000,000 (three years for first million)
March 2012: 2,000,000 (11 months for second million)
May 2013: 3,000,000 (14 months for third million)
January 2014: 4,000,000 (eight months for fourth million)
September 2014: 5,000,000 (eight months for fifth million)
May 2015: 6,000,000 (eight months for sixth million)
October 2015: 7,000,000 (five months for seventh million)
March 2016: 8,000,000 (five months for eighth million)
August 2016: 9,000,000 (five months for ninth million)
February 2017: 10,000,000 (six months for tenth million)
June 2017: 11,000,000 (four months for eleventh million)

   Just yesterday I spotted another fiction on Wikipedia—that the original Hyundai Sonata, which we know was not sold outside Korea, is claimed to have been sold in Canada and New Zealand. (The Stellar-based one was not; the first Sonata sold for export was the Y2.)
   As long as unreferenced fictions like this keep appearing on Wikipedia—I don’t have to repeat earlier ones I noted, such as the ongoing, and annoying, falsehood of the ‘Ford CE14 platform’ page—there’s a place for Autocade. In fact, the additional growth suggests to me that the site is being used more regularly by netizens, and I hope that the work we’ve put in has been useful and entertaining.
   Our 3,500th entry, made on June 3, 2017, was for the Porsche 901 (unlike many other times, I had purposely chosen it).
   We’re not completely error-free, but we try to reference everything with offline sources, and, where appropriate, online (non-Wikipedia) ones. Thank you for your visits and for putting your trust in us.

Tags: , , , , , , ,
Posted in business, cars, internet, media, publishing | 1 Comment »