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The Persuader
My personal blog, started in 2006. No paid or guest posts, no link sales.
Posts tagged ‘interview’
30.01.2023
I had a chuckle at Marissa Mayer saying that Google results are worse because the web is worse.
As I’ve shown with a site:lucire.com search, which is a good one since our site pre-dates Google (just), Google is less capable of providing the relevant pages for a typical search.
I know how web spiders work in theory, and there’s no way that 2002 framesets are coming up in a 2023 crawl. We haven’t linked to those pages for a long, long time. But Google is throwing those into the top 10.
And we can extend this argument: Google, through its advertising, incentivized the creation of the very crap polluting the web.
Mayer said, ‘I think because there’s a lot of economic incentive for misinformation, for clicks, for purchases.
‘There’s a lot more fraud on the web today than there was 20 years ago.’
What’s the bet that these fraudulent pages are carrying Google ads?
As Don Marti, who knows a lot more about this than I do, said to me: ‘It’s all about moving traffic and ads away from sites that people want, and that advertisers want to sponsor, to places where Google gets a bigger % of the ad money (even if they’re on the sketchy side)’.
I think all this was foreseeable, and one could prove negligence on Google’s part. I still remember a time when established publishers like me wouldn’t join Google’s ad programmes because they were seen as an advertising service for second-rate (or worse) sites. They would appear on places like Blogger, which Google wound up buying.
Then the buggers wound up monopolizing the area, and things got worse for digital publishers as the ad rates got lower and lower—and, as Don notes, the money can find its way to the bottom feeders.
So Google does have a problem, and it is also the cause of a problem. Maybe breaking it up will solve some of them, and I’m glad the US Department of Justice is finally courageous enough to do something about it.
A spot-on insight from Brenda Wallace earlier today on Mastodon.
An irrelevant side note: it turns out the previous post was the 1,234th on this blog.
Tags: 2000s, 2023, Blogger, deception, disinformation, Don Marti, Google, interview, media, misinformation, monopoly, publishing, technology
Posted in culture, internet, media, publishing, technology, USA | No Comments »
16.01.2023
Above: I spy Natasha Lyonne and a Plymouth Barracuda. So the car is part of her screen identity? So it should be, it’s television. I might have to watch this.
Two very fascinating responses come up in Wired’s interview with director Rian Johnson on the Netflix release of his film Glass Onion.
I’m not going to refer to it with the bit after the colon in the Netflix release because it doesn’t make any sense. If you’re that stupid to require its presence, you won’t be able to follow the film anyway. (Johnson was annoyed that it was added as well. I can see why.) The second Peter Ustinov-led Poirot film in 1982 wasn’t called Evil under the Sun: a Death on the Nile Mystery. Studios obviously thought we were smarter 40 years ago.
Anyway, the first quotation, on social media trolls, where Johnson believes they have to be shut down, not ignored. Between Wired’s senior editor Angela Watercutter and Johnson:
Wired: It does feel like a shift. Ewan McGregor issued a statement pretty quick saying that this doesn’t represent the fandom. And like you said at WIRED25, 99 percent of the fandom isn’t trolls.
Johnson: Well, and also, that 1 percent tries to do this shell game where they say, “Anyone who doesn’t like the movie is a racist.†That’s a bad faith argument. It’s so clear. We’re not talking about whether you like something or whether you don’t, we’re talking about whether you’re toxic and abusive online and whether you’re an odious sexist racist.
Just something to keep in mind if you still use Facebook or Twitter, where these sorts of discussions erupt.
Second one, and why I began blogging about the interview: Johnson is working on a TV series called Poker Face for Peacock, with weekly release and stand-alone stories.
Oh, so each episode is a standalone?
It was a hugely conscious choice, and it was something that I had no idea was gonna seem so radical to all the people we were pitching it to. [Laughs] The streaming serialized narrative has just become the gravity of a thousand suns to the point where everyone’s collective memory has been erased. That was not the mode of storytelling that kept people watching television for the vast history of TV. So it was not only a choice, it was a choice we really had to kind of fight for. It was tough finding a champion in Peacock that was willing to take a bet on it.
All my favourite series follow this format and I was deeply surprised that it’s been gone so long that it seems radical in the early 2020s.
It’s actually why I tend not to watch much television these days, because all those shows are history.
Who wants multi-episode story arcs? I want an hour of escapism and next week I want another hour and I honestly do not care if character A picks up traits or clues about their father’s brother’s roommate’s missing excalibur each week and its relevance to their superpowers. If the characters are reasonably fleshed out, then I’ll enjoy the standalone stories on their merits, thanks. Maybe give me a little bit of the underlying mystery in the first and last episodes of the season. Or maybe not, I just don’t care.
These are the sorts of things I have boxed sets of: The Persuaders, Return of the Saint, The Professionals, The Saint, The New Avengers, Mission: Impossible, UFO, Department S, The Sweeney, Dempsey and Makepeace, Hustle, Alarm für Cobra 11: die Autobahnpolizei. By the 2000s, I did think it was odd that Hustle was being compared to The Persuaders and how it parodied the formula. What parody? The shows are not that alike. Now I think the writer must have been getting at the standalone nature of its episodes (though there were some that connected through various seasons). It was that unusual by the 2000s for Hustle’s structure to be considered parodic.
As many of you know, I have Life on Mars but only because by then that was the closest thing to the formula, even if Sam Tyler is trying to figure out what’s happened to him in the background each week. I also have recordings of The Paradise Club, and prefer season 2 to season 1 because of its standalone episodes. I have fond memories of the US shows such as Knight Rider, Automan and CHiPs but never went as far as getting the DVDs.
Johnson is roughly the same age as me—he’s a year younger—so he’ll have grown up with the same influences. His statement that this was how people watched TV for the majority of its history is bang on. Just on that alone, I might find out what Poker Face is about. Maybe we Xers will start getting things we’d like to watch after decades of reality TV and a decade of realty TV, neither of which interests me.
Tags: 1970s, 1980s, 2022, 2023, car, film, history, interview, magazine, Netflix, TV, UK, USA, Wired
Posted in culture, interests, TV, UK, USA | No Comments »
07.06.2022
On to more positive things. Earlier this year, Luxlife got in touch with us, to say Lucire had been shortlisted for their awards. It was later confirmed that we had become their ‘Most Pioneering Online Fashion Magazine 2022’, which I was very happy about—especially as we started 25 years ago.
The judges did know of our UNEP partnership, and the fact we had diversified into print in 2004 (and kept that going in different countries). These points differentiate us from pretty much every fashion magazine. The fact family (namely my father) helped keep things going even during the toughest times, including the GFC, also distinguishes us—and a lot of this success is down to him.
You can read our release here, and I mention it on the Lucire website, too.
I was also stoked to see my interview with Komoneed go online. Komoneed is an online community providing global and local knowledge on sustainability, while avoiding false and unfounded information. You can even read it in German, and I had to clarify to a few people that no, I’m not fluent—this was thanks to Komoneed’s translators. The Aston Martin is also not mine—this was a press car from 2007, but I said to Komoneed they could pick whatever photos they wanted from our photo gallery. In fact, I’m still very proud of the story I wrote on the car 15 years ago.
Tags: 2022, Aston Martin, Australia, environment, fashion, Germany, interview, JY&A Media, Komoneed, Lucire, Luxlife, luxury, New Zealand, press coverage, publishing, sustainability, UK
Posted in cars, internet, leadership, media, New Zealand, publishing, social responsibility, UK | No Comments »
21.10.2021
Shared on my social media on the day, but I had been waiting for an opportunity to note this on my blog.
It was an honour last week to guest on Leonard Kim’s Grow Your Influence Tree, his internet talk show on VoiceAmerica. Leonard knows plenty about marketing and branding, so I thought it might be fun to give his listeners a slightly different perspective—namely through publishing. And since I know his listeners’ usual topics, I didn’t stray too far from marketing.
We discuss the decrease in CPM rates online; the importance of long-form features to magazines (and magazine websites) and how that evolution came about; how search engines have become worse at search (while promoting novelty; on this note I’ve seen Qwant do very well on accuracy); how great articles can establish trust in a brand and falling in love with the content you consume (paraphrasing Leonard’s words here); Lucire’s approach to global coverage and how that differs to other titles’; the need to have global coverage and how that potentially unites people, rather than divide them; how long-form articles are good for your bottom line; how stories work in terms of brand-building; how Google News favours corporate and mainstream sources; and the perks of the job.
This was a great hour, and it was just such a pleasure to talk to someone who is at the same level as me to begin with, and who has a ready-made audience that doesn’t need the basics explained to them. It didn’t take long for Leonard and me to get into these topics and keep the discussion at a much higher level than what I would find if it was a general-audience show. Thank you, Leonard!
Listen to my guest spot on Leonard’s show here, and check out his website and his Twitter (which is how we originally connected). And tune in every Thursday 1 p.m. Pacific time on the VoiceAmerica Influencers channel for more episodes with his other guests!
Tags: 2021, branding, California, Google, internet, interview, Jack Yan, Leonard Kim, Lucire, marketing, media, radio, Twitter, USA, VoiceAmerica
Posted in branding, business, internet, marketing, media, New Zealand, publishing, technology, USA | No Comments »
16.01.2021
As I begin this blog post, Autocade has just crossed the 22 million page-view barrier, at 22,000,040. I had estimated we would get there on Sunday, and as it’s just ticked over here in New Zealand, I was right.
We have 4,379 models in the database, with the Bestune B70, in its third generation, the most recent model added. I’m grateful it’s a regular car—not yet another crossover, which has been the usual story of 2020 whenever I added new models to the site.
As crossovers and SUVs were once regarded as niche models, historical ones weren’t put up in any great haste, so I can’t always escape them just by putting up models from the past. However, there are countless sports and supercars to go up, so maybe I’ll need to add them in amongst the SUVs to maintain my sanity and happiness. These high-riding two-box vehicles are incredibly boring subjects stylistically.
It’s a stroke of luck, then, to have the B70: Bestune’s sole saloon offering now in amongst an entire range of crossovers. The saloons are the niche vehicles of 2020–1. It’s a stylish motor, too: Cadillac looks for a middle-class price. Admittedly, such close inspirations haven’t deserted China altogether, but this is, in my mind, no worse than Ford pretending its 1975 US Granada was a Mercedes-Benz for the masses. It’s not going to get GM’s lawyers upset. And unlike the Granada, the B70 is actually a fairly advanced car, with refinement now on par with a lot of joint-venture models coming out of China.
You know the drill to track Autocade’s growth:
March 2008: launch
April 2011: 1,000,000 (three years for first million)
March 2012: 2,000,000 (11 months for second million)
May 2013: 3,000,000 (14 months for third million)
January 2014: 4,000,000 (eight months for fourth million)
September 2014: 5,000,000 (eight months for fifth million)
May 2015: 6,000,000 (eight months for sixth million)
October 2015: 7,000,000 (five months for seventh million)
March 2016: 8,000,000 (five months for eighth million)
August 2016: 9,000,000 (five months for ninth million)
February 2017: 10,000,000 (six months for 10th million)
June 2017: 11,000,000 (four months for 11th million)
January 2018: 12,000,000 (seven months for 12th million)
May 2018: 13,000,000 (four months for 13th million)
September 2018: 14,000,000 (four months for 14th million)
February 2019: 15,000,000 (five months for 15th million)
June 2019: 16,000,000 (four months for 16th million)
October 2019: 17,000,000 (four months for 17th million)
December 2019: 18,000,000 (just under three months for 18th million)
April 2020: 19,000,000 (just over three months for 19th million)
July 2020: 20,000,000 (just over three-and-a-half months for 20th million)
October 2020: 21,000,000 (three months for 21st million)
January 2021: 22,000,000 (three months for 22nd million)
Not a huge change in the rate, then: for the past year we can expect roughly a million page views every three months. The database has increased by 96 model entries, versus 40 when I last posted about the million milestones.
In other publishing news, Jody Miller has managed to get an interview with Rachel Hunter. Her story is on Lucire today, and I’m expecting a more in-depth one will appear in print later in 2021. It’s taken us 23 years (not that we were actively pursuing): it’s just one of those things where it took that long for our paths to cross. Both Rachel and Lucire are Kiwi names that are arguably more noticed abroad than in our countries of birth, and I suppose it’s like two compatriots who travel to different countries. You don’t always bump into one another.
I end this blog post with Autocade’s views at 22,000,302.
Tags: 2020, 2021, Aotearoa, Autocade, Bestune, car, celebrity, China, FAW, interview, JY&A Media, Lucire, modelling, New Zealand, publishing, Rachel Hunter, supermodel
Posted in cars, China, design, New Zealand, publishing, USA | 2 Comments »
19.02.2020
The 2009 Chevrolet Caprice SS, sold in the Middle East but made in Australia.
I came across a 2017 interview with former Holden chairman Peter Hanenberger, who was in charge when the company had its last number-one sales’ position in Australia. His words are prescient and everything he said then still applies today.
He spent over four and a half decades at GM so he knows the company better than most. Since he departed in 2003 he had seven successors at the time of the interview; and I believe there have been a couple more since.
A few interesting quotes.
‘It’s [now] a very short-sighted company.’
It feels like it. The sort of retreating it’s done, the dismantling of global operations, and the failure to see how global platforms can achieve economies of scale is something only a company beholden to quarterly stock price results will do. And it doesn’t help its longevity.
Even Holden, which looked like it was going to simply depart the passenger-car sector at the end of last year before a full withdrawal now, tells us that there doesn’t appear to be a long-term plan in place that the US management is committed to. Not long ago they were going on about the two dozen models they planned to launch to field a competitive line-up.
‘For me General Motors was a global player. Today General Motors is shrinking to an American company with no foresight, which is in very bad shape, which has missed the market.’
Remember Hanenberger said this in 2017, when it still had presences in many Asian countries. In 2020 it very much looks like GM will be in the Americas (where it still fields reasonably complete line-ups, although God knows if they have anything in the pipeline to replace the existing models) and China. Russia, India, Australia, New Zealand and Thailand are gone or going, and western Europe went in 2017 before the interview.
‘Maybe it fits into the vision of Trump; America first. But how the world is going to work also in the future is not because of America first and America only. It’s global. I think there will be no GM in the near-future.’
Everyone else is desperate to do tie-ups while GM retreats. I think GM will still be around but it’ll be a Chinese firm.
‘I couldn’t give a shit what they thought in America.’
I don’t mean this as an anti-American quote, but I see it as a dig against bean counters (whatever their nationality) fixated on the short term and not motorheads who know their sector well.
‘For me Holden didn’t have enough product, and the second one [priority] was I wanted to get these cars they had into export. For me it was very clear the products they had could be exported and they should go on to export.’
You saw the failure of this in the early 2010s when Holden failed to keep its Middle Eastern deals, and the US models returned. It could have been so different, though I realize GM was very cash-strapped when they needed the US taxpayer to bail them out.
Bruce Newton, who wrote the piece, says that the Middle East was worth up to 40,000 units per annum, with A$10,000 profit per car. It cost Holden A$20 million to develop them for left-hand drive. I’d have held on to that sort of opportunity for dear life.
‘There was nothing going on that was creative towards the future of Holden as in Australia, New Zealand and toward the export market. They just neglected this whole thing.’
That was Hanenberger when he visited his old workplace in 2006. With product development cycles the way they are, it’s no wonder they were so ill placed when the Middle Eastern markets lost interest in the VE Commodore and WM Caprice (as the Chevrolet Lumina and Caprice), and China in the Buick Park Avenue.
It’s an interesting interview and perhaps one of the best post mortems for Holden, even if it wasn’t intended to be so three years ago.
Tags: 1990s, 2000s, 2017, 2020s, Australia, Buick, car industry, Chevrolet, China, export, exporting, GM, Holden, interview, management, media, Middle East, Peter Hanenberger, strategy, USA
Posted in business, cars, China, leadership, USA | 3 Comments »
23.01.2020
From an Automotive News interview with Yves Bonnefort, CEO of DS.
Um, that’s called a station wagon or estate car, mate.
Tags: 2019, 2020, Automotive News, car, car industry, Citroën, Crain Communications, DS, France, humour, interview, Peugeot, PSA
Posted in business, cars, France, marketing | 1 Comment »
14.03.2018
The late Prof Stephen Hawking’s interview with Condé Nast’s Wired UK is excellent, and a quick read. For those following me on the duopoly of Facebook and Google, here’s what the professor had to say:
I worry about the control that big corporations have over information. The danger is we get into the situation that existed in the Soviet Union with their papers, Pravda, which means “truth” and Izvestia, which means “news”. The joke was, there was no truth in Pravda and no news in Izvestia. Corporations will always promote stories that reflect well on them and suppress those that don’t.
That last bit definitely applies to a lot of the media today, especially those owned outside our country.
The rest makes for a great read as Prof Hawking talks about AI, the anti-science movement, Donald Trump, and what humanity needs to do urgently in science. Here’s that link again.
Tags: 2017, AI, antitrust, Condé Nast, duopoly, Facebook, future, Google, history, interview, magazine, media, newspapers, politics, science, social media, USSR, Wired
Posted in business, politics, publishing, technology, USA | No Comments »
03.01.2017
John Nowak/CNN
I’ve had a 52 Insights interview with Douglas Rushkoff open in a Firefox tab for nearly half a year. It’s a fascinating piece, and I consider Douglas to be spot on with a lot of his viewpoints. I’ve revisited it from time to time and enjoyed what Douglas has had to say.
Here are a few ideas I took from it. The italicized parts were added by me to the Medinge Group version of this post.
- There are a lot of idealistic ventures out there, but to grow, often founders have to compromise them. It comes back to our thoughts at Medinge over a decade ago about ‘Finance is broken.’ Because of these compromises, we don’t really advance as much as we should, and some brilliant ideas from young people aren’t given the chance they deserve. This needs to change. We already have branding as a tool to help us, and we know that more authentic, socially responsible brands can cut through the clutter. When these ventures start up, brands are an important part of the equation.
- How are governments going to fund this universal basic income if they themselves aren’t getting a decent tax take? It’s the same question that’s plagued us for decades.
- Douglas sees ventures like Über to be the same-old: its customer really is its investor, and that’s not a new concept at all. It’s why we can’t even consider Über to be a good brand—and the tense relationships it often has with governments and the public are indications of that. It’s not, as Douglas suggests, even a driver co-op. It’s still all about making money the old-fashioned way, albeit with newer tools.
- Worrying but true: some of the biggest companies in the world are required to grow because of their shareholders. As a result, they’re not creating sustainable revenue. ‘If you’re one of the top fifty biggest companies in the world and you’re still required to grow, that’s a real problem.’
- Kids these days aren’t as into all this technology and social networks as we are. Thank goodness. When Facebook reports another billion have joined, you’ll know they’re BSing you and counting all the bots.
- Many people see things as though they were created by God and accept them. Douglas gives the examples of Facebook and religion. I can add the capitalist and socialist models we have. If people believe them to be God-given, or natural, then they feel helpless about changing them. We need to wake people up and remind them these are human-made constructs—and they can be unmade by humans, and replaced with better ideas that actually work for us all.
Tags: 2010s, 2016, Douglas Rushkoff, economy, finance, innovation, interview, Medinge Group, politics, society, technology, USA, youth
Posted in business, culture, internet, leadership, politics, social responsibility, technology | No Comments »
31.12.2011
Friday morning’s interview with Sonia Sly on Kiwi Summer was the most fun I have ever had on radio.
Radio New Zealand National was the most fair and balanced medium I dealt with when running for Mayor of Wellington in 2010, and I was glad that Sonia thought of me for its summer programming this year.
I joked to friends prior to the interview that 2011 was much like 2010: go on to National Radio to dis the Wellywood sign in the first half of the year, and have a fun interview in the second half.
This was a casual, fun interview thanks to Sonia putting me at such ease. It goes on for a healthy 17 minutes, covering my involvement in Lucire, judging the Miss Universe New Zealand pageant, my branding work, including the Medinge Group, and my typeface design career. The feedback I have had is that people enjoyed it, and I’d like to share it with you all here.
Here’s the link, and you can always find it at the Kiwi Summer page for the day, where other formats are listed.
And if you’re wondering where the opening reading comes from, it’s taken from this review of the Aston Martin V8 Vantage I penned many years ago.
Tags: 2011, Aotearoa, authorship, branding, cars, interview, Jack Yan, JY&A Consulting, JY&A Fonts, Lucire, media, Medinge Group, Miss New Zealand, Miss Universe, New Zealand, publishing, radio, Sonia Sly, typeface design, Wellington, Whanganui-a-Tara
Posted in branding, business, cars, design, India, internet, leadership, marketing, media, New Zealand, publishing, typography, Wellington | No Comments »
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